CHARACTER CARDS Original Text PRINTING INSTRUCTIONS

Total Page:16

File Type:pdf, Size:1020Kb

CHARACTER CARDS Original Text PRINTING INSTRUCTIONS CHARACTER CARDS Original Text PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. TABLE OF CONTENTS Alfrid, 18 The Necromancer of Dol Guldur, 22 Azog™, 11 Thorin Oakenshield™ (Unique), 13 Bard the Bowman™, 12 Thorin Oakenshield™ (Rookie), 20 Beorn™, 14 Thranduil, 16 Bilbo Baggins™, 4 Bilbo Baggins™ and Gandalf™ the Grey, 23 Gandalf™ the Grey, 17 Hunter Orc, 10 Lake-town Archer, 8 Lake-town Sentry, 9 Legolas Greenleaf™, 19 Master of Lake-town, 21 Mirkwood Elf Warrior, 5 Mirkwood Jailer, 6 Mirkwood Sentry, 7 Tauriel™, 15 Bilbo Baggins™ 001 BILBO BAGGINS™ Hobbit, Ringbearer, Thorin & Company MAGIC RING (Probability Control) PART OF A DWARVEN COMPANY (Empower) Careful, Careful Steps Lucky Burglar Modify Bilbo Baggins’ attack value by +2 when he targets a character assigned a relic or resource and, if he WHAT COULD GO WRONG? (Perplex) hits, that character can’t use the effects of that relic or resource until they have no action tokens. UNNOTICED BY MOST (Stealth) STING! (Precision Strike) QUICK AS I CAN (Super Senses) HALFLING’S TENACITY (Willpower) POINT VALUE: 50 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Mirkwood Elf Warrior 002 MIRKWOOD ELF WARRIOR FIGHT AS A LEGION (Enhancement) Elf, Mirkwood, Warrior STRIKE THEM NOW! (Running Shot) TREES AS COVER (Stealth) FROM TREE TO TREE (Sidestep) ELVEN BLADE (Blades/Claws/Fangs) FOR ELROND (Willpower) DEFENSIVE TECHNIQUE (Combat Reflexes) POINT VALUE: 50/25 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Mirkwood Jailer 003 MIRKWOOD JAILER Elf, Mirkwood BILLY CLUB (Flurry) Hold You Here As Long as We Have To If an opposing character is adjacent to both Mirkwood Jailer and a printed square of blocking or hindering terrain, that character can’t break away automatically and subtracts 1 from its d6 roll when breaking away. ARMORED (Toughness) TRAINED (Combat Reflexes) LETHAL FORCE APPROVED (Close Combat Expert) POINT VALUE: 34 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Mirkwood Sentry 004 MIRKWOOD SENTRY Elf, Mirkwood FIGHT SIDE BY SIDE (Empower) PERCHED (Stealth) SCOUTING (Leap/Climb) Night Watch When a friendly character named Thranduil is within 8 squares, opposing characters within 5 squares of Mirkwood Sentry can’t use Stealth. LINE OF DEFENSE (Willpower) TRAINED FOR THIS (Combat Reflexes) WORK TOGETHER! (Enhancement) POINT VALUE: 30 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Lake-town Archer 005 LAKE-TOWN ARCHER Lake-town, Man HIGHER GROUND (Leap/Climb) Line Up and Fire Together When Lake-town Archer is adjacent to two or more friendly characters with the word “Lake-town” in their name, Lake-town Archer can use , , . EXTRA QUIVER (Willpower) THIS TOWN WILL STAND (Energy Shield/Deflection) HUNTER’S ARROWS (Ranged Combat Expert) SPOTTER’S EYES (Enhancement) POINT VALUE: 30 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Lake-town Sentry 006 LAKE-TOWN SENTRY Lake-town, Man PROUD TO SERVE (Precision Strike) STANDARD ISSUE (Blades/Claws/Fangs) SQUARING OFF (Combat Reflexes) STEEL RESERVE (Willpower) Chain of Command When a friendly character named “Master of Lake-town” is within 8 squares, Lake-town Sentry can use Charge and Leadership. When he uses Leadership, he may only remove action tokens from characters named Lake-town Sentry regardless of their point cost. POINT VALUE: 40 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Hunter Orc 007 HUNTER ORC Brute, Monster, Orc TAG TEAM (Empower) Battlefield Promotion: Mount up! When Hunter Orc hits an opposing character, put a Mount token on this card and you may roll WILD SWINGS (Close Combat Expert) a d6, adding 1 for each Mount token on this card. On a result of 8 or more, remove all Mount tokens from this card and replace him with #107 Hunter Orc on the same click number. ATTACK! (Running Shot) COMBAT IS ALL WE KNOW (Sidestep) Find Them, Hunt Them Down When a friendly character named Azog is within 8 squares, Hunter Orc can use Willpower and modifies his attack value by +1. THICK HIDES (Toughness) BERSERKER FIGHTING (Combat Reflexes) POINT VALUE: 40 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Azog™ 008 AZOG™ Monster, Orc, Ruler, Warrior THE PALE ORC (Invulnerability) MIGHTY (Toughness) Out of the Way, Dwarf! Battlefield Promotion: Mount up! When Azog hits an opposing character, put a Mount token on this card and you may roll a d6, THOUGHT DEAD (Regeneration) adding 1 for each Mount token on this card. On a result of 9 or more, remove all Mount tokens from this card and replace him with #108 Azog on the same click number. FEARED BY ALL ORCS (Leadership) ON THE HUNT (Charge) VICIOUS (Exploit Weakness) Wading Through the Battlefield Azog can use Flurry and Sidestep. Azog can use Sidestep in between attacks using Flurry. INSANE RAGE (Battle Fury) AXE AND MACE (Blades/Claws/Fangs) A LEGEND (Invincible) POINT VALUE: 104 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Bard the Bowman™ 009 BARD THE BOWMAN™ Lake-town, Man, Warrior TRUE AIM (Ranged Combat Expert) LET’S SEE WHAT WE CAN DO (Running Shot) MOVE QUICKLY NOW! (Sidestep) Uncanny Aim When Bard the Bowman makes a ranged combat attack against a single character, the target can’t use defense powers during the attack. DON’T LOSE YOUR NERVE (Energy Shield/Deflection) ALWAYS FIGHTING (Combat Reflexes) RESOLVE OF MAN (Willpower) POINT VALUE: 83 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Thorin Oakenshield™ 010 THORIN OAKENSHIELD™ Dwarf, Ruler, Thorin & Company, Warrior SOMETHING TO PROVE (Close Combat Expert) ONE DAY... (Charge) ...WE WILL RECLAIM WHAT IS OURS (Flurry) And STAY Down! Thorin Oakenshield can use Blades/Claws/ Fangs and when he does, the minimum result of the d6 roll is his printed damage value. When an opposing character would be KO’d from Thorin Oakenshield’s attack, any other game effects that would activate as a result of that KO are ignored. HOLD YOUR GROUND (Toughness) BACK-TO-BACK (Combat Reflexes) STILL A RULER (Leadership) POINT VALUE: 79 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Beorn™ BEORN™ BEORN™ Animal, Mystical Man, Mystical 011b 011a Morph: Beorn Give Beorn a move or close combat action that Morph: Beorn Give Beorn a move or close combat action that deals no pushing damage; after actions resolve, replace this character deals no pushing damage; after actions resolve, replace this character with #010a Beorn on the same click number. with #010b Beorn on the same click number. NATURE’S FURY (Charge) MOVING THROUGH NATURE (Sidestep) CLAWS LIKE RAZORS (Blades/Claws/Fangs) THROW YOU FROM MY FOREST! (Force Blast) SKIN LIKE ROCK (Invulnerability) I LIVE ALONE (Quake) IMMENSE SIZE AND STRENGTH FOR A MAN IT CAN BE HURT (Toughness) (Toughness) A Friend to the Woods Beorn can use Perplex, but may only target friendly characters. When he uses it and targets a (Exploit Weakness) NEVER GIVES UP character with the Animal keyword, he may modify two different combat values by +1 or -1 each. NEVER GETS TIRED (Battle Fury) KNOW MORE THAN YOU THINK (Outwit) POINT VALUE: 75 POINT VALUE: 75 © WBEI ™ Middle-earth Ent. Lic. to New Line. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) (s13) Tauriel™ 012 TAURIEL™ Elf, Mirkwood, Warrior TWIN ELVEN BLADES (Blades/Claws/Fangs) ATTUNED TO THE FOREST (Super Senses) Silent...and Deadly Capable Warrior When Tauriel’s force isn’t a themed team, ELVEN DEXTERITY (Combat Reflexes) she is a wild card. DEADLY SWORDSWOMAN (Exploit Weakness) DEFENDER OF THE WOODLAND REALM (Charge) CRITICAL STRIKE (Close Combat Expert) DISARMING BEAUTY (Sidestep) ELVEN DERVISH (Flurry) SUBDUE THE TRESPASSERS! (Quake) POINT VALUE: 65 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Thranduil 013 THRANDUIL Elf, Mirkwood, Ruler, Warrior Elven Army Thranduil can use Mastermind and Super Senses. What Brought You Into the Forest At All? Give Thranduil an epic action if he occupies hindering terrain and choose MYSTERIOUS LORD OF MIRKWOOD (Super Senses) one friendly character with the Mirkwood keyword for every 100 points of the build total. Chosen characters can use Plasticity until your next turn. Opposing characters can’t ignore hindering terrain to AT MY COMMAND, LOOSE YOUR ARROWS! target chosen characters until your next turn. (Enhancement) King of the Woodland Realm Thranduil can use Leadership, but may only remove action tokens from characters with MIRKWOOD TACTICIAN (Perplex) whom he shares a keyword. SECURE IN MIRKWOOD (Stealth) ELVEN LORD (Outwit) I KNOW MIRKWOOD’S HIDDEN PATHS (Leap/Climb) CENTURIES OF SWORDSMANSHIP (Precision Strike) POINT VALUE: 93 © 2013 WIZKIDS/NECA, LLC. © WBEI ™ Middle-earth Ent. Lic. to New Line. (s13) Gandalf™ the Grey 014 GANDALF™ THE GREY Maiar, White Council NOT WHEN TO TAKE A LIFE... (Blades/Claws/Fangs) ...BUT WHEN TO SPARE ONE (Super Senses) A Wizard Goes Where He Wants Dawn Take You All Give Gandalf the Grey an epic action and make a ranged combat attack targeting up to 1 opposing character NOT QUITE IMMORTAL (Invincible) within range and line of fire for each 200 points of the build total.
Recommended publications
  • Cinema Exclusive on Set Page 2 Caption
    Page 1 Cinema Exclusive on set Page 2 Caption: In July 2013, as Martin Freeman and Peter Jackson looked on, Sir Ian McKellen shot his last scene as Gandalf Title: The Hobbit: The Battle of the Five Armies On December 10th the last journey to Middle-earth opens in theaters. Cinema was on set and saw devastated cities and elves smeared with blood Page 3 Cover Story “After these battles, a little drama is quite enticing” – Peter Jackson Caption: Although Bard the Bowman is only vaguely described in the book, the character plays a central role in “The Battle of the Five Armies.” Page 4 Caption: “The Tinkerbell of Middle-earth: “She is sweet, but you shouldn’t get into it with her,” Evangeline Lilly warns about her character, the Ninja-elf Tauriel By Philipp Schulze Thick snowflakes fall quietly on the crumbled city walls of Dale. Richly decorated wells and gates, now overgrown with grass and weeds, testify to the former riches of the kingdom in the north of Middle-earth. And houses, slippery paths, and a row of rotten trees give an impression of the catastrophe that must have happened here. 171 years ago, Smaug the dragon breathed fire on Dale and laid waste to the city. Now the metropolis at the foot of Erebor is once again the scene of death and destruction. Frightening Orcs have begun to hunt the men who have fled to the ruins of Dale from Esgaroth. With swords and axes drawn, they fight their way, screaming loudly, through the narrow allies of the ruined city.
    [Show full text]
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • A Tolkien Magazine
    The Ivy Bush A Tolkien Magazine May/June 2016 In This Issue Benita Prins Fearless Fictitious Females I. Salogel The Fifth Five Inside This Issue Pagination begins AFTER the contents page Fearless Fictitious Females.................................... Page 7 The Fifth Five........................................................ Page 2 Cast and Crew Birthdays in May and June............. Page 10 Did You Know? (book)........................................... Page 6 Did You Know? (movie)......................................... Page 9 Did You Notice?.................................................... Page 6 Elvish Word of the Month..................................... Page 5 Funny Pictures...................................................... Page 11 The Gondorian Gazette......................................... Page 11 Hobbit Fun: Beren and Lúthien Wordsearch.......... Page 5 Jokes!................................................................... Page 4 Language Corner................................................... Page 1 Quote of the Month............................................. Page 11 Short Stories: Elf Poems........................................ Page 4 Something to Think About.................................... Page 9 Test Your LOTR Knowledge!................................... Page 9 That Was Poetry!: A Middle-earth Lullaby............. Page 1 What If... …........................................................... Page 6 Would You Rather?............................................... Page 6 Please Contribute! The Ivy
    [Show full text]
  • Dagor Buzzollach: J. R. R. Tolkien Questions for the 2020 Internet Charity Tournament by Stephen Eltinge
    Dagor Buzzollach: J. R. R. Tolkien questions for the 2020 Internet Charity Tournament By Stephen Eltinge Note to moderators: I tried to provide pronunciation guides for difficult non-English words, which you should use if you feel comfortable with them. If not, a phonetic English pronunciation will get the idea across. In non-English words, you should trill the letter ‘r’ if you can. Moderators, please read the following notes to your players: Notes to players: 1. Throughout this packet, the word “person” could indicate any type of humanoid character, including but not limited to humans, Elves, Dwarves, Hobbits, Ainur, and Orcs. The words “man” and “woman” are used specifically for humans. 2. For the sake of consistency, this packet uses the past tense wherever possible, at odds with standard practice for describing fictional plots. The use of the past tense does not imply a particular time relation to either The Lord of the Rings or any other source. 1. Ithildin was used to mark the star of the House of Fëanor [FEH-ah-nor] on one of these features, which bore an inscription crediting it to Narvi. That example of these features was unaffected by the phrase “Annon edhellen, edro hi ammen.” According to a passage in moon-letters, one of these features was revealed by the setting sun on the last light of Durin’s Day; that one was described as “five feet high and three may walk abreast.” Gandalf was exasperated by one of these features outside Moria until he realized that its password was Mellon, the Sindarin word for “friend.” For 10 points, Bag End’s example of what type of house feature is green and perfectly round, with a brass knob in the center? ANSWER: doors [accept the Doors of Durin or West-door of Moria or Elven Door or Back Door; prompt on gates; prompt on entrances] 2.
    [Show full text]
  • The History of Middle-Earth: from a Mythology for England to a Recovery of the Real Earth Christopher Garbowski
    Analysis The History of Middle-earth: from a Mythology for England to a Recovery of the Real Earth Christopher Garbowski ne of J.R.R. Tolkien's great Parallels with the pro­ joined with the fortunes and mis­ Oambitions was to have The fortunes of the elves, in their Lord of the Rings and The Silmar- cess of myth creation combined struggle with Sauron, illion published together. This in found in the work of for the remainder of the Second fact delayed the publication of the contemporary philoso­ Age. After their costly self- former, since Allen & Unwin, satisfaction with apparent victory, who had originally instigated the phers the struggle resumes for the full trilogy and were willing to risk extent of the Third Age, wherein the publication of this unusual are set The Hobbit and The Lord book, were not surprisingly un­ conflagration with Morgoth are o f the Rings. The former was prepared for the additional publi­ rewarded with an Eden-like is­ independently conceived, but cation of what seemed to be an land residence set between the turned out to be essential in the altogether obscure work. In an “uttermost West” - Valinor, the history of Middle-earth: undated letter (probably from late residence of the Valar - and As the high Legends o f the begin­ 1951) to Milton Waldman, a dif­ Middle-earth, while the elves ning are supposed to look at ferent potential publisher, the au­ who do not leave Middle-earth things through Elvish minds, so thor presented a vision of his exercise a kind of ‘antiquarian the middle tale o f the Hobbits mythology.
    [Show full text]
  • Treasures of Middle Earth
    T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25
    [Show full text]
  • The Journal of the Tolkien Society
    Issue 50 • Autumn 2010 MallornThe Journal of the Tolkien Society Mallorn The Journal of the Tolkien Society Issue 50 • Autumn 2010 Editor: Henry Gee editorial Production & 4 Marcel Bülles looks to the future of Tolkien fandom design: Colin Sullivan letters Cover art: Lorenzo Daniele 7 Alex Lewis & Elizabeth Curie go back to the source Inside pages: Ruth Lacon (p. 2), Jef Murray (pp. 6, 7, reviews 25, 39, 48, 50, 52), Phyllis 8 Lynn Forest-Hill on Elves in Anglo-Saxon England Berka (p. 10), John Gilbey 9 Mike Foster on The Inheritance (pp. 14, 40, 44, 46), Colin 11 Chad Chisholm on Up Williams (p. 20), Teresa 13 Roberto Arduini & Claudio Testi on Tolkien and Philosophy Kirkpatrick (p. 47), Lorenzo Daniele (p. 51) commentary 15 Charles E Noad The Tolkien Society — the early days 26 Maggie Burns ‘… A local habitation and a name …’ Mallorn © The Tolkien 31 Simon Barrow The magic of fantasy: the traditional, the original and the Society. Printed and wonderful distributed by The Printed 34 Chad Chisholm The wizard and the rhetor: rhetoric and the ethos of Word, 7–9 Newhouse Middle-earth in The Hobbit Business Centre, Old 37 Vanessa Phillips-Zur-Linden Arwen and Edward: redemption and the fairy Crawley Road, Horsham bride/groom in the literary fairytale RH12 4RU, UK. interview 42 Mike Foster talks to Simon Tolkien poetry 46 Lynn Forest-Hill The Long Watch 46 Anne Forbes The Path To The Sea 46 Anne Forbes The End Of The Summer 47 Teresa Kirkpatrick Tuor And Ulmo fiction 48 Julia Fenton Blasphemy well, I’m back 50 Paul H Vigor takes a closer look at Thror’s map Mallorn is the Journal of the Tolkien Society, and appears twice a year, in the Spring (copy deadline 25 December) and Autumn (21 June).
    [Show full text]
  • Saruman of Many Colors
    University of Iceland School of Humanities Departement of English Saruman of Many Colors A Hero of Liberal Pragmatism B.A. Essay Elfar Andri Aðalsteinsson Kt.: 1508922369 Supervisor: Matthew Whelpton May 2017 ABSTRACT This essay explores the role of the wizard Saruman the White in The Lord of the Rings by J. R. R. Tolkien, and challenges the common conception that Saruman is a villain, instead arguing that Saruman is a hero espousing the values of liberal pragmatism. The policy goals and implicit values of Saruman are contested with his peer and ultimately opponent, Gandalf the Grey, later the White. Both wizards attempt to defeat Sauron but, where Saruman considers new methods, such as recruting the orcs, Gandalf is stuck in old methods and prejudices, as he is unwilling look for new races to recruit. Both wizards construct alliances to accomplish their goals but the racial composition of these alliances can be used to see the wizards in a new light. While Gandalf offers a conventional alliance of “the free” races of Middle Earth (Elves Dwarves, Men. Hobbits and Ents), Saruman can be seen as uniting the marginalised and down-trodden people and races, under a common banner with a common goal. In particular, Saruman brings enemies together into a strong functioning whole, showing that orcs and men can work and prosper together. Gandalf’s blinkered conservatism and Saruman’s pragmatic embrace of diversity are reflected symbolically in the symbolism of white and the rainbow of many colors. After examining all these points it becomes clear that Saruman the White is not the villain that he is assumed to be by Gandalf the Grey, later the White, and his followers in Middle Earth.
    [Show full text]
  • The Hobbit by J.R.R
    Discussion Guide THE HOBBIT by J.R.R. Tolkien Rhymes Professor Tolkien was deeply interested in words, their meanings, and the ways they could be used. He loved rhymes, riddles, proverbs, sayings, songs, folktales, and stories. The reader will notice Tolkien’s use of verse in telling us about his characters. For example, here is a verse from a goblin song: Clap! Snap! The black crack! Grip, grab! Pinch, nab! And down, down to Goblin-town You go, my lad! Do they sound jolly and friendly? Hardly! Here’s an elf song: O! Will you be staying About the Book Your ponies are straying! Many decades ago in England, a highly respected TheOr will daylight you be is flying? dying! professor at Oxford was correcting exam papers and, having a few minutes to spare, idly scribbled on a blank To stay would be jolly page in an exam book, “In a hole in the ground there ToAnd fly listen would and be harkfolly, lived a hobbit.” He didn’t even know what a hobbit was, Till the end of the dark or why he wrote those words. But they were, neverthe- To our tune less, the beginning of one of the most famous fantasy ha! ha! adventure tales ever written. The professor was J.R.R. Tolkien, and the book, of course, was The Hobbit. This sounds lighthearted and merry, a song of friend- Tolkien was a teacher of (among other things) philology ship and feasting. Other songs and poems are humorous and a student of many languages, including such an- or descriptive.
    [Show full text]
  • Frodo Is Grea…Who Is That?!?: The
    FRODO IS GREA…WHO IS THAT?!?: THE PRODUCTION AND CONSUMPTION OF AN ONLINE CELEBRITY PARODY A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ANTHROPOLOGY UNIVERSITY OF CANTERBURY 2007 Yadana J. Saw Abstract My thesis analyses the phenomenon of Figwit, a non-speaking elf extra who appeared for only three-seconds in the first instalment of Peter Jackson’s 2001 Lord of the Rings movie trilogy. Figwit was initially generated as an online parody by female fans of the movie and as a foil to the ‘swooning, drooling girly’ fandom that was being directed towards the movie’s star actors. However, Figwit evolved into a bona fide, albeit minor, celebrity both on and offline as he attracted attention from worldwide media, a small speaking role in the final movie and genuine adulatory fandom as manifested in the production of Figwit merchandise. In my thesis I argue that Figwit’s creation and consequential community formation reflects a dynamic online-offline dialogic in which pre-existing offline and habitus- generated social practices and distinctions, ideal reflexive individuality and celebrity/fandom were dynamically reproduced within online technological frameworks. I also argue that online activity and interactivity is generated by users to strategically express and engage intensified reflexive individuality, affirming sociability and hyper-social distinctions. In this regard I have also argued that these various potentials and imaginaries were significantly enabled by digital architectures and genres of online communication and interactivity. In particular, I discuss the internet’s capacity for searchability, traceability, and rhetorical framing processes that facilitate continuous re-editing authorship possibilities, which are not necessarily replicable in face-to-face interactions.
    [Show full text]
  • The Hobbit Films TANJA VÄLISALO…………………………………………………………………………… 12
    NORDIC JOURNAL OF SCIENCE FICTION AND FANTASY RESEARCH Volume 4, issue 3–4, 2017 journal.finfar.org The Finnish Society for Science Fiction and Fantasy Research Suomen science fiction- ja fantasiatutkimuksen seura ry Submission Guidelines Fafnir is a Gold Open Access international peer-reviewed journal. Send submissions to our editors in chief at [email protected]. Book reviews, dissertation reviews, and related queries should be sent to [email protected]. We publish academic work on science-fiction and fantasy (SFF) literature, audiovisual art, games, and fan culture. Interdisciplinary perspectives are encouraged. In addition to peer- reviewed academic articles, Fafnir invites texts ranging from short overviews, essays, interviews, conference reports, and opinion pieces as well as academic reviews for books and dissertations on any suitable SFF subject. Our journal provides an international forum for scholarly discussions on science fiction and fantasy, including current debates within the field. Open-Access Policy All content for Fafnir is immediately available through open access, and we endorse the definition of open access laid out in Bethesda Meeting on Open Access Publishing. Our content is licensed under Creative Commons Attribution-Non Commercial 3.0 Unported License. All reprint requests can be sent to the editors at Fafnir, which retains copyright. Editorial Staff Editors in Chief Bodhisattva Chattopadhyay Aino-Kaisa Koistinen Jyrki Korpua Managing Editor Jaana Hakala Advisory Board Merja Polvinen, University of Helsinki, Chair Sari Polvinen, University of Helsinki Paula Arvas, University of Helsinki Liisa Rantalaiho, University of Tampere Stefan Ekman, University of Gothenburg Adam Roberts, Royal Holloway, U. London Ingvil Hellstrand, University of Stavanger Hanna-Riikka Roine, U.
    [Show full text]
  • The Medieval Cardinal Virtues in Tolkien's the Hobbit
    The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5……………………………………………………………….
    [Show full text]