The Hobbit by J.R.R
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Publishing Tolkien
Volume 21 Number 2 Article 7 Winter 10-15-1996 Publishing Tolkien Rayner Unwin Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Unwin, Rayner (1996) "Publishing Tolkien," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract During the last thirty years of the Professor’s life, but especially towards the end, Rayner Unwin met, talked with, and worked for, J.R.R. Tolkien. It was a business relationship between author and publisher, but increasingly it became a trusting friendship as well. In an ideal world authors and publishers should always act in partnership. This certainly happened between Professor Tolkien and George Allen & Unwin, but in some respects, the speaker explains, the collaboration had very unusual features. -
Tolkien and His Publisher: a Forty-Year Relationship
LOGOS 10(4) 2nd/JH 1/11/06 10:23 am Page 200 LOGOS Tolkien and his publisher: A forty-year relationship Rayner Unwin A publisher who has and can hold a consistently bestselling author on his list is fortunate indeed, and this heart-beat of success helps to ameliorate the financial drain that many worthy but less suc- cessful ventures often incur. Of course a single author is not the only secret of a profitable com- pany, but it certainly helps. I, and all my predeces- sors, were each blessed with just such an author, Entering publishing in 1951, who came to us early in his career, stayed loyally Rayner Unwin devoted his entire with us, and became our friend. George Allen had career to his family firm and to Ruskin, my father had Bertrand Russell, my cousin Philip had Thor Heyerdahl, and I had J R R the service of the book publishing Tolkien. The circumstances were very different, but industry. He succeeded his in each case both parties recognised the benefits of father, Sir Stanley Unwin, as the association, trusted each other, and worked pur- Chairman of George Allen & posefully together. My association with Tolkien began long Unwin in 1968 and continued before I got into publishing, and has continued for four years after his company through his family and his Estate long after his merged to become Unwin Hyman death. The eventual success of his books, though it in 1986. Unwin served for brought problems, also created wealth for both twenty years on the Council of author and publisher, and the necessary trust grew up that has now served all of us well for over sixty the UK Publishers Association, years. -
The Medieval Cardinal Virtues in Tolkien's the Hobbit
The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5………………………………………………………………. -
Fantasy Playhouse Children's Theater and Academy Mainstage
Fantasy Playhouse Children’s Theater and Academy Mainstage Production Study Guide FANTASY PLAYHOUSE CHILDREN’S THEATER & ACADEMY PRESENTS Book by J. R. R Tolkien Adapted by Edward Mast Produced by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois a message from Brief History of the Hobbit the education director This study guide is designed to prepare “In a hole in the ground there lived a hobbit.” -J.R.R Tolkien educators and their students for a In a letter dated 1955, John Ronald Reul Tolkien recalls memorable and educational experience. this being the first sentence he wrote in 1930 that inspired We hope this helps jump-start the what would later become known as The Hobbit; a fictional critical thinking process as you attend tale that takes place in a mythical land called Middle Earth. By Fantasy Playhouse Children’s Theater’s 1932 Tolkien had finished the story and sent the manuscript to production of “The Hobbit.” In this several friends, including C.S Lewis. The legend goes that in guide, you will find discussion topics 1936, the book made its way into the hands of Stanley Unwin, for before and after the production, a reputable publisher with Allen & Unwin, who then passed classroom activities with curriculum it along to his 10 year old son, Rayner, for a review. Young connections, and resource materials. Rayner’s raving comments settled Allen & Unwin’s decision to Hope you enjoy the show! publish Tolkien’s book in 1937. Encouraged by The Hobbit’s - Candice Cooper, Education Director initial success, the publishers requested a sequel, and the concept for The Lord of the Rings emerged. -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
Tolkien, Our Judge of Peter Jackson Vincent Ferré
Tolkien, our Judge of Peter Jackson Vincent Ferré To cite this version: Vincent Ferré. Tolkien, our Judge of Peter Jackson. Thomas Honegger. Translating Tolkien: Text and Film, 2nde éd., Walking Tree Publishers, p. 125-133, 2004, Cormarie Series, 978-3-905703-16-0. hal-00762933 HAL Id: hal-00762933 https://hal.archives-ouvertes.fr/hal-00762933 Submitted on 12 Dec 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Tolkien, our Judge of Peter Jackson: The Film Adaptations of The Lord of the Rings (Z, R. Bakshi and P. Jackson) Vincent Ferré – université de Rennes 2-Haute Bretagne, CELAM Translated by Daniel Lauzon [This text, written in 2002, was first published online, in French, before its translation in 2004: ‘Tolkien, our Judge of Peter Jackson: The Film Adaptations of The Lord of the Rings (Z, R. Bakshi and P. Jackson)’, in Th. Honegger (ed.), Translating Tolkien: Text and Film, Zürich-Berne, Walking Tree Publishers, 2004, p. 125-133. The French version may be read online : http://www.pourtolkien.fr/spip.php?article39 or http://www.pourtolkien.fr/IMG/pdf/TolkienjugeJackson.pdf ] ----------------------------------------------------------------------------- NB: It is understood that The Lord of the Rings refers to the work by J.R.R. -
A Comparative Analysis of J.R.R Tolkien's the Hobbit
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 16, 2020 A COMPARATIVE ANALYSIS OF J.R.R TOLKIEN’S THE HOBBIT AND IT’S FILM ADAPTATION T. Gokulapriya1, Dr. S. Selvalakshmi 1Ph D Scholar in English Dept, Karpagam Academy of Higher Education, Coimbatore, India 2Professor & Head, Department of English , Karpagam Academy of Higher Education ,Coimbatore, India E-mail: [email protected] 1, [email protected] Received: 14 March 2020 Revised and Accepted: 8 July 2020 ABSTRACT: Every human being has the power of imagination, which most people use to think about life and make plans for their future. But, mostly, they do not think beyond the real world. Only a few people like novelists and scientists give more importance to their creativity. In fantasy novels, imaginative power is the key element to unlock a story which is stored in the mind. The author gives soul to the story with his imagination. J.R.R. Tolkien, a well-known twentieth century British writer, has used his incomparable imaginative power to create a new world ‗Middle-Earth‘ and a new creature like hobbit, a fictional character. ―In a hole in the ground there lived a hobbit‖ (The Hobbit 3). Tolkien created Middle-Earth and fictional characters inspired by Anglo- Saxon literature when he was working as a professor of English Language and Literature in Merton College, Oxford. I. INTRODUCTION Fantasy has become a major area of profit-making fiction. Tolkien‘s The Hobbit is inscription on behalf of both kids and adult readers. The Hobbit is a fantasy novel influenced by the myths and languages of Northern European literature. -
Extending Arda: Mapping Beyond the Lord of the Rings and Silmarillion
Journal of Tolkien Research Volume 11 Issue 1 Article 8 2020 Extending Arda: Mapping beyond the Lord of the Rings and Silmarillion Stentor Danielson Slippery Rock University of Pennsylvania, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Human Geography Commons, Literature in English, British Isles Commons, and the Physical and Environmental Geography Commons Recommended Citation Danielson, Stentor (2020) "Extending Arda: Mapping beyond the Lord of the Rings and Silmarillion," Journal of Tolkien Research: Vol. 11 : Iss. 1 , Article 8. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol11/iss1/8 This Peer-Reviewed Article is brought to you for free and open access by ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Danielson: Extending Arda Extending Arda: Mapping beyond the Lord of the Rings and Silmarillion J.R.R. Tolkien is famous for creating an entire world (known as Arda), but his writings about it leave much of its territory sketched in only the vaguest terms. This has not prevented fans from wondering what lies beyond the edges of our canonical knowledge. In both fiction and cartography, they have sought to flesh out the geography of Arda. In doing so, they have revealed much about the ideas they have about both our primary world and the secondary world of the legendarium. Examination of such maps provides a window into the process of sub-creation: the remixing of elements the sub-creator sees in those worlds (Wolf 2019). -
Tolkien's Japonisme: Prints, Dragons, and a Great Wave
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2013 Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Michael Organ University of Wollongong, [email protected] Publication Details Organ, M. 2013, 'Tolkien’s Japonisme: Prints, Dragons, and a Great Wave', Tolkein Studies, vol. 10, pp. 105-122. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Abstract The original September 1937 George Allen & Unwin edition of The oH bbit features artwork by J.R.R. Tolkien along with an accompanying dust jacket. This latter work is a modern, stylized graphic design composed of a not entirely symmetrical view of a Middle-earth landscape (night to the left, day to the right), with the Lonely Mountain rising in the distant center, flanked by steeply sloped, snow-covered Misty Mountains and in the foreground Mirkwood’s dense, impenetrable forests. Additional features include a crescent moon, the sun, a dragon, eagles, a lake village, and a rapier-like path—a straight road— heading toward a darkened, megalithic trapezoidal door at the base of the mountain.1 The runes which form the border read: “The oH bbit or There and Back Again, being the record of a year’s journey made by Bilbo Baggins; compiled from his memoirs by J.R.R. Tolkien and published by George Allen & Unwin.” Keywords japonisme, prints, dragons, tolkien, great, wave Disciplines Arts and Humanities | Social and Behavioral Sciences Publication Details Organ, M. -
The Influence of J.R.R. Tolkien on Popular Culture
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 5-2005 The nflueI nce of J.R.R. Tolkien on Popular Culture Michael A. Hall Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Hall, Michael A., "The nflueI nce of J.R.R. Tolkien on Popular Culture" (2005). Honors Theses. Paper 287. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. , . The Influence of J.R.R. Tolkien on Popular Culture By: Michael A. Hall !.D. # 336786211 Originally submitted as Senior History Thesis, May 2004 Resubmitted to the Southern Illinois Honors Program for Senior Honors Thesis requirement, May I, 2005 Michael A. Hall Western culture, to a large extent, is defined by materialism. If anything becomes popular, be it literature, music, or films, we tend to merchandise or make consumer goods based on what is popular because it will sell. This mass culture has been given the rather derogatory term called kitsch.' For example, some people might consider Mozart high art and the Beatles kitsch. However, this contrast is necessarily done by the individual because some people might consider the Beatles to be high art. Another way to put it is that high art is art in its purest form without the influence of capitalism, and materialism and kitsch is what happens after high art becomes popular and merchandised.2 Whether a person has seen the movies or not, it is safe to say that since the first Lord ofthe Rings film came out in December of2001 everyone has heard of the story and its famous author J.R.R. -
Three Rings for the Elven-Kings: Trilogizing Tolkien in Print and Film
Volume 36 Number 1 Article 11 10-15-2017 Three Rings for the Elven-kings: Trilogizing Tolkien in Print and Film Robert T. Tally, Jr. Texas State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Tally, Jr., Robert T. (2017) "Three Rings for the Elven-kings: Trilogizing Tolkien in Print and Film," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 11. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/11 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the division of works meant to be whole into trilogies; primarily Tolkien’s lengthy novel, split into two volumes due to printing considerations, and Peter Jackson’s film trilogies of The Lord of the Rings and The Hobbit. -
Exploring Mental Illness in the Hobbit Fanfiction Jennifer Rogers, Montclair State University [email protected]
Canadian Journal of Disability Studies Published by the Canadian Disability Studies Association Association Canadienne des Études sur l’Incapacité Hosted by The University of Waterloo www.cjds.uwaterloo.ca This document has been made accessible and PDF/UA compliant by AbleDocs Inc. For more information go to https://www.abledocs.com Rogers, “Authentic Representation” CJDS 7.3 (November 2018) Authentic Representation and Author Identity: Exploring Mental Illness in The Hobbit Fanfiction Jennifer Rogers, Montclair State University [email protected] Abstract: This paper addresses concerns with authenticity claims that surround mental illness and author identity in fanfiction. I will apply the critiques surrounding representation in media (see Mitchell and Snyder, 2001; Couser 2003, 2009) found in disability studies and fandom studies (see Jenkins 2012) to fanfiction. In this paper, I analyze two pieces of fanfiction which focus on Thorin II also known as Thorin Oakenshield, a character from J.R.R Tolkien’s The Hobbit novel and Peter Jackson’s film adaptations. I explore how in these texts the authors portray mental illness through their characterization of Thorin II. How the author’s actual or perceived personal mental health status may impact their writing, and readers’ responses to their writing, is explored through the lenses of identity politics (see Calhoun, 1994) and authenticity (Couser, 2009; van Dijk, 1989). In the context of disability and fandom studies, these fanfictions act as examples of a) combination fictional/ autobiographical writings which work to provide what the authors’ perceive as accurate portrayals of mental illness, and b) how the author’s mental health status impacts the perceived credibility of their work.