J. RR Tolkien
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Publishing Tolkien
Volume 21 Number 2 Article 7 Winter 10-15-1996 Publishing Tolkien Rayner Unwin Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Unwin, Rayner (1996) "Publishing Tolkien," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract During the last thirty years of the Professor’s life, but especially towards the end, Rayner Unwin met, talked with, and worked for, J.R.R. Tolkien. It was a business relationship between author and publisher, but increasingly it became a trusting friendship as well. In an ideal world authors and publishers should always act in partnership. This certainly happened between Professor Tolkien and George Allen & Unwin, but in some respects, the speaker explains, the collaboration had very unusual features. -
The Hobbit by J.R.R
Discussion Guide THE HOBBIT by J.R.R. Tolkien Rhymes Professor Tolkien was deeply interested in words, their meanings, and the ways they could be used. He loved rhymes, riddles, proverbs, sayings, songs, folktales, and stories. The reader will notice Tolkien’s use of verse in telling us about his characters. For example, here is a verse from a goblin song: Clap! Snap! The black crack! Grip, grab! Pinch, nab! And down, down to Goblin-town You go, my lad! Do they sound jolly and friendly? Hardly! Here’s an elf song: O! Will you be staying About the Book Your ponies are straying! Many decades ago in England, a highly respected TheOr will daylight you be is flying? dying! professor at Oxford was correcting exam papers and, having a few minutes to spare, idly scribbled on a blank To stay would be jolly page in an exam book, “In a hole in the ground there ToAnd fly listen would and be harkfolly, lived a hobbit.” He didn’t even know what a hobbit was, Till the end of the dark or why he wrote those words. But they were, neverthe- To our tune less, the beginning of one of the most famous fantasy ha! ha! adventure tales ever written. The professor was J.R.R. Tolkien, and the book, of course, was The Hobbit. This sounds lighthearted and merry, a song of friend- Tolkien was a teacher of (among other things) philology ship and feasting. Other songs and poems are humorous and a student of many languages, including such an- or descriptive. -
Tolkien and His Publisher: a Forty-Year Relationship
LOGOS 10(4) 2nd/JH 1/11/06 10:23 am Page 200 LOGOS Tolkien and his publisher: A forty-year relationship Rayner Unwin A publisher who has and can hold a consistently bestselling author on his list is fortunate indeed, and this heart-beat of success helps to ameliorate the financial drain that many worthy but less suc- cessful ventures often incur. Of course a single author is not the only secret of a profitable com- pany, but it certainly helps. I, and all my predeces- sors, were each blessed with just such an author, Entering publishing in 1951, who came to us early in his career, stayed loyally Rayner Unwin devoted his entire with us, and became our friend. George Allen had career to his family firm and to Ruskin, my father had Bertrand Russell, my cousin Philip had Thor Heyerdahl, and I had J R R the service of the book publishing Tolkien. The circumstances were very different, but industry. He succeeded his in each case both parties recognised the benefits of father, Sir Stanley Unwin, as the association, trusted each other, and worked pur- Chairman of George Allen & posefully together. My association with Tolkien began long Unwin in 1968 and continued before I got into publishing, and has continued for four years after his company through his family and his Estate long after his merged to become Unwin Hyman death. The eventual success of his books, though it in 1986. Unwin served for brought problems, also created wealth for both twenty years on the Council of author and publisher, and the necessary trust grew up that has now served all of us well for over sixty the UK Publishers Association, years. -
Tolkien, Our Judge of Peter Jackson Vincent Ferré
Tolkien, our Judge of Peter Jackson Vincent Ferré To cite this version: Vincent Ferré. Tolkien, our Judge of Peter Jackson. Thomas Honegger. Translating Tolkien: Text and Film, 2nde éd., Walking Tree Publishers, p. 125-133, 2004, Cormarie Series, 978-3-905703-16-0. hal-00762933 HAL Id: hal-00762933 https://hal.archives-ouvertes.fr/hal-00762933 Submitted on 12 Dec 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Tolkien, our Judge of Peter Jackson: The Film Adaptations of The Lord of the Rings (Z, R. Bakshi and P. Jackson) Vincent Ferré – université de Rennes 2-Haute Bretagne, CELAM Translated by Daniel Lauzon [This text, written in 2002, was first published online, in French, before its translation in 2004: ‘Tolkien, our Judge of Peter Jackson: The Film Adaptations of The Lord of the Rings (Z, R. Bakshi and P. Jackson)’, in Th. Honegger (ed.), Translating Tolkien: Text and Film, Zürich-Berne, Walking Tree Publishers, 2004, p. 125-133. The French version may be read online : http://www.pourtolkien.fr/spip.php?article39 or http://www.pourtolkien.fr/IMG/pdf/TolkienjugeJackson.pdf ] ----------------------------------------------------------------------------- NB: It is understood that The Lord of the Rings refers to the work by J.R.R. -
Tolkien's Japonisme: Prints, Dragons, and a Great Wave
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2013 Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Michael Organ University of Wollongong, [email protected] Publication Details Organ, M. 2013, 'Tolkien’s Japonisme: Prints, Dragons, and a Great Wave', Tolkein Studies, vol. 10, pp. 105-122. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Abstract The original September 1937 George Allen & Unwin edition of The oH bbit features artwork by J.R.R. Tolkien along with an accompanying dust jacket. This latter work is a modern, stylized graphic design composed of a not entirely symmetrical view of a Middle-earth landscape (night to the left, day to the right), with the Lonely Mountain rising in the distant center, flanked by steeply sloped, snow-covered Misty Mountains and in the foreground Mirkwood’s dense, impenetrable forests. Additional features include a crescent moon, the sun, a dragon, eagles, a lake village, and a rapier-like path—a straight road— heading toward a darkened, megalithic trapezoidal door at the base of the mountain.1 The runes which form the border read: “The oH bbit or There and Back Again, being the record of a year’s journey made by Bilbo Baggins; compiled from his memoirs by J.R.R. Tolkien and published by George Allen & Unwin.” Keywords japonisme, prints, dragons, tolkien, great, wave Disciplines Arts and Humanities | Social and Behavioral Sciences Publication Details Organ, M. -
The Influence of J.R.R. Tolkien on Popular Culture
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 5-2005 The nflueI nce of J.R.R. Tolkien on Popular Culture Michael A. Hall Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Hall, Michael A., "The nflueI nce of J.R.R. Tolkien on Popular Culture" (2005). Honors Theses. Paper 287. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. , . The Influence of J.R.R. Tolkien on Popular Culture By: Michael A. Hall !.D. # 336786211 Originally submitted as Senior History Thesis, May 2004 Resubmitted to the Southern Illinois Honors Program for Senior Honors Thesis requirement, May I, 2005 Michael A. Hall Western culture, to a large extent, is defined by materialism. If anything becomes popular, be it literature, music, or films, we tend to merchandise or make consumer goods based on what is popular because it will sell. This mass culture has been given the rather derogatory term called kitsch.' For example, some people might consider Mozart high art and the Beatles kitsch. However, this contrast is necessarily done by the individual because some people might consider the Beatles to be high art. Another way to put it is that high art is art in its purest form without the influence of capitalism, and materialism and kitsch is what happens after high art becomes popular and merchandised.2 Whether a person has seen the movies or not, it is safe to say that since the first Lord ofthe Rings film came out in December of2001 everyone has heard of the story and its famous author J.R.R. -
Three Rings for the Elven-Kings: Trilogizing Tolkien in Print and Film
Volume 36 Number 1 Article 11 10-15-2017 Three Rings for the Elven-kings: Trilogizing Tolkien in Print and Film Robert T. Tally, Jr. Texas State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Tally, Jr., Robert T. (2017) "Three Rings for the Elven-kings: Trilogizing Tolkien in Print and Film," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 11. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/11 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the division of works meant to be whole into trilogies; primarily Tolkien’s lengthy novel, split into two volumes due to printing considerations, and Peter Jackson’s film trilogies of The Lord of the Rings and The Hobbit. -
The Fellowship of the Ring
iii THE FELLOWSHIP OF THE RING being the first part of THE LORD OF THE RINGS by J.R.R. TOLKIEN Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In the Land of Mordor where the Shadows lie. CONTENTS Note on the Text ix Note on the 50th Anniversary Edition xviii Foreword to the Second Edition xxiii Prologue Concerning Hobbits, and other matters 1 book one I A Long-expected Party 27 II The Shadow of the Past 55 III Three is Company 85 IV A Short Cut to Mushrooms 112 V A Conspiracy Unmasked 128 VI The Old Forest 143 VII In the House of Tom Bombadil 161 VIII Fog on the Barrow-downs 176 IX At the Sign of The Prancing Pony 195 X Strider 213 XI A Knife in the Dark 230 XII Flight to the Ford 257 book two I Many Meetings 285 II The Council of Elrond 311 III The Ring Goes South 354 viii contents IV A Journey in the Dark 384 V The Bridge of Khazad-duˆm 418 VI Lothlo´rien 433 VII The Mirror of Galadriel 459 VIII Farewell to Lo´rien 478 IX The Great River 495 X The Breaking of the Fellowship 515 Maps 533 Works By J.R.R. -
Growing out of It: the Hobbit Films and Young People
. Volume 13, Issue 2 November 2016 Growing out of it: The Hobbit films and young people Emily Midkiff University of Minnesota, USA Abstract: In past decades, The Hobbit was a much more common read for children. Now, the movie adaptations are a relative success that may mediate the relationship between young people and Tolkien’s story. This analysis offers a glimpse into the engagement of contemporary young people with this classic children’s tale to answer the question: how did international adolescents from 13 to 19 years old receive The Hobbit films based on their age, while accounting for experiences with the novel and The Lord of the Rings films? The essay relies on statistical analysis of respondents’ age, how (and if) they read the book, what they rated the book, and ratings of The Lord of the Rings movies. Results indicate a statistically significant relationship between the rating of the films, age of adolescent participants, and the book ratings/experiences. On average, the ratings of the movies decrease as age increases. This may imply that older adolescents have a more nuanced reaction to the films, even when controlling for their different experiences with the book and LOTR films. Keywords: The Hobbit; children’s literature; age; adaptation Introduction Since its publication in 1937, J.R.R. Tolkien’s The Hobbit has been a classic—a classic children’s book. Although some Tolkien apologists scoff at such a categorization, as though it is demeaning to be associated with young readers, this original intended audience is especially important when examining young people’s responses to Peter Jackson’s Hobbit films (2012-2014). -
Isbn 0-938768-42-5 (U.S.)
65 Books in Review / Comptes rendus launched by this title that its publisher, caring so little about how people actually use bibliographies, should be capable of sabotaging a potentially powerful re- search tool? Now, alas, having this labour of love in hand is a rather like being granted stack privileges in a great library only to be denied all access to its catalogue. ELIZABETH P. RICHARDSON Nortl2anpton, Massachusetts Wayne G. Hammond with the assistance of Douglas A. Anderson. J.R.R. Tolkien: A Descriptive Bibliograpl2y. Winchester: St. Paul's Bibliographies; New Castle, Delaware: Oak Knoll Books, 1993. The Winchester Bibliographies of Twentieth-Century Writers, No. 2. xi, [31, 434 PP-; $94.oo U.s. (paper boards). IsBw I-873o4o-II-3 (U.K.), IsBN 0-938768-42-5 (U.s.). In 1936 Rayner Unwin, the ten-year-old son of the publisher Stanley Unwin, earned a shilling for his report on a typescript his father had asked him to read: Bilbo Baggins was a hobbit who lived in his hobbit-hole and never went for adventures, at last Gandalf the wizard and his dwarves perswaded him to go. He had a very exiting time fighting goblins and wargs. at last they got to the lonley mountain; Smaug, the dragon who gawreds it is killed and after a terrific battle with the goblins he returned home - rich! This book, with the help of maps, does not need any illustrations it is good and should appeal to all children between the ages of 5 and 9. The Tolkien phenomenon was under way. -
Contents of Mallorn
Last updated 29 February 2008 MALLORN PARTIAL TABLE OF CONTENTS Compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) Issue Time of Page Article/Illustration Author/ no. release nos. Artist 1 1970 3 1971 23 Letter to the Editor James Ead 5 1972 2? Pro-Editorial from the Pro-Editor (includes a letter from Vera Chapman Tolkien to Vera Chapman) Conversation with John Tolkien 6 Jan. 1973 article on Tom Bombadil? Archie Mercer 7 1973 An Extrapolation on "The Silmarillion" Jim Allan 8 1974 Editorial An Extrapolation on "The Silmarillion" Jim Allan 20-23 Rayner Unwin’s speech at the AGM (AGM report?) 9 1975 30? A Marxist Look at Middle Earth; or, The Political Edward Economy of the Shire Crawford 30? A Note on the Population and Settlement of Bree Edward Crawford 10 6-11 The Hobbits Kevin Young 33 “All that is gold does not glitter." Illustrated reprint in Lucy Matthews script 11 34-36 The Hobbits Kevin Young 12 1978 front illustration Pauline Baynes cover 24-28 The Battle of the Eastern Field (reprint from The King J.R.R. Tolkien Edward’s School Chronicle, Birmingham, Vol XXVI No 186, March, pp. 22-26) 13 1979 front illustration Pauline Baynes cover 3-5 ‘The Battle of the Eastern Field’: A Commentary Jessica Yates 7-10 Review of An Introduction to Elvish (1978) 31-32 A Chronology of the First Age Clive Tolley 14-15 Gimli's Asce (Axe?) Jonathan Simon 16-20 Specula of Middle-earth Brin Dunsire 23-28 Not an Orderly Narrator: Inaccuracies and Ambiguities Pat Masson in the Early Chapters of the Red Book of Westmarch 14 1980 Review of Mary Salu and Robert T. -
Do Livro Ao Filme the Trilogy of the Lord of The
Universidade de Aveiro Departamento de Línguas e Cultura 2009 Esmeralda da A TRIOLOGIA DO SENHOR DOS ANÉIS: DO Conceição Cunha LIVRO AO FILME Catalim THE TRILOGY OF THE LORD OF THE RINGS: FROM BOOK TO FILM Universidade de Aveiro Departamento de Línguas e Cultura 2009 Esmeralda da A TRIOLOGIA DO SENHOR DOS ANÉIS: DO Conceição Cunha LIVRO AO FILME Catalim THE TRILOGY OF THE LORD OF THE RINGS: FROM BOOK TO FILM Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas Literaturas e Culturas, variante de Estudos Ingleses, realizada sob a orientação científica do Prof. Dr. Anthony David Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro o júri presidente Prof. Dr. Kenneth David Callahan Professor Associado da Universidade de Aveiro Prof. Dr. Joaquim João Cunha Braamcamp de Mancelos Professor Auxiliar da Universidade Católica Portuguesa Prof. Dr. Anthony David Barker Professor Associado da Universidade de Aveiro ii Acknowledgments I would like to express my sincere gratitude to Professor Anthony Barker for his continuous support, patience, and understanding. Without his valuable advises, encouragement and insightful discussions, this work would never have been possible. I would also like to thank Professors David Callahan and Gillian Moreira for their earlier contribution in my English Literature and Language studies, as well as, to my family and friends for being always there for me. iii Palavras-chave Triologia, Tolkien, mitologia, Peter Jackson, O Senhor dos Aneis, os Aneis, linguistica, literatura fantástica, fantasia, ficção, cinamatografia, Nova Zelândia, terra-média, hobbits, elfos, lendas, tradição oral, Weta Digital, fãs, grupos de fãs na Internet, audiências, publicidade e franchisado cinamatográfico, estreia global.