DOCTORAL DISSERTATION Studies on Chinese Dialect Grammar

Total Page:16

File Type:pdf, Size:1020Kb

DOCTORAL DISSERTATION Studies on Chinese Dialect Grammar DOCTORAL DISSERTATION Studies on Chinese Dialect Grammar: The Gan Dialect of Chongyang ZHU MIN 2015 Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar DOCTORAL DISSERTATION ZHU MIN Studies on Chinese Dialect Grammar: The Gan Dialect of Chongyang Linguistics Doctoral School Head of the Doctoral School: Prof. Vilmos Bárdosi Doctoral Program in Sinology Head of the Doctoral Program: Prof. Imre Hamar Members of the Committee: Prof. Imre Hamar, C.Sc. (Chair) Prof. Daniel Z. Kádár, Ph.D. Dr. Qiuyue Ye, Ph.D. Dr. Gergely Salát, Ph.D. Dr. Anett Kozjek-Gulyás, Ph.D. Dr. Melinda Pap, Ph.D. Dr. Sándor P. Szabó, Ph.D. Supervisor: Dr. Huba Bartos, Ph.D. Budapest, 2015 ADATLAP a doktori értekezés nyilvánosságra hozatalához I. A doktori értekezés adatai A szerző neve: Zhu Min ....................................................................................................... MTMT-azonosító: 10048386 A doktori értekezés címe és alcíme: Studies on Chinese Dialect Grammar: The Gan Dialect of Chongyang DOI-azonosító: 10.15476/ELTE.2015.020 A doktori iskola neve: ELTE Nyelvtudományi Doktori Iskola ............................................. A doktori iskolán belüli doktori program neve: Sinológia .................................................... A témavezető neve és tudományos fokozata: Bartos Huba; Ph.D ......................................... A témavezető munkahelye: ELTE BTK Távol-Keleti Intézet ............................................... II. Nyilatkozatok 1. A doktori értekezés szerzőjeként a) hozzájárulok, hogy a doktori fokozat megszerzését követően a doktori értekezésem és a tézisek nyilvánosságra kerüljenek az ELTE Digitális Intézményi Tudástárban. Felhatalmazom az ELTE BTK Doktori és Tudományszervezési Hivatal ügyintézőjét, Manhercz Mónikát, hogy az értekezést és a téziseket feltöltse az ELTE Digitális Intézményi Tudástárba, és ennek során kitöltse a feltöltéshez szükséges nyilatkozatokat. b) kérem, hogy a mellékelt kérelemben részletezett szabadalmi, illetőleg oltalmi bejelentés közzétételéig a doktori értekezést ne bocsássák nyilvánosságra az Egyetemi Könyvtárban és az ELTE Digitális Intézményi Tudástárban; c) kérem, hogy a nemzetbiztonsági okból minősített adatot tartalmazó doktori értekezést a minősítés (dátum)-ig tartó időtartama alatt ne bocsássák nyilvánosságra az Egyetemi Könyvtárban és az ELTE Digitális Intézményi Tudástárban; d) kérem, hogy a mű kiadására vonatkozó mellékelt kiadó szerződésre tekintettel a doktori értekezést a könyv megjelenéséig ne bocsássák nyilvánosságra az Egyetemi Könyvtárban, és az ELTE Digitális Intézményi Tudástárban csak a könyv bibliográfiai adatait tegyék közzé. Ha a könyv a fokozatszerzést követőn egy évig nem jelenik meg, hozzájárulok, hogy a doktori értekezésem és a tézisek nyilvánosságra kerüljenek az Egyetemi Könyvtárban és az ELTE Digitális Intézményi Tudástárban. 2. A doktori értekezés szerzőjeként kijelentem, hogy a) az ELTE Digitális Intézményi Tudástárba feltöltendő doktori értekezés és a tézisek saját eredeti, önálló szellemi munkám és legjobb tudomásom szerint nem sértem vele senki szerzői jogait; b) a doktori értekezés és a tézisek nyomtatott változatai és az elektronikus adathordozón benyújtott tartalmak (szöveg és ábrák) mindenben megegyeznek. 3. A doktori értekezés szerzőjeként hozzájárulok a doktori értekezés és a tézisek szövegének Plágiumkereső adatbázisba helyezéséhez és plágiumellenőrző vizsgálatok lefuttatásához. Kelt: Department of Humanities, Hubei University of Science and Technology. No.72, Yong‘an Avenue, Xian‘an district, Xianning City, Hubei Province, China. 2015.2. 6 a doktori értekezés szerzőjének aláírása CONTENTS Aknowledgements ............................................................................................... ix Abstract .................................................................................................................................... xii list of abbreviations ................................................................................................................. xv Chapter One: Introduction of Chongyang and the Chongyang dialect .............................. 1 1.1 A brief introduction of the Chongyang County .............................................. 1 1.2 A brief overview of the research on the Chongyang dialect and the Edongnan 鄂东南 (southeast parts in Hubei Province) dialects ................... 5 1.3 The significance and purpose of my study ..................................... 10 1.4 The research approaches and research materials................................. 14 1.4.1 Field investigation ......................................................................... 14 1.4.2 The approach of combining description with analysis .......... 15 Chapter Two: The Phonetic System ........................................................................ 19 2.1 The system of initial consonants of the Chongyang dialect ................... 20 2.1.1 Presentation of the nineteen initial consonants ................. 20 2.1.2 The features of consonants in the Chongyang dialect ....... 21 2.2 The rhymes of the Chongyang dialect ......................................................... 27 2.2.1 List of the rhymes ....................................................................... 27 2.2.2 Some explanations about the vowels ...................................... 28 2.3 The tone system ............................................................................................ 29 Chapter Three: The pronoun system in the Chongyang dialect ............................................ 31 3.1 Personal pronouns .............................................................................................. 32 3.1.1 The source of “嗯” and “伊” ......................................................... 33 3.1.2 The identical tone of “我”, “嗯” and “伊” ..................................... 35 3.1.3 The features of plural forms of i “我”,“嗯” and “伊” ................................................................... 36 3.1.4 The possessive case form of personal pronouns in the Chongyang dialect ............................................................. 37 3.1.5 The “他称”pronoun, the “旁称” pronoun and the reflexive pronoun in the Chongyang dialect..................... 37 3.2 Demonstrative Pronouns .............................................................................. 40 3.2.1 Features of these demonstrative pronouns .................................. 43 3.2.2 About “伊” ................................................................................... 43 3.2.3 The tones of “箇”,“伊” and “阿” .............................................. 43 3.2.4 The degree demonstrative pronouns ........................................... 44 3.2.5 The pragmatic roles of the demonstrative pronouns ................ 45 3.2.6 The source of “箇” ....................................................................... 47 3.3 Interrogative pronouns ................................................................................... 49 3.4 Conclusion ...................................................................................................... 52 Chapter Four: The expression of degree in the Chongyang dialect ...................................... 54 4.1 A brief research status of aspect systems in Chinese dialects .............................................................................................. 54 4.2 Inchoative aspect ................................................................................................ 55 4.3 Progressive aspect .............................................................................................. 56 4.3.1 “(正) 在 1+VP” usage is the same as in Mandarin Chinese ..................................................................... 56 4.3.2 “S+在 1+VP+在 2”, “S+VP+在 2” and “S+V+倒在 2” , “S+V+倒+O+在 2” .................................................. 59 4.3.3 “V+来+V+去” .................................................................................. 64 4.4 Durative aspect .................................................................................................. 64 ii 4.4.1 “V 倒 1” structure for durative aspect in the Chongyang dialect ................................................................ 64 4.4.2 The relations and differences between “倒 1” and “倒 2 ” ......................................................... 66 4.4.3 Semantic and phonological constraints on “V 倒 1” .................... 69 4.4.4 A brief conclusion on “倒” in the Chongyang dialect ................... 70 4.5 Continuative aspect ............................................................................................ 71 4.6 Perfective and perfect aspect ............................................................................ 72 4.6.1 Perfective aspect .............................................................................. 72 4.6.2 Perfect aspect ................................................................................... 72 4.6.3 Double-了 sentence ......................................................................... 74 4.7 Experiential aspect ............................................................................................. 75 4.8 Antecedent aspect.............................................................................................. 76 4.9 Short-time aspect and tentative aspect ............................................................ 78 4.10 Summary of the aspectual system in the Chongyang dialect .......................... 84 4.10.1 How to deal with the property of these aspect
Recommended publications
  • UNIVERSITY of MALAYA KUALA LUMPUR University of Malaya 2019
    LANGUAGE CHOICE AND LANGUAGE SHIFT IN THE TRI- GENERATIONAL HUBEI FAMILIES IN MALAYSIA LOW MAI YEN FACULTY OF LANGUAGES AND LINGUISTICS UNIVERSITY OF MALAYA KUALA LUMPUR University of Malaya 2019 LANGUAGE CHOICE AND LANGUAGE SHIFT IN THE TRI-GENERATIONAL HUBEI FAMILIES IN MALAYSIA LOW MAI YEN DESSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LINGUISTICS FACULTY OF LANGUAGES AND LINGUISTICS UNIVERSITY OF MALAYA KUALA LUMPUR University of Malaya 2019 UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: Low Mai Yen Registration/Matric No: TGC 130030 Name of Degree: Masters of Linguistics Title of Dissertation: Language Choice and Language Shift in the Tri-Generational Hubei Families in Malaysia Field of Study: Sociolinguistics I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • The Chinese Phonetic Transcriptions of Old Turkish Words in the Chinese Sources from 6Th -9Th Century Focused on the Original Word Transcribed As Tujue 突厥*
    The Chinese Phonetic Transcriptions of Old Title Turkish Words in the Chinese Sources from 6th - 9th Century : Focused on the Original Word Transcribed as Tujue 突厥 Author(s) Kasai, Yukiyo Citation 内陸アジア言語の研究. 29 P.57-P.135 Issue Date 2014-08-17 Text Version publisher URL http://hdl.handle.net/11094/69762 DOI rights Note Osaka University Knowledge Archive : OUKA https://ir.library.osaka-u.ac.jp/ Osaka University 57 The Chinese Phonetic Transcriptions of Old Turkish Words in the Chinese Sources from 6th -9th Century Focused on the Original Word Transcribed as Tujue 突厥* Yukiyo KASAI 0. Introduction The Turkish tribes which originated from Mongolia contacted since time immemorial with their various neighbours. Amongst those neighbours China, one of the most influential countries in East Asia, took note of their activities for reasons of its national security on the border areas to the North of its territory. Especially after an political unit of Turkish tribes called Tujue 突厥 had emerged in the middle of the 6th c. as the first Turkish Kaganate in Mongolia and become threateningly powerful, the Chinese dynasties at that time followed the Turks’ every move with great interest. The first Turkish Kaganate broke down in the first half of the 7th c. and came under the rule of the Chinese Tang 唐–dynasty, but * I would like first to express my sincere thanks to Prof. Dr. DESMOND DURKIN-MEISTERERNST who gave me useful advice about the contents of this article and corrected my English, too. My gratitude also goes to Prof. TAKAO MORIYASU and Prof.
    [Show full text]
  • Relative Clauses in Mandarin Chinese
    Relative Clauses in Mandarin Chinese Huiying Wen Queen Mary, University of London July 2020 Abstract This thesis is an investigation of the nature and theoretical analyses of the syntax of relative constructions in Mandarin Chinese, with a focus on adjunct relative con- structions and \gapless" relative constructions. In contrast to the traditional views, I propose that deriving these relative constructions requires a head raising strategy and show that this can give a better explanation of their properties and their interaction with comparatives deletion. I argue against the idea that adjunct relative constructions involve null opera- tor movement and defend a novel head raising approach using data from PP-in-situ adjunct relatives. With this in hand, I examine the syntactic analysis of gapless relatives, arguing that gapless relatives are true relatives as opposed to noun com- plements, and show that gapless relatives can be classified into two types: adjunct gapless relatives and resultative gapless relatives, depending on the semantic status of their head nouns. The former involves a manner-kind head noun which is the complement of a PP adjunct. The latter involves a result-kind head noun which is the complement of a null VP. Further, I extend this alternative approach to analyse comparative deletion in relative constructions. Queen Mary's OPAL #46 Occasional Papers Advancing Linguistics 1 Acknowledgements First, I would like to say a big thank you to my supervisor, Prof. David Adger. His immense knowledge and great passion for linguistics have inspired and encouraged me in all the time of syntactic research I spend at QMUL.
    [Show full text]
  • Spectral Analysis of Sibilant Fricatives and the Ling Sound Test for Speakers of Chinese Dialects
    SPECTRAL ANALYSIS OF SIBILANT FRICATIVES AND THE LING SOUND TEST FOR SPEAKERS OF CHINESE DIALECTS Aijun LIa & Zhiqiang LIb aChinese Academy of Social Sciences, China; bUniversity of San Francisco, USA [email protected]; [email protected] ABSTRACT The speech sounds used in the test include three vowels /i/, /u/, /a/, two sibilant fricatives /s/, /ʃ/, and a The Ling six-sound test is widely used clinically to nasal /m/, which was added later due to its low verify effectiveness of hearing aids or cochlear frequency content. The test was subsequently referred implant fitting. When the Ling test is administered to to as the Ling six-sound test [12]. Table 1 shows speakers of major Chinese dialects, decisions have to frequency distributions of the six sounds [12, 14]. be made about the specific sounds to use based on Based on the values of center of gravity, /m/ is usually dialect-specific phonological contrasts and frequency used to assess hearing of the low-frequency sounds distribution patterns. Spectral properties of the while /s/ and /ʃ/ are used to test hearing of the high- sibilant fricatives and affricates were analyzed in frequency sounds. The three corner vowels are used Beijing, Wuhan and Xiamen. The results showed that to test perception of the vowel space defined by the in order to adequately encompass the whole first two formants F1 and F2. frequency range to accommodate the fact that the Table 1: Frequency distributions of the six sounds alveolar /s/ in all three dialects is produced with a in Hz. much higher center of gravity value than its English counterpart, a palatal /ɕ/ or /tɕʰ/ is introduced to Sounds F1 F2 Center of gravity represent the 5-7kHz range, along with the post- /m/ 250-500 alveolar /ʂ/ in Beijing and the aspirated alveolar /tsʰ/ /u/ 350 900 in Wuhan and Xiamen, leading to a revised seven- /a/ 700 1300 sound test.
    [Show full text]
  • Historical and Contemporary Development of the Chinese Zheng
    Historical and Contemporary Development of the Chinese Zheng by Han Mei MA, The Music Research Institute of Chinese Arts Academy Beijing, People's Republic of China, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 2000 ©HanMei 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT The zheng is a plucked, half-tube Chinese zither with a history of over two and a half millennia. During this time, the zheng, as one of the principal Chinese instruments, was used in both ensemble and solo performances, playing an important role in Chinese music history. Throughout its history, the zheng underwent several major changes in terms of construction, performance practice, and musical style. Social changes, political policies, and Western musical influences also significantly affected the development of the instrument in the twentieth century; thus the zheng and its music have been brought to a new stage through forces of modernization and standardization.
    [Show full text]
  • CELLO BRIDE Copyrighted ©2015
    SYNOPSIS: Read the story when heartache becomes destiny. .A beautiful hot, sexy, and ravaging classic that tells the life of a young girl name Miya Xi. She is an enthusiast, and strict critic for all art through-out world, but also a best distant friend to young woman name Angela who continues to serve as Beijing's Queen Piyan's chosen toy concubine that she uses to please her husband sexual desires. Miya is a care-free woman who loves to tease men time to time, but her life toke a nervous twist the moment she meet Andrea Amati's traveling promoter for the cello. After her fail attempts of trying to get him to leave she soon discovers that there was more than just the sound of music between them. .A truly thought-provoking romance to take ones breath away as it continue Angel Broady CELLO BRIDE Copyrighted ©2015 BOOK 1 All rights reserved. This book or any portion thereof may not be reproduced or used in any manner without the express written permission of the publisher or author excluding the use of brief quotations in a book review. For more information or to contact the author, please visit www.roseangelbooks-arts.com. Cover design by Angel S. Broady. 1 Copyright©2015 all rights reserved of Title- Cello Bride, illustration to author Angel S. Broady, & Publisher: Rose Angel Books ISBN: 978 -1644672815 Follow her on Twitter: Shantes59279831 Visit author website: www. Roseangelbooks-arts.com 2 • Contents • Chapter One – Queen’s Chosen Toys……………………..pg.3 • Chapter Two – The Fallen Virgin…………………………....pg.18 • Chapter Three – Miya & The Interview……………………..pg.30 • Chapter Four – Should I stay or go?...................................pg.41 • Chapter Five – Fresh Start…………………………………...pg.50 • Chapter Six – A Concubine’s Lust…………………………..pg.62 • Chapter Seven - Beauty before the Beholder……………...pg.
    [Show full text]
  • The Vernaculars of the City of Wuhan a Sociolinguistic Case Study of the Use of Local Slang
    Intercultural Communication Studies XVI: 3 2007 Li The Vernaculars of the City of Wuhan A Sociolinguistic Case Study of the Use of Local Slang Wang Li Jianghan University, China This paper examines the dialect of the City of Wuhan, China using sociolinguistic research methods with a focus on the use of local slang. The subjects’ responses to their own language behavior and that of the other members in the same speech community clearly reflect a current common psychological trend in the city of breaking away from worldliness in the pursuit of elegance in everyday language. The trend, reflecting a conflicting mentality resulting from the influence of the traditional language consciousness, may be considered a potential factor leading to an imbalance between language reality and language behaviors. Such an imbalance appears to have given rise to psychological tension among the members of the same speech community. The resultant pressure may force the speech community to change their language attitude or behavior in order to maintain a stable state of the city’s everyday language. To many Chinese, Wuhan is a city characterized by its “commonness” – a life style and daily parlance representing the common people. Traditionally speaking, this characterization implies a lack of so-called “elegance” in speech and manner advocated and admired generally by the Chinese. Due to technological advances in recent decades, the city residents appear to be breaking away from this “commonness” in many ways. For example, Wuhan is known as one of the “furnaces” in China for its hot and humid summer. In the days when indoor air- conditioning was unavailable, the city residents, regardless of age and gender, had to spend their summer nights sleeping out in the open air on bamboo or wooden beds – amusing scenery in the eyes of people from other parts of China.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music.
    [Show full text]
  • Journal Pre-Proof
    Journal Pre-proof Nonlinear pattern and algal dual-impact in N2O emission with increasing trophic levels in shallow lakes Yiwen Zhou , Xiaoguang Xu , Kang Song , Senbati Yeerken , Ming Deng , Lu Li , Shohei Riya , Qilin Wang , Akihiko Terada PII: S0043-1354(21)00687-4 DOI: https://doi.org/10.1016/j.watres.2021.117489 Reference: WR 117489 To appear in: Water Research Received date: 24 February 2021 Revised date: 12 July 2021 Accepted date: 26 July 2021 Please cite this article as: Yiwen Zhou , Xiaoguang Xu , Kang Song , Senbati Yeerken , Ming Deng , Lu Li , Shohei Riya , Qilin Wang , Akihiko Terada , Nonlinear pattern and algal dual- impact in N2O emission with increasing trophic levels in shallow lakes, Water Research (2021), doi: https://doi.org/10.1016/j.watres.2021.117489 This is a PDF file of an article that has undergone enhancements after acceptance, such as the addition of a cover page and metadata, and formatting for readability, but it is not yet the definitive version of record. This version will undergo additional copyediting, typesetting and review before it is published in its final form, but we are providing this version to give early visibility of the article. Please note that, during the production process, errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. © 2021 Published by Elsevier Ltd. Nonlinear pattern and algal dual-impact in N2O emission with increasing trophic levels in shallow lakes Yiwen Zhoua,c,1, Xiaoguang Xub,1, Kang Songa,d,*, Senbati Yeerkena,d,
    [Show full text]
  • UC GAIA Chen Schaberg CS5.5-Text.Indd
    Idle Talk New PersPectives oN chiNese culture aNd society A series sponsored by the American Council of Learned Societies and made possible through a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange 1. Joan Judge and Hu Ying, eds., Beyond Exemplar Tales: Women’s Biography in Chinese History 2. David A. Palmer and Xun Liu, eds., Daoism in the Twentieth Century: Between Eternity and Modernity 3. Joshua A. Fogel, ed., The Role of Japan in Modern Chinese Art 4. Thomas S. Mullaney, James Leibold, Stéphane Gros, and Eric Vanden Bussche, eds., Critical Han Studies: The History, Representation, and Identity of China’s Majority 5. Jack W. Chen and David Schaberg, eds., Idle Talk: Gossip and Anecdote in Traditional China Idle Talk Gossip and Anecdote in Traditional China edited by Jack w. cheN aNd david schaberg Global, Area, and International Archive University of California Press berkeley los Angeles loNdoN The Global, Area, and International Archive (GAIA) is an initiative of the Institute of International Studies, University of California, Berkeley, in partnership with the University of California Press, the California Digital Library, and international research programs across the University of California system. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd.
    [Show full text]
  • De La Música Tradicional De China. Selección
    Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China.
    [Show full text]
  • THE MEDIA's INFLUENCE on SUCCESS and FAILURE of DIALECTS: the CASE of CANTONESE and SHAAN'xi DIALECTS Yuhan Mao a Thesis Su
    THE MEDIA’S INFLUENCE ON SUCCESS AND FAILURE OF DIALECTS: THE CASE OF CANTONESE AND SHAAN’XI DIALECTS Yuhan Mao A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Language and Communication) School of Language and Communication National Institute of Development Administration 2013 ABSTRACT Title of Thesis The Media’s Influence on Success and Failure of Dialects: The Case of Cantonese and Shaan’xi Dialects Author Miss Yuhan Mao Degree Master of Arts in Language and Communication Year 2013 In this thesis the researcher addresses an important set of issues - how language maintenance (LM) between dominant and vernacular varieties of speech (also known as dialects) - are conditioned by increasingly globalized mass media industries. In particular, how the television and film industries (as an outgrowth of the mass media) related to social dialectology help maintain and promote one regional variety of speech over others is examined. These issues and data addressed in the current study have the potential to make a contribution to the current understanding of social dialectology literature - a sub-branch of sociolinguistics - particularly with respect to LM literature. The researcher adopts a multi-method approach (literature review, interviews and observations) to collect and analyze data. The researcher found support to confirm two positive correlations: the correlative relationship between the number of productions of dialectal television series (and films) and the distribution of the dialect in question, as well as the number of dialectal speakers and the maintenance of the dialect under investigation. ACKNOWLEDGMENTS The author would like to express sincere thanks to my advisors and all the people who gave me invaluable suggestions and help.
    [Show full text]