Focus · · I Rich Prezioso," Wilmes Pointed Promise Proposals and Insisted Out
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Herelle Has His Hour!
_~.,."", .• ~''''''''-"T'''''''-' •• '.~: ; :-~ . - . ,. ~ .. - ..-.~ _.~ ....... ~ .. _"- .... - .... .. " ..... "'-. :","'.~ ... - -- .... ------_. _.- - ._---- .Vol. 62, Number 7 Baruch <;)oUege • ·City University of New York . May 12,1992 Adminstration Plans to Change Club Hours .' . -. - By Karea'Sbachnig StudeDta.mahiJjpwJ·m~. sitiontoapropoeedcbange·that may move club hours to 4:00 5:30 p.m. on Tuesdays and' Thursdaysbeginrnngnextfall. The new' plan would mean there ~ three hours a week reserved for student aetivitiefi instead of two. Current club hours· are on Thrusdays from 12:35-2:40. r--rbe current hours impair . the College'sabilitytomalleas manycourses aspossiblea'VBil~ able tostudents:saidBaruch PresidentMatthewGoldstein. Cffwedon'tdo this,it'sgoing.to . be a'tremendous problem for students to put together a sehedule," Samuel Johnson, vice presi dentforStudentDevelopment, agreed. 'The main idea is to increaSe our capacity.to get ':..: full schedules, because we are going to be'cutting SOme sec-. tionaandclasssize willgo up," . he said. Moving'club hours .centofstudentsareinvolvedin TiinStarlt,presidentofAMA,' Committee'sreportstated,-nte . club hours' to a lat.eT time on will make large lecture halls .. clubs. Goldstein sta.ted that . also ~ witJ:1the idea. overwhelming priority of bothda~mOl'!c18astim~and more avaUable to teaehthe tlte~"1Ji'8PosaIis. -Studenta.;won~·~aticki~-Barueb 8tU :~~:at¥n-: ,.rooms.-~Q.lUd~WQ:1~bJe. larger ehmses,' ae.eordlttg-·tO .With:tJle:ai'ifliAj er.RJaeiBte.·, ..am•. s"T2.]~t't f 4.till' \I 5~ 4iI! ,,11'.;..,,& .5;1~.t..,: &M•• ·••Jt'ifjilll.fn.'.' .i!e ..,."_,,. '.---. ,...,,..;.;.,,,~;. ._ . aebriitristeatiGft~al.. ·. AylDBm ~·'-The ison~or~.~.~pua.-: ~.pol!ibe~Allotber -iJnpact·toeoDsider.:Mauyin- :;~~. ~ ~~, .• The idea_~J!'OP2!!d_~ni::-__..~?yelling JM>.int tha-! t~ad~ . -
Download New Glass Review 11
The Corning Museum of Glass NewGlass Review 11 The Corning Museum of Glass Corning, New York 1990 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within derVoraussetzung ausgewahlt, da(3 sie the 1989 calendar year. innerhalb des Kalenderjahres 1989 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1990 Alle Rechte vorbehalten, 1990 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-122-X ISSN: 0275-469X Library of Congress Catalog Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 Is das Jury-Mitglied, das seit dem Beginn der New Glass Review Jury Statements A1976 kein Jahr verpaBt hat, fuhle ich mich immer dazu verpflichtet, neueTrends und Richtungen zu suchen und daruber zu berichten, wel- chen Weg Glas meiner Meinung nach einschlagt. Es scheint mir zum Beispiele, daB es immer mehr Frauen in der Review gibt und daB ihre Arbeiten zu den Besten gehoren. -
Cash Box Introduced the Unique Weekly Feature
MB USA FOR AFRICA DISBURSES FUNDS RIAA RESPONDS TO EXPLICIT LYRICS’ OUTCRY GUEST EDITORIAL: PAIN ERIC BEHIND THE BULLETS: METAL ACTS TAKE OVER new laces to n September 10, 1977, Cash Box introduced the unique weekly feature. New Faces To Watch. Debuting acts are universally considered the life blood of the recording industry, and over the last seven years Cash Box has been first to spotlight new and developing artists, many of whom have gone on to chart topping successes. Having chronicled the development of new talent these seven years, it gives us great pleasure to celebrate their success with our seventh annual New Faces To Watch Supplement. We will again honor those artists who have rewarded the faith, energy, committment and vision of their labels this past year. The supplemenfs layout will be in easy reference pull-out form, making it a year-round historical gudie for the industry. It will contain select, original profiles as well as an updated summary including chart histories, gold and platinum achievements, grammy awards, and revised up-to-date biographies. We know you will want to participate in this tribute, showing both where we have been and where we are going as an industry. The New Faces To Watch Supplement will be included in the August 31st issue of Cash Box, on sale August The advertising deadline is August 22nd. Reserve Advertising Space Now! NEW YORK LOS ANGELES NASHVILLE J.B. CARMICLE SPENCE BERLAND JOHN LENTZ 212-586-2640 213-464-8241 615-244-2898 9 C4SH r BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT -
Richie Kotzen Info 2021
RICHIE KOTZEN ›50 FOR 50 TOUR 2021‹ US -Gitarren -Virtuose tourt im Frühjahr 2 02 1 in Deutschland Konzerte in Köln, Hamburg & Berlin bestätigt Neues Album ›50 For 50 ‹ im Feb ruar ers chienen Zu seinem 50. macht sich der US-Gitarrist Richie Kotzen gleich zwei Geschenke: Sein neues Album ›50 For 50‹ erschien am 3. Februar 2020, seinem Geburtstag. Im Zuge dessen kündigt der Multiinstrumentalist und Sänger auch drei Konzerte in Deutschland an. Richie Kotzen tritt im Frühjahr 2021 in folgenden Städten auf: in Köln am 29. März 2021 im Gloria, in Hamburg am 1. April 2021 im Gruenspan und in Berlin am 2. April 2021 im Hole 44. Bei Richie Kotzen, dem ›Wunderkind an der Gitarre‹, weiß man nie, was einen erwartet, nur eins ist sicher: Es ist qualitativ hochwertig. Zu seinem neuen Album ›50 For 50‹, das an seinem 50. Geburtstag, dem 3. Februar 2020, erscheinen wird, postete er Folgendes: ›Ich werde etwas Interessantes auf dieser Platte machen, das ich hoffentlich erreichen werde. Ich bin ziemlich begeistert davon.‹ Und damit hat er Recht, denn auf seinem 23. (!) Soloalbum befinden sich dem Anlass entsprechend auf drei CDs insgesamt 50 neue Songs, allesamt vom Meister in Personalunion geschrieben, eingespielt und aufgenommen. Dass er sich dabei nicht auf einen Stil festgelegt, liegt nicht nur in der Natur der Sache, sondern auch in seiner Persönlichkeit: Kotzen ist ein Wanderer zwischen den Welten, variiert zwischen Soul, R&B, Jazz, Rock, Funk und Fusion hin und her, ohne sich dabei zu verlieren. Wohl kaum ein Gitarrist ist so versiert im Songwriting, dass er mit einer Stimme unterstützt, die von der Emotionalität und Intensität her ihresgleichen sucht und mit der er seit über 30 Jahren seine Fans weltweit begeistert: 1989, im Alter von knapp 20 Jahren, veröffentlicht der US-Amerikaner sein erstes Solo- Album. -
Read It Here
United States of America OCCUPATIONAL SAFETY AND HEALTH REVIEW COMMISSION 1924 Building - Room 2R90, 100 Alabama Street, S. W. Atlanta, Georgia 30303-3104 [email protected] Phone: (404) 562-1640 Fax: (404) 562-1650 NOTICE OF DECISION In Reference To: SECRETARY OF LABOR v_ Film Allman, LLC OSHRC Docket No_I4-1385 I. Enclosed is a copy of my decision. It will be submitted to the Commission's Executive Secretary on September 28, 2015. The decision will become the final order of the Commission at the expiration of thirty (30) days from the date of docketing by the Executive Secretary, unless within that time a Member of the Commission directs that it be reviewed. All parties will be notified by the Executive Secretary of the date of docketing. 2. Any party that is adversely affected or aggrieved by the decision may file a petition for discretionary review by the Review Commission. Any petition must be filed with the Review Commission's Executive Secretary within twenty (20) days from the date of the Executive Secretary's notice of docketing. See Paragraph No. I. The Executive Secretary's address is as follows: Executive Secretary Occupational Safety & Health Review Commission One Lafayette Centre H20-20th Street, NW - 9th Floor Washington, D.C. 20036-3457 3. The full text of the rule governing the filing of a petition for discretionary review is 29 C.P.R. § 2200.91 (2012). It is appended hereto for easy reference, as are related rules prescribing posthearing Deadline.comprocedures. Sharon D. Calhoun Judge Date: September 15, 2015 Atlanta, Georgia OCCUPATIONAL SAFETY AND HEALTH REVIEW COMMISSION 1924 Building - Room 2R90, 100 Alabama Street, SW Atlanta, Georgia 30303-3104 [email protected] Secretary of Labor, Complainant, v. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
The Tony Brook Friday, May 9, 1980 Vol
The tony Brook Friday, May 9, 1980 Vol. 1, No. 14 RESS mmý NRC Report on Shoreham Challenged by Scott Higham construction, Long Island energy needs have decreased. According While the NRC (Nuclear The safety-related reactor recirculation system plays an to LILCO spokeswoman June Regulatory Commission) has Bruce, peak demands fell from dismissed 30 construction defects important role in pumping coolant through the reactor's 3,107 megawatts in 1977 to 2,919 in at the Shoreham Nuclear Power 1979. In addition, Newsday Plant active core, where fission occurs. as unfounded, a former reported that sales of electricity plant employee has revealed The system is similar to 23 others which were ordered shut down by dropped by 1.1 percent in 1978. documentary evidence which Claiming that Shoreham will shows that poor welding was the Atomic Energy Commission (forerunner of the NRC) in 1974 provide about 30 percent of Long performed on a safety-related Island's energy needs in the system. because of leaks found at plants in other states. 1980's, LILCO officials have said The employee also claims that that blackouts will be the inadequate welds were The deviation in the system is commonplace if the nuclear accepted for economic and in the 28 inch recirculation pipes reactor is not completed and political considerations. which are connected directly to operational. Shoreham is According to a former the reactor vessel. In the original scheduled to begin operation in employee at the facility, who design, there was a plan to have 1983, although a LILCO official in requested anonymity, two one-inch pressure instrument 1979 said there could be blackouts construction delays, higher connections. -
November 1990
FEATURES INSIDE COLLARLOCK In an almost silent way, Mark Gauthier of Collarlock has been BOBBY a major contributor to the recent drum rack revolution. In ELLIOTT this special industry profile, Gauthier explains the nuts and LA. STUDIO Not too many bands have bolts (and much more) of build- remained together—and suc- ing the unique ROUND TABLE cessful—as long as the Hollies. Collarlock system. Bobby Elliott's drumming has • by Rick Van Horn been an integral part of the 30 Colaiuta, Keltner, Porcaro, Mason, Baird, Fongheiser, and band's sound since they began Schaeffer—seven of the most recording. Find out why drum- respected and requested drum- mers like Phil Collins and Cozy mers recording today. Put 'em Powell understand the value of in a room together and press Elliott's contributions to the the record button, and what Hollies' timeless MD TRIVIA have you got? Read music. on...and LEARN. •by Simon Goodwin 26 CONTEST • by Robyn Flans 18 Win a set of Paiste Sound Formula Cymbals! 64 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK PERSPECTIVES The Benefits Of A Four-Piece Kit Equipment BY ANDY NEWMARK 36 PRODUCT 66 ROCK 'N' CLOSE-UP Departments JAZZ CLINIC Corder Celebrity Applying Cross Drumkit News Rhythms To The 4 EDITOR'S Drumset Part 2 BY RICK VAN HORN OVERVIEW UPDATE BY ROD MORGENSTEIN 8 38 Remo Legacy Michael Hodges, Drumheads 6 READERS' Marillion's Ian Mosley, 68 THE MACHINE BY RICK MATTINGLY PLATFORM Jerry Fehily of SHOP Hothouse Flowers, Drum Machines 40 Vic Firth Signature Bobby Z, plus News A To Z Drumsticks 12 ASK A PRO BY RIC FURLEY BY RICK MATTINGLY 14 IT'S Profiles STRICTLY 42 Nady SongStarter QUESTIONABLE 74 BY ADAM BUDOFSKY PORTRAITS TECHNIQUE 58 Rhythmic Rudimental IMPAC Snare 124 DRUM MARKET Dom Um Romao Progressions: Part 6 Replacement BY FRANK COLON BY JOE MORELLO BY WILLIAM F. -
Beyond Guernica and the Guggenheim
Beyond Guernica and the Guggenheim Beyond Art and Politics from a Comparative Perspective a Comparative from Art and Politics Beyond Guernica and the Guggenheim This book brings together experts from different fields of study, including sociology, anthropology, art history Art and Politics from a Comparative Perspective and art criticism to share their research and direct experience on the topic of art and politics. How art and politics relate with each other can be studied from numerous perspectives and standpoints. The book is structured according to three main themes: Part 1, on Valuing Art, broadly concerns the question of who, how and what value is given to art, and how this may change over time and circumstance, depending on the social and political situation and motivation of different interest groups. Part 2, on Artistic Political Engagement, reflects on another dimension of art and politics, that of how artists may be intentionally engaged with politics, either via their social and political status and/or through the kind of art they produce and how they frame it in terms of meaning. Part 3, on Exhibitions and Curating, focuses on yet another aspect of the relationship between art and politics: what gets exhibited, why, how, and with what political significance or consequence. A main focus is on the politics of art in the Basque Country, complemented by case studies and reflections from other parts of the world, both in the past and today. This book is unique by gathering a rich variety of different viewpoints and experiences, with artists, curators, art historians, sociologists and anthropologists talking to each other with sometimes quite different epistemological bases and methodological approaches. -
John O'banion 里見八犬伝 Satomi Hakken-Den Mp3, Flac, Wma
John O'Banion 里見八犬伝 Satomi Hakken-Den mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop / Stage & Screen Album: 里見八犬伝 Satomi Hakken-Den Country: Japan Released: 1983 Style: Soundtrack, Synth-pop MP3 version RAR size: 1830 mb FLAC version RAR size: 1241 mb WMA version RAR size: 1861 mb Rating: 4.5 Votes: 685 Other Formats: ASF MP3 VOC AHX DTS AUD TTA Tracklist Hide Credits 八剣士のテーマ (White Light) 1 4:31 Written-By – David Palmer, Joey Carbone, Richie Zito Body Heat 2 4:30 Written-By – Richie Zito Turn Out The Light 3 3:53 Written-By – Joey Carbone We Can't Go On 4 3:36 Written-By – David Palmer, Richie Zito She's The One 5 3:46 Written-By – Richie Zito 里見八犬伝 (I Don't Want This Night To End) 6 3:18 Written-By – Joey Carbone, Kathi Pinto She Dreams Of You 7 3:46 Written-By – Richie Zito I Need Love 8 3:44 Written-By – Joey Carbone Techno Pheliac 9 3:58 Written-By – Richie Zito We Can Dream 10 4:22 Written-By – David Palmer, Joey Carbone, Richie Zito Companies, etc. Manufactured By – Toshiba EMI Ltd Credits Producer, Arranged By, Composed By – Joey Carbone, Richie Zito Notes English translations: Track 1: "Hakkenshi's Theme" Track 6: "Satomi Hakkenden" Barcode and Other Identifiers Matrix / Runout: CA35-1051 1A1 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year John 里見八犬伝 Satomi Hakken-Den WTP-90258 Eastworld WTP-90258 Japan 1983 O'Banion (LP, Album) John 里見八犬伝 Satomi Hakken-Den WTP-90258 Eastworld WTP-90258 Japan 1983 O'Banion (LP, Album, Promo) 里見八犬伝 Satomi Hakken-Den John none (CDr, Album, RE, RM, TWS, Inc. -
Berlin Love Life Mp3, Flac, Wma
Berlin Love Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Love Life Country: US Released: 1984 Style: Pop Rock, Synth-pop MP3 version RAR size: 1485 mb FLAC version RAR size: 1799 mb WMA version RAR size: 1702 mb Rating: 4.9 Votes: 508 Other Formats: FLAC RA MP4 VOX AA MPC ADX Tracklist Hide Credits A1 When We Make Love 4:59 Touch A2 3:16 Written-By – David Diamond, John Crawford, Terri Nunn A3 Beg, Steal Or Borrow 3:55 A4 Now It's My Turn 4:11 Dancing In Berlin A5 4:09 Engineer – Brian ReevesProducer – Giorgio Moroder, Richie Zito B1 Pictures Of You 4:34 B2 In My Dreams 4:08 No More Words B3 Engineer – Mike Guzauski*, Steve HodgeProducer – Giorgio Moroder, Richie 3:18 ZitoProgrammed By [Additional Keyboard Programming] – Arthur Barrow B4 For All Tomorrow's Lies 3:48 B5 Fall 4:04 Companies, etc. Recorded At – Baby'O Recorders Mixed At – Record Plant, Los Angeles Recorded At – Oasis Recording Studios Mixed At – Oasis Recording Studios Mastered At – Future Disc Published By – Berlin Era Music Published By – Malladin Music Published By – Xytyryan Rex Music Copyright (c) – The David Geffen Company Phonographic Copyright (p) – The David Geffen Company Manufactured By – WEA Music Of Canada, Ltd. Distributed By – WEA Music Of Canada, Ltd. Credits Arranged By [Backing Vocals] – Terri Nunn Art Direction – Richard Seireeni Bass, Lead Vocals, Backing Vocals – John Crawford Drums – Rob Brill Edited By [Digital Editing] – Stewart Whitmore Guitar – Ric Olsen Lacquer Cut By – JW* Lead Vocals, Backing Vocals – Terri Nunn Management [Assistant To Mr. -
Download Report 2006-07
MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE RESEARCH REP ORT 2006—2007 Boltzmannstraße 22, 14195 Berlin, Phone (+4930) 22667– 0, www.mpiwg-berlin.mpg.de ORT 2006—2007 ORT P MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE SEARCH RE SEARCH RE Max Planck Institute for the History of Science Fontana di Giove Spugna Ovest CHTE Spugna Est I Gigante Fonte della Maschera Villa e Grotte Grotta di Cupido Voliera SSENSCHAFTSGESCH I Fonte del Giardino dei Frutti Viale delle Fontane TUT FÜR W FÜR TUT I Casino dei Marmotti Fonte della Lavandaia INST Monte Parnaso Fontana della Rovere MAX-PLANCK- Cover: Preparation for “Sonatas and Interludes” (1939) by John Cage (1912–1990), performed by Markus Hinterhäuser in the series “Physiologie des Klaviers” (see p. 129–130) on December 14, 2006 at the Curt-Sachs-Saal, Museum for Musical Instruments, SIMPK, Berlin Image: Michael Behr, Berlin Back cover: Sgrilli’s planimetry of the Pratolino Garden (1742) superimposed on a GoogleEarth satellite photo. A tool used to locate the original positions of the hydraulic devices in the Medici Garden. Project: The History of Science in a Garden, Matteo Valleriani, Jochen Büttner (see p. 39–40). <http://pratolino.mpiwg-berlin.mpg.de> Image: DigitalGlobe Most of the portrait photographs were done by Skúli Sigurdsson, Berlin/Reykjavík RESEARCH REP ORT 2006—2007 MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE Max Planck Institute for the History of Science Introduction The Max Planck Institute for the History of Science (MPIWG) was founded in 1994 to promote “the development of a theoretically oriented history of science which studies scientific thinking and knowledge acquisition in their historical development and their interaction with the cultural, technical, and social contexts of science.” The MPIWG has since pursued this program in breadth and depth, embracing the natu- ral sciences and the humanities and spanning topics from the origins of counting systems in Mesopotamia to today’s postgenomics.