Together in Music 2018 HANDBOOK
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2019 Annual Report
MUSICA VIVA ANNUAL REPORT 2019 CONTENTS CHAIRMAN & CEO’S REPORT 4 COMPANY OVERVIEW 5 OUR REACH & IMPACT 6 A TRIBUTE TO CARL VINE AO 8 INSPIRING STUDENTS & TEACHERS Musica Viva In Schools 11 Musica Viva In Schools Program Reach 14 Don’t Stop The Music 15 Strike A Chord 15 SUPPORTING AUSTRALIAN CREATIVITY Masterclasses 17 FutureMakers 18 Australian Composers 20 Janette Hamilton Studio 21 PRESENTING THE FINEST MUSICIANS International Concert Season 23 Morning Concerts 26 Musica Viva Sessions 28 Musica Viva Festival 30 ENGAGING WITH REGIONAL AUDIENCES Regional Touring Program 33 Huntington Estate Music Festival 34 INDIVIDUAL GIVING, CORPORATE PARTNERSHIPS AND TRUSTS & FOUNDATIONS Individual Giving 37 Strategic Partnerships 40 Our Partners 42 Our Supporters 44 KEY FINANCIALS, ACTIVITY & REACH 50 GOVERNANCE 55 STAFF & VOLUNTEERS 59 Choir of King’s College, Cambridge performing in Adelaide Cover: Tessa Lark, Musica Viva Festival | Matthias Schack-Arnott, FutureMakers | student participant, Musica Viva In Schools 2 MUSICA VIVA ANNUAL REPORT 2019 MUSICA VIVA ANNUAL REPORT 2019 3 CHAIRMAN & CEO’S REPORT COMPANY OVERVIEW We are pleased to present another year of results that TO MAKE AUSTRALIA A MORE MUSICAL PLACE demonstrate Musica Viva Australia’s reach, artistic vibrancy and institutional stability. PURPOSE TO CREATE A NATIONAL CULTURE BASED ON CREATIVITY AND As an organisation founded by musicians, we recognise that without artists we would not exist or be able to achieve the impact IMAGINATION WHICH VALUES THE QUALITY, we desire. This year, Musica Viva employed 352 artists – 80% VISION DIVERSITY, CHALLENGE AND JOY OF LIVE CHAMBER MUSIC of whom were Australian. On concert stages (both regional and metro), in schools and online, Musica Viva brought music and TO ENRICH COMMUNITIES ACROSS AUSTRALIA BY music education of exceptional quality to 358,502 Australians. -
2020 Annual Report
MUSICA VIVA ANNUAL REPORT 2020 CONTENTS CHAIRMAN’S REPORT 4 CEO & ARTISTIC DIRECTOR’S REPORT 5 INSPIRING STUDENTS & TEACHERS Strike A Chord 7 Musica Viva In Schools 10 Musica Viva In Schools Program Reach 12 PRESENTING THE FINEST MUSICIANS Concerts 15 Regional Touring 17 Musica Viva’s 75th Anniversary 18 SUPPORTING AUSTRALIAN CREATIVITY Australian Composers 23 Australian Works performed in 2020 25 Australian Works - Musica Viva In Schools 26 INVESTING IN MUSICA VIVA Investing in Musica Viva 29 Our Partners 34 Our Supporters 36 KEY FINANCIALS, ACTIVITY & REACH 45 GOVERNANCE 49 STAFF 51 PURPOSE MUSICA VIVA EXISTS TO CREATE AND SUPPORT A VIBRANT CHAMBER MUSIC SECTOR, FINANCIAL REPORT 2020 55 ACCESSIBLE TO PEOPLE OF ALL BACKGROUNDS ACROSS AUSTRALIA. VISION AN AUSTRALIA WHERE CHAMBER MUSIC THRIVES AND WHERE PEOPLE OF ALL AGES, CULTURES AND COMMUNITIES HAVE ACCESS TO AND LEARN TO APPRECIATE THE VITAL ROLE OF MUSIC IN BUILDING A STRONGER AND MORE CREATIVE WORLD. MISSION TO ENRICH COMMUNITIES ACROSS AUSTRALIA BY MAKING LIVE CHAMBER MUSIC ACCESSIBLE TO EVERYONE. MUSICA VIVA ANNUAL REPORT 2020 3 CHAIRMAN’S REPORT CEO & ARTISTIC DIRECTOR’S REPORT I am pleased to present you with Musica Viva’s financial and programmatic Each year Musica Viva presents to our stakeholders a report on financial results for 2020. The year began and ended with live performances throughout and programmatic results and impacts. We attempt, in a few online pages, the country with the pandemic pausing normal business operations. to capture the range, depth and innovation of our mission, knowing Musica Viva weaves connections between people through music - something Musica Viva demonstrated its flexibility, innovative approach and commitment words cannot easily capture and which may only be hinted at through to ensuring Australia becomes a more musical place. -
Masters File 5
University of Adelaide Faculty of Humanities and Social Sciences Elder Conservatorium of Music Portfolio of Compositions and Exegesis: Composing for a Choral Spectrum Submitted in fulfillment of the requirements for the degree of Master of Music (MMus) by Callie Wood August 2008 225 Part B Exegesis Composing for a Choral Spectrum 226 B1 Exegesis: Composing for a choral spectrum. 1.1 RESEARCH QUESTIONS The research questions of this thesis were primarily addressed through practical experiments in choral music composition, which resulted in a portfolio of choral works covering a categorized choral spectrum ranging from very simple choral works for young children, to complex works for adult choirs of a professional standard. 1: What are the limitations for a composer in choice of text, text setting, choral groupings, and instrumental accompaniments when composing for a choral spectrum? 2: What are the limitations for a composer in regard to musicianship skills, aural skills, intonation skills, vocal range and ability when composing for a choral spectrum? Each of the works included in the portfolio addresses a particular aspect, or particular aspects, of the above research questions. To make the compositions especially suited to Australian choirs, the lyrics selected for all of the music have been written by Australian poets. To make the music accessible to a wide range of singers, all of the music for the portfolio is non-religious. Some of the compositions included in the portfolio were rehearsed, performed or recorded, which greatly assisted in the revision stage of the compositional process. However, arranging for all of the works in the portfolio to be performed and recorded was beyond the scope of this thesis. -
26 November 2007 Federation Square Melbourne
Finalist exhibition 12 – 26 November 2007 Federation Square Melbourne Melbourne Prize for Music 2007 fi nalists / Brenton Broadstock / Paul Grabowsky / David Jones / Paul Kelly / Richard Mills Outstanding Musicians Award fi nalists / Clare Bowditch / David Chisholm / The Cat Empire / Luke Howard and Leonard Grigoryan / Cameron Hill / Andrea Keller / Genevieve Lacey / Stephen Magnusson / Geoffrey Morris / Flinders Quartet Development Award fi nalists / Sam Anning / Sophie Brous / Aura Go / Julian Langdon / Tristram Williams The Melbourne Prize for Music 2007 The free public exhibition of fi nalists will be catalogue provides a review of the fi nalists held in the Atrium at Federation Square in the following award categories: between 12 – 26 November 2007. Visitors can read about each fi nalist and listen to examples / Melbourne Prize for Music 2007 of their music. / Outstanding Musicians Award For further information on the Melbourne Prize / Development Award Trust and Melbourne Prize for Music 2007 please visit www.melbourneprizetrust.org or call 03 9650 8800. The Melbourne Prize for Music 2007 is made possible by the support of our partners and patrons. The Melbourne Prize Trust would like to thank all partners for their generosity. Government Partner Founding Partners Patrons Diana Gibson AO Megg Evans Melbourne Prize for Music 2007 Partners Venue & Exhibition Partner Exhibition Design Exhibition Construction Digital Printing & Banners Exhibition Photography Exhibition Consultants Coleby Consulting Audio Equipment PartnerMedia Communications Professional Services Print Partner Winners Trophies Website Fundere Foundry The Melbourne Prize for Music 2007 celebrates excellence and talent in music and demonstrates the value our community places on its creative resources. With the generous support of all our partners, we have been able to recognise and reward the abundant and diverse musical talent we have in Victoria and make this accessible to the public. -
9–18 May 2014
9–18 May 2014 FOLLOW US #CIMF cimf.org.au Welcome to the 2014 Canberra International The European Union is delighted to support Music Festival. Celebrating its 20th year, the prestigious Canberra International Music this year’s Festival will bring together many Festival in what promises to be a magnificent of Australia’s finest musicians and a wonderful classical music event. array of acclaimed international artists to I am particularly pleased that the opening ensure a memorable program. night of the 2014 festival will take place on This year’s theme, The Fire and the Rose, will explore the centenary of 9 May, a date when 500 million European citizens celebrate Europe Day the commencement of World War I and the 75th anniversary of the all over the world. outbreak of World War II through the works of composers who wrote A number of the EU Member States' Embassies are also involved in while serving as soldiers on all sides. the festival, offering the Canberra community a unique opportunity of You will experience a rich and vibrant program of classical and enjoying some remarkable pieces of work – many of which are in fact contemporary music – a showcase of the familiar and the new. world or Australian premieres. The Festival program will feature a number of major reflective works In a year when we commemorate the centenary of the start of WWI, it is by Bach, Mozart and Brahms performed on period instruments. fitting that CIMF Director Chris Latham has put together a repertoire by Once again the award-winning Amazing Spaces series showcases European and other composers who at different times were affected or Canberra’s unique architecture and landscapes and explores the influenced by war and its difficult consequences. -
Media Kit 2015 Season
MEDIA KIT 2015 SEASON Partnerships www.australianworldorchestra.com.au MEDIA RELEASE The Australian World Orchestra brings Australia’s finest musical talent home for three extraordinary concerts “… the Mehta Stravinsky and Mahler concert was such a thrilling night of brilliant musicianship (always GREAT when Melbourne audiences get to their feet in rapture!)” – Geoffrey Rush “The Australian World Orchestra brings together some of the finest musicians I have had the pleasure to make music with. I adored conducting them last year.” – Zubin Mehta In July/August 2015, the Australian World Orchestra (AWO) performs under the baton of Chief Conductor of the Berlin Philhar- monic Orchestra, Sir Simon Rattle, together with internationally renowned mezzo-sopranoMagdalena Kožená. AWO will perform three electrifying performances in Australia, at the Sydney Opera House and the Arts Centre Melbourne, Hamer Hall, before the orchestra makes its international debut, accepting Zubin Mehta’s invitation to perform in India in October 2015. AWO Founder and Artistic Director, Alexander Briger, said: “It’s so exciting that the AWO will come together in 2015 to work with the incomparable Sir Simon Rattle in Australia, and that we give our first international performances, reuniting with Maestro Zubin Mehta in India.” Since its inaugural concert series in 2011, AWO has dazzled Australian audiences and established its place as one of the world’s premier orchestras. Founded through the creative vision of internationally acclaimed conductor Alexander Briger, AWO brings Australia’s utmost classical music talent from around the world to perform together. The 2015 season includes 95 Australian musicians from over 30 cities and 45 of the world’s leading orchestras and ensembles, from the Berlin and Vienna Philharmonic Orchestras, the Royal Concertgebouw, and the London and Chicago Symphony Orchestras, as well as Australia’s own magnificent state orchestras. -
9–18 May 2014
9–18 May 2014 FOLLOW US #CIMF cimf.org.au Welcome to the 2014 Canberra International The European Union is delighted to support Music Festival. Celebrating its 20th year, the prestigious Canberra International Music this year’s Festival will bring together many Festival in what promises to be a magnificent of Australia’s finest musicians and a wonderful classical music event. array of acclaimed international artists to I am particularly pleased that the opening ensure a memorable program. night of the 2014 festival will take place on This year’s theme, The Fire and the Rose, will explore the centenary of 9 May, a date when 500 million European citizens celebrate Europe Day the commencement of World War I and the 75th anniversary of the all over the world. outbreak of World War II through the works of composers who wrote A number of the EU Member States' Embassies are also involved in while serving as soldiers on all sides. the festival, offering the Canberra community a unique opportunity of You will experience a rich and vibrant program of classical and enjoying some remarkable pieces of work – many of which are in fact contemporary music – a showcase of the familiar and the new. world or Australian premieres. The Festival program will feature a number of major reflective works In a year when we commemorate the centenary of the start of WWI, it is by Bach, Mozart and Brahms performed on period instruments. fitting that CIMF Director Chris Latham has put together a repertoire by Once again the award-winning Amazing Spaces series showcases European and other composers who at different times were affected or Canberra’s unique architecture and landscapes and explores the influenced by war and its difficult consequences. -
Download Our 2019-20 Annual Report
ANNUAL 2019-20REPORT CITY RECITAL HALL LIMITED 1 CONTENTS 3 STRATEGIC FRAMEWORK 4 ACTIVITY HIGHLIGHTS 5 CHAIR’S MESSAGE 6 CEO’S MESSAGE 7 PRESENTING PARTNERS AND HIRERS 8 APPEARING ON OUR STAGE 10 VISITOR EXPERIENCES 11 SUPPORT FOR THE SECTOR 12 COMMUNITY ENGAGEMENT 13 CITY RECITAL HALL PRESENTS 15 KEY PRESENTERS 16 VENUE HIRERS 17 PARTNERS AND SUPPORTERS 18 GIVING 19 CORPORATE GOVERNANCE 20 BOARD 22 STAFF Concert: Considering Matthew Shepard Photo: Robert Catto Front Cover Photo: Maria Prada Photography 2 STRATEGIC FRAMEWORK Concert: Echoes of the Jazz Age Photo: Maria Boyadgis VISION OUR GUIDING PRINCIPLES STRATEGIC GOALS To be one of the ‘must visit’ cultural AND VALUES BRAND destinations in Australia. • Progressive thinking and creative City Recital Hall is a place that offers excellence underpin everything we do. “music and more” to a wide audience MISSION We think outside the square to deliver unique and creative experiences for PLACE To unlock the cultural, social and our artists, partners and audiences. The beating cultural heart of the economic value of City Recital Hall. Sydney CBD • Democratic and diverse - Everyone We will do this by: plays an important part, every voice is QUALITY heard, everyone is respected. If it’s on at City Recital Hall, it must be • producing, promoting, presenting, We champion diversity by engaging good encouraging and facilitating excellent with all genres, all peoples, all ideas. cultural events; We are proud to be open, transparent SERVICE and inclusive. • ensuring diversity of users, audiences City Recital Hall is an excellently run arts and programs; • Playful - We love exploring ideas and company with a talented, passionate • engaging new audiences; and opportunities in a fun and creative and flexible team that goes above and cultural environment. -
7 MAY 2017 2 Concert Calendar Page
REVOLUTION A MUSIC ADVENTURE FROM THE BARRICADES OF TIME 27 APRIL – 7 MAY 2017 2 CONCERT CALENDAR PAGE 1 OPENING GALA 7.30 pm Friday April 28 Fitters’ Workshop 7 2 THE OCTOBER REVOLUTION 2.30 pm Saturday April 29 Fitters’ Workshop 11 3 JAMES MORRISON QUINTET 7.30 pm Saturday April 29 Fitters’ Workshop 13 9.30 am National Library 4 BLINKY BILL Sunday April 30 15 11 am of Australia NGA 5 STALIN’S PIANO 2 pm Sunday April 30 17 Fairfax Theatre 6 DREAMING ACROSS THE HORIZON 6.30 pm Sunday April 30 Fitters’ Workshop 19 High Court 7 RED DRAGON 11 am Monday May 1 21 of Australia 8 MOZART MILESTONES 6.30 pm Monday May 1 Fitters’ Workshop 23 Canberra Airport 9 TAKING FLIGHT 11 am Tuesday May 2 27 Atrium 10 THE LION’S ROAR 4 pm Tuesday May 2 Ainslie Arts Centre 29 11 THE VELVET REVOLUTION 6.30 pm Tuesday May 2 Fitters’ Workshop 31 National 12 HALF THE SKY 2 pm Wednesday May 3 33 Portrait Gallery 13 LAST STATEMENT 6.30 pm Wednesday May 3 Fitters’ Workshop 39 8:30 am- –– TASTE OF THE COUNTRY Thursday May 4 Annual Festival Trip 41 4.00 pm National Museum 14 HARVEST OF ENDURANCE 6.30 pm Thursday May 4 43 of Australia Canberra 15 THE EDUCATION REVOLUTION 11 am Friday May 5 45 Grammar School 16 BARRICADES OF TIME 7.30 pm Friday May 5 Fitters’ Workshop 49 17 GAME ON! 1 pm Saturday May 6 Llewellyn Hall, ANU 53 18 RUSSIAN ROOTS AND RAGS 4 pm Saturday May 6 Fitters’ Workshop 55 19 WHY DO THE NATIONS? 7.30 pm Saturday May 6 Fitters’ Workshop 57 20 BACH ON SUNDAY 11 am Sunday May 7 Fitters’ Workshop 61 NGA 21 THE ART OF SPEECH 2 pm Sunday May 7 63 Gandel Hall 22 FESTIVAL FINALE 6.30 pm Sunday May 7 Fitters’ Workshop 67 1 Message from Message from ACT Minister for the Arts Festival Patrons, & Community Services Major General the Hon. -
Wesfarmers Arts Announced As Principal Partner of ACO Collective
MEDIA RELEASE Wesfarmers Arts announced as Principal Partner of ACO Collective 10 February 2016 “The collective sound of ACO2 is exquisite and homogenous, a tribute to the musicians of the Australian Chamber Orchestra, who have sought these rare talents.” The Sydney Morning Herald Pekka Kuusisto c. Kaapo Kamu Pekka Kuusisto and Richard Tognetti AO in front of a painting by Lydia Balbal, from the Wesfarmers Art Collection. Photo: Mick Bruzzese The ACO is pleased to announce that its longstanding partner, Wesfarmers Arts, has expanded its support of the Orchestra to become Principal Partner of ACO Collective. Wesfarmers has supported the ACO’s Perth Series and WA regional touring activities for 18 years, so it is fitting that this visionary partner joins with ACO Collective to help it reach even greater heights. The expanded partnership coincides with the change of name of the ACO’s regional touring and C mentoring orchestra from A O2 to ACO Collective and the appointment of Pekka Kuusisto as its Artistic Director. Guido Belgiorno-Nettis AM, the ACO’s Chairman said “with the generous support of its Principal Partner Wesfarmers, ACO Collective will continue its extensive regional touring and education programs.” Wesfarmers Managing Director Richard Goyder AO, said the new partnership with ACO Collective would support a truly national connection between the community and musicians and music education of the highest quality in Australia and the world. MEDIA RELEASE “Eighteen years after we first worked together to bring this wonderful orchestra to Perth on a regular basis, we are now delighted to be able to help the ACO reach out into our regional communities in Western Australia and nationally,” Mr Goyder said. -
1 Education for an Australian Choral Tradition
1 EDUCATION FOR AN AUSTRALIAN CHORAL TRADITION: EVALUATING THE PHILOSOPHIES OF STEPHEN LEEK. Submitted by Annette Stephens B.Mus, B.Mus Ed A thesis submitted in partial fulfilment of the requirements for the degree of Master of Music School of Music Faculty of Arts and Sciences Australian Catholic University Research Services Locked Bag 4115, Fitzroy, Victoria 3065 Australia December, 2004 2 ACKNOWLEDGEMENTS I would like to thank my supervisor, Patricia Shaw, for her wonderful guidance and support; Stephen Leek, for his generosity and openness in our discussions; And my husband Justin, and children Ebony, Ashleigh and Dylan. I have greatly appreciated your support and patience. 3 STATEMENT OF SOURCES This thesis contains no material published elsewhere, or extracted in whole or in part from a thesis by which I have qualified for or been awarded another degree or diploma. No other person’s work has been used without due acknowledgment in the main text of the thesis. This thesis has not been submitted for the award of any degree or diploma in any other tertiary institution. All research procedures reported in the thesis received the approval of the relevant Ethics/Safety Committees. 4 ABSTRACT Aims The thesis aimed to assess the philosophies of Stephen Leek, in regard to the education for an Australian choral tradition. Scope In order to address Stephen Leek's philosophies, a study of Australia's existing choral tradition and its history was conducted. This was followed by a general overview of music education in Australia post 1960. In light of these findings, Leek's educational philosophies were discussed, with specific influences, including biographical information. -
Annual Report 2017
Annual Report 2017 Australian Festival of Chamber Music Our mission is to: • Deliver an international chamber music festival and related experiences to Townsville. • Enrich the cultural life of North Queensland; and • Create compelling reasons for diverse audiences to visit from across Australia and around the world. We aim to enrich lives, educate and excite people about chamber music by presenting great artists in innovative and creative programming. We value: • Artistic Integrity • Engagement • Education • Professionalism • Openness • Accountability Our Strategic Objectives are to: • Create a unique festival experience Educate and enrich key stakeholders from artists and audiences to sponsors and supporters. • Grow and diversify our audiences Increase consumer awareness and Festival audience through effective marketing and communications and innovative music programs of a broad repertoire that appeal to a wide audience. • Secure long-term sustainability Maintain a sound business model and operating system that guarantees future financial stability and a successful artistic program. Australian Festival of Chamber Music – Annual Report 2017 Page 1 CHAIR's MESSAGE 2017 has been a significant year The re-development of The Ville has provided us with a in the life of the Australian new venue that will finally allow Concert Conversations Festival of Chamber Music. to grow beyond the confines of C2 at the Civic Centre – The Annual General Meeting a most welcome development. provides us all with an The Board has met regularly over the last 12 months. opportunity to take stock of With the new Constitution adopted at our last AGM, we our achievements, and review are now in the process of completing a suite of policies the challenges that lie ahead.