Musica Viva Annual Report 2011

A I musica viva annual report 2011 B I musica viva annual report 2011 musica viva annual report 2011 I 1 Contents Company Overview 03 Chairman’s Report 04 Chief Executive Officer’s Report 05 Artistic Director’s Report 06 Program Overview 07 Programs: Concerts 08 International Concert Season 08 coffee Concerts 11 Kenneth W Tribe AC Tribute Concert 11 Australian Composers 11 Huntington Estate Music Festival 11 collaborations & Outreach 12 Artist Development 12 café Carnivale 13 CountryWide 14 export 15 Programs: Education 16 musica Viva In Schools 16 viva Voices 18 Programs: Statistics 20 Partnerships & Philanthropy 22 Supporters 24 Artists & Ensembles 28 Artistic Review Panel 32 Financial Statements 33 Staff & Committees 51 Volunteers 52 Company Overview 03 Company Overview Chairman’s Report 04 Chief Executive Officer’s Report 05 Musica Viva: life-long engagement with Artistic Director’s Report 06 music through concerts and education Program Overview 07 Programs: Concerts 08 International Concert Season 08 coffee Concerts 11 Kenneth W Tribe AC Tribute Concert 11 Australian Composers 11 Huntington Estate Music Festival 11 collaborations & Outreach 12 Musica Viva presents the finest Musica Viva specialises in concerts Artist Development 12 Mission performers in classical, jazz, world, folk and educational / developmental café Carnivale 13 Musica Viva seeks to inspire through and a capella music in order to bring activities, delivered live and via various CountryWide 14 ensemble music of quality, diversity, the experience of live music to media platforms, for the general public, export 15 challenge and joy. audiences of all ages. for school-based audiences and for Programs: Education 16 Vision musicians and composers. We believe that the performance, We see a future for Australia in a world musica Viva In Schools 16 study, and enjoyment of ensemble shaped by creativity and imagination, viva Voices 18 music: in which music plays an essential Programs: Statistics 20 inspirational role. Musica Viva seeks to – Enriches people’s lives in a unique Partnerships & Philanthropy 22 be the leading organisation in the world and powerful way Supporters 24 for connecting audiences and – Contributes to a vibrant cultural life in ensemble music, inspiring personal Artists & Ensembles 28 Australia fulfilment and cultural vibrancy. Artistic Review Panel 32 – Creates positive perceptions of Financial Statements 33 Australian culture both domestically and internationally, and Staff & Committees 51 – Contributes to understanding and Volunteers 52 co-operation across various cultures, communities and generations.

musica viva annual report 2011 I 03 Chairman’s Report Michael K atz

I am pleased to report that your company Our audiences continued to grow with has had another successful year on all excellent support from both subscriptions fronts. It was wonderful to welcome and single ticket sales. In total over Tony Berg AM as Patron of Musica Viva, 95,000 people attended a public concert continuing the role of our previous patron, performance presented by Musica Viva. the late Ken Tribe AC, in providing prudent Our sponsors have once again made counsel and enthusiastic advocacy. things possible through their generosity. In In education, the organisation continued to addition to the critical role of governments provide first class educational support to both across Australia and internationally, nearly 300,000 children around Australia. the continued growth of private The program was significantly enhanced philanthropy is wonderful to observe. during the year by the successful We thank all our supporters and look development of truly fabulous interactive forward to being able to further deepen digital resources. This was a significant the relationships between them and the investment for the company and will organisation. substantially support our efforts to inspire The team at Musica Viva, both in the both the children and their teachers national office and around the states, through the magic of music. has done a tremendous job in the face Artistically, the concerts program in all its of continued change and complexity to forms met our expectations in so many deliver the vast array of programs we ways. We strive to provide a range of offer. On behalf of the Board and all the vibrant, high quality performances around members who we represent, I would like to the country. Who can forget the sublime thank them most sincerely for their efforts performance of Sabine Meyer and the during another big year for Musica Viva. many other performers who graced our stages during 2011? The music was of the highest standard and demonstrated that glorious mixture of quality, challenge, diversity and joy which our renowned artistic director, Carl Vine brings to the Michael Katz season. Chairman

04 I musica viva annual report 2011 Chief Executive Officer’s Report Mary Jo Capps

It is with great pride that we can report new projects could be planned and that in 2011, 1,071 musicians were able to implemented; five major works were share the joy of music with 390,218 commissioned from Australian composers people, young and old, through various with the support of private philanthropists; Musica Viva programs. The quality of and our Virtuosi and major donors, Carl Vine’s artistic direction was including the new Equal Music program, resoundingly endorsed by audiences assisted children from disadvantaged around the country and the education circumstances to have access to our team created ground-breaking resources renowned education program. There are that leverage new technologies, enabling many such examples of various scale more children and teachers to become detailed in this report, indicating the actively engaged with music. visionary support given to the company in so many ways, for which we are The diversity of the 2011 musicians extremely grateful. goes to the heart of Musica Viva’s unique status, embracing multiple genres, Musica Viva enjoyed the second year in nationalities and styles – from the a row of significant financial success. Australian-African drumming ensemble, We are very pleased to report a surplus Teranga, to the exquisite singularity of from operating activities in 2011 of Andreas Scholl, as well as myriad $175,741 due largely to strong ticket sales outstanding artists performing jazz, in the International Concert Season and indigenous, world, folk, a capella and generous bequests. The Centenary the masterworks of Western classical Appeal Fund was improved by some chamber music. $200,000 ensuring artistic vibrancy remains at the core of our planning. It has been a year of challenges as well, which have been met thanks to generous Above all, this report reflects the multiple assistance from many quarters. The inputs that contribute to Musica Viva’s federal Department of Education, programs. The success of 2011 belongs Employment and Workplace Relations to all our audiences, supporters, staff and Musica Viva Education sponsors and musicians. Rio Tinto enabled the new digital resources’ development; the Amadeus Society assured that artistically vibrant

Mary jo Capps Chief Executive Officer

musica viva annual report 2010 I 05 Artistic Director’s Report Carl Vine

In 2011 Musica Viva celebrated the 30th Goldner String Quartet, thus ensuring that birthday of its ground-breaking education the ‘living’ part of Musica Viva’s brief program with bold leaps into new extends beyond practising musicians to technology focusing on interactive those who also create the repertoire. classroom whiteboards, and with the 2011 witnessed the second Musica Viva potential for networked delivery to Festival, presented in collaboration with personal touch-screen devices. From the The Australian Youth Orchestra and the myriad of possible options the Education Sydney Conservatorium of Music. This team chose to keep full control of the has now become firmly established as a distribution mechanism, to help maximise regular biennial fixture in Australia’s music contact with education clients, to ensure calendar, thanks in no small part to the finest customer experience, and to increased cornerstone funding from the capitalise on the substantial intellectual Berg Family Foundation. property rights the company has assembled throughout its proud history. The Huntington Estate Music Festival enjoyed its sixth year under Musica Viva Meanwhile, our assorted concert auspices, marked in 2011 by sold-out programs continued to exceed the most houses, and the largest audience in that optimistic projections, with documented festival’s history. critical and public approval clearly supporting the more mundane, if vital, On concert platforms and radio waves impressive gross sales figures. across Australia, our wonderful musicians shared their gifts. They inspire us not just The International Concert Season with their talent, but also as warm, remained the company’s cardinal concert breathing emblems of how vitally activity, once again attracting strong important it is to weave fine music through subscription and single ticket audiences. the fabric of any vibrant community. Our Featured Composer for the year, Ian Munro, provided transcendent musical In the end, everything Musica Viva does, moments in 34 concert performances and aspires to achieve, is miraculously across the nation, also appearing as the embodied in its corporate motto: “Music quintessential pianist-composer with the to Inspire”.

Carl Vine Artistic Director

06 I musica viva annual report 2011 Program Overview

Musica Viva began in 1945 as a chamber music organisation focused on one ensemble. Over the years, the organisation has evolved to embrace hundreds of different musicians and ensembles each year, bringing the finest groups from overseas to perform and teach across Australia, and promoting Australian ensembles to audiences nationally and internationally. To enhance these performances and deepen audience engagement, Musica Viva has developed world-leading programs that contextualize concerts and an innovative Education program that enables better music learning in classrooms.

International Concert Season Café Carnivale “Musica Viva contributes A season of seven national tours An eclectic and exciting program of a great deal to the musical featuring the world’s best international great world music, presented in venues life of Australia. It is an chamber musicians, presented in across Sydney from 2004-11. The invaluable organisation Australia’s major capital cities: Adelaide, program is in recess at present. both in concert Brisbane, Canberra, Melbourne, presentation and music Newcastle, Perth and Sydney. Huntington Estate education.” Music Festival Coffee Concerts Vivienne Winther Australia’s renowned chamber music Artistic Review Panel A morning concert series, presented in festival held in the beautiful surrounds of “Many thanks to you, Sydney and Melbourne, featuring the Mudgee wine region, presented by too, for the wonderful performances by leading Australian and Huntington Estate Winery, in association concerts which Musica international classical ensemble artists, with Musica Viva. including opportunities for socialising Viva provides. Without over refreshments pre-concert. Musica Viva Festival your efforts, our musical life would be greatly A festival of chamber music held in CountryWide diminished.” Sydney, bringing together the next A regional touring program presenting generation of Australian performers in Anne Levy concerts in partnership with collaboration with The Australian Youth SA subscriber professional regional venues and Orchestra, with the world’s most volunteer music societies, which accomplished musicians. The next reduces the tyranny of distance by Musica Viva Festival will be held in bringing exceptional musical April 2013. experiences to approximately 15,000 regional Australians each year. Viva Voices Export A program of weekly singing workshops for seniors to learn voice control, rhythm In association with the Department of and harmony, with the option for Foreign Affairs and Trade, Export collaborative song writing. Through the presents fine Australian musicians to program, participation improves international audiences. individual well-being and confidence. Musica Viva In Schools Australia’s leading and most extensive program presenting more than 1,900 performances and educational events to more than 294,000 children and their teachers annually.

musica viva annual report 2011 I 07 Programs: Concerts

International Concert Season Embodying Musica Viva’s tenets of quality, diversity, challenge and joy, the 2011 season featured a superb array of artists and music from a variety of genres, styles and periods. A number of these artists were immediately re-invited for future visits to Australia, the sincerest accolade we can offer.

Andreas Scholl made his The Eggner Trio also made The Brentano String third triumphant tour for a welcome return visit. Their Quartet brought immaculate Musica Viva. The inclusion performance of Ian Munro’s ensemble and fascinating of outstanding Australian Tales of Old Russia was a repertoire to our stages, from performers Daniel Yeadon talking point for many, 16th-century arrangements and Tommie Andersson alongside other dazzling to Ian Munro’s evocative amongst the countertenor’s playing of rarely heard piano String Quartet no 1. accompanying musicians trios. was warmly received by “… a perfect example audiences. “The artists were of the of what string quartet highest quality, engaging playing is all about.” “Andreas Scholl is the to watch and emotionally John Painter embodiment of the committed.” Artistic Review Panel singer’s art. Affable, Vivienne Winther unaffected and with a Artistic Review Panel remarkable vocal gift.” Eamonn Kelly The Australian

08 I musica viva annual report 2011 Audience favourites, the Renowned pianist Stephen We closed the year with still Goldner String Quartet Hough once again more extraordinary concerts, combined with pianist Ian demonstrated his superb from Sabine Meyer – Munro for a memorable technique and unearthly perhaps the world’s greatest program including Ian’s new artistry in a recital of ‘weird clarinettist – and the young piano quintet, alongside sonatas’, concluding with a French Modigliani String Dvorák, Brahms and Liszt B minor sonata that Quartet. Beethoven. brought an unprecedented ovation. “… it was the sort of “I applaud Musica Viva for playing one might wish touring this fine ensemble “This recital was nothing would go on forever.” around Australia.” short of revelatory.” Peter McCallum Lachlan Bramble Vincent Plush Sydney Morning Herald Artistic Review Panel The Australian

The period-instrument orchestra Concerto Copenhagen made their Australian debut with a rich Australia program of Baroque works, Goldner with featured soloists Genevieve Lacey (recorder) String Andreas and Jane Gower (bassoon). Quartet Ian Scholl “…it was a joy to see Munro such high quality music- making.” Brentano Gillian Catlow Concerto Artistic Review Panel DenmarkCopenhagen USA “Australia is fortunate String Quartet to have the talents of Genevieve Lacey.” Genevieve Eamonn Kelly The Australian Lace Sabine United Stephen y Kingdom Meyer & Tr io FranceModigliani& GermanyEggner

String Hough Quartet

musica viva annual report 2011 I 09 Programs: Concerts

Coffee Concerts Musica Viva Festival concerts. The Con Showcase concert, talks, open rehearsals and ‘In Matinee audiences in Sydney and Aptly described by its Artistic Director Conversations’ allowed audiences to Melbourne were well catered for in Carl Vine as ‘a lavish collection of fully immerse themselves in the Festival every sense, with morning tea and a simply great music played by experience. wide range of talented musicians in wonderful performers in a surprising 2011. The Independent in Sydney rang array of formats’, the 2011 Musica Viva The Bartók cycle was part of a to the sound of Synergy Percussion; Festival saw large and rapturous weekend of concerts presented by harpist Alice Giles and flautist Geoffrey audiences for seven mainstage Musica Viva, which has proved its Collins; the Amaryllis Quartet from concerts and associated events. thesis that a serious music festival Switzerland (Grand Prize Winners at does not need a charming rural Featured artists Pekka Kuusisto, the the 2011 Melbourne International location to lure a crowd. Its canny Takács Quartet, the Goldner String Chamber Music Competition); the collaboration with the ABC, the Quartet, pianist Khatia Buniatishvili Australian Brass Quintet; and Emma- Conservatorium of Music and the (making her Australian debut), the Jane Murphy with Clemens Leske. At Australian Youth Orchestra was a Eggner Trio and a host of hand-picked the Melbourne Recital Centre we perfect meeting of minds and talents. Australian performers combined to began the year with Ensemble Liaison; present a five-day Festival in the Harriet Cunningham then heard the TinAlley Quartet; the Sydney Conservatorium of Music. Sydney Morning Herald Hamburg-resident Saguaro Trio Musical highlights included the (featuring a world premiere from The Festival won the prestigious complete Bartók string quartets, Rosalind Page) as part of their Best Event/Festival Winner in the 2011 Schubert’s Octet and String Quintet, Australasian tour; the Australian Brass Limelight Awards. piano works for four- and eight-hands Quintet; and Percussionists of the and the genre-bending Late Night To give Carl the last word: “Musica MSO. The Melbourne performances Miscellany program. Viva Festival audience members are were broadcast live on ABC Classic not just flies on the wall but active FM, hosted by Anna Goldsworthy and The presence of The Australian Youth participants in the great cycle of Phillip Sametz. Orchestra’s Chamber Players program learning, practice, performance and added a welcome glimpse of chamber appreciation that makes music life’s music’s future, in a series of highly most rewarding pleasure.” popular masterclasses and Rising Star

10 I musica viva annual report 2011 Huntington Estate Four of Ian’s works were performed Music Festival across the season: Tales of Old Russia by the Eggner Trio; his first string The 2011 Festival may, sadly, probably quartet ‘From an exhibition of linger in the memory more for the Australian woodcuts’ by the Brentano spectacularly awful weather than for Quartet (commissioned by the Coriole the performances on stage, beautiful Music Festival & Friends); the world though they were. However, away from premiere of his second piano quintet, the mud, among the musical highlights with the composer and the Goldner must be counted the Adelaide String Quartet (commissioned by Chamber Singers, American baritone Julian Burnside, AO QC); and a Thomas Meglioranza, and harpist Alice delightful performance of his clarinet Giles, each presenting works (solo and quintet ‘Songs of the Bush’ by Sabine in combination with others) from a Meyer with the Modigliani String huge range of styles and periods. As Quartet (commissioned by John usual, strings formed the backbone of Sharpe & Claire Armstrong). Ian has the Festival, with dramatic already received an invitation for a new contributions from popular UK cellist commission from long-time Musica Guy Johnston, the Modigliani Quartet, Viva subscribers, on the strength of his Aroha Quartet, and the last-ever work in 2011. performance of the Australian String Quartet in its 2006-11 incarnation, who “Ian Munro [is] an Australian farewelled violinist Sophie Rowell and composer expressing an Australian violist Sally Boud with some heartfelt ethos through his music, Beethoven. Pianists Caroline Almonte, wonderfully.” Bernadette Harvey and Kristian Chong Christabel Saddler showcased Australian chamber Artistic Review Panel performance, alongside Canberra Other Australian works performed flautist Virginia Taylor and AOBO during the year included a world Principal Double Bass Andrew Meisel. premiere of a clarinet quintet by Two world premieres from Elena Graeme Koehne at the Musica Viva Kats-Chernin and Rosalind Page added Festival (commissioned by Anne and a special element. ABC Classic FM Terrey Arcus) and the same presenter Emma Ayres was on-site to composer’s Mass for the Middle-Aged, bring this renowned Festival to Australia at the Huntington Festival; two world and the world. premieres from Rosalind Page, a trio “...a sensitive balance with and a quartet (commissioned by which the 2011 Festival has Arnold and Mary Bram, and the Silo brought together new, favourite Collective respectively); a world and little-known older chamber premiere by Elena Kats-Chernin works and given singing voices (commissioned by John and Jo Strutt); the consistently prominent works by Nigel Westlake and Carl Vine, place they deserve.” performed by Synergy; and Carl’s Roger Covell Anne Landa Preludes, also at Sydney Morning Herald Huntington. An especial highlight were the first Australian performances of Australian Composers dual UK/Australian citizen Stephen Ian Munro was the company’s Hough’s own sonata, Sonata for Piano Featured Composer for 2011. (broken branches). Performances of Ian’s lyrical and Paul Stanhope was honoured at the accessible music were well-received 2011 Art Music Awards, presented by by artists and audiences across the the Australian Music Centre and country. Indeed, it was pleasing to find APRA/ AMCOS, with two awards anecdotally that it was Ian’s pieces that related to his 2010 Featured Composer were frequently forming the activity: Vocal Work of the Year for centrepiece of foyer conversations at Deserts of Exile and Instrumental Work interval. of the Year for his String Quartet no 2.

musica viva annual report 2011 I 11 Programs: Concerts

Collaborations & Outreach Meet the Artists with touring groups, Other masterclasses presented in interviewed by Carl Vine, other Musica association with teaching and other Artistic partnerships and collaborations Viva staff and ABC Classic FM organisations included: are extremely valuable and enable presenters. These gave opportunities Musica Viva to extend its programs in Andreas Scholl – at the for audiences to engage directly with Australia. Conservatorium of Music, The University the musicians. of Melbourne. These partnerships included: Artist Development Brentano String Quartet – at the Opera Queensland, State Opera of Core to its objectives is Musica Viva’s Australian National Academy of Music, South Australia and WA Opera – The commitment to nurture and develop Melbourne. Choir of Trinity College, Cambridge. young Australian artists. This occurred in Stephen Hough, Concerto Chamber Music New Zealand – a variety of ways. Copenhagen & Brentano String Eggner Trio and Brentano String 5 Rising Stars concerts were presented Quartet – at the Sydney Quartet. in partnership with the Sydney Opera Conservatorium of Music. ABC Classic FM – Media Partner House’s Utzon Room Series, assisted by Brentano & Goldner String Quartets and live and delayed broadcasts of the Australian Government through the – at the Queensland Conservatorium International Concert Series, Australia Council for the Arts. 5 diverse Griffith University and The University of Melbourne Coffee Concerts and groups performed to large audiences in Queensland. Musica Viva and Huntington Estate this prestigious venue, many of them Music Festivals. For the Musica Viva presenting original Australian works. Other leading Australian emerging artists Festival, in addition to seven live They were also given mentoring support also received specific support, guidance broadcasts, the ABC also had a by the artistic staff of both the Opera and performance opportunities through dedicated digital radio channel ‘ABC House and Musica Viva. The groups the following activity: Musica Viva’ and website featuring were: Strelitzia Trio; Aria Co; Orava Oliver She – Recipient of the 2010 video footage. The ABC Advisory String Quartet with Stephen King, viola; David Paul Landa Memorial Scholarship Council commended Classic FM’s My Sauce Good; and Chronology Arts. for Pianists, supported by Arts NSW, coverage of the Festival: “This was a There was a strong focus on the performed at the 2011 Musica Viva great use of multimedia that allowed development of young string quartets Festival alongside past Scholarship audiences to access the many aspects and piano trios through the Musica Viva recipients Tamara Anna Cislowska, Anna of this important chamber music Festival’s association with The Australian Goldsworthy and Clemens Leske. festival. It was an innovative use of Youth Orchestra’s Chamber Players varied technologies that moved Streeton Trio – Winner of the Musica program. In the week prior to the public beyond simply radio.” ABC Radio Viva Chamber Music Award in the 2011 events, the Festival artists intensively National’s The Music Show also Sydney Eisteddfod, supported by The mentored the 29 young musicians. As a broadcast live from the festival. John Lamble Foundation, providing a direct result of this association, the Orava substantial cash prize and leading to Musica Viva continued to provide String Quartet will be working with the future performance opportunities. additional material and events Takács Quartet in its graduate string designed to enhance concerts: quartet residency program at the Kelemen Quartet – Musica Viva also has a commitment to selecting the most Concert Insights, including enhanced University of Colorado in 2012 – 13. exciting young international performers online video talks about the performers at the start of their careers to present and repertoire and complimentary to Australian audiences in future years. concert guides with informative At the 2011 Melbourne International background. Chamber Music Competition, the 12 I musica viva annual report 2011 Kelemen Quartet from Hungary was awarded the Musica Viva Prize. Artistic Café Carnivale The program was grateful to Arts NSW for Director Carl Vine comments: “The its 2011 support, as well as Parramatta 2011 was a year of transition for Café competition this year was of an City Council and its festival and venue Carnivale. exceptionally high standard that offered partners in assisting the program’s rich us more than one opportunity to choose Fewer concerts were presented than in diversity of world music to be accessible a world class ensemble to suit the previous years, with monthly concerts at to people across Sydney. Musica Viva main stage. We are Eastside Arts (Paddington) and Riverside At the beginning of 2011 Musica Viva delighted to that the Kelemen Quartet is Theatres (Parramatta) and shorter announced that, in response to the Arts the recipient of this year’s prize. Many of seasons at the Zenith Theatre NSW 2010 review of Café Carnivale’s the groups displayed an admirable level (Chatswood), the Joan Sutherland future, the best possible future for Café of technical proficiency, but the Kelemen Performing Arts Centre (Penrith) and the Carnivale would be as a program has an inventiveness and innate sense of Barrenjoey Music Room (Avalon). These independent of, but still with great working musicality that is simply inspiring. I look concerts featured greater cross-cultural relationships with, Musica Viva. This came forward to an enduring relationship with collaborations between artists and into effect at the end of 2011 and Café this remarkable young group starting additional activity including workshops Carnivale is now no longer a part of the with a national concert tour in 2014. and artist talks. company’s suite of programs. The Following the success of the 10th program’s eight years within Musica Viva Birthday Celebration concert in 2010, saw many rich and varied concerts taking there was a greater focus on ‘event’ style place. Musica Viva would like to presentations. Four very successful acknowledge the hundreds of artists for concerts attracting over 1,500 patrons their performances across the years were held: the Sizzling Latin and Greek showcasing the artistry and diversity of the Festival Music Fiestas at Addison Road many cultures who reside in NSW; the Community Centre (Marrickville), Kooch committed audiences; and most especially Journey of the Gypsies at Notes the Café Carnivale past and present staff (Newtown) and the West African Festival and volunteers for their commitment, at Marrickville Town Hall. creativity and energy in bringing the program to thousands of audience Altogether, the program presented members across the breadth of Sydney. 38 concerts by 64 ensembles featuring 333 musicians to total audiences of It is anticipated that the NSW Government 7,558 in 2011. will make an announcement about the future of Café Carnivale and publicly Many of the 2011 events were produced supported world music in NSW in 2012. in partnership with other organisations, including the Instituto Cervantes, the “Café Carnivale is vital for Greek Festival of Sydney and the West encouraging multiculturalism African Festival organisation. through music and enabling people to share their homeland’s art A mentoring program with three young forms with Australians.” musicians from the Parramatta local area commenced, supported by the Angela Rosero Parramatta City Council, and program Café Carnivale performer volunteer Anna Griffiths was the recipient (quoted from a Sydney Morning of an Innovation in Volunteering award at Herald article) the 2011 Sydney Volunteer Awards. musica viva annual report 2010 I 13 Programs: CountryWide

Students participating in the residency with Deborah Cheetham and the Short Black Opera.

CountryWide Musica Viva CountryWide enables artistic tenets at the heart of all Musica Cheetham to deliver a residency in audiences in regional towns and cities Viva’s work: quality, diversity, challenge Mildura with members from her Short to participate in a diverse range of and joy. Black Opera company. During the residency Deborah and company outstanding music experiences. In Education projects 2011 Musica Viva toured 37 soloists members Toni Latham, Tiriki Onus and and ensembles to 34 regional centres, 2011 saw an expansion of the Shauntai Batzke worked with the presenting 98 concerts and workshops education side of the CountryWide school’s year 5 and 6 choir and a to regional Australian communities. program. As well as an increasing group of Aboriginal students in years The program featured opera, chamber number of masterclasses and 4-6. The residency culminated in a music, piano, early music, jazz and workshops being presented alongside concert for the school community, fusion music from some of Australia’s concert engagements, two substantial attended by parents, friends, teachers leading musicians. Concerts were residency projects were undertaken. and the Mayor of Mildura. As well as performed at large and small festivals, Didjeridu virtuoso and composer introducing the world of opera to many indoors and outdoors, at performing William Barton spent two weeks at the in the audience, the concert saw a arts centres, churches and schools, for New England Conservatorium of group of around 20 young Aboriginal large audiences and in more intimate Music, performing for and working with students perform a scene with Tiriki settings. Aboriginal and non-Aboriginal students Onus from Cheetham’s opera Pecan as well as members of the Armidale Summer. The lovely performance of From Michael Kieran Harvey’s daring Youth Orchestra. Almost 1,200 this opera piece provided a truly all-étude program to Synergy students and young musicians meaningful experience for participants Percussion’s expressive rhythms; from participated or attended events during and audience alike. This exciting the distinctive Renaissance sounds of the two-week residency. collaboration will continue in 2012. La Compañia to the poignant theatrical tribute Nellie Melba: Queen of Song, In 2011 Musica Viva also collaborated the CountryWide program reflected the with renowned Aboriginal opera singer, composer and educator Deborah

CountryWide and sell-off concert statistics

CountryWide (subsidised touring) NSW VIC TAS ACT Total Centres 17 14 31 Events 65 33 98 Audiences 7,647 4,867 12,514

Sell-off Concerts (unsubsidised touring) Centres 2 2 3 1 8 Events 6 3 6 1 16 Audiences 866 321 1,196 100 2,483

14 I musica viva annual report 2011 Programs: Export

Students participating in the residency with Deborah Cheetham and the Short Black Opera. The Australian String Quartet performing in Nanhai, China.

Musica Viva Export In 2011 Musica Viva continued its covering a broad range of music partnership with the Australian including jazz, chamber music, fusion Government Department of Foreign and original compositions. Affairs and Trade (DFAT) to administer Concerts were performed for diverse the Fine Music Touring Program. This audiences including diplomatic and program enables some of Australia’s government officials, key local business best musicians to perform in Asia leaders, general public audiences, and through partnerships with local venues school and tertiary students through and Australian High Commissions and workshops and masterclasses. Embassies. In 2011 the program’s resources were “They [Band of Brothers] The artists who toured in 2011 fulfilled maximized through partnerships with played a breathtaking set of the program objectives of presenting ensembles and undertaking several instrumental compositions cultural product that is distinctly tours to multiple countries. In this way, that left the rapt audience Australian in content or interpretation the program reached ten countries in wanting more, and the band and which demonstrate contemporary Asia whose audiences were able to Australian musical excellence, cultural obliged with an enthusiastic experience Australia’s best ensemble encore to end the evening’s diversity, sophistication and innovation. music and meet some wonderful performance” The touring ensembles included Australian cultural ambassadors. chamber musicians, singers, The Daily Independent (Dhaka) percussionists and instrumentalists

Musica Viva Export concert statistics

Ensemble Country Concerts Workshops Audiences The Idea of North Philippines 3 2 1,438 Leonard Grigoryan & Joseph Tawadros Laos 3 - 450 Leonard Grigoryan & Joseph Tawadros thailand 1 1 417 Leonard Grigoryan & Joseph Tawadros vietnam 2 3 1010 Irina Morozova, Julian Smiles, Dimity Hall south Korea 5 1 3,070 TaikOz Taiwan 4 2 1,000 Australian String Quartet and Kristian Chong china 5 2 850 Australian String Quartet Singapore 1 5 500 Band of Brothers India 2 2 580 Band of Brothers Bangladesh 2 - 640 Total 28 18 9,955

musica viva annual report 2011 I 15 Programs: Education

At the Sydney launch, NSW Education Minister, Adrian Piccoli MP, at Newtown North Public School on Thursday 10 November 2011.

Musica Viva In Schools (MVIS) The Australian Curriculum In 2011 the Musica Viva In Schools ‘Live Shaping the future of music education Performance Plus’ program was taken for the foreseeable future is the up by some 1,051 schools throughout ‘Australian Curriculum – the Arts’ and its Australia with 1,622 live performances development has engaged Musica Viva performed and 1,627 teachers In Schools staff at every step in the attending one of the 123 professional journey. Mandatory music education learning courses across the country. from 2013 represents a big challenge Some 272,351 children benefited from for educational leaders and “I like creating the music this core program, now in its 30th year. administrators in all states and piece by myself; it’s like you A further 23 performances were held by territories. For Musica Viva the own all the instruments and secondary schools and some 12,740 challenge is a great opportunity to can play them all at once”. senior music students attended one of provide schools and education systems Year 2 student three Australian Music Days. with the resources needed to Lakemba Public School, NSW implement the new curriculum. The Whilst the level of overall activity challenge has been embraced with continued apace, 2011 will be enthusiasm and, fortuitously, Musica remembered as the start of Musica Viva has received financial support from Viva’s digital journey. Throughout the DEEWR and Rio Tinto to meet the year a comprehensive suite of interactive challenge. Planning throughout 2011 resources was designed around every continues into 2012 including Live Performance Plus ensemble for use preparation for new on-line resources of on classroom interactive whiteboards in a high quality to be available from 2013 the connected classrooms. This project for all teachers to download and use. engaged every department of the These resources will incorporate digital company, many external collaborators activities for the connected classroom and all ensembles in a logistical – utilising equipment available to challenge of enormous proportions. teachers and students such as By the year’s end all was ready for the interactive whiteboards, computers and national roll-out of resources for the mobile devices – and be explicitly 2012 school year. structured around the new Australian Curriculum for Music.

16 I musica viva annual report 2011 On Monday 24 October 2011, Launch of the Interactive Resources for the Digital Classroom Peter Garrett launched the interactive The Hale School, Perth resources for the digital classroom. 24 October 2011 Peter Garrett, Rio Tinto’s Joanne Farrell and Mary Jo Capps with students from Minister Peter Garrett officially launched the interactive digital resources in the The Hale School, Perth. presence of an assembly of educators, musicians, music students and teachers from The Hale School, Perth, and representatives of Rio Tinto who with the Federal Government were the key sponsors of the project. Following the national launch, state-launches were held in Sydney, Melbourne, Adelaide, Canberra and Brisbane with key stakeholders from education, arts and business in each city. At each event Electroboard Pty has provided electronic whiteboards and those attending have enjoyed the chance to experiment with the array of interactive resources available. This first phase of Musica Viva’s comprehensive digital strategy has been two years in the making. Jozzbeat Interactive Pty Ltd was commissioned to “The Musica Viva interactive design a series of dynamic digital templates that maximize the opportunities resources are a great for students to engage with music-making as part of their learning about example of what talented music. From 2012 Musica Viva In Schools ‘Life Performance Plus’ program will include a set of digital activities which teachers will be able to incorporate people with a commitment to into their lessons a range of activities based on the digital templates. The education can achieve— templates, now an integral part of the resource kits, have been designed with when they work together to flexibility in mind. A teacher may be a specialist music teacher using only help children learn, and have select components of the resources to enrich their lessons or a classroom fun while they learn. The primary teacher making full use of the activities to teach a structured and continuing research showing coherent music program that they may otherwise lack the confidence or the benefits of musical expertise to do. experience means that all Australian educators should reassess the role and value of learning music in school.” Minister Peter Garrett

musica viva annual report 2011 I 17 Programs: Education

Viva Voices singers from the Mornington Peninsula (VIC) with facilitator Colleen Rees.

Viva Voices Early in 2011 the Creativity & Ageing This later project was developed in program was rebranded as Viva conjunction with the Ethnic Voices, with the aspiration that the Communities Council of NSW and resoundingly positive feedback from Orange Regional Conservatorium. the singing workshops for seniors Whilst the funding available for Musica projects held around the country could Viva to support these projects finished project into the development of a at the end of 2011, each of these national program. projects has been sustained into 2012, such was the impact and local support Specific projects were continued in for these singing groups. Mandurah, Western Australia, in West Rosebud on the Mornington Peninsular A resource pack, including a handbook in Victoria and in Orange, NSW. for community organisations wanting to set up such projects, videos The Mandurah group continued for a and support material for music “I was quite excited to be third year with support from the facilitators wanting to lead singing involved with the singing Wicking Trust. A new group on the workshops for seniors, has been group. Songs that I thought Mornington Peninsular was established developed. This material will be made would be impossible for me, in partnership with the Shire of available online during 2012. Mornington Peninsular, with support I have found them to be from the Australia Council and the third National development for the Viva challenging and lovely to project in the regional centre of Voices has not been achieved, but hear the voices harmonising. Orange in NSW had a focus on issues further submissions to government and I didn’t know I could sing! ” associated with support for other agencies keen to support Mandurah Participant (WA) participants from a culturally and positive ageing initiatives for seniors linguistically diverse background. will continue. “Seeing the joy on faces when our goals had been reached and the bonding of the singers was a soul experience.” Rosebud Participant (VIC)

18 I musica viva annual report 2011 Musica Viva in Schools Program Reach

Total eventsTotal other activities other Total attendance Total courses (primary)courses Ensembles in state in Ensembles Students attendingStudents Teachers attending attending Teachers Schools particpatingSchools Professional learning Professional Musician / Composer In Primary school concertsPrimary school Extended residency (days)Extended residency Secondary Concerts, School Teachers attending concerts attending Teachers Students attending concerts professional learning courses learning professional The Classroom – Primary (days) in Live Performance Plus program Workshops & Australian Music Days

ACT 2 9 3 14 17 2,819 101 2,920 20 NSW 16 518 56 982 972 21 49 15 165,230 5,698 6,791 177,719 1,113 NT 1 32 2 28 43 7,305 244 7,549 45 QLD 6 163 15 152 158 4 26,408 880 378 27,666 177 SA 4 53 9 85 73 11,453 424 11,877 82 TAS 1 44 2 41 54 8,489 327 8,816 56 VIC 6 81 14 118 115 14 6 78 18,796 752 4,916 24,464 227 WA 5 151 22 207 190 7 31,858 1,225 655 33,738 219 Total 41 1,051 123 1,627 1,622 35 66 93 272,358 9,651 12,740 294,749 1,939 *Some ensembles work in more than one state

musica viva annual report 2011 I 19 Program Statistics Total Attendances 2011 390,218 384,441 294,749

Concerts / Activities 2011 46,265 14,997 10,555 8,217 3,780 7,627 3,219 809 CountryWide & Sell Offs 114

Viva Voices 78 tars offee xport oices eason C chools Concert Season 70 E S Festivals iva V iva Export 46 S ising V ountryWide R C

TOTAL ivaIn afé C arnivaleC afé

Café Carnivale 38 oncert S

2,323 C Fundraisers 18

Festivals 15 usica V M otal Attendances - 2011 otal Attendances - 2010 T Rising Stars 5 T Musica Viva In Schools 1,939

Income & Expenditure 2009–2011

2009 2010 2011 Income 2011

Government Subsidies $3,412,963 $11,113,769 $10,938,028 $9,925,112 $10,538,879 $10,166,158 $9,682,681

TOTAL Development $ 2,107,286 $11,113,769

Earned $5,593,520 Income Income Income xpenditure xpenditure xpenditure E E E

Expenditure 2011 Virtuosi & Branch & Major Gifts Fundraising Income Events Income 2009–2011 2009–2011 Artist Fees & Expenses $3,515,168

TOTAL Venue & Production $1,715,390 $10,938,028 $1,284,987 $1,011,605 $915,740*

Promotion $1,438,124 $419,058 $158,040 $149,287* $139,384 $642,389 Administration $4,269,346 2011 2011 2010 2010 2009 2009

*See Note 20 in Signed Financial Statements

20 I musica viva annual report 2011 Total Attendances NSW 2011 2009–2011 396,931 390,218 384,531 220,183 218,264 177,719 180,253 15,173 8,513 8,217 7,627 809 720 1,405 tars 2011 offee 2010 2009 oices eason C chools Festivals iva V iva ising S ising V ountryWide R C iva In S afé C arnivaleC afé oncert S C usica V M otal Attendances - 2010 otal Attendances - 2009 T T

ACT 2011 NT 2011 QLD 2011 SA 2011 9,530 32,971 31,550 8,528 17,400 16,901 27,666 7,626 7,549 7,549 11,887 5,523 4,606 3,884 100 2,920 eason eason eason chools chools chools chools ountry Wide C iva In S iva In S iva In S iva In S oncert S oncert S oncert S C C C usica V usica V usica V usica V M M M M otal Attendances - 2011 otal Attendances - 2011 otal Attendances - 2011 otal Attendances - 2011 otal Attendances - 2010 otal Attendances - 2010 otal Attendances - 2010 otal Attendances - 2010 T T T T T T T T

TAS 2011 VIC 2011 WA 2011 Overseas 2011 44,027 43,194 41,316 14,355 36,587 33,738 10,012 24,464 8,816 4,111 10,555 10,555 5,188 5,378 1,196 2,200 1,814 11,701 860 offee xport oices eason eason C chools chools chools E iva V iva V ountryWide ountryWide C C iva In S iva In S iva In S oncert S oncert S C C reativity & Ageing C usica V usica V usica V M M M otal Attendances - 2011 otal Attendances - 2011 otal Attendances - 2011 otal Attendances - 2010 otal Attendances - 2010 otal Attendances - 2010 otal Attendances - 2011 otal Attendances - 2010 T T T T T T T T

musica viva annual report 2011 I 21 Partnerships & Philanthropy

Corporate Partnerships So vital is this support that it represents over Trusts and Foundations is highly valued. 30% of company revenue. We thank the following organsiations for Partnerships with the corporate sector their continued commitment to Musica Viva. enable Musica Viva to extend our reach, Musica Viva thanks it national partners to ensure our activities reach the largest at the Australia Council for the Arts, the Accenture Australia Foundation number of Australians possible. With each Department of Education Employment and Musica Viva In Schools NSW and VIC partnership Musica Viva strives to achieve Workplace Relations, Office for the Arts and Allport Bequest reciprocal benefits to enrich the experience the Department of Foreign Affairs and Trade. Musica Viva In Schools TAS Musica Viva’s patrons receive as a result. Arts NSW also play a key role in funding Musica Viva. APRA/AMCOS In 2011, Musica Viva was particularly Australian Music Day grateful to a number of corporate partners At a state level, the following Government Besen Family Foundation and particularly those which went beyond Departments across the country made it Musica Viva in Schools VIC previous years’ activities by supporting the possible for Musica Viva In Schools to reach 285,098 students, 9,651 teachers and The Danks Trust Musica Viva Festival as well. The Musica Musica Viva In Schools Viva Festival was supported by ABC Classic 1,657 schools nationally in 2011. FM, Bang & Olufsen, Blue Holidays, Foxtel, Farrell Family Foundation – NSW Department of Education managed by the San Diego Foundation Radisson Blu Hotel Sydney, Theme & and Communities Variations, and Wilson Parking. Musica Viva In Schools NSW – Victorian Department of Education Fred P Archer Charitable Trust Musica Viva’s regular concert activities and Early Childhood Development managed by Trust were supported by ABC Classic FM, Baker – Education QLD Musica Viva In Schools WA and SA & McKenzie, Bang & Olufsen, Dullo Fine – SA Department of Education and Chocolates, Foxtel, Huntington Estate The Garrett Riggleman Trust Children’s Services Wines, Hyatt Hotel Canberra, Institut Goodman Family Foundation Francais, Middletons, Pan PacificP erth, – Carclew Youth Arts Musica Viva In Schools VIC Radisson Blu Hotel Sydney, Stamford – WA Department of Education Graeme Watson Bequest Plaza Brisbane, The Adelaide Review, The – WA Department of Culture and the Arts Concerts VIC Langham Melbourne, Theme & Variations, – Healthway James N. Kirby Foundation Thomas Davis & Co, and Wesfarmers Arts. Special Educational Needs Kits for – ACT Department of Education Primary Education Musica Viva’s education activities were and Training supported nationally by ABC Classic FM, Lord Mayor’s Charitable Foundation – NT Department of Education and Training Ars Musica Australis, APRA AMCOS, and Viva Voices, VIC Catholic Education. In Central Queensland, – TAS Department of Education Mallesons Stephen Jaques BHP Billiton Mitsubishi Alliance (BMA) Musica Viva would also like to thank the Musica Viva In Schools NSW and VIC continues their support and Rio Tinto WA NSW Department of Ageing, Disability The Marian and E H Flack Trust Future Fund continues to support Western and Home Care for supporting the Viva Musica Viva In Schools VIC Australian activity as well as the Taking Music Voices program, Arts Victoria for supporting Into the 21st Century Classroom project. the Countrywide touring program and The Morawetz Family Parramatta Council for supporting the in memory of the late Paul Morawetz In 2011, Musica Viva received the AbaF Parramatta Café Carnivale series. Concerts VIC Best Practice in Partnering award for the Anita Morawetz gift in her memory second consecutive year, and the AbaF Trusts and Foundations Musica Viva In Schools VIC Queensland QantasLink Regional Award for Support from trusts and foundations its partnership with BHP Billiton Mitsubishi Scanlon Foundation provides specific project funding for Musica Alliance (BMA) in Central Queensland. Musica Viva In Schools VIC Viva’s concert series, education and The Thyne Reid Foundation Musica Viva is grateful to its corporate outreach programs. Musica Viva In Schools WA partners, many of which have been In 2011 grants allocated by trusts and believing in and partnering with Musica Tim Fairfax Family Foundation foundations enabled a wider reach and Musica Viva In Schools QLD Viva for several years. To all our corporate range of activities for Musica Viva across partners, we say thank you. Australia, particularly for remote, regional Vincent Fairfax Family Foundation Musica Viva In Schools NSW Government Partnerships and disadvantaged communities. From special needs kits for Musica Viva In The Wicking Trust Musica Viva is supported by Government Schools, a tailored Musician in the managed by ANZ Trustees bodies across the country at the Federal, Classroom program for primary classes in Viva Voices State and Local level. This support is the remote WA indigenous community of M&M Whelan Trust integral for the company’s ongoing delivery Yakanarra to the joyful singing workshops of education and arts programs across for seniors in Mandurah an hour south of Australia. Perth, support from our partnerships with 22 I musica viva annual report 2011 Clarinet player Sabine Meyer The Silo Collective committed to commissioning Australian composers. performs for donors.

Composers Paul Stanhope, Ian Munro, Ross Edwards, Rosalind Page, Carl Vine & Brett Dean at the Ken Tribe Students at Yakanarra Commemorative Fund for Australian Composers launch event, August 2011.

Success Story at Yakanarra Ongoing Commitment With support from the Thyne Reid Foundation in 2011, Musica Underpinning all of our activities are the very special Viva delivered a Musician in the Classroom residency program group of Viva Virtuosi; those donors who maintain tailored to the needs of Yakanarra primary school in Western a regular annual contribution to Musica Viva. This Australia. Yakanarra is a remote Indigenous community national program enables Musica Viva to continue its located 130 kms from Fitzroy Crossing. The small school has education and outreach activities in all corners of the 30 to 40 students and 6 teaching staff who are ably assisted country. We are very grateful for this ongoing support. by Aboriginal Education Workers from the community. Inspiring Legacies The students learned musical skills, including sound poetry The incredible legacy of Musica Viva’s patron, and story-telling that allowed them to express their emotions Kenneth W Tribe AC carries on through the Ken Tribe and harness their creativity. The students showed Commemorative Fund for Australian Composers improvements in their literacy and numeracy skills, as well as which was launched in August 2011. Several donors their confidence and communication. have contributed to this fund in addition to Ken’s Through one-on-one training, the teachers were also given own substantial bequest ensuring that Australian skills, knowledge and experience to enable them to deliver composers have a strong and enduring presence their own music education in the classroom for many across the range of Musica Viva activities. years to come. Recent bequests from John Robson, a long term [The] commitment and positive attitude inspired every Newcastle subscriber, and Moya Crane, a Sydney student, and we saw so much progress in a short concert goer and Huntington Music Festival attendee amount of time. We hope you can come back next year. add to our much appreciated group of Custodians. Teacher, Yakanarra Community School These gifts leave a lasting footprint on the cultural landscape and extend Musica Viva’s capacity to plan We are grateful to the Thyne Reid Foundation for making this a vibrant future for ensemble music in Australia. important project possible.

Philanthropic giving is an increasingly important capacity builder enabling Musica Viva to grow and develop the reach and depth of our programs throughout 2011. musica viva annual report 2011 I 23 Musica Viva Concert Partners

SERIES AND TOUR PARTNERS

Perth Concert Series Newcastle Concert Series 2012 Season Launch Partner

Presented in association with Newcastle Conservatorium of Music assisted by the NSW Government through Arts NSW.

Sabine Meyer &Modigliani String Quartet Tour Partner Concerto Copenhagen & Genevieve Lacey Tour Partner

BUSINESS PARTNERS

Law Firm Partner Chartered Accountants Partner NSW & QLD Piano Partner

hotel partners

National Wine National MUSICA VIVA FESTIVAL partner Partner chocolate partner Festival Club Partner Festival Airline Partner

Festival Club Partner Festival Parking Partner

Festival Media Partner

media partners

Community Support Partner National Media Partner South Australian Media Partner

GOVERNMENT PARTNERS

Musica Viva is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body. Musica Viva is assisted by the NSW Government through Arts NSW.

24 I musica viva annual report 2011 Musica Viva Education Partners

musica viva in schools

National

Catholic Education

ACT NSW

NT QLD

SA TAS

VIC WA

In memory of The Marian Anita Morawetz & E H Flack Trust

VIVA VOICES Special projects

Taking Music into the 21st Century Classroom Partner

musica viva annual report 2011 I 25 Supporters

CUSTODIANS $10,000-$19,999 The Honourable Justice Susan Brian & Kay Suters ACT NSW Crennan AC M & R Taylor Geoffrey & Margaret Brennan Justice Jane Mathews AO G R Embleton Janette Thomson The late Ernest Spinner John and Jo Strutt Dr Helen Ferguson Luba Totoeva NSW Constable Estate Vineyards Alan Goldberg AO QC & Patricia & John Turnbull The late Charles Berg Ray Wilson OAM Rachel Goldberg Dr Marina Vamos Lloyd and Mary Jo Capps SA Jan Grant John White The late Moya Crane The Fargher Foundation Peter Lovell Anonymous (4) Anonymous (2) Liz Gee VIC BRISBANE CHAMPIONS Suzanne Gleeson Miss Betty Amsden OAM KEN TRIBE John Biggs The late Margaret Hedvig Arnold Bram AM & Mary Bram COMMEMORATIVE FUND Priscilla Brilliant The late Suzanne Meller $5,000-$9,999 Denyse Bartimote Dr Betty Byrne Henderson AM Fred Rainey NSW Professor Tony Basten Peter Eardley The late John Robson Geoff & Vicki Ainsworth Berg Family Foundation Denise and John Elkins Dr David Schwartz Neil & Sandra Burns Christine Bishop Professor J and Mrs N Gough The late Kenneth W Tribe AC Irwin Imhof, in memory Jillian Broadbent A.A & A Grant Mary Vallentine AO of Herta Imhof Martin and Lois Cooper Lorraine Hemming Kim Williams AM Warren & Verity Kinston Nancy Fox & Bruce Arnold Clark Ingram Anonymous (5) John Lamble AO Ann Hanson Hiroko Kikkawa QLD The Silo Collective Beris Hudson Mrs J J Lockwood The late Miss A Hartshorn David & Carole Singer The Mitchell Family Peter B Lyons The late Steven Kinston Anonymous (2) Colin & Jan Piper John Martin SA QLD Malcolm & Jeanette Smith B & D Moore The late Ms K Lillemor Andersen Ian & Caroline Frazer John & Jo Strutt D.W & H.F. Robertson The late Edith Dubsky Anonymous (1) Evan and Janet Williams Margaret Wren Anonymous (5) Anonymous (12) Mrs G Lesley Lynn SA Anonymous (1) The Trevabyn Trust NEWCASTLE VIRTUOSI TAS Anonymous (1) CORNERSTONE CAMPAIGN ACT Trevor Noffke VIC Roland & Marion Bannister $1,000-$2,499 Kim Paterson QC Annamila Pty Ltd Anita & Bob Berghout Prof Julia Potter VIC The Bate Family Tony & Gay Bookallil Miss J Roberton Julian Burnside AO QC William J Forrest AM Lyn Bourke $500 – $999 The Anita Morawetz gift Glenda McNaught Denise Braggett Dr P & T Barry The family of the late Jan Chapman Mrs Lauri Curtis AMADEUS SOCIETY Paul Morawetz in his memory Stan & Judy Chen Geoffrey & Margaret Brennan, Sydney The late Mrs Catherine Sabey Glen Coulton in memory of Donald & Ruth Magid (Chair) & Bob Magid The late Dr G D Watson Mike & Vicki Diemar Susan Youngman Andrew Andersons AO Anonymous (5) Claus & Luise Diessel Claudia Hyles Tony & Carol Berg WA Pamela Dowdell Ms Margaret Lovell & Jan Bowen Dr W B Muston Margaret Eley & the late Mr Grant Webeck Tom Breen & Rachael Kohn Anonymous (1) John Yarwood Helen O’Neil David & Ida Constable Mary Ferguson Ines Ross MAJOR GIFTS Reg & Kathie Grinberg Helen Gordon Phyllis Somerville $50,000+ Jennifer Hershon June Hardie Sue Terry & Len Whyte NSW Barbara Hirst Patricia Harrigan & Robert & Valerie Tupper Berg Family Foundation Jacqueline Huie Dianne Strachan Anonymous (1) $30,000-$49,999 Stephen Johns & Michele Bender Phyllis Harris NSW NSW Michael and Frederique Katz Roland & Margie Hicks $2,500 – $4,999 John Sharpe & Claire Armstrong Justice Jane Mathews AO Margaret Hughes Hilmer Family Foundation Dr Bela Mezo Helen & Ray Hyslop VIC Iven & Syliva Klineberg Ray Wilson OAM Anna Kaemmerling & Julian Burnside AO QC Patricia H. Reid Endowment Anonymous (1) Bryan Havenhand Anonymous (1) Pty Ltd Melbourne Drs Robin & Tina Offler $20,000-$29,999 Kristen van Brunschot & Julian Burnside AO QC Margie & Kim Ostinga NSW John Holiday (President) & Kate Durham Max & Olga Reeder Anne and Terrey Arcus Brian & Esther Benjamin D & J Robson $1,000 – $2,499 Mike & Frederique Katz Barry Berger & Dr Arn Sprogis & Michael & Margaret Ahrens Kim Williams AM Wendy Kayler-Thomson Dr Margot Woods Mr Andrew Andersons AO John & Jill Stowell OAM 26 I musica viva annual report 2011 Sibilla Baer QLD Youth Music Foundation of Ros Baker & the late David Baker $1,000 – $2,499 Australia Dr Gaston & Phyllis Bauer Anonymous Anonymous (3) Mrs Kathrine Becker $500 – $999 $500 – $999 Catherine Brown- Dr Tee Beng Keng David & Judy Cotterill Watt & Derek Watt John Martin Profs S Crowe & J Mills Lloyd & Mary Jo Capps DW & HF Robertson Brian Goddard Yola & Steve Center Anonymous (2) Colin Golvan SC Sarah & Tony Falzarano SA Peter J Griffin AM & Terry Linda John & Irene Garran $2,500 – $4,999 Swann Donald & Rosita Gibson Don & Veronica Aldridge John V Kaufman QC Miss Janette Hamilton Peter Kolliner OAM & $1,000 – $2,499 Mr Andrew Kaldor & Barbara Kolliner John & Libby Clapp Ms Renata Kaldor AO David & Deborah Lauritz EH & A Hirsch Kevin & Deidre McCann Joan Loton Brian L Jones OAM Robert McDougall Ashton Raggatt McDougall Mark Lloyd Macquarie Group Foundation Ron Merkel QC Fiona MacLachlan OAM D M & K M Magarey Mr Baillieu Myer AC & Mrs Myer Skye McGregor Renate Metzler Sir Gustav Nossal & Lady Nossal H & I Pollard Caroline Sharpen & Andrew Parker Megan O’Connor Tony & Joan Seymour Arn Sprogis & Margot Woods Robert W Peters John & Gale Spalvins Gordon Stenning Greg J. Reinhardt Anonymous (4) John & Jo Strutt Mr and Mrs Jacques Rich Kay Vernon $500 – $999 Professor Emeritus Phillip John John & Flora Weickhardt DJ & EM Bleby Rose AO Michael & Mary Whelan Trust Heather Bonnin OAM Maria Sola & Malcolm Douglas Ian Wilcox & Mary Kostakidis Beverley Brown Anonymous (3) Anonymous (7) Dr Michael Drew WA Dr Ruth Marshall $500 – $999 $1,000 – $2,499 P.M. Menz Mrs Judith Allen Dr David Cooke Trish & Richard Ryan AO Prof Stephen Angyal OBC & Dr WB Muston John and Ali Sulan Helga Angyal Anonymous (2) Robert Arnott John Sved $500 – $999 Margaret & Kames Beattie Jim & Anne Wilson In memory of Flora Bunning Baiba Berzins R.A. & G.E. Woolcock Dr Nerida Dilworth AM Denise Braggett Anonymous (5) Janice Dudley in memory of Mr and Mrs N.K. Brunsdon VIC Raymond Dudley Rosemary Carrick & Andrew Biro $2,500 – $4,999 Dr Penny Herbert in memory of Michael & Colleen Chesterman The Goodman Family Foundation Dunstan Herbert Elizabeth Evatt John Rickard Helen Hollingshead Dorothy Hoddinot AO Greg Shalit & Miriam Faine Mrs Frances Morrell Mathilde Kearny-Kibble Helen Vorrath Elizabeth Syme Margaret Lederman $1,000 – $2,499 Michael & Valerie Wishart Elfreda & Arthur Marshall Wendy & Michael Bertram Alexandra Martin in memory Helen Brack of Lloyd Martin AM In memory of Paul Bruce Nola Nettheim Roger and Coll Buckle Prof Robin Offler Alastair & Sue Campbell Diane Parks Alex & Elizabeth Chernov Dr Mark & Mrs Gillian Selikowitz Caroline & Robert Clemente Andy Serafin Tom Cordiner Evan Williams Dr June Danks Elisabeth Wynhausen Peter Di Sciascio Dr A. Ziegler Lord & Lady Ebury Anonymous (9) Lyndsey Hawkins Dr Ian Hogarth Dame Elisabeth Murdoch AC DBE Ralph & Ruth Renard Murray Sandland

musica viva annual report 2011 I 27 Artists & Ensembles

Export Country Concerts musicians Number of Performer & Fundraisers Private Functions & Sell Off Concerts & Sell Off Musica Viva Festival Musica Viva CountryWide Concerts In The Classroom Workshops In The Classroom Huntington Estate Music Festival Musica Viva In Schools Concerts,Musica Viva Composer In The Classroom, MusicianComposer In The Classroom,

Adam Hall & the VPs Australia 47 5 Adelaide Chamber Singers Australia 6 15 Akoustic Odyssey Australia 13 4 Alice Giles Australia 6 1 Amanaska Australia 25 4 Amaryllis Quartet Switzerland 1 4 Andreas Scholl, Tamar Halperin, germany / Israel Daniel Yeadon & Tommie Andersson / Australia 8 4 Andrew Barnes Australia 1 1 Andrew Meisel Australia 3 1 Anna Goldsworthy Australia 1 1 Aria Co Australia 1 4 Aroha String Quartet New Zealand 5 4 Australian Brass Quintet Australia 2 4 5 Australian String Quartet Australia 3 9 5 4 Australian String Quartet & Kristian Chong Australia 2 5 Band of Brothers Australia 6 4 Ben Greaves Australia 1 1 Ben Jacks Australia 1 1 Bernadette Harvey Australia 3 1 Blair Greenberg Australia 11 1 Brentano String Quartet USA 9 1 2 4 B’tutta Australia 80 1 4 Cameron Gregory Australia 20 1 Caroline Almonte Australia 5 1 Chloe King Australia 1 1 Christopher Moore Australia 2 1 Chronology Arts Australia 1 8 Clemens Leske Australia 1 1 Collusion Australia 16 4 Concerto Copenhagen & Genevieve Lacey Denmark / Australia 9 1 12 Damian Barbeler Australia 5 1 Dan Walker Australia 4 1 Deborah Cheetham Australia 1 1 Deborah Cheetham & Short Black Opera Australia 6 4 Eggner Trio Austria 9 1 3 3 Emma Jane Murphy Australia 1 1 Emma-Jane Murphy & Clemens Leske Australia 1 2 Ensemble Liaison Australia 1 3 Ensemble Liaison & Wilma Smith Australia 2 4 Errol Renaud & Caribbean Soul Australia 3 5 Fada Australia 101 1 4 Firebird Trio Australia 2 3 Florian Eggner Austria 1 1

28 I musica viva annual report 2011 Artists & Ensembles

Export Country Concerts musicians Number of Performer & Fundraisers Private Functions & Sell Off Concerts & Sell Off Musica Viva Festival Musica Viva CountryWide Concerts In The Classroom Workshops In The Classroom Huntington Estate Music Festival Musica Viva In Schools Concerts,Musica Viva Composer In The Classroom, MusicianComposer In The Classroom,

Geoffrey Collins & Alice Giles Australia 1 2 Gillian Howell Australia 5 1 Goldner String Quartet Australia 2 3 4 Goldner String Quartet & Ian Munro Australia 8 1 5 Graham Hilgendorf Australia 7 1 Grigoryan Brothers Australia 1 2 Guy Johnston UK 7 1 Gypsy Tober Australia 49 3 Harry Deluxe Australia 1 1 Humming Birds Australia 74 4 Iiro Rantala Finland 1 1 Ironwood Australia 1 4 Jacana Australia 51 4 Jackie Ewers Australia 1 1 James Richmond Australia 17 1 Jess Ciampa Australia 1 1 Joseph Tawadros (& Ensemble) Australia 1 4 Julian Smiles, Dimity Hall & Irina Morozova Australia 6 3 Karen Kyriakou Australia 63 1 Karin Schaupp & Flinders Quartet Australia 2 5 Karin Schaupp & Katie Noonan Australia 3 2 Kees Boersma Australia 2 1 Khatia Buniatishvili Georgia 4 1 Kristian Chong Australia 2 3 1 La Compañia Australia 2 9 Larissa Burak, Anatoli Torjinksy & Lucy Voronov Australia 1 3 Leonard Grigoryan & Joseph Tawadros Australia 10 2 Lolo Lovina Australia 2 5 Makukuhan Australia 104 3 Mara! Australia 106 5 Mark Cain Australia 3 1 Marmalade Jam Australia 44 4 Mary-Anne Goyder Australia 2 1 Melbourne Chamber Orchestra Australia 2 22 Michael Kieran Harvey Australia 2 7 1 Michelle Nicolle Quartet Australia 3 4 Modigliani Quartet France 5 4 My Sauce Good Australia 1 3 Nellie Melba: Queen of Song Australia 9 2 Neville Talbot Australia 5 1 Nicole Murphy Australia 3 1 Nicole Thomson Australia 1 1 Nougat Australia 1 2 Ogham Soup Australia 21 3 Oliver She Australia 1 1

musica viva annual report 2011 I 29 Artists & Ensembles

Export Country Concerts musicians Number of Performer & Fundraisers Private Functions & Sell Off Concerts & Sell Off Musica Viva Festival Musica Viva CountryWide Concerts In The Classroom Workshops In The Classroom Huntington Estate Music Festival Musica Viva In Schools Concerts,Musica Viva Composer In The Classroom, MusicianComposer In The Classroom,

Orava String Quartet Australia 2 1 4 Orava String Quartet & Stephen King Australia 1 5 Overlander Australia 1 4 Ozmosis Australia 52 4 Pastance Australia 86 3 Paul Jarman Australia 5 1 Pekka Kuusisto Finland 4 1 Percussionists of Melbourne Symphony Orchestra Australia 1 4 Philip Arkinstall Australia 3 1 Piers Lane UK 3 1 Sabine Meyer & Modigliani Quartet France / Germany 8 2 5 Saguaro Trio Australia / New Zealand 1 4 3 Sartory String Quartet Australia 32 4 Shrewd Brass Australia 33 3 5 Sirocco Australia 39 4 Song Company Australia 88 4 Sophie Rowell Australia 3 1 Sounds Baroque Australia 78 4 Stephanie McCallum Australia 2 1 Stephen Hough UK 9 1 1 Strelitzia Trio Australia 1 3 Sydney Omega Ensemble and Simon Tedeschi Australia 2 6 Synergy Australia 1 7 4 TaikOz Australia 6 8 Takács Quartet USA 3 4 Tamara Anna Cislowska Australia 1 1 Teranga Australia 145 4 The Chambermaids Australia 48 5 The Idea of North Australia 5 4 The Marais Project Australia 2 4 The Rhythm Works Australia 19 4 The Sousaphonics Australia 119 1 5 The World According to James Australia 48 2 4 Thomas Meglioranza USA 5 1 Tigramuna Australia 111 5 Timo-Veikko Valve Australia 2 1 Tinalley String Quartet Australia 1 4 Virginia Taylor Australia 3 1 William Barton Australia 23 1 Yvette Goodchild Australia 2 1 Zeeko Australia 76 3 From Cafe Carnivale program* Various 64 333 (List of artists opposite) 139 1,864 112 46 8 41 56 TOTALS 2,330 1,071

30 I musica viva annual report 2011 “This was an exceptional performance evening. “The quality of the artists was first class, their The program was utterly mesmerizing and the professionalism and diversity was outstanding.” audience was completely amazed and engrossed. From Camden Haven Music Festival about It was quite a challenging program combining Katie Noonan and Karin Schaupp electric cello and amplified digeridoo, bringing very new musical sensations which were soaked up”. From Castlemaine Festival about Overlander

Café Carnivale Artists & Ensembles

Afro Peruvian Project Jalsa Creole Nayika Abuka Trio John Maddock Ngoc-Tuan Hoang Afro Moses Jorge Campano & Nuestra Ohana and Hulanesian Afro Peruvian Project Andalucia Out of the Blue Angela Rosero Jorge do Prado Trio Pape Mbaye & Chosani Afrique Armandito & Trovason Jose Barroso Pera & Pera Balcano Justo Diaz Performing Brazil Balkan Quartet Karifi Ross Maio Bandaluzia Flamenco Klezmer Connexion Songket Bukhu Kostas Polydoropoulos & Patio de Tango Cecilia Vilardo Karlos Gourdalis Sibo Bangoura with Keyim Ba Chirimeros Larrisa Burak Silvia Entcheva Chris Gudu Lolo Lovina Stole and the Black Train Band Cumbiamuffin Los Cuervos Mariachi Sydney Balalaika Orchestra Davood Tabrizi and The Far Seas Lupco Stojcevski Tango Bar Eddie Bronson Trio Ensemble Victor Valdes Eddie de Brasil and friends Madakto Volatinski Trio Epizo Bangura Mandie Vieira Trio Watussi Errol Renaud & Caribbean Soul Manos Libres Zohar’s Nigun Flamenco Red Marcelo Malovini George Dukas Duo Maria Yiakoulis Artists 333 Gervais Koffi & The African Mark Isaacs Ensembles 64 Diaspora Miriam Lieberman Concerts 38 Helen Rivero Moussa Diakite Heval My Sauce Good

musica viva annual report 2011 I 31 “Virtuosic performance of a varied program “Castlemaine State Festival audiences are very ranging from Handel to modern European and discerning and they responded very South American – and own compositions. enthusiastically to this program which was joyous Concentration was rewarded, the sound was and compelling, expressed through the warmth of spine-tingling at times and the players the musicians, the calibre of musicianship, the engaged with audiences verbally. A really uniqueness of the instruments and the rare wonderful evening.” opportunity to hear such a distinctive program. It was an ideal work and company to include and From Geelong Chamber Music Society about I am grateful for it being suggested.” the Grigoryan Brothers From Castlemaine Festival about La Compañia

2011 Artistic Review Panel

Kevin Bradley ACT Lachlan Bramble sA Tobias Cole ACT Keith Crellin SA Jim Cotter ACT Leonie Hempton sA Ian McLean ACT Hilary Kleinig SA Matthew O’Keefe ACT Elizabeth Koch SA John Painter ACT Christabel Saddler sA Vivienne Winther ACT Natsuko Yoshimoto sA Peter Cudlipp NSW Helen Ayres VIC Rosemary Curtin nsW Kristian Chong VIC Sara Czarnota NSW Alex Furman VIC Victoria Eastwood nsW Peter Garnick VIC Nicole Forsythe nsW Zoe Knighton VIC Vi King Lim NSW Rosalind McMillan vIC Tija Lodins NSW Merlyn Quaife VIC Annalouise Paul nsW Shirley Trembath vIC David Saffir NSW Barbara Williams vIC Domenico Sepe nsW Raymond Yong vIC Alan Ziegler NSW Michael Brett WA Ysolt Clarke QLD Gillian Catlow WA Brendan Joyce QLD Kathy Corecig WA Adele Nisbet QLD Rachel McDonald WA Peter Roennfeldt QLD Callum Moncrieff WA Diana Tolmie QLD Berys Cuncannon new Zealand

32 I musica viva annual report 2011 Financial Statements

musica viva annual report 2011 I 33 Statement of Comprehensive Income for the Year ended 31 December 2011

Notes 2011 2010 $ $ REVENUES FROM ORDINARY OPERATING ACTIVITIES - Income From Operations 1 5,263,282 4,892,128 Local Government Subsidies 2 23,650 21,500 State Government Subsidies 3 1,237,787 1,212,863 Grant by the Australia Council 4 1,635,221 1,690,447 Grant by the Department of Education, Employment and Workplace Relations 311,669 255,958 Grant by the Department of Foreign Affairs and Trade 5 172,981 130,459 Grant by the Office for the Arts 31,655 0 Other Income 6 2,437,524 2,335,524 11,113,769 10,538,879 EXPENSES FROM ORDINARY OPERATING ACTIVITIES - Direct Operating Expenses 6,668,682 6,209,101 Administration and General Expenses 4,269,346 3,957,057 10,938,028 10,166,158

SURPLUS FROM ORDINARY OPERATING ACTIVITIES 7 175,741 372,721 OTHER COMPREHENSIVE INCOME Net loss on revaluation of financial assets (50,792) (14,702) (50,792) (14,702) TOTAL COMPREHENSIVE INCOME FOR THE YEAR 124,949 358,019 The Accompanying notes form part of these financial statements

34 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Statement of Financial Position AS AT 31 December 2011

Notes 2011 2010 $ $ ASSETS Current Assets Cash and Cash Equivalents 8 1,389,461 1,434,838 Receivables 9 581,641 5 87,075 Prepayments and Sundry Deposits 835,144 821,538 TOTAL CURRENT ASSETS 2,806,246 2,843,451

Non-Current Assets Property, Plant & Equipment 10 3,227,546 3,422,849 Financial Assets 11 376,796 415,508 TOTAL NON-CURRENT ASSETS 3,604,342 3,838,357 TOTAL ASSETS 6,410,588 6,681,808 LIABILITIES Current Liabilities Payables 583,620 450,965 Advances 12 2,046,821 2,588,675 Provisions - Current 13 107,759 117,8 9 6 TOTAL CURRENT LIABILITIES 2,738,200 3,157,5 3 6 Non-Current Liabilities Provisions - Non Current 13 227,967 204,800 TOTAL NON-CURRENT LIABILITIES 227,967 204,800 TOTAL LIABILITIES 2,966,167 3,362,336 NET ASSETS 3,444,421 3,319,472 MEMBERS FUNDS Accumulated Operating Funds 22,511 43,479 Asset Revaluation Reserve 2,255,170 2,305,962 2,277,681 2,349,441 Reserves Incentive Scheme Funds 17 303,000 303,000 Centenary Appeal Funds 18 675,790 477,5 81 Artist Initiatives Funds 187,950 189,450 TOTAL MEMBERS FUNDS 3,444,421 3,319,472 The Accompanying notes form part of these financial statements

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 35 Statement of Changes in Members Funds for the Year ended 31 December 2011

Notes 2011 2010 $ $ ACCUMULATED OPERATING FUNDS Opening Accumulated Operating Funds 43,479 (58,589) Surplus/(Deficit) from Ordinary Activities 175,741 372,721 Transfer to Centenary Appeals Funds (198,209) (121,703) Transfer from Artist Initiatives Funds 150,000 0 Transfer to Artist Initiatives Funds (148,500) (148,950) Accumulated Operating Funds at year end 22,511 43,479

ASSET REVALUATION RESERVE Opening Asset Revaluation Reserve 2,305,962 2,320,664 Revaluation of freehold land and buildings 0 0 Revaluation of financial assets (50,792) (14,702) Asset Revaluation Reserve at year end 2,255,170 2,305,962

RESERVES INCENTIVE SCHEME FUNDS Opening Reserves Incentive Scheme Funds 303,000 303,000 Transfer from Accumulated Operating Funds 0 0 Reserves Incentive Scheme Funds at year end 303,000 303,000 CENTENARY APPEAL FUNDS Opening Centenary Appeal Funds 477,581 355,878 Transfers from Accumulated Operating Funds 198,209 121,703 Centenary Appeal Funds at year end 675,790 477,5 81 ARTIST INITIATIVES FUNDS Opening Artist Initiatives Fund 189,450 40,500 Transfer to Accumulated Operating Funds (150,000) 0 Transfer from Accumulated Operating Funds 148,500 148,950 Artist Initiatives Funds at year end 187,950 189,450

TOTAL MEMBERS FUNDS AT THE END OF THE YEAR 3,444,421 3,319,472 The Accompanying notes form part of these financial statements

36 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Notes to and forming part of the Financial Statements for the Year ended 31 December 2011

Statements of Significant date has been charged to Administration (xiv) Critical Accounting Estimates and accounting policies and general expenses in the Statement Judgements. The directors evaluate of Comprehensive Income. estimates and judgements incorporated into The financial statements of Musica Viva the financial statements based on historical Australia for the year ended 31 December (v) Segment accounting - Musica Viva knowledge and best available current 2011 were authorised for issue by a Australia’s activities which comprise information. Estimates assume a reasonable resolution of the Directors on 24 March 2012. concert organisation and promotion expectation of future events and are based on and music education are carried on The financial statements are general current trends and economic data, obtained predominantly within Australia. purpose financial statements that have both externally and within the company. been prepared in accordance with (vi) During 2011, Musica Viva provided Key Estimates Australian Accounting Standards (including $nil grants to the Australian Music The freehold land and buildings were Australian Accounting Interpretations) Foundation. (2010 - $nil) The Australian independently valued at 30 July 2009 by and the Corporations Act 2001. Music Foundation provided a grant to Cushman & Wakefield NS( W) Pty Limited. Musica Viva Australia of $130,000 (2010 Musica Viva Australia is a company The valuation was based on the fair - $80,000) for its operational activities. limited by guarantee, incorporated value. The critical assumptions adopted and domiciled in Australia. It operates (vii) Musica Viva Australia is a non-profit in determining the valuation included the as a non-profit organisation. organisation and no tax is payable on the location of the land and buildings, the current surplus from its operations. Correspondingly demand for land and buildings in the area The financial statements have been no tax benefit accrues from losses and is and recent sales data for similar properties. prepared on an accruals basis and are therefore not recognised in the accounts. The valuation resulted in a revaluation based on historical costs and do not take increment of $569,982 being recognised into account changing money values or, (viii) Limitation of Members’ Liability. In for the year ended 31 December 2009. except where stated, current valuations accordance with the Memorandum of of non-current assets. Cost is based Association the liability of members in the Key Judgments - Available-for-sale on the fair values of the consideration event of Musica Viva Australia being wound investments. The company maintains given in exchange for assets. up would not exceed $1.00 per member. a portfolio of securities with a market carrying value of $376,796 at the end The following is a summary of the material (ix) The Number of Employees as at the of the reporting period. The value of accounting policies adopted by Musica balance sheet date was 59 (2010 - 61). these investments has not changed Viva Australia in the preparation of the (x) Payables. Trade creditors represents materially since the reporting date. financial statements. The accounting liabilities for goods and services provided to policies have been consistently (xv) Adoption of New and Revised Musica Viva Australia prior to the end of the applied, unless otherwise stated. Accounting Standards. During the year financial year and which are unpaid. The the company adopted all of the new and Significant accounting methods amounts are unsecured and are usually revised Australian Accounting Standards applied are as follows: paid within 30 days of recognition. and Interpretations applicable to its (i) Income and expenses are brought to (xi) Receivables. The terms of trade are 7 operations which became mandatory. account generally as earned and incurred. days from date of invoice. Collectability of (xvi) New Accounting Standards for debtors is reviewed on an ongoing basis. (ii) Land and Buildings are shown at Application in Future Periods. The A provision for doubtful debts is raised independent valuation at 30 July 2009 less AASB has issued new and amended where doubt as to collection exists and depreciation on building since that date. accounting standards and interpretations debts which are known to be uncollectable Other fixed assets are shown at cost less that have mandatory application dates for are written off. The Company has no depreciation. Depreciation of the Building in future reporting periods. The company significant concentrations of credit risk. which Musica Viva holds a 75% share has has decided against early adoption of been included in property costs which are (xii) Net Fair Value of Financial Assets these standards as none are expected netted against property rental income. and Liabilities. The net fair value of cash to materially affect the company. and cash equivalents and non- interest (iii) Depreciation is calculated to expense bearing monetary financial assets and the cost over the estimated useful life of financial liabilities represent their carrying the respective fixed asset. The rates of value. Interest received on funds in bank depreciation are 2.5% per annum on cost accounts and on deposit is at current of Buildings, 33.3% per annum on the market value. Musica Viva Australia is cost of Computer Software, and 20% per subject to market changes in respect of its annum on the cost of other fixed assets. cash on deposits and its financial assets. (iv) Foreign exchange losses in 2011 (xiii) Comparative Figures. Where required by amounting to $293, (2010 - $7,721) Accounting Standards comparative figures representing the revaluation of the US have been adjusted to conform with changes Dollar cash at bank as at the reporting in presentation for the current financial year.

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 37 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 1 Income from Operations Subscription Tickets 1,847,260 1,629,630 Box Office Takings 1,022,013 986,563 Broadcast & Television Fees 13,000 10,080 Programs & Merchandising 11,155 14,862 Fees & Expenses from other Organisations 507,707 5 37,74 3 Schools Concerts 1,862,147 1,713,250 5,263,282 4,892,128 2 Local Government Subsidies Expended City of Sydney 0 3,000 Parramatta City Council 23,650 18,500 23,650 21,500 3 State Government Subsidies Expended New South Wales Government Arts NSW – General Grant 383,821 377,0 3 4 – Special Funding - Regional 16,000 16,000 – Café Carnivale 165,000 165,000 – Musica Viva In Schools 129,150 130,850 – Landa Scholarship 28,975 21,792 Dep’t of Education and Communities 178,864 178,864 Dep’t of Ageing, Disability and Home Care 27,548 13,546 Victoria Arts Victoria 49,410 40,590 Dep’t of Education and Early Childhood Development 10,404 10,272 ACT ACT Dep’t of Education and Training 12,000 12,000 Western Australia Dep’t of Education and Training 38,430 35,000 Dep’t of Culture and the Arts 29,612 29,088 Healthway 57,000 52,000 South Australia Dep’t of Education and Children’s Services 20,000 20,000 Arts SA 4,373 3,627 Carclew Youth Arts Board 30,000 30,000 Northern Territory Dep’t of Education and Training 27,000 27,000 Queensland Education Queensland 25,000 25,000 Arts Queensland 0 20,000 Tasmania Department of Education 5,200 5,200 1,237,787 1,212,863

38 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 4 Grant by the Australia Council General Grant 1,535,278 1,508,132 Other 99,943 182,315 1,635,221 1,690,447

5 Grant by the Department of Foreign Affairs & Trade International Touring Program 172,981 130,459

6 Other Income Investment Income 109,285 81,868 Sponsorship & Donations 1,939,335 1,9 37,5 5 3 Bequests 167,951 121,703 Rent Recoveries 180,934 174,632 Sundry Income 40,019 19,768 2,437,524 2,335,524 7 Surplus from Ordinary Activities The operating surplus is arrived at after (crediting)/charging the following specific items: Loss on disposal of fixed assets 0 108 Dividends received (16,204) (11,220 ) Interest Received (93,081) (70,648) Depreciation Buildings 19,688 19,688 Plant, Equipment & Vehicles 216,375 198,953 236,063 218,641 Provisions Annual Leave (10,137) (44,358) Long Service Leave 23,167 33,913 13,030 (10,445) 8 Cash and Cash Equivalents Cash At Bank 16,553 8,581 Cash At Bank - US$ 65,508 57,830 Cash on Hand 2,013 2,400 Commonwealth Bank Deposit 37,808 35,692 Bendigo and Adelaide Bank Ltd 300,000 410,339 ING Bank (Australia) Limited 279,710 519,996 Rabobank Australia Limited 287,869 0 St George Bank 400,000 400,000 1,389,461 1,434,838 9 Receivables Debtors 586,641 592,075 Provision for Doubtful Debts (5,000) (5,000) 581,641 5 87,075

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 39 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 10 Property Plant & Equipment Land and Building Land at valuation 30-Jul-2009 1,762,500 1,762,500 Building at valuation 30-Jul-2009 787,500 787,5 0 0 Accumulated depreciation - Building (47,683 ) ( 27,9 9 5 ) 2,502,317 2,522,005 Plant and Equipment Plant and Equipment at cost 1,942,982 1,928,962 Accumulated depreciation (1,217,753 ) (1,028,118 ) 725,229 900,844 Total Property, Plant & Equipment 4,492,982 4,478,962 Accumulated depreciation (1,265,436) (1,056,113) 3,227,546 3,422,849 10(a) Movements in Carrying Amounts of Property, Plant & Equipment: Land & Plant & Total Buildings equipment Balance at the beginning of the year: 2,522,005 900,844 3,422,849 Additions 0 41,060 41,060 Disposals 0 (300) (300) Depreciation (19,688) (216,375) (236,063) Carrying Amount at the end of the year: 2,502,317 725,229 3,227,546 11 Financial Assets Available for sale and reinvestment Units in Managed Funds – At current market value 376,796 415,508

Information regarding the access to these investments is provided at Note 17.

11(a) Movements in Carrying Amounts of Financial Assets Financial Assets Balance at the beginning of the year 415,508 Additions 12,080 Revaluation increments (50,792) Carrying amount at the end of the year 376,796

12 Amounts received in advance Concert Subscriptions and tickets 1,398,467 1,361,655 Grants and sponsorship 648,354 1, 227,020 2,046,821 2,588,675

40 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 13 Provisions Current Staff Annual Leave 107,759 117,8 9 6

Non-current Long Service Leave 227,967 204,800

14 Auditors Remuneration Amounts receivable by the Auditors for: Audit of Musica Viva Australia accounts 0 0 Other services 0 0 0 0

15 Commitments for Expenditure 0 0

16 Contingent Liabilities Contingent Liabilities exist in respect of contracts entered into with artists, and are estimated at: Contracts with artists 0 0

17 Reserves Incentive Scheme Funds The Reserves Incentive Scheme Funds were received under an agreement between Musica Viva Australia, the Australia Council for the Arts, and Arts NSW. Reserves Incentive Scheme Funds as at 1 January 2011 303,000 303,000 Funds received from the Australia Council 0 0 Funds received from Arts NSW 0 0 Funds allocated from Accumulated Operating Funds 0 0 Reserves Incentive Scheme Funds as at 31 December 2011 303,000 303,000

The funds are held in accordance with the Investment Strategy adopted by the Board of Directors and approved by the funding agencies as determined by the Agreement. These funds are not used to secure any liabilities of Musica Viva Australia. The investment of these funds has given rise to the financial assets disclosed at Note 11. Access to $208,669 (2010 $259,461) of these Funds is restricted under the terms of the Agreement. Included within sundry income (see note 6) is an amount of $12,080 (2010 $6,866) representing net income earned from these investments, over which there are no restrictions of use.

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 41 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 18 Centenary Appeal Funds The Musica Viva Centenary Appeal helps to secure the future of fine music in Australia and aims to assist the process of meeting the challenges of the next fifty years.

Details of the Appeal for the year ended 31 December 2011 are: Net Centenary Appeal Funds as at 1 January 2011 477,581 355,878 Additions to The Fund 198,209 121,703 Expenses of the Appeal 0 0 198,209 121,703 Net Centenary Appeal Funds as at 31 December 2011 675,790 477,5 81 Access to these Funds is not restricted.

19 Related Party Transactions The directors during the financial year were: Michael Katz Elizabeth Clapp (resigned 31 December 2011) Tom Cordiner Jeremy Feldhusen (from 4 February 2011) Katherine Grinberg Lyn Hamill Margaret Lovell Carmel Morfuni Cameron Smith Dr Peter Wilton (from 31 January 2011)

Remuneration of Directors: Amounts received or receivable by members of the Board from Musica Viva Australia 0 0 Remuneration of Key Management Personnel (8 staff): Short term benefits 769,878 771,746 Post employment benefits 121,446 96,240 Total remuneration 891,324 867,986 20 Fundraising Musica Viva Australia undertakes fundraising appeals throughout the year; it holds an authority to fundraise under the Charitable Fundraising Act, 1991 (NSW); additional information and declarations to be furnished under this Act follow:

Details of Aggregate Gross Income and Total Expenses of Fundraising Appeals Gross proceeds from fundraising appeals Centenary Appeal 0 0 Virtuosi & Major Gift Appeal 915,740 642,389 Branch Activities 149,287 158,040 1,065,027 800,429

42 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Notes to and Forming Part of the Financial Statements for the Year ended 31 December 2011

2011 2010 Less Total costs of fundraising appeals Centenary Appeal 0 0 Virtuosi Appeal 65,780 56,327 Branch Activities 70,386 82,483 136,166 138,810 Net Surplus obtained from Fundraising appeals 928,861 661,619 Application of Funds Funds raised through Virtuosi and Branch activities support Musica Viva Australia concert and education activity. Funds raised through the Centenary Appeal are reserved for use in the future to maintain the presence of quality live music. Forms of Appeal Appeals held during the year ended 31 December 2011: General and Personal Appeals for the Centenary Fund and for the Virtuosi Appeal; Branch Activities including private recitals for Branch Appeals. Traders Musica Viva Australia employs professional staff to manage and co-ordinate its fundraising activities and as such does not engage commercial fundraising traders to secure donations.

Comparison by Monetary Figures and Percentages for the year ended 31 December 2011 2011 2010 Comparisons $ % % Total cost of fundraising / 136,166/ 13 17 gross income from fundraising 1,065,027 Net surplus from fundraising / 928,861/ 87 83 gross income from fundraising 1,065,027 Total cost of services / total expenditure * Total cost of services / total income received * *No disclosure is provided as all income received and expenditure incurred is in connection with the presentation of Musica Viva Australia concerts.

Declaration by Chairperson as required by the Charitable Fundraising Act 1991 (NSW) I, Michael Katz, Chairman of Musica Viva Australia, declare that in my opinion: (a) the accounts for the year ended 31 December 2011, give a true and fair view of all income and expenditure of Musica Viva Australia with respect to fundraising appeals; and (b) the statement of financial position as at 31 December 2011 gives a true and fair view of the state of affairs with respect to fundraising appeals; and (c) the provisions of the Charitable Fundraising Act 1991 (NSW) and the regulations under that Act and the conditions attached to the authority have been complied with; and (d) the internal controls exercised by Musica Viva Australia are appropriate and effective for all income received and applied from any fundraising appeals. Signed

Michael Katz Chairman 24 March 2012 musica viva annual report 2011 I 43 Statement of Cash Flows for the Year ended 31 December 2011

2011 2010 CASH FLOWS FROM ORDINARY ACTIVITIES Income from Operations 5,281,981 4,616,044 Government Grants 2,834,297 3,760,721 Investment Income 109,285 81,868 Sponsorship and Donations 1,654,805 1,402,373 Bequests 167,951 121,703 Other Income 40,019 19,768 Rent recoveries 180,934 174,632 Payments to suppliers, employees and performers (10,261,809) (9,399,014) Net cash contributed by operating activities 7,463 778,095

CASH FLOWS FROM INVESTING ACTIVITIES Payment for property, plant and equipment (41,060) (98,213) Payment for investments (12,080) (6,866) Income from sale of property, plant and equipment 300 0 Net cash used in investing activities (52,840) (105,079) Net (decrease)/increase in cash held (45,377) 673,016 Cash held at beginning of the financial year 1,434,838 761,822 Cash held at endof the financial year 1,389,461 1,434,838 Notes to the Statement of Cash Flows: 1 Reconciliation of Cash For the purposes of the statement of cash flows, cash includes cash on hand and in banks and short term deposits. Cash at the end of the financial year as shown in the statement of cash flows is reconciled to the related items in the statement of financial position as follows: Short Term Deposits 1,305,387 1,366,027 Cash at Bank and on hand 84,074 68,811 1,389,461 1,434,838 2 Reconciliation of net cash contributed by Operating Activities to surplus from Ordinary Activities Surplus from Ordinary Activities 175,741 372,721 Provisions for: Annual Leave (10,137) (44,358) Long Service Leave 23,167 33,913 13,030 (10,445) Depreciation on Property, Plant and Equipment 236,063 218,641 Loss on sale of equipment 0 108 Increase in Creditors 132,655 45,923 (Decrease)/Increase in Advances (541,854) 446,649 Decrease/(Increase) Receivables 5,434 ( 252,147) Increase in Prepayments (13,606) (43,355) Net cash contributed by operating activities 7,463 778,095

44 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Directors’ Declaration

In accordance with a resolution of the Directors, the Directors of Musica Viva Australia, declare that:- (a) The financial statements and the notes of Musica Viva Australia as at 31 December 2011 comply with the Accounting Standards and the Corporations Act 2001. b) The financial statements and the notes give a true and fair view of Musica Viva Australia’s financial position as at 31 December 2011 and its performance for the year ended on that date. (c) In the opinion of the Directors, there are reasonable grounds to believe that Musica Viva Australia will be able to pay its debts as and when they become due and payable. For and on behalf of the Board

Michael Katz Chairman

Cameron Smith Director SYDNEY 24 March 2012

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 45 Independent Auditor’s Report to the Members

Report on The Financial Report Independence We have audited the accompanying financial In conducting our audit, we have complied with report of Musica Viva Australia, which comprises the independence requirements of the the statement of financial position as at 31 Corporations Act 2001. December 2011, and the statement of Opinion comprehensive income, statement of changes in In our opinion, the financial report of Musica Viva members’ funds and statement of cash flows for Australia is in accordance with the Corporations the year then ended, notes comprising a Act 2001, including: summary of significant accounting policies, other explanatory information and the directors’ (a) giving a true and fair view of the company’s declaration. financial position as at 31 December 2011 and its performance for the year ended on that date; Directors’ Responsibility for and the Financial Report The directors of the company are responsible for (b) complying with Australian Accounting the preparation of the financial report that gives a Standards and the Corporations Regulations true and fair view in accordance with Australian 2001 Accounting Standards and the Corporations Act Report on other Regulatory 2001 and for such internal control as the Requirements directors determine is necessary to enable the Furthermore, in our opinion: preparation of the financial report that is free from material misstatement, whether due to (a) the accounts show a true and fair view of the fraud or error. financial result of fundraising appeals for the year ended 31 December 2011; and Auditor’s Responsibility Our responsibility is to express an opinion on (b) the accounts and associated records of the the financial report based on our audit. We Company have been properly kept during that conducted our audit in accordance with year in accordance with the New South Wales Australian Auditing Standards. Those Standards Charitable Fundraising Act 1991 and its require that we comply with relevant ethical Regulations; and requirements relating to audit engagements and (c) money received as a result of fundraising plan and perform the audit to obtain reasonable appeals conducted during the year ended 31 assurance whether the financial report is free December 2011 has been properly accounted from material misstatement. for and applied in accordance with such Act and An audit involves performing procedures to its Regulations; and obtain audit evidence about the amounts and (d) the Company is solvent. disclosures in the financial report. The procedures selected depend on the auditor’s judgment, including the assessment of the risks of material misstatement of the financial report, whether due to fraud or error. In making those risk assessments, the auditor considers internal Thomas Davis & Co. control relevant to the entity’s preparation of the Chartered Accountants financial report that gives a true and fair view in Honorary Auditors order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the entity’s internal control. An audit also includes evaluating the P. L. Whiteman appropriateness of accounting policies used and PARTNER the reasonableness of accounting estimates SYDNEY, 24 March 2012 made by the directors, as well as evaluating the overall presentation of the financial report. Liability limited by a scheme approved under Professional Standards Legislation. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our audit opinion.

46 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Statutory Report of the Board for the Year ended 31 December 2011

In accordance with the Corporations 5 Directors: Lyn Hamill B.Pharm, MBA. Act 2001 and pursuant to a resolution Currently Director, Strategic Planning, Elizabeth Clapp B.Mus., Grad Dip Arts of the Board, the Board of Musica Viva Mater Health Services Brisbane Limited, (Music) Dip Ed. M.I.M.T. Piano Australia reports as follows: and Director, Alitek Pty Ltd. and theory teacher St.Peter’s College, St. 1 The names of the Board members in office Peter’s Colliegiate Girls’ Prior to joining Mater Health Services, Lyn was a business consultant in healthcare, during the whole of the financial year and School, and privately. M.T.A. S.A. Council executive director of the Private Hospitals up to the date of this report are: member 2000 – 2003. Association of Queensland, Chair and For whole year: Member, South Australian Branch Trustee of the Private Health Employees Micheal Katz Committee of Musica Viva since 1998. Superannuation Fund, marketing manager Elizabeth Clapp President, South Australian Branch of for Paxus Health and trained as a (resigned 31 December 2011) Musica Viva. Director since 1 January pharmacist. President, Queensland Branch Tom Cordiner 2006. Directors’ meetings held and of Musica Viva. Katherine Grinberg attended during the financial year – 5. Director since 1 January 2008. Directors’ Lyn Hamill Tom Cordiner LLB (Hons) B.Sc (Hons) meetings held and attended during the Cameron Smith (Genetics) (Melbourne University). financial year – 5. Margaret Lovell Carmel Morfuni Barrister, Patent Attorney and Trade Marks Michael Katz B.Com (Hons) (NSW). Attorney. Member of the Intellectual Formerly, Group Executive Commonwealth For part year: Property Society of Australia and New Bank of Australia (CBA). Prior to joining Jeremy Feldhusen (from 4 February 2011) Zealand. CBA, Michael worked for Morgan Stanley Dr Peter Wilton (from 31 January 2011) Member of the Institute of Patent and Trade in Tokyo and Switzerland and Citicorp in From 1 January 2012 to report date: Marks Attorneys. Geneva. Michael is also a Director of a Judy Potter (from 1 January 2012) Victorian Correspondent to the quarterly number of companies including ING Bank (Australia) Limited. 2 The principal activities of Musica Viva journal, “IPForum”. Australia were concert organisation and Former Lecturer, Introduction to Intellectual Director since 6 March 2002. Directors’ promotion and music education. The Property, Postgraduate Programs, Faculty meetings held and attended during the operations of Musica Viva during the financial of Law, Monash University. financial year – 5. year and the results of those operations are Director since 1 January 2007. Directors’ Margaret Lovell B.Bus M Acc. reviewed in the accompanying Report. meetings held during the financial year Business and Governance Manager, These activities continue without significant – 5: attended – 4. National Portrait Gallery, Canberra. change. Jeremy Feldhusen B. Arch. (Hons) (UWA). Previously Director of Recruitment 3 Musica Viva Australia’s short term objectives Director and Architect (WA 2315) at Services Australian Public Service are to: Architecture-ejo and Associate Architect at Commission, Director of Licensing – present compelling performances and T&Z Architects. Jeremy has lectured in Australasian Performing Rights Assoc. music education programs that explore Architectural Design at the University of Limited. artistic energies across a broadly defined Western Australia and Curtin University. Background in film production, music repetoire of ensemble music; rights administration and higher education. – increase the number and diversity of Former President and Committee member NSW Conservatorium audiences across all programs nationally; of Menage (Perth), Musica Viva’s former – provide the company’s paid and volunteer youth concert program (2000 - 2008). High School graduate. Member of Musica staff with an inspiring, supportive and socially Jeremy is also Chair of the Board of Viva ACT Committee since 2002. responsible work environment; Directors for Tura New Music. President, ACT Branch of Musica Viva. – ensure the company maintains a sound Director since 4 February 2011. Directors’ Director since 12 March 2009. diversified financial base. meetings held during the financial year Directors’ meetings held and attended – 5: attended – 4. – Musica Viva Australia’s long term objective is during the financial year – 5 to be the leading organisation in the world for Katherine Grinberg BCom. LLB. Lawyer. Carmel Morfuni LL.M; Grad. DIP.CRIM; inspiring audiences through ensemble music Prior to establishing her legal practice, LL.B Barrister; Member various Boards, of quality, diversity, challenge and joy. Katherine was the in-house counsel for the Tribunals and Committees. 4 To achieve these objectives, Musica Viva Stockland Trust Group. National Mediator Victorian Bar. Director Australia adopted the following strategies Board member, Rose Bay War Memorial since 1 February 2010. in 2011: Reserve Trust. Director of Australian Directors’ meetings held and attended i) reposition Musica Viva Education, including subsidiaries for Quatro Publishing plc. during financial year – 5. taking a lead role in the arts and education Honorary solicitor to a number of non-profit debate; organisations including Pinchgut Opera ii) extending strategic alliances with and Liszt Society. complementary institutions, businesses, Director since 1 January 2007. Directors’ associations, festivals and organisations; meetings held during the financial year iii) develop Musica Viva Australia’s human – 5: attended – 4. resources and business systems.

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 47 Statutory Report of the Board for the Year ended 31 December 2010

Judy Potter Australia Bank. Began career at Colgate Consultant to HYLC, the joint venture Palmolive (Australia) Pty Ltd and has also designing and constructing the new Royal served as CEO for Myer Pacific Holdings Adelaide Hospital. N.V. Dr. Wilton has also served as an Officer Chair, Adelaide Fringe Festival, Adelaide of the San Francisco professional chapter of Centre Market Authority, and Adelaide the American Marketing Association and as Botanic Gardens and State Herbarium. a Director of the Australian- American Chamber of Commerce in San Francisco. Director, Hutt Street Foundation. Director since 31 January 2011. Directors’ State President and Director, Duke of meetings held during the financial year – 5: Edinburgh Awards. attended – 4. Previous Board positions include various 6 The entity is incorporated under the state and national arts organisations, and Corporations Act 2001 and is an entity community, government and tertiary sector limited by guarantee. If the entity is wound organisations. up, the constitution states that each Previous positions include CEO, SA Great member is required to contribute a and CEO, South Australian Youth Arts maximum of $1 each towards meeting any Board and Carclew Youth Arts Centre. outstanding obligations of the entity. At 31 Director since 1 January 2012. December 2011 the collective liability of members was $1,382. Cameron Smith B Com., LLB (Hons) (University of Tasmania). 7 Auditors Independence Declaration Director, PricewaterhouseCoopers (PwC), The lead auditor’s independence declaration Transfer Pricing Services. Prior to joining for the year ended 31 December 2011 has PwC, Cameron worked for Deloitte in been received and is included after this London. Director’s Report. Director since 1 January 2009. Directors’ Signed for and on behalf of the Board meetings held during the financial year – 5: attended – 4. Dr. Peter C. Wilton B. Comm (1st Class Hons) (UNSW), Ph.D Man. Michael Katz Purdue University (USA). Senior Lecturer Chairman strategy, marketing and international management at University of California, Berkeley. He has also served at Grad. Sch. Bus. Cameron Smith Stanford, Macquarie Grad. Sch. Man., Director University of Melbourne, University of Michigan, University of Chicago and Sydney Pennsylvania State University. 24 March 2012 Recipient of awards and fellowships for his work in management from the National Science Foundation and Marketing Science Institute. Recipient of the Australian Overseas Fellowship in management and the Market Research Society of Australia Prize. Most recently Dr. Wilton received recognition from the International Society of Performance Improvement for `outstanding instructional intervention’. In addition to his teaching activities, he is Director of his private consulting company known as Orbis Associates with clients including Intel, Cisco, Apple,Johnson & Johnson, National

48 I musica viva annual report 2011 Musica Viva Australia Limited by Guarantee – ACN 000 111 848 Auditor’s Independence Declaration under Section 307C of the Corporations Act 2001

I declare that, to the best of my knowledge and belief, during the year ended 31 December 2011 there have been: (i) no contraventions of the auditor independence requirements as set out in the Corporations Act 2001 in relation to the audit; and (ii) no contraventions of any applicable code of professional conduct in relation to the audit.

Thomas Davis & Co. Chartered Accountants HONORARY AUDITORS

P.L. Whiteman PARTNER

SYDNEY 24 March 2012 Liability limited by a scheme approved under Professional Standards Legislation.

Musica Viva Australia Limited by Guarantee – ACN 000 111 848 musica viva annual report 2011 I 49 Governance

National Board of Directors (L-R) Libby Clapp, Peter Wilton, Margaret Lovell, Cameron Smith, Carmel Morfuni, Michael Katz (Chairman), Jeremy Feldhusen, Lyn Hamill, Katherine Grinberg, Tom Cordiner

National Council Donald McDonald AC Christine Gargett Prof Michael Atherton Tim McFarlane Marjorie Gilby Russell Bate Emeritus Prof K R McKinnon AO Suzanne Gleeson The Hon Michael Baume AO Daniel Ng AM Irwin Imhof Tony Berg AM Dene Olding Trish Ludgate David Blenkinsop CBE AM John Painter AM Peter Lyons HR Bonython AC DFC AFC Emeritus Prof John Poynter AO Donald McDonald AC Dr Ken Boston AO Sheila Scotter AM MBE Donald Magarey Max Bourke AM Leo Schofield AM William Mason Tony Berg AM, Gerard Brophy Nathan Waks Donald Munro AM patron of Musica Viva Prof Martin Comte Ted Waters Daniel Ng AM John Connolly Margaret Whitlam AO Frank G Nicholls Brian Cox QC Prof Di Yerbury AM Sharon Raschke The Hon R davies AM JP Don Sams Musica Viva Prof Stephen Fitzgerald AO Gordon Spearritt AM Life Members Carrillo Gantner AO Jill Stowell OAM Prof Donald Gibson Lesley Alcorso Arnold Teague Richard Gill OAM Russell & Jacqui Bate Kenneth W Tribe AC Trevor Green Dr Gaston Bauer AM Mary Vallentine AO Kathryn Greiner AO Tony Berg AM E G Weiss Wolfgang Grimm AM Michael Bertram Dr Kevin White The Hon Justice George Hampel Jennifer Bott Margaret Whitlam AO Les Hayman David Bradshaw Kim Williams AM Jill Hickson Peter Burch AM BM Derek Wilson SM Emeritus Professor Lady Burley OAM Margaret Wright OAM Dame Leonie Kramer AC DBE Julian Burnside AO QC Joan M Livermore Don Burrows AO MBE Malcolm Long Luise Diessel Judy Flower

50 I musica viva annual report 2011 Staff & Committees Musica Viva Staff Members at 31 december 2011

Musica Viva Australia Corporate Partnerships Manager John Ferguson Committee National Office Pier Paolo Pettineo Philip Sketchley President Jeremy Feldhusen Grants Program Manager Jill Stowell OAM (Secretary) Vice President Anne Last Chief Executive Officer Liz Smith Kevin White Suzanne Ardagh Mary Jo Capps Events and Annual Campaigns Arn Sprogis Melissa Callanan Artistic Director Manager Ed Garrison Carl Vine Queensland Rosemary Carrick Graham Lovelock Concerts Manager Concerts Executive Assistant Callum Moncrieff Erica Fryberg Director of Business Georgina Warwick Maxinne Sclanders Education Manager Development, Concerts Executive Office Co-Ordinator Fran Tempest Robyn Ryan Tim Matthies Clare Janks Education Co-Ordinator Director of Artistic Planning, Thank you to all the staff who Operations Committee Concerts worked at Musica Viva in 2011: Chief Operating Officer President Katherine Kemp Jenny Ainsworth Marcus Hodgson Lyn Hamill Artistic Co-Ordinator Nicole Allan CountryWide & Export Manager Kelli Rogers Daina Kains Greg Bull Melissa Yeomans Maggie Cameron Marketing Manager, Concerts Lucia Cascone Operations Co-Ordinator Kate Cuddihy Christine Gargett Anne Lee-Archer Anne Christiansen Arnold Klugkist Peter Lyons Marjorie Gilby Operations Manager, Concerts Justo Diaz Suzanne Gleeson Tegan Redinbaugh Marketing South Australia Rebecca Frew Director of Sales and Marketing Concerts Manager Rami Abdul Hadi Irwin Imhof Education Rebecca MacFarling Dani Raymond Amy Hyslop Director of Business Trish Ludgate Media and Communications Education Manager Edward Joyner Development, Education Peter Lyons Manager Emily Kelly Mark Lawrenson Christopher Faisandier Jacqueline Andrews Committee Jessica Lee Donald McDonald AC A/Director of Artistic CRM Manager President Judy Potter Nora Lewis Donald Magarey Development, Education Matthew Hodge Vice President & Secretary Virginia Pacino William Mason Sharon Fulcher Patron Services Manager Leonie Schmidt Tatiana Pentes Education Manager Donald Munro AM Nathan Jacobson Veronica Aldridge Paul Robson John Hibbard Daniel Ng AM Box Office Coordinator Ian Miller Kirk Skinner Marketing Manager, Education Sabrina Govic Oliver Mayo Carolina Triana Frank G Nicholls Jonathan Llewellyn, Website Manager Helen Pollard Anna Yerbury Sharon Raschke Public Affairs Manager Kevin Drieberg Cassandra Knox Tasmania Staff on maternity leave: Don Sams Marketing Co-Ordinator NSW Manager, Education Education Manager Michelle Stanhope Gordon Spearritt AM Danny Condon Michael Stapleton Nikki Mann Jill Stowell OAM NSW Coordinator, Education STATE BRANCHES Victoria Arnold Teague Hamish Lane Concerts Manager Kenneth W Tribe AC Operations Manager, Education Australian Capital Territory Peter Burch AM BM Laura Read ACT Concerts and Education Mary Vallentine AO Concerts Co-Ordinator Education Assistant Manager E G Weiss Danielle Asciak Merridee Arratoon Michael Sollis Dr Kevin White Committee Education Administrator Margaret Whitlam AO Administration & Finance President Margaret Lovell Vicky Pilley Chief Financial Officer Committee Kim Williams AM Geoffrey Brennan Sarah Falzarano Elspeth Humphries Victorian President Derek Wilson SM Accountant Julia Potter Carmel Morfuni Margaret Wright OAM Michael Dewis Peter Barry Anna-Louise Cole Accounts Administrator Peter Makeham Rita Erlich Teresa Cahill John Flower Accounts Assistant Newcastle Darren Taylor Catherine Lee Newcastle Marketing Western Australia IT Administrator Co-Ordinator Concerts Manager Jonathan Zaw Laura Dawson Anne Yardley Office Coordinator Committee Education Manager Doug Mein Newcastle President Carol Ciccarelli Executive Office Margie Ostinga Education Co-Ordinator Philanthropy and Executive Ian Cook Harry Deluxe Office Manager Margaret Hicks (Treasurer) Education Consultant Anne Cahill Rae Richards Jackie Ewers

musica viva annual report 2011 I 51 Volunteers Thank you to all our volunteers

Musica Viva would like to thank the following volunteers for the innumerable ways in which they contribute to the company:

National Office Volunteers State Volunteers Jennie Begg Irwin Imhof Stephen Boyle Graham Blazey Aurora Keown Lauren Bok Peter Bridgwood Barbara Matthies Jo Ferguson Bryan Burke Reginald McCabe Lizanne Goodwin George Denes Richard Muhs Prue Israel Thomas Drevikovsky Adrienne Saunders Tim Jones Jenny Fielding Andy Serafin Bernadette Keys Sue Gillies Donald Smith John O’Leary Barbara Hirst Wilhelmina Van Dorp Chris Ryan and Tom Ryan

Contacts

Musica Viva Australia Newcastle Victoria National Office PO Box 190 PO Box 27 120 Chalmers Street Newcastle NSW 2300 South Yarra VIC 3141 Surry Hills NSW 2010 Tel + 61 2 4963 2711 Tel + 61 3 9645 5088 PO Box 1687 Strawberry Hills NSW 2012 Fax + 61 2 4921 8959 Fax + 61 3 9645 5093 Tel + 61 2 8394 6666 Fax + 61 2 9698 3878 Queensland Western Australia Web musicaviva.com.au PO Box 3883 26 Railway Street Email [email protected] South Brisbane BC QLD 4101 Cottesloe WA 6011 Tel + 61 7 3844 7400 Tel +61 8 9472 0399 ACT Fax + 61 7 3844 8788 Fax +61 8 9355 0344 GPO Box 1885 Canberra ACT 2601 South Australia Musica Viva Australia Tel/Fax + 61 2 6295 9409 GPO Box 2121 A not-for-profit organisation Adelaide SA 5001 ABN 94 504 497 655 Tel + 61 8 8233 6257 ACN 000 111 848 Fax + 61 8 8233 6222

You can find us on social media too:

facebook.com/MusicaVivaAustralia twitter.com/musicavivaAU youtube.com/MusicaVivaAustralia Blog musicavivaaustralia.wordpress.com/ And don’t forget to download our mobile app from the iTunes store.

Season photography: Keith Saunders Musica Viva documentary photography: Karen Steains 52 I musica viva annual report 2011 Café Carnivale photography: Shane Rosario musica viva annual report 2011 I 53 Once you’ve been touched by the marvel of chamber music, you’ll want to keep it near.” Carl Vine

54 I musica viva annual report 2011