Annual Report 2011

Sydneysymphony.com Contents

Sydney Symphony Musicians 2011 02

The Year in Review 04

Chairman’s Review 06

Managing Director’s Report 08

Community 12

Supporters – Donors and Sponsors 18

Five-Year Performance Summary 22

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In April, the Symphony launched its free mobile App with the support of Telstra BigPond. As part of the App, the Sydney Symphony became the first orchestra in the world to stream its concerts live on mobile devices. At the end of 2011, the Sydney Symphony App had received over 3,000 downloads across 41 countries. 3 4 5

IMAGES: 1. Symphony in the Domain; 2. 2011 Fellow Katie Zagorski (image: Ben Symons); 3. Roger Benedict and the 2011 Fellows at St James’ Church (image: Ben Symons); 4. A scene from Metropolis; 5. Robert Johnson during Playerlink masterclass in Armidale (image: Tim Barnsley); 6. Conductor Dan Carter and students at Newcastle Town Hall (image: Jamie Wicks); 7. Rory Jeffes, Shefali Pryor, Jacqui Cronin, Rowena Macneish, Emily Long, Aernout Kerbert at the – Japan Goodwill Dinner in Tokyo; 8. Lang Lang (image: Ben Symons).

COVER IMAGE: Lore secest dit quia. 01 6 7 8 First Violins Harp Bassoon Bass Trombone Sydney Sun Yi Roger Benedict Louise Johnson Matthew Wilkie Christopher Harris Associate Concertmaster Principal Principal Principal Principal Kim Williams AM & Symphony Kirsten Williams Catherine Dovey Chair Roger Brooke Associate Concertmaster Associate Principal Tobias Breider Katherine Lukey Principal Flutes Fiona McNamara Tuba Assistant Concertmaster Musicians Anne Louise Comerford Janet Webb Steve Rossé Fiona Ziegler Associate Principal Principal Principal Assistant Concertmaster Yvette Goodchild Emma Sholl Contrabassoon 2011 Associate Principal Julie Batty Assistant Principal Robert & Janet Constable Chair Noriko Shimada Timpani Jennifer Booth Robyn Brookfield Principal Carolyn Harris Richard Miller Marianne Broadfoot Sandro Costantino Principal Brielle Clapson Jane Hazelwood Piccolo Horns Mark Robinson Veolia Environmental Assistant Principal Vladimir Ashkenazy Sophie Cole Services Chair Rosamund Plummer Robert Johnson and Tutti Percussion Principal Principal Conductor & Artistic Advisor Amber Davis Graham Hennings Principal Sponsored by Emirates Ben Jacks Stuart Johnson Georges Lentz Principal Percussion Nicola Lewis Justine Marsden Oboes Geoff O’Reilly Principal 3rd Rebecca Lagos Nicholas Carter Nicole Masters Felicity Tsai Diana Doherty Principal Principal Oboe Lee Bracegirdle Associate Conductor Alexandra Mitchell Leonid Volovelsky Andrew Kaldor & Colin Piper Renata Kaldor AO Chair Euan Harvey Justice Jane Supported by Premier Partner Léone Ziegler Mathews AO Chair Credit Suisse and Symphony Shefali Pryor Marnie Sebire Services International Associate Principal Cellos Rose Herceg Chair Second Violins Catherine Hewgill Piano Michael Dauth Principal David Papp Concertmaster Marina Marsden Tony & Fran Meagher Chair Trumpets Josephine Allan Principal Daniel Mendelow Principal (contract) Leah Lynn Principal Dene Olding Kirsty Hilton Assistant Principal Cor Anglais Concertmaster Principal Paul Goodchild Kristy Conrau Alexandre Oguey Associate Principal Emma West Principal Assistant Principal Fenella Gill John Foster Jennifer Hoy Timothy Nankervis Anthony Heinrichs A/Assistant Principal Elizabeth Neville Clarinets Bob & Ruth Magid Chair Susan Dobbie Lawrence Dobell Principal Emeritus Adrian Wallis Principal Anne Arcus & Terrey Trombones Maria Durek David Wickham Arcus AM Chair Ronald Prussing Emma Hayes Francesco Celata Principal Shuti Huang Associate Principal Scott Kinmont Double Basses Christopher Tingay Associate Principal Stan Kornel Kees Boersma Nick Byrne Benjamin Li Principal Emily Long Alex Henery Bass Clarinet Principal Philippa Paige Craig Wernicke Neil Brawley Principal Biyana Rozenblit Principal Emeritus Maja Verunica David Campbell Steven Larson Richard Lynn David Murray Benjamin Ward

Dene Olding (image: Keith Saunders)

02 The Year in Review

Sydney Subscription Series gg120 people attended the Sinfonietta and Stand-Alone Mainstage workshop in Sydney and 220 teachers Performances from around Australia requested ggThe Sydney Symphony presented the Teacher Resource Kit, with 70 118 concerts in the Sydney Opera attending the composition workshops In 2011 the House and City Recital Hall Angel in Sydney, and Hobart. Place to 235,398 patrons. gg95 students and 15 local music ggThese performances included teachers participated in the Playerlink Sydney Symphony 92 concerts to which subscriptions workshop and associated activities were sold across 11 series, nine in Armidale. gala performances and a further 17 performances which fell outside Touring and Outreach performed over the main subscription series. ggThe Sydney Symphony performed at two free outdoor concerts in 2011: Commercial Collaborations Symphony in the Domain – 60,000 Parramatta Park – 1,200 concerts The Sydney Symphony plans its seasons 200 well in advance. Acknowledging that ggThe Sydney Symphony toured to opportunities to perform in collaboration Wollongong where it played to a with popular commercial artists requires packed hall of 800 to raise funds for to more than a shorter planning window, the Company rural families. allocates a percentage of available orchestral playing time to these projects ggThe Sydney Symphony also gave This work is undertaken either with concerts in Penrith, Blacktown the Sydney Symphony taking the role and Newcastle. of presenter or as a ‘band for hire’. ggMore than 72 hours of Sydney In 2011 the Sydney Symphony performed Symphony recorded concerts were in 17 concerts in this category, which broadcast on ABC Classic FM in 2011. attracted 35,386 attendees. ggTen performances were made available for streaming on the The Education Program BigPond website. 340,000 gg33,500 knowledge seekers attended ggFour Mahler cycle CDs were released the Sydney Symphony’s 65 education on the Sydney Symphony’s own label: people. activities in 2011. Of these: Symphonies Nos. 3, 4, 6 and 7. gg29,000 pupils attended schools ggSydney Symphony musicians also concerts that were held at the ABC Number of Number of Paid continued to contribute to the wider Series Performances Programs Occupancy Centre in Ultimo, Sydney Olympic community in their capacity as Park, and in the teachers and members of community Ausgrid Master Series 27 9 57,908 regional centres of Wagga Wagga, music groups. Griffith, Albury, Campbelltown and Thursday Afternoon Symphony 9 9 20,397 Newcastle (eight performances). ggUnder the direction of Principal Conductor and Artistic Advisor Emirates Metro Series 8 8 16,393 gg750 students from outer-metropolitan Vladimir Ashkenazy, the Sydney Meet the Music 8 4 16,257 Sydney attended five open rehearsals Symphony toured Japan and Korea at the Sydney Opera House and in November 2011, performing eight Kaleidoscope 8 4 15,339 Sydney Olympic Park. concerts to over 18,000 audience Great Classics 7 7 15,924 gg2,200 concert-goers enjoyed members in the Japanese cities 18 performances by the Sydney of Tokyo, Fukuoka, Nagoya and Tea & Symphony 8 8 15,037 Symphony Fellows throughout Nishinomiya as well as in the South Sydney and NSW. Korean capital, Seoul. Mondays @ 7 5 5 10,672 gg120 tertiary students and teachers The tour marked the Orchestra’s first Discovery Program 4 4 3,466 attended masterclasses as part of the visit to Korea in its 79-year history International Pianists in Recital 4 4 3,958 Sinfonia and Fellowship programs and was part of the 2011 Year of and an additional 550 piano students Friendship between Australian and Mozart in the City 4 4 3,873 and their teachers attended a special the Democratic Republic of South workshop with pianist Lang Lang. Korea, marking 50 years of diplomatic Gala performances 9 8 20,788 gg520 teachers attended eight accredited relations between the two countries. Commercial concerts 17 8 35,386 professional learning courses. IMAGES FROM TOP LEFT: Total 118 82 235,398 Diana Doherty, Principal Oboe.

04 Sydney symphony / 2011 annual report 05 Chairman’s Review

The Board continues to focus on the The year 2011 will be remembered by our audiences key performance criteria embodied as one of outstanding artistic highlights. It marked in our business plans, being Artistic Vibrancy, Access and Financial Stability. the culmination of the two-year Mahler Odyssey, We exceeded target expectations in respect of all key performance indicators which represented a landmark in our partnership in 2011 and we look forward to continued improvements in the 2012 with Principal Conductor and Artistic Advisor year. I thank my fellow directors for Vladimir Ashkenazy. Our audiences embraced these their efforts during the year and I make special mention of Ms Gabriele Trainor performances with enthusiasm and we are delighted who retired from the Board in May 2011. During her seven years on the Board they have been captured for posterity in recordings Gabrielle was a tireless advocate for the that are being released as they become available. Orchestra and her contributions were much appreciated by directors, musicians and management. The year has also been a strong one for We acknowledge the continued support the Sydney Symphony from a financial of our subscribers, donors and sponsors results perspective. The net operating and thank the Federal Government, surplus of $1.022 million is indicative of through the Australia Council for the the Company’s strength and resilience Arts, and the NSW Government, through to recover from the downturn in Arts NSW, for their invaluable assistance. trading conditions fuelled by the global Our orchestra is comprised of talented financial crisis in 2009. After including and passionate musicians and I thank an anonymous instrument donation of them for their energy and commitment $500,000, the final net profit for the year in striving constantly for higher artistic was $1.522 million. achievements under the inspiring The Group also recorded back-to- direction of Vladimir Ashkenazy. All back years of record ticket sales and of the orchestra’s efforts are supported occupancy rates during the past two by our outstanding management team financial years. Indeed, in 2011 we led ably by our Managing Director Mr sold more tickets to Sydney Symphony Rory Jeffes. I acknowledge Rory’s sound concerts than in any previous year since strategic and operational leadership records began. Overall, we are proud of the Company and thank him for his of the Sydney Symphony’s financial dedication and loyalty. performance in the 2011 year, which has As the 2012 season has now commenced largely recouped the deficits incurred we are actively celebrating our 80th over the past three years and we thank anniversary with a series of program all concert-goers for their support. highlights and special events designed We remain Australia’s pre-eminent to remember the past and also celebrate orchestra, and continue to attract the continued future success of this outstanding international artists to outstanding cultural institution. Over the perform exclusively with the Sydney years there have been many challenges Symphony. In particular the concerts for the Orchestra and we expect many performed with Lang Lang and Evengy of these same challenges in 2012 and Kissin were notable highlights in an beyond. The Company is determined enviable line-up of international soloists to continue meeting them head-on and conductors. Mr Ashkenazy again with passion and integrity. led our international tour in November 2011, when the orchestra performed to full houses in Japan and South Korea, where we helped to celebrate the 40th anniversary of diplomatic relations between Australia and the Democratic IMAGES LEFT to RIGHT: Sydney Symphony Republic of South Korea. Live CD - Mahler Symphony No.8; John C Conde ao Concertmaster Dene Olding Chairman

06 Sydney symphony / 2011 annual report 07 Managing Director’s Report 2011 was a year of significant achievements for the four widely acclaimed exclusive Sydney conductors and performers were concerts but also led a public master- prominent throughout the year, and The world’s finest concert Sydney Symphony both in artistic projects and in class involving three talented young included Nicholas Carter, Ray Chen, pianists in front of an audience of 800 , Andrea Lam, Geoffrey achieving a markedly improved financial outcome piano students and their teachers from Lancaster, Sara Macliver, Emma pianists Lang Lang and around NSW. Matthews, James Morrison, Jacqueline for the year. While the market remained subdued Porter and . The Orchestra Following a recital and two “Evgeny Kissin were also presented its own musicians in orchestral concerts in Sydney – his for much of the year because of uncertainty around outstanding solo performances, including first performances with an Australian Roger Benedict, Michael Dauth, Ben the global financial environment, I am pleased to symphony orchestra – Evgeny Kissin landmarks in Australia’s Jacks, Louise Johnson, Dene Olding, later in the year performed on our report that during the year we increased ticket sales, Emma Sholl and Matthew Wilkie. tour in Japan and South Korea with 2011 arts calendar. both to subscribers and single ticket purchasers, to Vladimir Ashkenazy. During 2011, the Sydney Symphony performed eight concerts in Japan The year also included the “Midsummer record levels. (Tokyo, Fukuoka, Nagoya, Nishinomiya) Shakespeare” concert with John Bell and in South Korea (Seoul) in November. and the Sydney Philharmonia Choirs, These exceptionally well-attended and performed to a record audience in The enthusiastically received concerts, It is gratifying that the financial surplus Domain as part of the Sydney Festival, On Winter’s Traces Final CD releases of Symphonies Nos. 2, including performances by soloists for the year has been achieved through as well as sold-out presentations of 9 and 10 are scheduled to appear during Evgeny Kissin, Sayaka Shoji and Mischa PERCY GRAINGER In a Nutshell greater connection with our audiences Peter Jackson’s epic film The Lord of the first half of 2012. Completed in 2011, Maisky, were simply outstanding and community, albeit linked to a the Rings: The Fellowship of the Ring V – An orchestral fanfare and also scheduled for release on the rigorous approach to achieving value and continued to build our artistic Sydney Symphony Live label in 2012, with live orchestra accompaniment, CARL VINE Violin Concerto (performed in all areas of the company’s expenditure. and cultural ties in the region, while is a recording of Prokofiev’s complete and a magical presentation of Edvard by Dene Olding and the Australian Youth This success is built on the outstanding also marking the 50th anniversary of Romeo and Juliet ballet score, with Grieg’s complete incidental music Orchestra in two Sydney Symphony- performances of our exceptional friendship between Australia and Korea. Vladimir Ashkenazy conducting. These to Ibsen’s Peer Gynt, with Vladimir presented Meet the Music concerts) ensemble of musicians, and I also Ashkenazy conducting and John de Mahler and Prokofiev recordings are also acknowledge the outstanding work of Lancie as the charismatic narrator and World and Australian Premieres CARL VINE Percussion Symphony scheduled to appear in Japan and other the Sydney Symphony administration title protagonist. A further highlight of During 2011, the Sydney Symphony (extract) Asian countries on the Japanese label team in achieving this result of which OCTAVIA, by special arrangement. Other the year Nigel Westlake’s Missa Solis gave the first performances of the NIGEL WESTLAKE Missa Solis – the whole Company can be satisfied. recordings in 2011 included: – Requiem for Eli, with the voices of following works: Requiem for Eli Cantillation and the composer himself The Lost Art of Letter JAMES LEDGER Outposts – Bassoon NIGEL WESTLAKE Refractions at Artistic Achievement conducting, in the Sydney Symphony’s Writing – Violin Concerto; conducted by Concerto – World premiere* Summer Cloud Bay The Sydney Symphony’s 2011 season vibrantly enterprising Meet the with violinist Frank Peter was marked by a series of outstanding Music series. MATTHEW HINDSON Concerto for Two Zimmermann (for the BIS label) artistic achievements across a broad Pianos and Orchestra – World premiere* Recordings The year saw the return of former Takeharu Ishimoto Soundtrack spectrum of symphonic presentations, Sydney Symphony Chief Conductor ALAN HOLLEY ...loaded with dream... The Sydney Symphony continues to for Japanese Video Game recorded for performed to large audiences in and , conducting 30th (commissioned for the Sydney Symphony pursue a busy schedule of commercial Square Enix Co., Ltd. Orchestration by beyond Sydney. In Vladimir Ashkenazy’s anniversary performances of John Fellows) – World premiere* recording activity, with frequent Kentaro Sato (Ken-P). Sydney Symphony third season as the Sydney Symphony’s Adams’ Harmonium, a work dedicated production periods leading to CD releases and Cantillation chorus conducted by Principal Conductor and Artistic Advisor, GORDON KERRY Symphony – to de Waart, as well as a number of each year on the Sydney Symphony Live Brett Kelly. Executive Producer: Daniel the Orchestra completed its landmark World premiere exceptional debut appearances by label. The accumulated Sydney Symphony Monteverde, Arriba Entertainment Inc. two-year Mahler Odyssey, including a conductors James Gaffigan, Ludovic GOTTFRIED HUPPERTZ Metropolis Live catalogue now includes 8 CDs with deeply moving performance of the Ninth Morlot, Jonathan Nott and Vasily (complete original film score) – our internationally acclaimed Principal Symphony on the 100th anniversary Petrenko. Further high-calibre Australian premiere Conductor and Artistic Advisor Vladimir of Gustav Mahler’s death, and international visitors to the Sydney Ashkenazy. During 2011, Vladimir culminating in powerfully climactic and Symphony podium included Thomas MICHAEL JARRELL ...un temps de Ashkenazy and the Sydney Symphony uplifting performances in November of Dausgaard, Hans Graf, Jahja Ling, Peter silence... – Flute Concerto – Australian completed its recorded documentation Mahler’s Symphony No.2 “Resurrection”. Oundjian, Pinchas Steinberg, Osmo premiere of the Mahler Odyssey, with concert As in the first year of the Mahler Odyssey, Vänskä and Mark Wigglesworth. Many In addition, the following works by recordings of: all performances throughout 2011, fine guest soloists visited Sydney in Australian composers were programmed notably of Symphonies Nos. 2, 6, 7, 9 and MAHLER Symphony No.2 2011, including Jean-Efflam Bavouzet, in Sydney Symphony concerts: 10 (in the completion by Rudolf Barshai), Michelle DeYoung, Ingrid Fliter, who also MAHLER Symphony No.6 were recorded for release on the Sydney performed an outstanding Beethoven ARTHUR BENJAMIN Jamaican Rhumba Symphony Live label. MAHLER Symphony No.7 and Chopin piano recital, Alban BRETT DEAN The Lost Art of Letter In a year of exceptional performances, Gerhardt, Karen Gomyo, Stephen Hough, Writing – Violin Concerto MAHLER Symphony No.9 the special event gala concerts with two Freddy Kempf, Sergey Khachatryan, BRETT DEAN Etüdenfest MAHLER Symphony No.10 of the world’s finest concert pianists – Steven Osborne, Anne Sofie von Otter, (completed by Rudolf Barshai) Lang Lang and Evgeny Kissin – were Emmanuel Pahud, Alisa Weilerstein, ANDREW FORD Sad Jigs landmarks in Australia’s 2011 arts Pieter Wispelwey, Joyce Yang and ANDREW FORD The Furry Dance calendar. Lang Lang not only performed . Australian continued on page 10

* Sydney Symphony Commission.

08 Sydney symphony / 2011 annual report 09 Managing Director’s Report continued Principal Conductor and Artistic Advisor Audience Development In 2011 Sydney Symphony achieved Partner, Emirates – a wonderful a higher number of classical ticket partnership that has now been in 2011 was indeed a big year for all of us – sales and the highest number of seats place for a decade; also our Premier we opened the season with Grieg’s fantastic per paid concert as compared to Partner Credit Suisse, whose support any year since 2000. In all, 200,012 enables so many of the outstanding gala incidental music for Ibsen’s play Peer Gynt, subscription and single tickets were sold presentations that we are able to bring to 92 subscription and 9 special event to our audiences, as well as their support I had the pleasure of conducting performances performances, averaging 1,980 paid seats for our outstanding young Fellows. with the outstanding pianist Evgeny Kissin, and per performance. The total number of The philanthropic support of our patrons subscription package seats sold increased has again played a key role in enabling we concluded our two-year Mahler Odyssey. by 8% over levels achieved in 2010, and us to achieve many of our artistic and more than 23,100 subscription packages To complete a musical cycle of this nature is no education goals and I thank them all for were transacted. Subscription seats this enlightened support on behalf of the accounted for 60% of all seats sold, and mean feat and it is heartening to know that our whole Sydney Symphony community. over 119,000 seats were sold as part of audiences can relive the journey through our subscription packages: also the highest 2011 was clearly a year of vibrant level achieved of any year from 2001. artistic health, strong audience Mahler Odyssey recordings. Paid tickets per concert overall were connection and gratifying financial up 8% over 2010 levels. The company outcome. Feedback from visiting enjoyed 86.5% paid available capacity, conductors and soloists confirm the also up from 80.3% in 2010. In 2011 orchestra is in exceptional form and Later in 2011 we embarked on a tour of Japan and Korea. the benefits of the strategic reorganising I pay tribute to the extraordinary This was the first time the Sydney Symphony had ever toured of the marketing and sales operation talent and skills of our players that to Korea so I was humbled to be part of this historic occasion in 2008 – 2010 took significant root; make being in the audience such this is something that will see further a pleasure and privilege. for the orchestra. The audiences were enamoured with the fine strengthening and consolidation in 2012. In this his third year as Principal music making of the Sydney Symphony and it was so wonderful The continued and successful leadership Conductor and Artistic Advisor, I also and appeal of Vladimir Ashkenazy, to see full houses wherever we performed. celebrate the inspiring leadership of inspired program offerings, and the Vladimir Ashkenazy. He is an outstanding My third year as Principal Conductor again proved to me what aforementioned reorganisation all musician by any measure, and we contributed to this final result. a wonderful group of musicians make up the Sydney Symphony, remain greatly honoured and invigorated In 2011 some 17 commercial by his energetic insights and celebrate his as well as those people who work behind the scenes to ensure performances of eight discrete strong connection with the community we can provide music of the highest calibre for our audiences. programs were presented to over of Sydney. 35,000 paying customers. The total Finally I thank our Chairman, John paid audience footprint for both Conde, and the Board of Directors for classical and commercial events in their wisdom and tireless support in 2011 was 235,398. helping the orchestra to achieve our ambitions. Their commitment, counsel Sydney Symphony Partners and practical engagement contribute Vladimir Ashkenazy Sydney Symphony is the only symphony immeasurably to the success of the Principal Conductor and Artistic Advisor orchestra in Australia that generates Company. significantly more income through its own activities than the level of funding we receive from Federal and State government. This funding is critical to the success and vibrancy of the organisation and we acknowledge this support, through the Australia Council for the Arts, and remain committed to delivering excellence and value through our work. Rory Jeffes Managing Director We are proud of our corporate partnerships and the relationships we have with individual patrons. I particularly acknowledge the continued support of our Principal IMAGES Top to bottom: Vladimir Ashkenazy with portrait by Ralph Heimans (photo: Ken Butti); Sydney Symphony.

10 Sydney symphony / 2011 annual report 11 What a once-in-a-lifetime opportunity Sydney Symphony Sinfonia When the Sydney Symphony Sinfonia was for those kids. A no-compromise founded in 1996 it was groundbreaking in its vision as Australia’s first national approach to music education where mentoring orchestra. The intake of everyone had too much fun to realise how students has grown from 3 in 1996 to “ 67 in 2011. As the program has grown much they were learning! Thanks for all and developed over its fifteen-year lifespan, over 500 tertiary students your hard work and come again soon! and graduates from around Australia have participated in Sinfonia’s training — program. Initially the Sinfonia was formed to perform schools concerts, Ian Crossley so the student musicians experienced Principal, Albury High School an intensive on-the-job training sitting alongside the seasoned players of the Sydney Symphony. In 1999 the Sinfonia toured to regional NSW delivering schools concerts in Orange, Dubbo and Bathurst, an event which has become part of its annual performance calendar. In 2011 the Sinfonia performed in the Riverina, Albury, Campbelltown, Gosford and Newcastle, presenting regional schools and public concerts, as well as giving 45 IMAGES Left to right: Richard Gill and schools concerts in Sydney. Since 2000 Sinfonia musicians at Sinfonietta workshops (image: Ben Symons). Playerlink students the Sinfonia has performed in the four- in Armidale (image: Tim Barnsley). concert series now known as Discovery in the City Recital Hall and in 2011, for the first time, it presented two schools concerts for high schools students in this venue. As the Sydney Symphony continues to develop this program we are always seeking new experiences for the Sinfonia Community though masterclasses, workshops and of course performance opportunities. Those privileged to play in the Sinfonietta composition project were challenged by the music of Ligeti and the work Education and Artist Development of six new composers. In 2009 the Sinfonia had its first ever main stage The Sydney Symphony, as the provider of Australia’s leading Sydney Opera House concert, with The Whitlams, and in 2011, to celebrate performing arts education program, constantly strives to develop its 15th year, reinstated the Family Concerts under the direction of their and nurture understanding of the great tradition of orchestral playing Artistic Director, Richard Gill oam. Many of the Sinfonia players have had in young people through its regular series of education concerts. the opportunity to augment the Sydney Symphony in larger works featured in The Sydney Symphony, as a constantly evolving orchestra, is aware our regular concert series, and most of the Sydney-based players work regularly that nurturing developing talent is in its own interests. With the with the Australian Opera and Ballet Orchestra. The program continues to Sinfonia program and the Fellowship program, the development attract some of the best young musicians from around the country and across the of new and gifted orchestral players is assured. Tasman, with over 400 auditioning for places in the 2012 program. Alumni — from Sydney Symphony Sinfonia have Richard Gill received contracts or permanent work with orchestras in New Zealand, Japan, Artistic Director, Education Program the USA, the UK, The Netherlands and throughout South East Asia.

12 Sydney symphony / 2011 annual report 13 Community

Thank you Richard, as always, for fanning the flame of creativity, nurturing young minds and hearts, and challenging the spirits of these young people by “ opening up the world of possibility and connecting them with the great minds of the past and present. — Philip Cooney Wycliffe Christian School, Warrimoo

Fellowship In October, Playerlink became the and six of these young composers were The Fellowship program, which Orchestra’s first international education brought to Sydney to work with Richard emerged from the James Fairfax initiative, offering similar workshops Gill in an intensive three-day refinement Young Artist Program under the to students in Korea. Ten of the Sydney workshop. Symphony musicians worked with a artistic direction of Roger Benedict, Several tertiary composition students large string orchestra and concert band celebrated its 10th birthday in 2011. from the Sydney Conservatorium had an at the Korean International School, This full-time apprenticeship with the opportunity to work with the Fellowship while Vladimir Ashkenazy led a team Sydney Symphony has produced many musicians, developing their skills in a of 16 musicians, including many of professional working musicians currently range of works later performed in a our principal players, to Seoul engaged with orchestras around the public concert at The Rocks. Established National University. nation and internationally. Highlights Australian composers featured in all of the 2011 Fellowship program of the Orchestra’s education concerts, included masterclasses with members Schools Concerts with new commissions by Gordon Kerry, of the Vienna Philharmonic Orchestra, As always, a significant part of the James Ledger and Carl Vine in Meet the a residency at Bundanon Estate, a tour orchestra’s year was spent presenting Music; music of Brett Dean in Discovery; with , and a main-stage concerts to school children. At a time and Andrew Ford as the composer in baroque concert with Sara Macliver and when the Australian Curriculum for focus in the Schools Concerts. Diana Doherty in the Tea & Symphony the Arts is being written and teachers series. The year ended with a celebration are increasingly expected to deliver Lang Lang Masterclass concert in the Sydney Conservatorium’s high quality music programs in their Probably the biggest event for Education Verbrugghen Hall, featuring a new classrooms, the Sydney Symphony in 2011 was a masterclass for school- commission by Australian Alan continues to devise concerts that enrich aged children, held with international Holley, written especially for the 2011 music learning beyond the classroom and pianist Lang Lang in June. Three Fellowship, and a number of large works offer guidance and resources to teachers. outstanding young pianists were selected bringing together many of the alumni of The Orchestra’s professional development from around Australia to play for him the past ten years. program continues to expand its reach on the Concert Hall stage of the Sydney beyond NSW and the demand for its Opera House, and almost 800 young Playerlink classroom materials continues to grow. students and their piano teachers Most of the 2012 schools concerts had Playerlink is another exciting aspect of observed the workshop. The value of this already sold out by the end of 2011, the regional education program. Taking inspiring experience was evident to all, testifying to the value placed on the a conductor and twelve musicians from and the orchestra intends to build special program by teachers across the state. the orchestra to work with a large, initiatives such as this into its Education specially formed youth orchestra over a program as it continues to grow in its three-day period is extremely rewarding, Sinfonietta Composition Project role as Australia’s leading performing and in 2011, with the support of regional The opportunities for emerging arts education provider. touring partner Telstra, Playerlink was composers continue to expand, with able to prepare Armidale students for programs ranging from activities the visit with online designed to excite musical imagination masterclasses presented by Sydney in school children to opportunities for Symphony musicians. the seriously talented. Inspired by the music of Aaron Copland, many schools “Amazing! So encouraging – entered the Sydney Symphony’s 2011 I learnt a lot.” Schools Composition Challenge, with the Clarinet participant, Playerlink 2011 winning entries performed as part of the “Fantastic opportunity for playing Sinfonia’s Sydney Olympic Park Concert in a large orchestra!” Series. High school students from around Oboe participant, Playerlink 2011 the country submitted entries to the Sinfonietta national composition project IMAGES Left to right: Lang Lang conducting Masterclasses (image: Ben Symons); Richard Miller with percussion student at Playerlink in Armidale (image: Tim Bamsley).

14 Sydney symphony / 2011 annual report 15 Community

Touring ACCESS

Japan and Korea Tour the concerts to showcase Australian 16 April Hospital Visits excellence and as an opportunity to Under the direction of Principal The Sydney Symphony continued regular develop closer commercial relationships. Mozart & Haydn Conductor and Artistic Advisor, Vladimir visits to hospitals in Sydney and regional Assistance was also provided by Ashkenazy, the Sydney Symphony toured Penrith areas via the award-winning music4health Leadership Ensemble members, most Japan and Korea in November 2011, program. A practical manifestation of notably Pelikan Artline, Shell Australia 4 June performing eight concerts to over 18,000 the health industry’s recognition of the Pty Ltd, government agencies and the audience members in the Japanese Wollongong Benefit Concert therapeutic power of music, the program Australia Korea Foundation. cities of Tokyo, Fukuoka, Nagoya and Wollongong provides entertainment and welcome Nishinomiya as well as in the South moments of respite for hospital patients, Korean capital, Seoul. Wollongong Benefit Concert 24 June their families and hospital staff. The tour marked the Orchestra’s fourth On 4 June, the Sydney Symphony Mozart After Dark In 2011, five music4health visits were performed its annual fundraising concert visit to Japan and the first visit to Korea Dubbo made to a range of audiences including in its 79-year history, and was part of at the Wollongong Town Hall. Under the patients at the Children’s Hospital the 2011 Year of Friendship between musical direction of Associate Conductor 24 july Westmead in its Starlight Express Room, Nicholas Carter, the orchestra performed Australian and Korea, marking 50 Fellowship Performance and via broadcasts direct to children’s years of diplomatic relations between to a capacity audience of 800, which wards. There were three off-hospital site Penrith the two countries. enjoyed a program of Mozart and Johann visits in 2010, one in conjunction with Strauss Jr. The enthusiastic response the Autism Advisory and Support Service, Performing three times in Tokyo, 3-4 august again demonstrated the community’s performing for children with autism, including a concert in Suntory Hall, the support for and commitment to classical Education Concerts cerebral palsy and Down syndrome as orchestra appeared with piano superstar music and the Sydney Symphony. The Sydney Olympic Park well as their carers and families, and Evgeny Kissin and local violinist Sayaka performance was given in support of three at BUPA retirement villages in Shoji. In Korea, the orchestra performed local communities affected by recent 14 August Wodonga, Ashbury and Greenwich. twice at the Seoul Arts Center, once floods and thanks to partners BHP Fellowship Performance with Evgeny Kissin and once with Billiton, Xstrata Coal, Snowy Hydro, cellist Mischa Maisky. Telstra, Regional Express and The Land, Pennant Hills Outdoor Concerts the concert raised $50,000, which Symphony in the Domain is one The tour schedule was as follows: 26-28 August was donated to four local charities. of Sydney’s landmark free events, Japan The accumulated funds contributed to PlayerLink traditionally ending with Tchaikovsky’s Mon 7 Nov Tokyo Bunka Kaikan regional charities over the past eight Armidale 1812 Overture, complete with cannons years total $500,000. and fireworks. In 2010 the concert Tue 8 Nov Fukuoka, ACROS Fukuoka 30 August attracted an audience of 60,000. The Wed 9 Nov Nagoya, Aichi Arts Center Regional and Interstate Discover Dvoˇrák Sydney Symphony also performed at Concert Hall Touring Summary Parramatta Park on 19 March to over Sinfonia 1,200, a smaller-than-usual audience Thu 10 Nov Tokyo, NHK Concert Hall The following table summarises all Gosford due to extreme weather conditions. regional and interstate activity (excluding Sat 12 Nov Nishinomiya, Hyogo hospital visits listed on page 17) conducted 2 September Performing Arts Center Webcasting by the Sydney Symphony in 2011. Education concert Sun 13 Nov Tokyo, Suntory Hall In 2011, the Sydney Symphony’s 19 MARCH Newcastle webcasting activity continued, in South Korea collaboration with Telstra BigPond and Free outdoor concert 2 September Wed 16 Nov Seoul, Seoul Arts Center ABC Classic FM, with eleven concerts Parramatta Park Mozart & Brahms streamed live and made available free Thu 17 Nov Seoul, Seoul Arts Center sydney symphony 23-24 MARCH on demand through BigPond TV. These Most of the concerts were sold out Gosford can be viewed at bigpondmusic.com/ and well received by the audiences Sydney Symphony/Sinfonia sydneysymphony and are also available and critics alike. As is the Orchestra’s Regional Tour 11 October on the SSO mobile app. Griffith custom, numerous outreach activities Discover Brett Dean Webcasting is an important addition complemented the concerts on the tour, SINFONIA 24-25 March to our outreach both nationally and including masterclasses at local schools Campbelltown internationally, and is of particular and universities, and performances at Sydney Symphony/Sinfonia benefit to those less mobile, and to Australian embassies. Regional Tour 8 December people in regional or remote areas of The Sydney Symphony’s 2011 Japan Wagga Wagga Fellowship Performance Australia who want to experience an and Korea Tour was only made possible orchestral performance but are unable 26 March Blacktown thanks to the support of the NSW to attend in person. Government through the Arts NSW, the Sydney Symphony/Sinfonia Commonwealth Government through Regional Tour the Australia Council, and corporate Albury organisations. Touring sponsors played IMAGES Top to bottom: Sydney Symphony an integral role, with long-term partners in Japan; Hugh Kluger with a young fan at Newcastle Town Hall (image: Jamie Wicks). Xstrata Australia and Telstra using

16 Sydney symphony / 2011 annual report 17 Supporters – Donors & Sponsors Directors’ Chairs

Philanthropy Report Community Support Sydney Symphony As a not-for-profit organisation, the In 2011, the Sydney Symphony was Leadership Ensemble Sydney Symphony relies on the support privileged to be able to support the work David Livingstone of patrons and sponsors to supplement of 80 fellow not-for profit organisations. CEO, Credit Suisse, Australia the income earned through ticket sales By providing gift vouchers to support Alan Fang and government support. Without fundraising initiatives in the arts, social Chairman, Tianda Group this additional support, the Orchestra welfare, health and education sectors, would be unable to sustain the calibre the Orchestra contributed $17,000 Macquarie Group Foundation of its programming and performances, of in-kind assistance to these John Morschel and it would not be possible to fulfil its important organisations. 01 02 03 04 Chairman, ANZ commitment to music education and young artist development. Volunteers Andrew Kaldor 08 Chairman, Pelikan Artline The Sydney Symphony is immensely In 2011, Sydney Symphony volunteers Colin Piper grateful for the support of the many Percussion contributed 1,011 hours of work in the Lynn Kraus Justice Jane patrons who responded to our appeals, areas of education, marketing, box office, Sydney Office Managing Matthews AO Chair added a contribution to their subscription philanthropy and administration. This Partner, Ernst & Young package, or spoke to one of our team represents a cost saving of approximately 09 Shell Australia Pty Ltd on the phone and gave so generously in $45,000 to the Orchestra, and the Sydney Shefali Pryor 2011. Every gift, however large or small, Symphony offers its grateful thanks to James Stevens 05 06 07 Associate Principal Oboe is appreciated enormously and helps the all volunteers for their generous CEO, Roses Only Rose Herceg Chair Sydney Symphony present outstanding contribution in 2011. 05 concerts and music education events that Stephen Johns 10 enrich the lives of so many. Chairman, Leighton Holdings, Jane Hazelwood Emma Sholl Sydney Symphony and Michele Johns Associate Principal Flute In 2011, philanthropic giving at the Maestro’s Circle Veolia Environmental Robert & Janet Services Chair Sydney Symphony totalled $2,029,504. Peter Weiss am Constable Chair Founding President In the course of the year, 4558 gifts were 06 & Doris Weiss received, contributing to the Orchestra’s Catherine Hewgill various donation funds. This is the John C Conde ao 08 09 Principal Cello Tony & Fran strongest support from individuals in the Chairman Meagher Chair Sydney Symphony’s history. Through Geoff Ainsworth ao 01 the generous gifts of our patrons, the 07 Sydney Symphony presented some of & Vicki Ainsworth Roger Benedict Principal Viola Elizabeth Neville the world’s finest soloists to Australian Tom Breen Kim Williams am & Cello audiences, and was able to expand its & Rachael Kohn Catherine Dovey Chair Ruth & Bob Magid Chair Fellowship program for young artists, acquire additional high-quality stringed In memory of Hetty 02 instruments, and commission and & Egon Gordon Lawrence Dobell premiere four new works by Australian Andrew Kaldor 10 Principal Clarinet composers: Matthew Hindson, Gordon Anne Arcus & Terrey & Renata Kaldor ao Arcus am Chair Kerry, James Ledger and Carl Vine. Roslyn Packer ao Members of the Patrons Program gain 03 a unique insight into life backstage. Penelope Seidler am Diana Doherty Through a series of activities, we aim Principal Oboe Mr Fred Street am Andrew Kaldor & to foster a connection both to the & Mrs Dorothy Street Renata Kaldor ao Chair programs they support and to like- minded people who share a passion Westfield Group 04 for symphonic music and the Brian & Rosemary White Richard Gill oam Sydney Symphony. Artistic Director Education Ray Wilson oam in memory of Sandra & Paul Salteri Chair the late James Agapitos oam

18 Sydney symphony / 2011 annual report 19 Donors & Sponsors salute

Platinum Patrons Silver Patrons James & Elsie Moore Robert McDougall Anita & Chris Levy The Sydney Symphony applauds the leadership role our partners play and their commitment to excellence, $20,000+ $5,000–$9,999 Bruce & Joy Reid Foundation Ian & Pam McGaw Erna & Gerry Levy am innovation and creativity. Brian Abel Mr Alexander Marliese & Georges Teitler Mathew McInnes Dr Winston Liauw Geoff Ainsworth am & Mrs Vera Boyarsky Hedy Switzer Miss An Nhan Mrs Helen Little & Vicki Ainsworth Mr Robert Brakspear Anonymous (2) Mrs Rachel O’Conor Sydney & Airdrie Lloyd Robert Albert ao Mr Robert & — Mr R A Oppen Mrs A Lohan PRINCIPAL PARTNER GOVERNMENT PARTNERS & Elizabeth Albert Mrs L Alison Carr Mr Robert Orrell Carolyn & Peter Lowry oam Terrey Arcus am Bob & Julie Clampett Bronze Patrons Mr & Mrs Ortis Melvyn Madigan & Anne Arcus Ian Dickson & Reg Holloway $1,000–$2,499 Piatti Holdings Pty Ltd Dr Jean Malcolm Tom Breen & Rachael Kohn Penny Edwards Charles & Renee Abrams Dr Raffi Qasabian Mrs Flora MacDonald Sandra & Neil Burns Michael & Gabrielle Field Andrew Andersons ao Ernest & Judith Rapee Mrs Helen Meddings Mr John C Conde ao In memory of Hetty Mr Henri W Aram oam Kenneth R Reed David & Andree Milman Robert & Janet Constable & Egon Gordon Claire Armstrong Patricia H Reid Kenneth N Mitchell Dr Bruno & Mr James Graham am & John Sharpe Endowment Pty Ltd Chris Morgan-Hunn Mrs Rhonda Giuffre & Mrs Helen Graham Dr Francis J Augustus Juliana Schaeffer Nola Nettheim Ms Rose Herceg The Greatorex Foundation Richard Banks Catherine Stephen Mr Graham North Mrs E Herrman Mrs Jennifer Hershon David Barnes John & Alix Sullivan Dr M C O’Connor am Mr Andrew Kaldor Stephen Johns Doug and Alison Battersby The Hon. Brian Sully QC Dr A J Palmer & Mrs Renata Kaldor ao & Michele Bender Premier PARTNER community partner Michael Baume ao Mildred Teitler Justice George Palmer am D & I Kallinikos Judges of the Supreme and Toni Baume John E Tuckey Mr Andrew C Patterson James N Kirby Foundation Court of NSW Phil & Elese Bennett Mrs M Turkington Dr Kevin Pedemont Justice Jane Mathews ao Mr Ervin Katz Nicole Berger In memory of Dr Reg Walker Dr Natalie E Pelham Mrs T Merewether oam Mr David Livingstone Mrs Jan Biber Henry & Ruth Weinberg Mr Allan Pidgeon Mrs Roslyn Packer ao Ruth & Bob Magid Julie Bligh The Hon. Justice A G Whealy Robin Potter Dr John Roarty oam in David Maloney Lenore P Buckle Geoff Wood & Melissa Waites Lois & Ken Rae memory of Mrs June Roarty & Erin Flaherty M Bulmer Warren Green Pamela Rogers PLATINUM PARTNERS MAJOR PARTNERS Paul & Sandra Salteri Greg & Susan Marie In memory of R W Burley Mr R R Woodward Agnes Ross Mrs W Stening William McIlrath Charitable Eric & Rosemary Campbell Dr John Yu and In memory of H St P Scarlett Mr Fred Street am Foundation Dr John H Casey Dr George Soutter & Mrs Dorothy Street Eva & Timothy Pascoe Caroline Sharpen Debby Cramer & Bill Caukill Anonymous (9) Mr Peter Weiss am Rodney Rosenblum am Mrs Diane Shteinman am — & Mrs Doris Weiss & Sylvia Rosenblum Dr Diana Choquette Dr Agnes E Sinclair & Mr Robert Milliner Westfield Group Manfred & Linda Salamon Bronze Patrons Doug & Judy Sotheren Joan Connery oam Mr Brian & Mrs The Sherry Hogan Foundation $500–$999 Mrs Elsie Stafford GOLD PARTNERS & Maxwell Connery oam Rosemary White David & Isabel Smithers Mr Peter J Armstrong Mr Lindsay & Mrs Mr John Cunningham SCM Suzanne Stone Ray Wilson oam in memory Mrs Joyce Sproat Dr & Mrs Hannes Boshoff & Mrs Margaret Cunningham Mr D M Swan of James Agapitos oam & Mrs Janet Cooke Minnie Briggs Lisa & Miro Davis Mr Norman Taylor Family Bequest J F & A van Ogtrop Pat & Jenny Burnett Matthew Delasey SYMPHONY Anonymous (1) Michael & Mary Whelan Trust Kevin Troy SERVICES Mr Colin Draper The Hon. Justice AUSTRALIA — Ms Caroline Wilkinson Judge Robyn Tupman & Mary Jane Brodribb J C & Mrs Campbell Dr Richard Wingate Gillian Turner and Rob Bishop Gold Patrons John Favaloro Mr Percy Chissick Jill Wran Prof. Gordon E Wall $10,000–$19,999 Mr Edward Federman Mrs Catherine J Clark Anonymous (1) Jen Cornish Ronald Walledge Alan & Christine Bishop Mr Ian Fenwicke SILVER PARTNERS — Mr Robert & Mrs & Prof. N R Wills Greta Davis Ian & Jennifer Burton Rosemary Walsh Firehold Pty Ltd Mrs Rachel Debelak Mr C R Adamson Bronze Patrons Mr Palmer Wang Dr & Mrs C Goldschmidt Elizabeth Donati The Hon. Ashley $2,500–$4,999 A Willmers & R Pal Dawson-Damer Akiko Gregory Dr & Dr Nita Durham Dr Lilon Bandler Audrey and Michael Wilson Ferris Family Foundation Janette Hamilton Mr & Mrs Farrell Stephen J Bell Dr Richard Wing James & Leonie Furber Dorothy Hoddinott ao Vivienne Goldschmidt Marc Besen ao Mr Robert Woods Mr Ross Grant & Eva Besen ao The Hon. David Hunt ao Mr Robert Green Mrs Robin Yabsley Helen Lynch am Jan Bowen Gary Linnane Mr Richard Griffin am Anonymous (18) & Helen Bauer Mr David & Mrs Halina Brett QC & Mrs Margaret Hunt Mrs A Hayward — Mrs Joan MacKenzie Howard Connors Dr & Mrs Michael Hunter Dr Heng & Mrs Cilla Tey Tony and Fran Meagher Ewen & Catherine Crouch Mr Peter Hutchison Mr Roger Henning Mr B G O’Conor Ian Dickson & Reg Holloway Dr Michael Joel am Rev Harry & Mrs Meg Herbert Regional tour PARTNERS Mrs Penelope Seidler am Vic & Katie French & Mrs Anna Joel Sue Hewitt June & Alan Woods Mr Erich Gockel In Memory of Bernard Mr Joerg Hofmann MH Khaw Family Bequest Ms Kylie Green Ms Dominique Hogan-Doran Anonymous (2) Anna-Lisa Klettenberg Anthony Gregg & Alex Houghton — Deanne Whittleston Mr Justin Lam Bill & Pam Hughes Michelle Hilton Macquarie Group Foundation Susie & Geoff Israel Ann Hoban Ms Jan Lee Martin Mrs W G Keighley Marketing PARTNER & Mr Peter Lazar R & S Maple-Brown Mr & Mrs Gilles T Kryger 2MBS FM 102.5 Fine Music Station Mr Robert and Mora Maxwell Dr and Mrs Leo Leader Mrs Renee Markovic J A McKernan Margaret Lederman Kevin & Deidre McCann

IMAGES Top to bottom: Richard Lynn, Tutti Double Bass; Adrian Wallis and Playerlink Students in Armidale (image: Tim Barnsley).

20 Sydney symphony / 2011 annual report 21 Five-Year Performance Summary

Operating profit turnaround Reserves above Self- from the effect of the GFC. mandatory limits. Net Profit (loss) for the Year in AUD 000’s Reserves to Operating Expenses

2000 1500 30 generated 1000 25 500 20 0 15 -500 10 revenue now -1000 5 -1500 0 07 08 09 10 11 07 08 09 10 11

Surplus Min 20% Required by Australia Council

Attendance strong in Paid occupancy at Sydney and regional NSW. record levels in 2011. Attendances in 100,000’s Occupancy – Main Stage Performances

350000 4 90 300000 85 250000 3 200000 80

150000 2 75 100000 1 70 50000

0 0 65 07 08 09 10 11 07 08 09 10 11

Metropolitan and NSW regions % Occupancy Sydney Opera House 65% of total income

Funding Indexation lags CPI rate. Funding Indexation vs CPI Revenue by Category AUD 000’s

0.040000 4.50% 40000 40 35000 30000 0.031667 3.50% 30 25000 20000 20 0.023333 2.50% 15000 10000 10 5000 0.015000 1.50% 0 0 08 09 10 11 12 07 08 09 10 11 IMAGES Top to bottom: 2011 Fellow Government Funding Index Adam Szabo (image: Ben Symons); Self generated revenue CPI – All groups Paul Goodchild, Associate Principal Trumpet. Funding revenue

22 Sydney symphony / 2011 annual report 23 Left: Evgeny Kissin in concert.