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2011 Annual Report 05 Chairman’S Review

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2011 Annual Report 05 Chairman’S Review Annual Report 2011 SYDNEYSYMPHONY.COM Contents Sydney Symphony Musicians 2011 02 The Year in Review 04 Chairman’s Review 06 Managing Director’s Report 08 Community 12 Supporters – Donors and Sponsors 18 Five-Year Performance Summary 22 1 2 In April, the Sydney Symphony launched its free mobile App with the support of Telstra BigPond. As part of the App, the Sydney Symphony became the first orchestra in the world to stream its concerts live on mobile devices. At the end of 2011, the Sydney Symphony App had received over 3,000 downloads across 41 countries. 3 4 5 IMAGES: 1. Symphony in the Domain; 2. 2011 Fellow Katie Zagorski (image: Ben Symons); 3. Roger Benedict and the 2011 Fellows at St James’ Church (image: Ben Symons); 4. A scene from Metropolis; 5. Robert Johnson during Playerlink masterclass in Armidale (image: Tim Barnsley); 6. Conductor Dan Carter and students at Newcastle Town Hall (image: Jamie Wicks); 7. Rory Jeffes, Shefali Pryor, Jacqui Cronin, Rowena Macneish, Emily Long, Aernout Kerbert at the Australia – Japan Goodwill Dinner in Tokyo; 8. Lang Lang (image: Ben Symons). COVER IMAGE: Lore secest dit quia. 01 6 7 8 First Violins Violas Harp Bassoon Bass Trombone Sydney Sun Yi Roger Benedict Louise Johnson Matthew Wilkie Christopher Harris Associate Concertmaster Principal Principal Principal Principal Kim Williams AM & Symphony Kirsten Williams Catherine Dovey Chair Roger Brooke Associate Concertmaster Associate Principal Tobias Breider Katherine Lukey Principal Flutes Fiona McNamara Tuba Assistant Concertmaster Musicians Anne Louise Comerford Janet Webb Steve Rossé Fiona Ziegler Associate Principal Principal Principal Assistant Concertmaster Yvette Goodchild Emma Sholl Contrabassoon 2011 Associate Principal Julie Batty Assistant Principal Robert & Janet Constable Chair Noriko Shimada Timpani Jennifer Booth Robyn Brookfield Principal Carolyn Harris Richard Miller Marianne Broadfoot Sandro Costantino Principal Brielle Clapson Jane Hazelwood Piccolo Horns Mark Robinson Veolia Environmental Assistant Principal Vladimir Ashkenazy Sophie Cole Services Chair Rosamund Plummer Robert Johnson and Tutti Percussion Principal Principal Conductor & Artistic Advisor Amber Davis Graham Hennings Principal Sponsored by Emirates Ben Jacks Stuart Johnson Georges Lentz Principal Percussion Nicola Lewis Justine Marsden Oboes Geoff O’Reilly Principal 3rd Rebecca Lagos Nicholas Carter Nicole Masters Felicity Tsai Diana Doherty Principal Principal Oboe Lee Bracegirdle Associate Conductor Alexandra Mitchell Leonid Volovelsky Andrew Kaldor & Colin Piper Renata Kaldor AO Chair Euan Harvey Justice Jane Supported by Premier Partner Léone Ziegler Mathews AO Chair Credit Suisse and Symphony Shefali Pryor Marnie Sebire Services International Associate Principal Cellos Rose Herceg Chair Second Violins Catherine Hewgill Piano Michael Dauth Principal David Papp Concertmaster Marina Marsden Tony & Fran Meagher Chair Trumpets Josephine Allan Principal Daniel Mendelow Principal (contract) Leah Lynn Principal Dene Olding Kirsty Hilton Assistant Principal Cor Anglais Concertmaster Principal Paul Goodchild Kristy Conrau Alexandre Oguey Associate Principal Emma West Principal Assistant Principal Fenella Gill John Foster Jennifer Hoy Timothy Nankervis Anthony Heinrichs A/Assistant Principal Elizabeth Neville Clarinets Bob & Ruth Magid Chair Susan Dobbie Lawrence Dobell Principal Emeritus Adrian Wallis Principal Anne Arcus & Terrey Trombones Maria Durek David Wickham Arcus AM Chair Ronald Prussing Emma Hayes Francesco Celata Principal Shuti Huang Associate Principal Scott Kinmont Double Basses Christopher Tingay Associate Principal Stan Kornel Kees Boersma Nick Byrne Benjamin Li Principal Emily Long Alex Henery Bass Clarinet Principal Philippa Paige Craig Wernicke Neil Brawley Principal Biyana Rozenblit Principal Emeritus Maja Verunica David Campbell Steven Larson Richard Lynn David Murray Benjamin Ward Dene Olding (image: Keith Saunders) 02 The Year in Review Sydney Subscription Series g 120 people attended the Sinfonietta and Stand-Alone Mainstage workshop in Sydney and 220 teachers Performances from around Australia requested g The Sydney Symphony presented the Teacher Resource Kit, with 70 118 concerts in the Sydney Opera attending the composition workshops In 2011 the House and City Recital Hall Angel in Sydney, Melbourne and Hobart. Place to 235,398 patrons. g 95 students and 15 local music g These performances included teachers participated in the Playerlink Sydney Symphony 92 concerts to which subscriptions workshop and associated activities were sold across 11 series, nine in Armidale. gala performances and a further 17 performances which fell outside Touring and Outreach performed over the main subscription series. g The Sydney Symphony performed at two free outdoor concerts in 2011: Commercial Collaborations Symphony in the Domain – 60,000 Parramatta Park – 1,200 concerts The Sydney Symphony plans its seasons 200 well in advance. Acknowledging that g The Sydney Symphony toured to opportunities to perform in collaboration Wollongong where it played to a with popular commercial artists requires packed hall of 800 to raise funds for to more than a shorter planning window, the Company rural families. allocates a percentage of available orchestral playing time to these projects g The Sydney Symphony also gave This work is undertaken either with concerts in Penrith, Blacktown the Sydney Symphony taking the role and Newcastle. of presenter or as a ‘band for hire’. g More than 72 hours of Sydney In 2011 the Sydney Symphony performed Symphony recorded concerts were in 17 concerts in this category, which broadcast on ABC Classic FM in 2011. attracted 35,386 attendees. g Ten performances were made available for streaming on the The Education Program BigPond website. 340,000 g 33,500 knowledge seekers attended g Four Mahler cycle CDs were released the Sydney Symphony’s 65 education on the Sydney Symphony’s own label: people. activities in 2011. Of these: Symphonies Nos. 3, 4, 6 and 7. g 29,000 pupils attended schools g Sydney Symphony musicians also concerts that were held at the ABC NUMBER OF NUMBER OF PAID continued to contribute to the wider SERIES PERFORMANCES PROGRAMS OCCUPANCY Centre in Ultimo, Sydney Olympic community in their capacity as Park, Sydney Opera House and in the teachers and members of community Ausgrid Master Series 27 9 57,908 regional centres of Wagga Wagga, music groups. Griffith, Albury, Campbelltown and Thursday Afternoon Symphony 9 9 20,397 Newcastle (eight performances). g Under the direction of Principal Conductor and Artistic Advisor Emirates Metro Series 8 8 16,393 g 750 students from outer-metropolitan Vladimir Ashkenazy, the Sydney Meet the Music 8 4 16,257 Sydney attended five open rehearsals Symphony toured Japan and Korea at the Sydney Opera House and in November 2011, performing eight Kaleidoscope 8 4 15,339 Sydney Olympic Park. concerts to over 18,000 audience Great Classics 7 7 15,924 g 2,200 concert-goers enjoyed members in the Japanese cities 18 performances by the Sydney of Tokyo, Fukuoka, Nagoya and Tea & Symphony 8 8 15,037 Symphony Fellows throughout Nishinomiya as well as in the South Sydney and NSW. Korean capital, Seoul. Mondays @ 7 5 5 10,672 g 120 tertiary students and teachers The tour marked the Orchestra’s first Discovery Program 4 4 3,466 attended masterclasses as part of the visit to Korea in its 79-year history International Pianists in Recital 4 4 3,958 Sinfonia and Fellowship programs and was part of the 2011 Year of and an additional 550 piano students Friendship between Australian and Mozart in the City 4 4 3,873 and their teachers attended a special the Democratic Republic of South workshop with pianist Lang Lang. Korea, marking 50 years of diplomatic Gala performances 9 8 20,788 g 520 teachers attended eight accredited relations between the two countries. Commercial concerts 17 8 35,386 professional learning courses. IMAGES FROM TOP LEFT: Total 118 82 235,398 Diana Doherty, Principal Oboe. 04 SYDNEY SYMPHONY / 2011 ANNUAL REPORT 05 Chairman’s Review The Board continues to focus on the The year 2011 will be remembered by our audiences key performance criteria embodied as one of outstanding artistic highlights. It marked in our business plans, being Artistic Vibrancy, Access and Financial Stability. the culmination of the two-year Mahler Odyssey, We exceeded target expectations in respect of all key performance indicators which represented a landmark in our partnership in 2011 and we look forward to continued improvements in the 2012 with Principal Conductor and Artistic Advisor year. I thank my fellow directors for Vladimir Ashkenazy. Our audiences embraced these their efforts during the year and I make special mention of Ms Gabriele Trainor performances with enthusiasm and we are delighted who retired from the Board in May 2011. During her seven years on the Board they have been captured for posterity in recordings Gabrielle was a tireless advocate for the that are being released as they become available. Orchestra and her contributions were much appreciated by directors, musicians and management. The year has also been a strong one for We acknowledge the continued support the Sydney Symphony from a financial of our subscribers, donors and sponsors results perspective. The net operating and thank the Federal Government, surplus of $1.022 million is indicative of through the Australia Council for the the Company’s strength and resilience Arts, and the NSW Government, through to recover from
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