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Cheers, and Thanks for the Memories
AUGUST 2021 ISSN 2652-8738 LOCALLY OWNED & LOCALLY MADE ISSUE 15 CHEERS, AND THANKS FOR THE MEMORIES One family has been so entrenched in the bayside community for more than five decades, it’s hard to imagine the area without them. So it’s with more than a tinge of sadness that we say goodbye to the McDonald family, as they hand over the lease of The Manly Hotel to its new custodians, Endeavour Group. A chapter in Manly’s history is about to close as Sandy, Jenny, and Doug McDonald hand over the lease to The Manly Hotel’s new licensees after 51 years. This is more than just a bricks and mortar pub; it’s an iconic institution where milestone memories have been made, careers forged and friendships endured. “Working at The Manly, where everybody knows Sandy, Jenny and Doug, is like being a part of an even bigger family than the McDonald clan,” said Janet Moore, niece to Jenny, Sandy and Doug McDonald. “A strong, community-minded spirit is in everything we do and it has been a privilege to get to know the locals who feel so at home at The Manly.” Janet recalls many happy memories of the extended family celebrations that have taken place at the pub over the last 51 years. “The first big one would have been Doug’s 21st back in 1970, and 49 years later it was time to celebrate Doug’s 70th. How time flies!” Endeavour will take the reins on October 1, which marks the start of the group’s new 50-year lease. -
The ABC's Inaugural Public Meeting
UpdateApril 2018 Vol 26, No. 1 Thrice Yearly Newsletter The ABC’s Inaugural Public Meeting meeting had been advertised for some and with gentle humour sought sympathy Professor Ed Davis AM weeks by the ABC and interested people for his plight in having to perform on the NSW President of ABC Friends* were encouraged to seek seats at one of same stage as his bosses. He outlined the venues and to submit questions. All the format for the meeting and explained he ABC presented its inaugural seats were taken. The ABC’s Chair, Justin that some 350 questions had been Public Meeting at 10 am, 9 February, Milne; Managing Director, Michelle Guthrie; submitted. These had been examined by T2018. The host venue was Studio Chief Finance Officer, Louise Higgins and an independent organisation which had 22, at the ABC’s headquarters in Ultimo, five other Directors were on the stage at grouped the questions into nine themes; Sydney. Two other audiences were linked Sydney. a question would be selected from each and put to the senior managers in the to the event, at studios in Launceston The host was Michael Rowland, a well- room. First, the ABC’s Chair, MD and and Rockhampton. The proceedings known face from ABC News Breakfast were also streamed by the ABC. The on TV. He welcomed all-comers warmly continued on page 4. From the Editor 2 Political bias and ABC Friends 9 Use of Social Media to promote ABC Friends and Somerville Cartoon 3 A public broadcaster that Raise Funds 15 bows to political pressure Letter to the Editor 3 isn’t doing its job 10 State News 16 NSW Friends’ Meeting with Inside ABC Furores: Then and Now 11 NSW Branch News 21 Classic FM 6 From The National President 12 Parliamentary Roundup 22 ABC library closures 8 Update ABC Friends National ABC must spend ‘more Why ABC Friends is Committee 2018 13 time talking to ordinary sounding the alarm 9 Australians’ 23 Update From the Editor Publication Information (and National Vice-President) Update is published three times a year by ABC Friends National Inc. -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
She Speaks a Celebration of the Past, Present and Future of Women Composers in Australia and Beyond
ADELAIDE She SYMPHONY ORCHESTRA Speaks SEASON 2021 June Presented in partnership with Saturday 19 the Elder Conservatorium of Music Elder Hall at the University of Adelaide Le Parc 2 She Speaks A celebration of the past, present and future of women composers in Australia and beyond. LUNCHTIME CHAMBER MUSIC CONCERT 10 Domestic Voices 1pm, Elder Hall SYMPOSIUM 15 Silent Women 4pm, Madley Studio EVENING ORCHESTRAL CONCERT 16 She Speaks 7pm, Elder Hall LATE EVENING CONCERT 19 When We Speak 9pm, Elder Hall Presented in partnership with the Elder Conservatorium of Music at the University of Adelaide 3 WELCOME You might say that She Speaks is part of the journey towards the fulfilment of a long-felt goal. A few years ago, I stumbled on ABC Classic’s inaugural long-weekend dedicated to music by women composers. As I listened to a huge variety of music by composers I barely knew, I was surprised, delighted and captivated by the extraordinary range of musical styles and expression across the centuries. I also ultimately felt a sense of shame and disappointment: Here I was, a university music graduate who had spent most of his professional life in the world of music, and I had scant knowledge of these composers or their work. Every musical organisation has a role to play in giving music by women an important place in our concert life, and here at the ASO we are resolved to make a difference to the status quo. So, this year, each of our Symphony Series concerts includes music by women. We have also created the Miriam Hyde Giving Circle, which, with your generosity, will make it possible for us to commission and perform more work by women. -
Fne Music Magazne
February 2013 MAGAZINE VLADIMIR ASHKENAZY The Mystery of Music CORRALLING THE MASSES Sydney Philharmonia Choirs THE MUSIC- MATH MYTH Simon Tedeschi MASTER OF MODERNISM - Elliott Carter BIRTH OF AN OPERA Un Ballo in Maschera FROM THE ROYAL OPERA LA BOHEME MARCH 1, 2, 3 & 6 www.palaceoperaandballet.com.au CONTENTS EDITOR’S DESK In our cover story there’s a classic master-meets- Vol 40 No 2 apprentice moment as Robert Clark endeavours 4 COVER STORY to find some insights into how the great Vladimir Vladimir Ashkenazy, Principal Conductor of Ashkenazy achieves what he does. Clark finds however, that the practice of making music in the the Sydney Symphony, talks with Robert Clark maestro’s realm is more spiritual than tangible. and ponders the mysteries of making music Just one month into the Wagner anniversary year 3 Simon Says and we appear to be pleasantly awash with all things 6 Brett Weymark Interview Wagnerian. In a one page special review, Randolph Magri-Overend lifts the lid on a commemorative 8 Un Ballo in Maschera – Solti Ring cycle 14 CD Box set limited edition and the Wagner Society in NSW unveils a Birth of an Opera packed calendar of events. 11 Presenter Profile – Tom Zelinka Over at the Sydney Symphony, Chief Conductor and Artistic Director designate David Robertson is set to mark the 200th anniversaries of Verdi and Wagner with two July 12 Young Virtuosi events - Verdi’s Requiem and a concert version of Wagner’s Flying Dutchman. 13 Meet Kathryn Selby These two concerts are among seven this year where the Sydney Symphony teams up with the Brett Weymark-led Sydney Philharmonia Choirs. -
Moore Beethoven Brahms Tour
MOOREJUNE 11 BEETHOVEN– MAY 21 BRAHMSTWO TOUR AUSTRALIAN STRING QUARTET National Season 2019 This is a special concert for us. Australian landscape - a sound that is familiar to all of us, but not generally heard coming We are thrilled to welcome Sharon Grigoryan from the stage. It is most fitting that this piece back to the stage, who returns from parental is dedicated to our esteemed ASQ Patron, leave. We’ve been honoured to play with Maria Myers AC, whose commitment to some fine musicians over the past year and preserving Australian culture is an inspiration we thank all of them for being a part of our to us all. Also, a special thanks to sound artist journey. We are very excited to be reunited Brendan Woithe, whose concert prelude will as a quartet and to bring the family of transport you into Kate Moore’s sound-world. Guadagninis back together again. This year has already seen us undertake We open tonight’s program with a piece some exciting projects in addition to our first close to our hearts. Through the generosity National Season Tour - a recording with iconic of our donors who contributed to the Australian singer songwriter Katie Noonan, Australian String Quartet Richard Divall our beloved ASQ festivals at Dunkeld and Australian Music Fund, we were delighted Margaret River, a brand new concert to commission Australian composer experience at the Adelaide Fringe Festival Kate Moore to write her third string quartet, and an appearance at the Four Winds Cicadidae. In this piece, Moore sets out Easter Music Festival in Bermagui, NSW. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Mary Poppins Musical Dominates Helpmann Awards Show
BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true 2 August 2011 Last updated at 05:15 ET The musical production of Mary Poppins dominated this year's Helpmann Awards in Australia, winning eight of the 12 categories it was nominated in. The show's stars, Matt Lee and Verity Hunt-Ballard, both won acting prizes. The Walt Disney production also took the coveted best musical award. Geoffrey Rush and Cate Blanchett each won a prize and Andrew Lloyd Webber's Love Never Dies won three. The awards took place at the Sydney Opera House on Monday night. 'Weird and unexpected' Hunt-Ballard was named best female for playing the famous nanny with magical powers. Lee, who was named best male, for playing Bert in the Disney show said it was "weird and unexpected" to beat theatre legend Anthony Warlow. Speaking to Australian website News.com at the ceremony he said: "I performed at the first Helpmann Awards 10 years ago as the third chorus boy on the left. "To receive one of these awards in a category with someone I've looked up to my entire life is 1 of 2 8/2/2011 10:27 AM BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true crazy." The production, based on the 1964 film, also won best choreography, sound design, direction and musical direction. Poppins' Philip Quast also won best male musical supporting actor, while the only award for Hairspray went to Esther Hannaford for best female supporting actor. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
2019 Annual Report
MUSICA VIVA ANNUAL REPORT 2019 CONTENTS CHAIRMAN & CEO’S REPORT 4 COMPANY OVERVIEW 5 OUR REACH & IMPACT 6 A TRIBUTE TO CARL VINE AO 8 INSPIRING STUDENTS & TEACHERS Musica Viva In Schools 11 Musica Viva In Schools Program Reach 14 Don’t Stop The Music 15 Strike A Chord 15 SUPPORTING AUSTRALIAN CREATIVITY Masterclasses 17 FutureMakers 18 Australian Composers 20 Janette Hamilton Studio 21 PRESENTING THE FINEST MUSICIANS International Concert Season 23 Morning Concerts 26 Musica Viva Sessions 28 Musica Viva Festival 30 ENGAGING WITH REGIONAL AUDIENCES Regional Touring Program 33 Huntington Estate Music Festival 34 INDIVIDUAL GIVING, CORPORATE PARTNERSHIPS AND TRUSTS & FOUNDATIONS Individual Giving 37 Strategic Partnerships 40 Our Partners 42 Our Supporters 44 KEY FINANCIALS, ACTIVITY & REACH 50 GOVERNANCE 55 STAFF & VOLUNTEERS 59 Choir of King’s College, Cambridge performing in Adelaide Cover: Tessa Lark, Musica Viva Festival | Matthias Schack-Arnott, FutureMakers | student participant, Musica Viva In Schools 2 MUSICA VIVA ANNUAL REPORT 2019 MUSICA VIVA ANNUAL REPORT 2019 3 CHAIRMAN & CEO’S REPORT COMPANY OVERVIEW We are pleased to present another year of results that TO MAKE AUSTRALIA A MORE MUSICAL PLACE demonstrate Musica Viva Australia’s reach, artistic vibrancy and institutional stability. PURPOSE TO CREATE A NATIONAL CULTURE BASED ON CREATIVITY AND As an organisation founded by musicians, we recognise that without artists we would not exist or be able to achieve the impact IMAGINATION WHICH VALUES THE QUALITY, we desire. This year, Musica Viva employed 352 artists – 80% VISION DIVERSITY, CHALLENGE AND JOY OF LIVE CHAMBER MUSIC of whom were Australian. On concert stages (both regional and metro), in schools and online, Musica Viva brought music and TO ENRICH COMMUNITIES ACROSS AUSTRALIA BY music education of exceptional quality to 358,502 Australians. -
2020 Annual Report
MUSICA VIVA ANNUAL REPORT 2020 CONTENTS CHAIRMAN’S REPORT 4 CEO & ARTISTIC DIRECTOR’S REPORT 5 INSPIRING STUDENTS & TEACHERS Strike A Chord 7 Musica Viva In Schools 10 Musica Viva In Schools Program Reach 12 PRESENTING THE FINEST MUSICIANS Concerts 15 Regional Touring 17 Musica Viva’s 75th Anniversary 18 SUPPORTING AUSTRALIAN CREATIVITY Australian Composers 23 Australian Works performed in 2020 25 Australian Works - Musica Viva In Schools 26 INVESTING IN MUSICA VIVA Investing in Musica Viva 29 Our Partners 34 Our Supporters 36 KEY FINANCIALS, ACTIVITY & REACH 45 GOVERNANCE 49 STAFF 51 PURPOSE MUSICA VIVA EXISTS TO CREATE AND SUPPORT A VIBRANT CHAMBER MUSIC SECTOR, FINANCIAL REPORT 2020 55 ACCESSIBLE TO PEOPLE OF ALL BACKGROUNDS ACROSS AUSTRALIA. VISION AN AUSTRALIA WHERE CHAMBER MUSIC THRIVES AND WHERE PEOPLE OF ALL AGES, CULTURES AND COMMUNITIES HAVE ACCESS TO AND LEARN TO APPRECIATE THE VITAL ROLE OF MUSIC IN BUILDING A STRONGER AND MORE CREATIVE WORLD. MISSION TO ENRICH COMMUNITIES ACROSS AUSTRALIA BY MAKING LIVE CHAMBER MUSIC ACCESSIBLE TO EVERYONE. MUSICA VIVA ANNUAL REPORT 2020 3 CHAIRMAN’S REPORT CEO & ARTISTIC DIRECTOR’S REPORT I am pleased to present you with Musica Viva’s financial and programmatic Each year Musica Viva presents to our stakeholders a report on financial results for 2020. The year began and ended with live performances throughout and programmatic results and impacts. We attempt, in a few online pages, the country with the pandemic pausing normal business operations. to capture the range, depth and innovation of our mission, knowing Musica Viva weaves connections between people through music - something Musica Viva demonstrated its flexibility, innovative approach and commitment words cannot easily capture and which may only be hinted at through to ensuring Australia becomes a more musical place. -
Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional