Moore Beethoven Brahms Tour

Total Page:16

File Type:pdf, Size:1020Kb

Moore Beethoven Brahms Tour MOOREJUNE 11 BEETHOVEN– MAY 21 BRAHMSTWO TOUR AUSTRALIAN STRING QUARTET National Season 2019 This is a special concert for us. Australian landscape - a sound that is familiar to all of us, but not generally heard coming We are thrilled to welcome Sharon Grigoryan from the stage. It is most fitting that this piece back to the stage, who returns from parental is dedicated to our esteemed ASQ Patron, leave. We’ve been honoured to play with Maria Myers AC, whose commitment to some fine musicians over the past year and preserving Australian culture is an inspiration we thank all of them for being a part of our to us all. Also, a special thanks to sound artist journey. We are very excited to be reunited Brendan Woithe, whose concert prelude will as a quartet and to bring the family of transport you into Kate Moore’s sound-world. Guadagninis back together again. This year has already seen us undertake We open tonight’s program with a piece some exciting projects in addition to our first close to our hearts. Through the generosity National Season Tour - a recording with iconic of our donors who contributed to the Australian singer songwriter Katie Noonan, Australian String Quartet Richard Divall our beloved ASQ festivals at Dunkeld and Australian Music Fund, we were delighted Margaret River, a brand new concert to commission Australian composer experience at the Adelaide Fringe Festival Kate Moore to write her third string quartet, and an appearance at the Four Winds Cicadidae. In this piece, Moore sets out Easter Music Festival in Bermagui, NSW. to evoke a sound synonymous with the 3 WELCOME2019 TO SEASON TOUR ONENATIONAL Looking ahead, we will be spending more time in residence across various parts of Australia, building our ever-growing anthology of Australian music recordings, presenting several more of our popular Close Quarters concerts in groovy spaces (check our website for details) and taking part in concerts to celebrate NAIDOC week. We believe that no matter who you are, where you live or how you spend your days, music makes life richer. As we near the end of the financial year, we ask that you consider making a tax deductible donation to support our extensive nation-wide concert and workshop program. We are so grateful that you could join us tonight and hope that you enjoy the concert. Dale, Francesca, Stephen and Sharon Brendan Woithe Prelude Kate Moore String Quartet no 3, Cicadidae* (Premiere Season) Beethoven String Quartet in C minor, op 18 no 4 INTERVAL Brahms String Quartet in C minor, op 51 no 1 * Commissioned by the Australian String Quartet through the Australian String Quartet Richard Divall Australian Music Fund, in honour of ASQ Patron Maria Myers AC. 5 MOORE BEETHOVEN BRAHMS PROGRAMBEETHOVEN DETAILSMOORE Brisbane** Melbourne Tue 21 May 7pm Mon 27 May 7pm Conservatorium Theatre Melbourne Recital Centre Sydney Perth Thu 23 May 7pm Tue 28 May 7pm City Recital Hall Government House Ballroom Canberra Adelaide Sun 26 May 2pm Tue 11 June 7pm Gandel Hall, National Gallery of Australia Adelaide Town Hall ** Recorded by ABC Classic for broadcast Our next concert on 11 June at 7.30pm. IVES WESTLAKE DEBUSSY 4 – 20 September 2019 asq.com.au Dedicated to musical excellence Ulrike Klein AO. The instruments Guadagnini with a distinctly Australian flavour, are on loan to the ASQ for their exclusive Quartet the Australian String Quartet (ASQ) use through the generosity of UKARIA. creates unforgettable experiences The centrepiece of 2019, our for audiences worldwide. Project National Season, is filled with masterful From our home base at the renditions of the classic repertoire In 2010, UKARIA embarked Diana Ramsay Foundation, Major Gifts University of Adelaide, Elder juxtaposed with new works that on one of the most significant Didy McLaurin, Joan Lyons, Don and Veronica Aldridge Conservatorium of Music, we reach speak to our Australian identity. out across Australia and the world to philanthropic projects in Australia’s David McKee AO and Elizabeth Clayton Looking beyond, we are collaborating musical history - the acquisition of Pam McKee, and many other John Clayton engage people with an outstanding with acclaimed singer-songwriter a unique quartet of rare stringed donors, UKARIA completed the Colin and Robyn Cowan program of performances, workshops, Katie Noonan, to record and perform instruments (c.1743-1784) project on 18 December 2017, Katherine Fennell commissions and education programs. crafted by Giovanni Battista raising the funds to acquire all Frances Gerard a program of works by ten Australian Guadagnini. four instruments at a total cost Julian and Stephanie Grose We are privileged to perform on a composers, based on the distinctive of $6,183,188. Andrew and Hiroko Gwinnett Guadagnini is one of history’s matched set of Guadagnini instruments. poetry of Oodgeroo Noonuccal. Our Richard Harvey AM foremost luthiers, in company This project has brought Hand crafted by Giovanni Battista annual ASQ Festivals, Margaret River Lyndsey and Peter Hawkins with Stradivarius and Guarneri together a group of visionary Janet and Michael Hayes Guadagnini between c.1743 - 1784 Weekend of Music and Dunkeld Festival del Gesu. This matched set of patrons who understand the Jari and Bobbie Hryckow in Turin and Piacenza, Italy, these of Music will feature the artistry of special instruments, held in trust by significant cultural value in a Thora Klein exquisite instruments were brought guest musicians, Li-Wei Qin (cello) and UKARIA and made available as collection of this calibre. Tupra Pastoral Company together through the vision of Konstantin Shamray (piano) and the a set in perpetuity to Australia’s Philanthropic Champions Macquarie Foundation most outstanding string quartet, Ulrike Klein AO Mr H.G. MacLachlan is unprecedented anywhere in the Klein Family Foundation Mrs S.T. McGregor 6 world. The current recipients are 7 Allan J Myers AC Peter and Pamela McKee the Australian String Quartet. Maria J Myers AC Janet McLachlan Robert O’Callaghan AUSTRALIAN STRING QUARTET The instruments included in James and Diana Ramsay the collection are: Foundation and Pam O’Donnell Didy McLaurin John Phillips 1784 Guadagnini Violin (Turin) launch of ASQ’s first international Joan Lyons Margaret Piper weekend of music will extend our reach Jill Russell 1748-49 Guadagnini Violin Mrs F.T. MacLachlan OAM to New Zealand’s breathtaking Central (Piacenza) David McKee AO and Pam McKee Nigel Steele Scott Pauline Menz Sidney Myer Fund Otago region. We are also excited to 1783 Guadagnini Viola (Turin) Dr Rabin Bhandari Mary Louise Simpson be extending our education programs Gary and Janet Tilsley c.1743 Guadagnini Cello Lang Foundation and Close Quarters series to more Ian and Pamela Wall ‘Ngeringa’ (Piacenza) Hartley Higgins metropolitan and regional areas Janet Worth across Australia. Through the generosity of The Board of UKARIA To every patron who contributed Ulrike Klein AO, The Klein Family also recognises and thanks to this project we thank you for At home in South Australia, we Foundation, Maria Myers AC, the following donors who your support. continue our work as Quartet-in- Allan Myers AC, The James and have each made a significant contribution To learn more visit UKARIA.com Residence at the University of Adelaide’s to this project: Dale Barltrop plays a 1784 Elder Conservatorium of Music with Guadagnini Violin, Turin various projects, and performances Francesca Hiew plays a 1748–49 as part of the Elder Hall Lunchtime Guadagnini Violin, Piacenza Concert series. Mornings at UKARIA will continue to bring the sounds of the Stephen King plays a 1783 string quartet to the beautiful landscape Guadagnini Viola, Turin of the Adelaide Hills and a collaboration Sharon Grigoryan plays a c.1743 with didgeridoo master William Barton Guadagnini Violoncello, Piacenza, will celebrate NAIDOC Week at the ‘Ngeringa’ Adelaide Festival Centre. BRENDANNOTES WOITHEPROGRAM Prelude (2019) Prelude is a short sound work commissioned by the Australian String Quartet as an auditory transition to Kate Moore’s new piece, Cicadidae. Brendan explores the ideas of metamorphosis and emergence, mirroring the period in a cicada’s life cycle when they transform from a soil dwelling nymph to the short-lived cicada we know so well here in Australia through its evocative song. Brendan has drawn on both personal field recordings and samples of Soundscape Artist/Composer instructed improvisations from members Brendan Woithe is a Sydney based of the ASQ, changing their form into an composer and soundscape artist working abstract soundscape using technological in film, dance, theatre, installations and 9 interventions and algorithmic experiential. He works at the intersection manipulations. The soundscape will of creativity and technology, exploring welcome the audience as they enter the stories and ideas exposed interrogating auditorium, and then continue on as a that space. He has recently composed prelude to Cicadidae. scores for Reincarnation, with the West Australian Ballet, the upcoming feature filmGo!, Eyes, an experiential theatre work, and Do Not Disturb, a 10 part series premiered at this year’s Cannes Series Festival. Brendan collaborates regularly with Australian Dance Theatre, where his most recent works are The Beginning of Nature, Habitus, and North/South, premiering later this year. He has worked with the Zephyr Quartet on commissions and new technologies for the last decade. Some of his recent installations include Circadian Cycle, a dance film and installation for Adelaide Festival Theatre & Adelaide Airport, The Australian Music Vault, a permanent installation at the Arts Centre Melbourne, and Road to Zero, a permanent multi-channel generative installation at the Museum of Melbourne. PROGRAM NOTES PROGRAM KATE MOORECOMPOSER GUEST KATE MOORE Kate Moore is an Australian-Dutch KATE MOORE (1979 – ) out of sight. Where creatures congregate musician and composer of new music. String Quartet no 3, Cicadidae (2019) near water, the climactic intensity in which In 2001 she was awarded B.Mus Cum the dynamics of their song grows, attests Laude with the University Medal from The ‘What happens next?’ to its miraculous gift of life.
Recommended publications
  • She Speaks a Celebration of the Past, Present and Future of Women Composers in Australia and Beyond
    ADELAIDE She SYMPHONY ORCHESTRA Speaks SEASON 2021 June Presented in partnership with Saturday 19 the Elder Conservatorium of Music Elder Hall at the University of Adelaide Le Parc 2 She Speaks A celebration of the past, present and future of women composers in Australia and beyond. LUNCHTIME CHAMBER MUSIC CONCERT 10 Domestic Voices 1pm, Elder Hall SYMPOSIUM 15 Silent Women 4pm, Madley Studio EVENING ORCHESTRAL CONCERT 16 She Speaks 7pm, Elder Hall LATE EVENING CONCERT 19 When We Speak 9pm, Elder Hall Presented in partnership with the Elder Conservatorium of Music at the University of Adelaide 3 WELCOME You might say that She Speaks is part of the journey towards the fulfilment of a long-felt goal. A few years ago, I stumbled on ABC Classic’s inaugural long-weekend dedicated to music by women composers. As I listened to a huge variety of music by composers I barely knew, I was surprised, delighted and captivated by the extraordinary range of musical styles and expression across the centuries. I also ultimately felt a sense of shame and disappointment: Here I was, a university music graduate who had spent most of his professional life in the world of music, and I had scant knowledge of these composers or their work. Every musical organisation has a role to play in giving music by women an important place in our concert life, and here at the ASO we are resolved to make a difference to the status quo. So, this year, each of our Symphony Series concerts includes music by women. We have also created the Miriam Hyde Giving Circle, which, with your generosity, will make it possible for us to commission and perform more work by women.
    [Show full text]
  • Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
    Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional
    [Show full text]
  • A Number/Program/Inside
    euripides’ trojan women ADAPTED BY ROSALBA CLEMENTE and DAWN LANGMAN MUSIC BY PHILIP GRIFFIN and ROSS DALY 12 - 27 NOV THE DUNSTAN PLAYHOUSE GREEK ORTHODOX COMMUNITY OF SOUTH AUSTRALIA INC. The Greek Orthodox Community of South Australia was established in 1930 to create and develop a range of services to assist Greek people. Since then, the Community has provided a variety of cultural, social, welfare, religious and educational programmes further promoting Greek cultural and social life to people in South Australia. CHURCH SERVICES HINDMARSH CHILD CARE CENTRE Greek Orthodox Cathedral of Archangels Michael & Gabriel The Centre cares for children from 7.00am to Greek Orthodox Church of Koimisis Theotokou 6.00pm, Monday-Friday. It provides culturally Greek Orthodox Church of Sts. Constantine & Helen inclusive programmes serving the diverse nature of Greek Orthodox Church of Saint Nicholas the community.The Centre is warm and welcoming Women’s Fellowships with a safe, stimulating environment. RIDLEYTON GREEK HOME FOR THE AGED CULTURAL PROGRAMMES Ridleyton Greek Home for the Aged was established Olympic Dance School by a joint venture project between the Greek School of Greek Music Orthodox Community of S.A. Inc. & the Australian Greek Theatre Group Greek Society for the Care of the Elderly Inc. The Cultural and Religious Festival Home aims to provide care, accommodation and Greek Film Festival of Adelaide services that are compatible with the linguistic and Greek Community Publishing House cultural needs of the elderly residents at Ridleyton Greek Writers Guild Greek Home for the Aged and in the community at Resource Library large. Greek Orthodox Community Choir GREEK COMMUNITY WELFARE SERVICES RELIGIOUS & COMMUNITY RADIO 5EBI-FM Community Services, Support for frail older people A radio programme on 5EBI-FM every Friday from and people with disabilities and/or their carers, 8.00am-9.00am provides listeners with information Elderly programmes,Youth programmes & Services, on the latest community events, news and includes a Emergency Relief.
    [Show full text]
  • Download Our 2019-20 Annual Report
    ANNUAL 2019-20REPORT CITY RECITAL HALL LIMITED 1 CONTENTS 3 STRATEGIC FRAMEWORK 4 ACTIVITY HIGHLIGHTS 5 CHAIR’S MESSAGE 6 CEO’S MESSAGE 7 PRESENTING PARTNERS AND HIRERS 8 APPEARING ON OUR STAGE 10 VISITOR EXPERIENCES 11 SUPPORT FOR THE SECTOR 12 COMMUNITY ENGAGEMENT 13 CITY RECITAL HALL PRESENTS 15 KEY PRESENTERS 16 VENUE HIRERS 17 PARTNERS AND SUPPORTERS 18 GIVING 19 CORPORATE GOVERNANCE 20 BOARD 22 STAFF Concert: Considering Matthew Shepard Photo: Robert Catto Front Cover Photo: Maria Prada Photography 2 STRATEGIC FRAMEWORK Concert: Echoes of the Jazz Age Photo: Maria Boyadgis VISION OUR GUIDING PRINCIPLES STRATEGIC GOALS To be one of the ‘must visit’ cultural AND VALUES BRAND destinations in Australia. • Progressive thinking and creative City Recital Hall is a place that offers excellence underpin everything we do. “music and more” to a wide audience MISSION We think outside the square to deliver unique and creative experiences for PLACE To unlock the cultural, social and our artists, partners and audiences. The beating cultural heart of the economic value of City Recital Hall. Sydney CBD • Democratic and diverse - Everyone We will do this by: plays an important part, every voice is QUALITY heard, everyone is respected. If it’s on at City Recital Hall, it must be • producing, promoting, presenting, We champion diversity by engaging good encouraging and facilitating excellent with all genres, all peoples, all ideas. cultural events; We are proud to be open, transparent SERVICE and inclusive. • ensuring diversity of users, audiences City Recital Hall is an excellently run arts and programs; • Playful - We love exploring ideas and company with a talented, passionate • engaging new audiences; and opportunities in a fun and creative and flexible team that goes above and cultural environment.
    [Show full text]
  • 2017/18 Activity Report
    2017/ 1 8 Activity Report This report has been compiled by Rebecca Pearce, Director for Office Adelaide UNESCO City of Music Contents In December 2015, Adelaide was designated a City of Music by the 4 Mission, Vision, Objectives, UNESCO Creative Cities Network Strategic Pillars (UCCN). The UCCN was created in 6 Introduction 2004 to promote cooperation with, and among, cities that have identified 8 Background & Context creativity as a strategic factor for sustainable urban development. 10 Activities 10 • Music education The 180 cities which currently make up 14 • Health and wellbeing this worldwide network work together 15 • Local initiatives towards a common objective: placing 20 • International pathways, creativity and cultural industries at collaborations and exchanges the heart of their development plans 24 • Visibility and promotion at a local level, and cooperating 25 • Government reforms and support actively at an international level. 26 Planned Activities for 2019 Front page photo credit / Grant Hancock Mission, Vision, Objectives & Strategic Pillars The Network covers seven creative fields: Crafts and Folk Arts, Media Arts, Film, Design, Gastronomy, Literature and Music. Our mission is to amplify music as Strategic Pillars the heartbeat of Adelaide. 1. Enhance and promote collaboration, Our vision is to be a creative city, with excellence, diversity and sustainability in music as its heartbeat, outward looking all aspects of music making throughout and internationally engaged, enriching the City of Music, including urban 4 5 the whole State of South Australia. and regional South Australia. Our objectives are 2. Build international pathways for the City of Music throughout the UNESCO • connection through music, Creative Cities Network and beyond.
    [Show full text]
  • PAC Chronicle 2017
    Chronicle 2017 Thank you to those who helped in the production of the Chronicle 2017: Festival City Photography, Richard Lyons and Ross Scrymgeour for the photography. To view and purchase College photographs of major events, class groups or images of co-curricular sports and music, please visit www.festivalphoto.com.au. We are grateful to Elena Toskas, Co-ordinator, and Printciple Source for their commitment in this production. OUR PURPOSE We discover, nurture and develop the unique qualities of each boy to help him grow into an enterprising, confident and resilient man. OUR BELIEFS At Prince Alfred College we believe men have unique skills, talents and abilities. We believe it is their differences, not their similarities that need to be nurtured. We recognise that their traditional roles and responsibilities are changing. As a consequence, they need clarity, flexibility and a clear sense of purpose. Our goal is to nurture and develop Princes Men. Men who know who they are, work hard and value their roles and contributions. And at the same time, to develop men with kindness, who care and support others. Men with empathy, humility and a respect for diversity, spirituality and the beliefs of others. Men who form strong networks and enduring relationships. Men with a sense of duty, honour and integrity. Men with courage and emotional strength. Men with a good sense of humour, confidence and self-reliance. Men with purpose and a capacity to contribute to a better world. Prince Alfred College CHRONICLE 2017 College Prince Alfred Contents 1
    [Show full text]
  • Decibel 2 Minutes from Home Composer Cvs
    DECIBEL 2 MINUTES FROM HOME COMPOSER CVS Pedro Alvarez (WA, b 1980) is a Chilean born independent composer, improviser, conductor and educator. whose creative work looks for new forms of musical narrative, often articulating abrupt forms in contrast with highly detailed textures. He has been hosted as composer-in-residence in Vienna and in Mexico, and receives commissions from festivals and ensembles around the world. Pedro was commissioned by Decibel in 2017 for the Electronic Concerto Concert. https://www.pedroalvarez.info Dominic Flynn (Tas, b 1997) works with the Hobart Wind Symphony, pianist Michael Kieran Harvey, and members of the Tasmanian Symphony Orchestra, as well as countless local Australian musicians. He received his bachelor's degree from the University of Tasmania’s Conservatorium of Music where he was the recipient of both the Conservatorium of Music Scholarship and the Estelle Marguerite Taylor Overseas Exchange Scholarship. He has studied in Australia with Don Kay and Russell Gilmour, and in the United Kingdom with Michael Finnissy. Dominic was due to have a work performed in the Decibel 2020 program. https://www.domiflyn.com Erik Griswold (QLD, b1964) is a leading composer and internationally significant prepared piano performer. As part of Clocked Out, Griswold leads and active and diverse artistic career as freelance composer, improvisor and performer. His music has been performed in Carnegie Hall, Sydney Opera House, Cafe Oto, Chengdu Arts Centre, Melbourne Festival, OzAsia Festival, and Brisbane Festival, among others. He is a recipient of an Australia Council Fellowship in Music, a Civitella Ranieri Fellowship, and numerous individual grants. He was commissioned by Decibel for their Sounding A Room concert in 2012.
    [Show full text]
  • Download Adelaide Festival Guide
    ADELAIDEFESTIVAL.COM.AU WELCOME Jay Weatherill Premier of South Australia 2 Welcome to the Adelaide Festival. Enjoyed amid warm March days and starry nights, it has been long-recognised as one of the world’s best arts events. Now an annual fixture, it ignites the city’s passion for the very best in theatre, dance, opera, literature, music, film and the visual arts. 2013 brings audiences a breathtaking dance series featuring one of the greatest dancers of our time, Sylvie Guillem, flamenco master Carlos Saura and contemporary dance powerhouse Wim Vandekeybus. Theatre experiences range from the large-scale to the intimate with Broadway hit One Man, Two Guvnors and Belgian company Ontroerend Goed’s award-winning immersive and interactive trilogy series. Local talent shines with highly- anticipated events across the program, including the awe-inspiring Adelaide Symphony Orchestra and a massed 60-voice choir giving new life to 1968 sci-fi masterpiece film 2001: A Space Odyssey. American performance artist Laurie Anderson collaborating with the Kronos Quartet will be a feature of the strong music program, which also includes a beautiful free evening in Elder Park with Adelaide-born singer songwriter Paul Kelly and celebrated New Zealand performer Neil Finn. Adelaide Writers’ Week again offers insights into great contemporary writers and writing, mostly in open air, and uniquely free, sessions. The hugely popular late-night club Barrio returns and is bound to be a highlight again. These attractions are just the beginning of this wide-ranging program of exclusive shows, internationally acclaimed artists and inclusive events. I look forward to seeing you there.
    [Show full text]
  • String Quartets by South African Composers: a Comprehensive Catalogue and Annotated Discussion of Works Composed Between 1940 and 2016
    String quartets by South African composers: a comprehensive catalogue and annotated discussion of works composed between 1940 and 2016 Hester Susanna Martens A thesis submitted in fulfilment of the requirements for the degree DMus (Performance) in the Department of Music at the UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES SUPERVISOR: Prof. John de C Hinch October 2017 iii String quartets by South African composers: a comprehensive catalogue and annotated discussion of works composed between 1940 and 2016 Hester Susanna Martens ‘n Proefskrif voorgelê ter vervulling van die vereistes vir die graad DMus (Uitvoerend) in die Departement Musiek van die UNIVERSITEIT VAN PRETORIA FAKULTEIT GEESTESWETENSKAPPE STUDIELEIER: Prof. John de C Hinch Oktober 2017 iv Acknowledgements My sincerest thanks to: My study leader Prof. John de Courteille Hinch, for immeasurable support and guidance. The University of Pretoria Department of Music, notably Proff. Wim Viljoen, Alexander Johnson and Denise Sutton, for their encouragement and assistance. The University of Stellenbosch composition department, notably Prof. Hans Roosenschoon and composition students, for their advice and support. Santie de Jongh, head of the Documentation Centre for Music at the University of Stellenbosch, for making information on Arnold van Wyk and Graham Newcater available. University of Stellenbosch music library staff members Esmeralda Tarentaal and Sonette le Roux, for finding what I could not find. Proff. James May and Jan du Toit, for permission to include and discuss Arnold van Wyk’s works for string quartet. Anna Joubert and Alison Grové, for permission to include and discuss John Joubert and Stefans Grové. Liezl-Maret Jacobs, for making Roelof Temmingh’s manuscripts available.
    [Show full text]
  • Zephyr Quartet
    Extended Play: Zephyr Quartet Artists Belinda Gehlert Violin Emily Tulloch Violin Jason Thomas Viola Hilary Keinig Cello Program Hilary Kleinig For those who’ve come across the seas Belinda Gehlert Femme Fatale Suite Jason Thomas Time’s Timeless Art Hilary Kleinig Great White Bird Emily Tulloch Yellow on the grey Jason Thomas Mulysa Belinda Gehlert Epilogue Program Notes Zephyr Quartet presents a program of works written by its members inspired by poetry, current affairs and mythical creatures. About the Artist Zephyr Quartet (ZQ) are leading genre-defying explorers of dynamic cross-artform music focussed collaborations, an award winning string ensemble whose musicians compose, arrange and improvise. This unique skill set, together with an open-minded approach allows them to skilfully traverse musical worlds and gives ZQ its distinct voice. As well being passionate champions of Australian artists since their inception in 1999, Zephyr Quartet works with renowned artists from across the world, sharing the stage with musicians such as luminary Jóhann Jóhannson, minimalist cult act Stars of the Lid and collaborating with indie artmusic polymaths JG Thirwell and Jherek Bischoff. A firm believer in the power of the string quartet as a medium to communicate and explore complex relationships between society and art, ZQ has a reputation for artistic excellence, audience development and innovation as well as for being ‘arguably Australia’s most lateral thinking and inventive ensemble’ (Music Australia). Zephyr Quartet is a leading exponent of collaborative arts practice, working with artists from diverse backgrounds, including theatre, dance, literature, visual art, environmental art, design, film & media art, to produce work that is vital, current and courageous.
    [Show full text]
  • The Role of Jan Sedivka in the Development of Australian
    THE ROLE OF JAN SEDIVKA IN THE DEVELOPMENT OF AUSTRALIAN CONTEMPORARY STRING MUSIC BY ELINOR FRANCES MORRISBY B.Mus., Prague Conservatorium, 1973 M.Mus., Prague Conservatorium, 1975 Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania, Hobart August, 2009 DECLARATION OF ORIGINALITY This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. This thesis may be made available for loan or limited copying in accordance with the Copyright Act 1968. iii~~~' Elinor Morrisby 111 ABSTRACT Since the settlement of Australia, the creation, publishing and performance of its string music has faced the vicissitudes of an emerging society geographically removed from mainstream musical history and influences. This thesis aims to establish the significance of Jan Sedivka on contemporary Australian string music. From his exposure to contemporary music in France, Sedivka performed and conducted twentieth century music in England for twenty-one years. Subsequently, he accepted a position at the Queensland Conservatorium, and from 1966, he taught and performed in Tasmania. There he established a Piano Trio that introduced contemporary music to the public, and was director of the String Summer Schools from 1971 to 1988 where students were exposed to contemporary European and Australian music.
    [Show full text]
  • Eif.Co.Uk Please Recycle +44 (0)131 473 2000 the Single Most Important Thing You Can Do with This Brochure When You Have finished with It, Is Recycle It
    The paper used in this brochure is from sustainably managed forests and controlled sources. eif.co.uk Please Recycle +44 (0)131 473 2000 The single most important thing you can do with this brochure when you have finished with it, is recycle it. Designed by thetouchagency.co.uk Printed by Garnett Dickinson Print Campaign photography by Richard Mountney 2012 EIF-2012-Cover-170212.indd 3 21/02/2012 16:29 EIF-2012-Cover-170212.indd 4 21/02/2012 16:30 Contents Edinburgh 02 Welcome to the Festival 04 Festival 2012 Supporters Make Friends International Those who help to make it happen 06 Royal Highland Centre, Ingliston with the World’s Outstanding theatre from Poland, Festival France and Switzerland Favourite Festival 10 Theatre Innovative and compelling drama from some Membership starts from just £50. 9 August – 2 September 2012 more of the world’s greatest directors Show your support by joining today. 18 Dance Contemporary and classical dance from around the world Play your part in the Festival and help to bring the very best in opera, 30 NVA’s Speed of Light theatre, classical music and dance to Edinburgh every August. See the Unique fusion of sport and art greatest performers, orchestras and companies from around the world and ensure you never miss out on those must-see, sell-out shows. 32 Opera Membership brings a range of exciting privileges including From across Britain and beyond – 10 days’ priority booking ahead of tickets 39 The Opening Concert going on sale to the general public. Frederick Delius’s A Mass of Life – exclusive access to a year-round programme of special events 40 Music including behind the scenes tours and talks with artists.
    [Show full text]