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Danward.Ch [email protected] Dan Ward – 100 Cover Songs Facebook.Com/Danwardsongwriter
danward.ch [email protected] Dan Ward – 100 Cover Songs facebook.com/danwardsongwriter # Artist Song # Artist Song # Artist Song 1. Avicii / Aloe Blacc Wake Me Up 35. Jack Johnson Good People 69. Steelers Wheel Stuck in the Middle with You 2. Babybird You're Gorgeous 36. Jack Johnson Taylor 70. The 5, 6, 7, 8s Woo Hoo 3. Bill Withers Ain't No Sunshine 37. Jake Bugg Lightning Bolt 71. The Beatles Twist n Shout 4. Bob Dylan / Jimi Hendrix All Along the Watchtower 38. Jason Mraz I'm Yours 72. The Black Keys Lonely Boy 5. Bob Marley Three Little Birds 39. John Lennon Imagine 73. The Clash Should I Stay or Should I Go? 6. Bob Marley Redemption Song 40. Johnny Cash Folsom Prison Blues 74. The Cure Friday I'm in Love 7. Bob Marley Small Axe 41. Johnny Cash Hurt 75. The Doors Love Me Two Times 8. Bobby Helms Jingle Bell Rock 42. Johnny Cash Man in Black 76. The Doors People Are Strange 9. Brenda Lee Rocking Around the Xmas Tree 43. Johnny Cash Ring of Fire 77. The Eels Mr E's Beautiful Blues 10. Bruce Springstein Santa Claus is Coming To Town 44. Kings of Leon Use Somebody 78. The Jam That's Entertainment 11. Buddy Rich The Beat Goes On 45. Led Zeppelin Stairway To Heaven 79. The Highwaymen The Highwayman 12. Chuck Berry Johnny B. Goode 46. Linkin Park Castle of Glass 80. The Killers Mr Brightside 13. Dean Martin Let It Snow 47. Lou Reed Satellite of Love 81. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Marc Zermati
Marc Zermati: farewell to the 'hippest man in Paris' Zermati, who has died aged 74, was an anglophile dandy whose label Skydog crashlanded rock’n’roll into conservative France Andrew Gallix Wed 17 Jun 2020 13.42 BST arc Zermati, who died of a heart attack on Saturday at the age of 74, was a true underground legend: a national treasure France had never heard of and probably did not deserve. Rock Is My Life – the title of a 2008 exhibition celebrating his career on the radical fringes of the music business – would serve as a fitting M epitaph. Skydog, which Zermati co-created with Pieter Meulenbrock in 1972, was the first modern indie label, directly inspiring the launch of Chiswick and Stiff in England – its most successful release was the Stooges’ Metallic KO in 1976. As a promoter Zermati organised the world’s first punk festival, at Mont-de-Marsan, and introduced bands such as the Clash to a French audience. His heroin addiction and wheeler-dealing landed him on the wrong side of the law, and in latter years his curmudgeonly rightwing views alienated many people. But as one of the earliest champions of punk his importance in rock history cannot be overstated; if cut, he would have bled vinyl. Zermati was born into a family of Sepharadi Jews in Algiers. Growing up against the bloody background of the war of independence, he took refuge in rock’n’roll records imported from the US, which were more readily available – as he often boasted – than in metropolitan France. Like so many other pieds-noirs (the name given to people of European origin born in Algeria under French rule) the family fled to la métropole in 1962, when the country gained independence. -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Here Was No Film in the Camera! It Was a Friend’S Camera, of Junkies, B-List Antiheroes, and the Many Faces That Defined Course, but It All Just Aroused My Curiosity
MicK RocK WORDS BY ADAM SHERREtt PHOTOGRAPHY BY JERRY BUttLES Mick Rock is the first to admit he has no photographic heroes. are obviously inspired by rock ‘n’ roll, and he certainly won’t Why should he when he’s been at the forefront of rock 'n' roll tell you it’s the other way around. Like him, without the music, for the last four decades? The name Mick Rock alone rolls off I wouldn’t be a photographer. The clothes just came with the acts. the tongue and conjures up images of underground glam and the sweat-soaked decadence of an era that is as much alive Would you say rock ‘n’ roll helped put you into the initial places today as it was when he first shot Syd Barrett in 1969. you needed to be to start your career? Or did you seek out the correlation of photography, fashion and music with a focus of We had the chance to sit down with Mick to chat about knowing you needed to become a part of that scene? the role of fashion and music in his dynamic photographic It was a bit less thought out than that. I mean, I just took an career. What started with an acid trip, a camera without acid trip, picked up a camera and shot – well, I thought I was any film, and a beautiful muse has eventually found himself shooting pictures – of this particular young lady. It turns out capturing multiple generations of artists, tastemakers, A-list there was no film in the camera! It was a friend’s camera, of junkies, B-list antiheroes, and the many faces that defined course, but it all just aroused my curiosity. -
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy Webb, Robert Forster, Leonard Cohen, Pamela Des Barres, Ian Hunter, Mod Art & a Few of Our Other Favourite Things. 2017/18 CATALOGUE 2017/18 CATALOGUE CONTENTS For over forty years Omnibus Press has been publishing the stories that matter from the music NEW TITLES 4 world. Omnibus Press is the World’s/Europe’s GIFT GUIDE 26 largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist ROCK 28 of over two hundred and seventy titles currently in THE BEATLES 37 print and many more as digital downloads. POP 39 Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, PUNK & ALTERNATIVE 41 rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list METAL 44 to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist GRAPHIC NOVELS 45 Pete Frame, three editions of which remain in print to this day and have been the basis of two PHOTOGRAPHY 46 BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed CLASSICAL 48 Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, RHINEGOLD 49 Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music OTHER 50 Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by THE LITTLE BLACK SONGBOOK 51 magazines and critics as being amongst the finest rock biographies ever published. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
The Rolling Stones Pontiac Silverdome 1981
The rolling stones pontiac silverdome 1981 Live at The Silverdome, Pontiac, Michigan, November 30th, , mixed with soundboard audio. Extracted. Get the The Rolling Stones Setlist of the concert at Pontiac Silverdome, Pontiac, MI, USA on December 1, from the Tattoo You Tour and. I saw Iggy open for them in at the Pontiac Silverdome north of .. Rumors in Detroit afterwards said that the Rolling Stones had the flu,and Stones Wardrobes. The Rolling Stones Silverdome Pontiac, MI Dec 1, - Mick Jagger - vocals, guitar, keyboards, harmonica; Keith Richards - guitars, vocals;. The Rolling Stones Silverdome Pontiac, MI Nov 30, - Mick Jagger - vocals, guitar, keyboards, harmonica; Keith Richards - guitars, vocals;. Pontiac Silverdome. Address: Featherstone Road. City: Pontiac. Region: Michigan The Rolling Stones · 11/30/ · The Rolling Stones · Iggy Pop. The Rolling Stones' American Tour was a concert tour of stadiums and arenas in the . 30 November , Pontiac · Pontiac Silverdome, , / , (%), $2,, 1 December 5 December , New Orleans. What is your favorite Rolling Stones concert in Michigan? I did eventually see the Stones Dec at the Pontiac Silverdome in Michigan. concert page for The Rolling Stones at Pontiac Silverdome (Detroit) on Dec. 1, Discuss the gig, get concert tickets, see who's attending, find similar. Find a The Rolling Stones - Live At Silverdome, Pontiac, Michigan, Dec. 1, first pressing or reissue. Complete your The Rolling Stones. The Rolling Stones' December 1st show in Pontiac, Michigan was the second of two at the Silverdome and occurs near the end of the long. Were You at 'The Stones-Dome' Silverdome Concerts in ? your memories about the ROLLING STONES-SANTANA-IGGY concerts I decided Jim Johnson was sent to the Pontiac Airport and caught the guys landing. -
RUSH: but WHY ARE THEY in SUCH a HURRY? What to Do When the Snow-Dog Bites! •••.•.••••..•....••...••••••.•.•••...•.•.•..•
• CARLENE CARTER • JERRY LEE LEWIS • ROSANNE CASH • BYRNE & ENO • SMOKEY acMlNSON • MARVIN GAYE THE SONG OF INJUN ADAM Or What's A Picnic Without Ants? .•.•.•••••..•.•.••..•••••.••.•••..••••••.•••••.•••.•••••. 18 tight music by brit people by Chris Salewicz WHAT YEAR DID YOU SAY THIS WAS? Hippie Happiness From Sir Doug ....••..•..••..•.••••••••.•.••••••••••••.••••..•...•.••.. 20 tequila feeler by Toby Goldstein BIG CLAY PIGEONS WITH A MIND OF THEIR OWN The CREEM Guide To Rock Fans ••.•••••••••••••••••••.•.••.•••••••.••••.•..•.•••••••••. 22 nebulous manhood displayed by Rick Johnson HOUDINI IN DREADLOCKS . Garland Jeffreys' Newest Slight-Of-Sound •••••••••••••••••••••••••••••••••••.••..••. 24 no 'fro pick. no cry by Toby Goldstein BLONDIE IN L.A. And Now For Something Different ••••.••..•.••.••.•.•••..••••••••••.••••.••••••.••..••••• 25 actual wri ting by Blondie's Chris Stein THE PSYCHEDELIC SOUNDS OF ROKY EmCKSON , A Cold Night For Elevators •••.••.•••••.•••••••••.••••••••.••.••.•••..••.••.•.•.••.•••.••.••. 30 fangs for the memo ries by Gregg Turner RUSH: BUT WHY ARE THEY IN SUCH A HURRY? What To Do When The Snow-Dog Bites! •••.•.••••..•....••...••••••.•.•••...•.•.•..•. 32 mortgage payments mailed out by J . Kordosh POLICE POSTER & CALENDAR •••.•••.•..••••••••••..•••.••.••••••.•••.•.••.••.••.••..•. 34 LONESOME TOWN CHEERS UP Rick Nelson Goes Back On The Boards .•••.••••••..•••••••.••.•••••••••.••.••••••.•.•.. 42 extremely enthusiastic obsewations by Susan Whitall UNSUNG HEROES OF ROCK 'N' ROLL: ELLA MAE MORSE .••.••••.•..•••.••.• 48 control -
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published. -
Issue 6 £1.50
Issue 6 £1.50 "THE ALTERNATIVE TO CREEM" e h , r e m u s n o c e h t o t t c u d o r p s i h l l e s t ' n s e o d t n a h c r e m k n u j e h T “ sells the consumer to his product. He does not improve and improve not does He product. his to consumer the sells You're my kinda scum... kinda my You're most esteemed rag and the weirdo's who wrote it. it. wrote who weirdo's the and rag esteemed most obvs). This is my not-so-subtle nod to that once once to that nod is my not-so-subtle This obvs). writing goes, is Creem Magazine (pre-shittening, (pre-shittening, is Magazine goes, Creem writing Single Single Malt but one of the main things, as far unfluenced by all sorts of shit, from Sabbath to Sabbath from of shit, by sorts all unfluenced new new mascot, Cap'n Elmlee. Why? Well, I'm the the cover. I'm pleased to introduce you to our You You may also have noticed the cheeky chappie on n' greet. n' time you get invited to your local sex cult meet meet cult sex local to your invited get you time stick by us you won't look like such a noob next next a noob such like look won't you us by stick rama rama starting on page 4, meaning that if you kick kick off a new feature, a veritable sleaze-o- Bloodbath's Bloodbath's done-gone global! Oh yeah, and we Saturn from the California branch. -
Affordant Chord Transitions in Selected Guitar-Driven Popular Music
Affordant Chord Transitions in Selected Guitar-Driven Popular Music Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Gary Yim, B.Mus. Graduate Program in Music The Ohio State University 2011 Thesis Committee: David Huron, Advisor Marc Ainger Graeme Boone Copyright by Gary Yim 2011 Abstract It is proposed that two different harmonic systems govern the sequences of chords in popular music: affordant harmony and functional harmony. Affordant chord transitions favor chords and chord transitions that minimize technical difficulty when performed on the guitar, while functional chord transitions favor chords and chord transitions based on a chord's harmonic function within a key. A corpus analysis is used to compare the two harmonic systems in influencing chord transitions, by encoding each song in two different ways. Songs in the corpus are encoded with their absolute chord names (such as “Cm”) to best represent affordant factors in the chord transitions. These same songs are also encoded with their Roman numerals to represent functional factors in the chord transitions. The total entropy within the corpus for both encodings are calculated, and it is argued that the encoding with the lower entropy value corresponds with a harmonic system that more greatly influences the chord transitions. It is predicted that affordant chord transitions play a greater role than functional harmony, and therefore a lower entropy value for the letter-name encoding is expected. But, contrary to expectations, a lower entropy value for the Roman numeral encoding was found. Thus, the results are not consistent with the hypothesis that affordant chord transitions play a greater role than functional chord transitions.