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Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
About the Artists
ABOUT THE ARTISTS Grammy nominated pianist and Steinway Artist STEVE BARTA, has stayed true to his creative path as a composer, recording artist, producer, author and educator. He has performed his original works as a solo artist, with jazz ensembles and symphony orchestras. As a member of Herbie Mann and Jasil Brazz featuring Steve Barta, he recorded his widely acclaimed Blue River – a collection of Brazilian compositions. His contribution to the world of music includes 15 recordings that reflect his many influences, particularly Brazilian, jazz and classical. He has also worked with an extensive list of artists, including Al Jarreau, Hubert Laws, Herbie Mann, Dori Caymmi, B.B. King, Dee Dee Bridgewater, Paulinho da Costa, guitarist Ricardo Silveria and many more. In 2012, Barta was nominated for a Grammy award for Jumpin; Jazz Kids – an original storyline and collection of jazz compositions written for jazz ensemble and orchestra, along with his co-writer Mark Oblinger. He has written several works for symphony orchestra that have been performed worldwide. Barta is a music educator with over thirty years of experience teaching intermediate to advanced students, educators and professional musicians. He is the author of The Source (Hal Leonard Publishing) and has published several books of his arrangements. Hal Leonard Publishing also requested him to arrange several Beatles compositions for solo piano in their well-known, Beatles Songbook. He currently teaches private piano studies, as well as jazz theory, arranging and composition at Colorado College. KEITH REED grew up playing bluegrass banjo and guitar with a group of traditional bluegrass musicians from the southeast. -
Late Night Jazz – 1968
Late Night Jazz – 1968 Samstag, 17. März 2018, 22.05 – 24.00 SRF 2 Kultur Die musikalischen Helden des Jahres 1968 waren nicht Jazzer, sondern Rocker: Jimmy Hendrix, die Rolling Stones, Janis Joplin. Die Jazzmusiker waren etwas verloren zwischen Widerstand und Anpassung, einerseits spielten sie trotzig wie sie immer gespielt hatten, andererseits suchten sie die Nähe zu den neuen Sounds. Das ergab musikalisch einen überaus farbigen Jahrgang - zwischen New Thing und Popjazz, zwischen Tradition und Aufbruch. Redaktion: Beat Blaser Moderation: Annina Salis Herbie Mann - Memphis Underground (1968) Label: Atlantic Track 01: Memphis Underground Sunshine of Your Love - Ella Fitzgerald (1968) Label: MPS Track 01: Ella Fitzgerald Herbie Hancock - Speak Like a Child (1968) Label: Blue Note Track 02: Speak Like a Child Frank Foster - Manhattan Fever (1968) Label: Blue Note Track 10: The House That Love Built Louis Armstrong - What A Wonderful (1968) Label: MCA Track 07: Hello Brother Count Basie - Straight Ahead (1968) Label: GRP Track 01: Basie-Straight Ahead The Mills Brothers and Count Basie - Complete Recordings (1968) Label: Gambit Track 16: Sent For You Yesterday Archie Shepp - For Losers (1968) Label: Impulse Track 01: Stick 'Em Up Wynton Kelly - Last Trio Session (1968) Label: Delmark Track 07: Light My Fire Phil Woods and His European Rhythm Machine - Americans Swinging in Paris (1968) Label: EMI Track 04: Doxy Hildegard Knef - Singt Cole Porter (1968) Label: Telefunken Track 07: Gern Bereit (Love For Sale) John Surman – John Surman (1968) Label: Deram Track 01: Obeah Wedding Bill Evans – At The Montreux Jazz Festival (1968) Label: Verve Track 11: Walkin' Up Kenny Wheeler - Windmill Tilter. -
Herbie Mann Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Herbie Mann 音樂專輯 串行 (专辑 & 时间表) Just Wailin' https://zh.listvote.com/lists/music/albums/just-wailin%27-20813566/songs Flute Soufflé https://zh.listvote.com/lists/music/albums/flute-souffl%C3%A9-5462950/songs Flute Flight https://zh.listvote.com/lists/music/albums/flute-flight-5462940/songs Nirvana https://zh.listvote.com/lists/music/albums/nirvana-3342128/songs Latin Fever https://zh.listvote.com/lists/music/albums/latin-fever-23665942/songs Latin Mann https://zh.listvote.com/lists/music/albums/latin-mann-24963480/songs Surprises https://zh.listvote.com/lists/music/albums/surprises-7646639/songs Our Mann Flute https://zh.listvote.com/lists/music/albums/our-mann-flute-20979350/songs Push Push https://zh.listvote.com/lists/music/albums/push-push-7261746/songs Memphis Underground https://zh.listvote.com/lists/music/albums/memphis-underground-6815891/songs Glory of Love https://zh.listvote.com/lists/music/albums/glory-of-love-5571624/songs https://zh.listvote.com/lists/music/albums/great-ideas-of-western-mann- Great Ideas of Western Mann 5599353/songs The Beat Goes On https://zh.listvote.com/lists/music/albums/the-beat-goes-on-20979201/songs Today! https://zh.listvote.com/lists/music/albums/today%21-7812137/songs Salute to the Flute https://zh.listvote.com/lists/music/albums/salute-to-the-flute-20814008/songs Mississippi Gambler https://zh.listvote.com/lists/music/albums/mississippi-gambler-6879146/songs Muscle Shoals Nitty Gritty https://zh.listvote.com/lists/music/albums/muscle-shoals-nitty-gritty-6940301/songs My Kinda -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Fred Katz •Herbie Mann
PAG 4 PAG 1 FRED KATZ • HERBIE MANN A COMMON GROUND FRED KATZ: African Folk Tunes (1. 4, 7): (drums), Ray Barretto (congas), Ray FOLK SONGS Pete Candoli, lrving Goodman, Mantilla (bongos), Michael Olatunji FOR FAR OUT FOLK Don Fagerquist (trumpets), (percussion, vocals), Maya Angelou, George Roberts, Harry Betts, Bob Dolores Parker (vocals). 1. Mate’ka 6:35 Enevoldsen (trombones), Fred Katz New York, August 2-3, 1960. 2. Sometimes I Feel Like (cello), Larry Bunker, Gene Estes, A Motherless Child 4:05 Jack Costanzo, Carlos Mejia, Lou 3. Been In The Pen So Long 3:09 Singer (percussion). Hollywood, 4. Chili’lo (Lament) 3:54 September 17, 1958. 5. Rav’s Nigun 2:56 6. Old Paint 4:55 7. Manthi-Ki 5:06 8. Baal Shem Tov 3:57 9. Foggy, Foggy Dew 5:20 HERBIE MANN THE COMMON GROUND S.I.A.E. MJCD 1376 All tunes adapted, arranged © 2020 – 22PUBLISHING S.R.L. and conducted by Fred Katz 10. Baghdad/Asia Minor MUSICAJAZZ.IT FRED KATZ • HERBIE MANN (Ad Lib Music Publishing, ASCAP). (Herbie Mann/Roger Mozian) 5:09 A COMMON GROUND 11. Walkin’ (Richard Carpenter) 5:23 Selected by Luca Conti American Folk Tunes (2, 3, 6, 9): 12. Sawa Sawa De’ Design by Silvano Belloni Gene Estes (vibraphone), Billy Bean (Herbie Mann) 3:05 (guitar), John Williams (piano), Fred 13. St. Thomas (Sonny Rollins) 3:24 Photo by Elena Carminati (Fred Katz) Katz (cello), Mel Pollen (bass), Jerry 14. High Life (Herbie Mann) 2:11 Williams (drums). 15. Uhuru Hollywood, July 21, 1958. (Herbie Mann, Michael Olatunji). -
Roy Ayers Stoned Soul Picnic Mp3, Flac, Wma
Roy Ayers Stoned Soul Picnic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stoned Soul Picnic Country: US Released: 1968 Style: Soul-Jazz MP3 version RAR size: 1693 mb FLAC version RAR size: 1149 mb WMA version RAR size: 1219 mb Rating: 4.7 Votes: 139 Other Formats: AAC MP2 RA AC3 WMA MIDI DMF Tracklist Hide Credits A Rose For Cindy A1 8:56 Written-By – Roy Ayers Stoned Soul Picnic A2 2:50 Written-By – Laura Nyro Wave A3 7:59 Written-By – Antonio Carlos Jobim For Once In My Life B1 3:50 Written-By – Orlando Murden, Ronald Miller Lil's Paradise B2 6:33 Written-By – Charles Tolliver What The People Say B3 8:09 Written-By – Edwin Birdsong Credits Alto Saxophone – Gary Bartz Bass – Miroslav Vitous (tracks: A3 to B3), Ron Carter (tracks: A1, A2) Design – Marvin Israel Drums – Grady Tate Engineer [Recording] – Adrian Barber Flugelhorn, Trumpet, Arranged By – Charles Tolliver Flute – Hubert Laws Photography By [Cover] – Lee Friedlander Piano – Herbie Hancock Producer, Liner Notes – Herbie Mann Vibraphone – Roy Ayers Barcode and Other Identifiers Barcode: 8718469536771 Other versions Category Artist Title (Format) Label Category Country Year Stoned Soul Picnic (LP, SD 1514 Roy Ayers Atlantic SD 1514 US 1968 Album, Mon) ATS ST 05508 Roy Ayers Stoned Soul Picnic (LP) Atlantic ATS ST 05508 Italy 1968 Stoned Soul Picnic (LP, Atlantic, 8122 73588 1 Roy Ayers 8122 73588 1 Germany Unknown Album, RE) Warner Jazz Stoned Soul Picnic (CD, WPCR-29274 Roy Ayers Atlantic WPCR-29274 Japan 2017 Album, SHM) Stoned Soul Picnic (LP, SD 1514 Roy Ayers Atlantic SD 1514 US 1968 Album) Related Music albums to Stoned Soul Picnic by Roy Ayers Herbie Mann - The Evolution Of Mann Roy Ayers - You Might Be Surprised Herbie Mann - Muscle Shoals Nitty Gritty Milt Jackson & Ray Charles - Soul Brothers Music Inc. -
Vinyl) June 15, 2018
PRODUCT INFO (Vinyl) June 15, 2018 Artist Modern Sound Quintet Title Otinku Label Cree Records / Bear Family Productions Catalog no. CLP1229 Price code: CLP EAN 5397102122910 Format 1 Vinyl LP (180 gram) in gatefold sleeve Genre Jazz, Caribbean, Steelpan No. of tracks 11 39:07 mns Release date June 15, 2018 INFO: Re-issue of hard-to-find 1971 jazz album, originally recorded and released in Finland. Fascinating fusion of modern jazz and elements of Caribbean music, African roots and pan. Quintet featuring Rudy Smith from Trinidad & Tobago, plus musicians from Barbados, Surinam, and Ghana. The introduction of steelpan as a jazz instrument in Europe. Newly written and researched liner notes by Ray Funk, based on recent interviews with Rudy Smith. Reproduction of the original album artwork with additional information. Gatefold sleeve and 180gram vinyl pressing, remastered from the original analog master tapes. Perhaps the first time that steelpan is featured on an album as a jazz instrument in Europe, ‘Otinku’ is an important, groundbreaking jazz album that offers a mix of Caribbean and African roots with jazz and pan. The Modern Sound Quintet’s leader Rudy ‘Two Left’ Smith grew up in Port of Spain, Trinidad in the Caribbean and has had an illustrious career as a pannist - having traveled with one of the first steelbands to perform all over Europe which then morphs into a jazz ensemble. He has continued to be a leading jazz pannist performing all over the world and recorded extensively. The Modern Sound Quintet recorded ‘Otinku’ for EMI Finland. The album mixed originals and covers of both long time jazz standards and recent jazz hits. -
Jazz Flute Written by Haley Conway in the Jazz World, the Flute Was Perfor
Jazz Flute Written by Haley Conway In the jazz world, the flute was performed very little until the 1920s and it did not truly emerge as a solo instrument until the early fifties. Part of the reason that popularity was low for jazz flute was because of the low volume the flute could produce against a jazz ensemble. The principal instruments at during the 1920s that were trumpets, trombone, and saxophone because of the sound were big enough to fill a large hall. For a flute to have a chance at being heard within a large hall would involve the 3rd register during the entire solo. With the development of microphones, jazz flutes became more popular and they begin to revolutionize the flute in a jazz setting. For a flute player to be in jazz ensembles, it was important for musicians to learn multiple instruments. One of the best secondary instruments for a flute player to learn is the alto or tenor saxophone. The saxophone has similar fingering system and written musical range. It also interferes little with the flute embouchure and it forces the student to learn to project their sound to a greater extent. Compared to classical works that flute players are used to playing, jazz contains different articulations that makes the musician more aware of the music they are playing and gets them a chance to analyze chord progressions at a deeper level. Flute players also gain another musical experience that is not within classical music, which is improvising. This gives musicians another way to expand musically and to be able to express themselves. -