Herbie Mann Push Push Mp3, Flac, Wma
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Comin' Home Baby Tributo a Herbie Mann
Comin’ Home Baby Tributo a Herbie Mann Geoff Warren Quartet Geoff Warren – Flauti Raffaele Pallozzi – Tastiere Marco Di Marzio – Basso Bruno Marcozzi – Batteria e percussioni Herbie Mann – Flautista Jazz e Pioniere della World Music. Il mondo, secondo il flautista e compositore Herbie Mann, è un paradiso musicale utopico in cui il jazz è composto da musica afro-cubana, mediorientale, R & B e quasi ogni altra genere di musica. Herbert Jay Soloman, meglio conosciuto come Herbie Mann, fu tra i primi musicisti jazz a specializzarsi nel flauto e fu forse il più famoso flautista della musica jazz negli anni '60. Quando iniziò a suonare il flauto negli anni '40, non aveva modelli da cui imparare, nessun pioniere del flauto jazz da idolatrare. Così fu costretto a guardare altrove, sia dentro che fuori dal jazz, per sviluppare il suo approccio jazz al flauto. Tra le numerose influenze musicali, Mann è stato particolarmente attratto dai ritmi e dalle melodie del Sud America e dei Caraibi, ed è stato uno dei primi pionieri nella fusione tra Jazz e World-Music. Nel 1961 Mann fece un tour in Brasile e tornò negli Stati Uniti per registrare con musicisti brasiliani tra cui Baden Powell e Antonio Carlos Jobim. Questi album hanno contribuito a diffondere la bossa nova. Successivamente Mann è passato al soul jazz e negli anni '70 ha registrato album reggae, funk e disco. Ha descritto il suo approccio alla ricerca del groove così: "Tutto quello che devi fare è trovare le onde comode per galleggiarci sopra". Quindici anni dopo la prematura scomparsa di questo artista significativo, questo tributo spera di offrire qualcosa della varietà, vitalità e puro amore del jazz aperto al mondo, che ha caratterizzato il grande Herbie Mann. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
About the Artists
ABOUT THE ARTISTS Grammy nominated pianist and Steinway Artist STEVE BARTA, has stayed true to his creative path as a composer, recording artist, producer, author and educator. He has performed his original works as a solo artist, with jazz ensembles and symphony orchestras. As a member of Herbie Mann and Jasil Brazz featuring Steve Barta, he recorded his widely acclaimed Blue River – a collection of Brazilian compositions. His contribution to the world of music includes 15 recordings that reflect his many influences, particularly Brazilian, jazz and classical. He has also worked with an extensive list of artists, including Al Jarreau, Hubert Laws, Herbie Mann, Dori Caymmi, B.B. King, Dee Dee Bridgewater, Paulinho da Costa, guitarist Ricardo Silveria and many more. In 2012, Barta was nominated for a Grammy award for Jumpin; Jazz Kids – an original storyline and collection of jazz compositions written for jazz ensemble and orchestra, along with his co-writer Mark Oblinger. He has written several works for symphony orchestra that have been performed worldwide. Barta is a music educator with over thirty years of experience teaching intermediate to advanced students, educators and professional musicians. He is the author of The Source (Hal Leonard Publishing) and has published several books of his arrangements. Hal Leonard Publishing also requested him to arrange several Beatles compositions for solo piano in their well-known, Beatles Songbook. He currently teaches private piano studies, as well as jazz theory, arranging and composition at Colorado College. KEITH REED grew up playing bluegrass banjo and guitar with a group of traditional bluegrass musicians from the southeast. -
Rahsaan Roland Kirk Blacknuss Mp3, Flac, Wma
Rahsaan Roland Kirk Blacknuss mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Blacknuss Country: US Released: 1972 Style: Fusion, Jazz-Funk MP3 version RAR size: 1562 mb FLAC version RAR size: 1363 mb WMA version RAR size: 1601 mb Rating: 4.1 Votes: 952 Other Formats: DXD FLAC RA MIDI AA MP3 ASF Tracklist Hide Credits Ain't No Sunshine A1 2:26 Written-By – Bill Withers What's Goin' On A2a 3:46 Written-By – Cleveland*, Gaye*, Benson* Mercy Mercy Me (The Ecology) A2b Written-By – Marvin Gaye Take Me Girl, I'm Ready A3 2:48 Written-By – Chris Allen*, Johnny Cameron I Love You Yes I Do A4 3:19 Written-By – Bristol*, Ware*, Sawyer* My Girl A5 3:06 Written-By – Ronald White, William Robinson* Which Way Is It Going A6 2:24 Written-By – Rahsaan Roland Kirk* One Nation A7 3:40 Written-By, Vocals – Princess Patience Burton Never Can Say Goodbye B1 4:00 Vocals – Cissy HoustonWritten-By – Clifton Davis Old Rugged Cross B2 7:14 Arranged By – Rahsaan Roland Kirk*Written-By [Release Credit] – Trad.* Make It With You B3 4:50 Written-By – David Gates Blacknuss B4 5:13 Vocals – Cissy HoustonWritten-By – Rahsaan Roland Kirk* Companies, etc. Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Remixed At – Atlantic Studios Recorded At – Regent Sound Studios, New York City Remixed At – Regent Sound Studios, New York City Mastered At – Atlantic Studios Pressed By – Presswell Recorded At – Atlantic Studios Credits Artwork – Haig Adishian Bass – Henry Pearson (tracks: A1, B1, B4), Bill Salter* -
Herbie Mann Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Herbie Mann 音樂專輯 串行 (专辑 & 时间表) Just Wailin' https://zh.listvote.com/lists/music/albums/just-wailin%27-20813566/songs Flute Soufflé https://zh.listvote.com/lists/music/albums/flute-souffl%C3%A9-5462950/songs Flute Flight https://zh.listvote.com/lists/music/albums/flute-flight-5462940/songs Nirvana https://zh.listvote.com/lists/music/albums/nirvana-3342128/songs Latin Fever https://zh.listvote.com/lists/music/albums/latin-fever-23665942/songs Latin Mann https://zh.listvote.com/lists/music/albums/latin-mann-24963480/songs Surprises https://zh.listvote.com/lists/music/albums/surprises-7646639/songs Our Mann Flute https://zh.listvote.com/lists/music/albums/our-mann-flute-20979350/songs Push Push https://zh.listvote.com/lists/music/albums/push-push-7261746/songs Memphis Underground https://zh.listvote.com/lists/music/albums/memphis-underground-6815891/songs Glory of Love https://zh.listvote.com/lists/music/albums/glory-of-love-5571624/songs https://zh.listvote.com/lists/music/albums/great-ideas-of-western-mann- Great Ideas of Western Mann 5599353/songs The Beat Goes On https://zh.listvote.com/lists/music/albums/the-beat-goes-on-20979201/songs Today! https://zh.listvote.com/lists/music/albums/today%21-7812137/songs Salute to the Flute https://zh.listvote.com/lists/music/albums/salute-to-the-flute-20814008/songs Mississippi Gambler https://zh.listvote.com/lists/music/albums/mississippi-gambler-6879146/songs Muscle Shoals Nitty Gritty https://zh.listvote.com/lists/music/albums/muscle-shoals-nitty-gritty-6940301/songs My Kinda -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Fred Katz •Herbie Mann
PAG 4 PAG 1 FRED KATZ • HERBIE MANN A COMMON GROUND FRED KATZ: African Folk Tunes (1. 4, 7): (drums), Ray Barretto (congas), Ray FOLK SONGS Pete Candoli, lrving Goodman, Mantilla (bongos), Michael Olatunji FOR FAR OUT FOLK Don Fagerquist (trumpets), (percussion, vocals), Maya Angelou, George Roberts, Harry Betts, Bob Dolores Parker (vocals). 1. Mate’ka 6:35 Enevoldsen (trombones), Fred Katz New York, August 2-3, 1960. 2. Sometimes I Feel Like (cello), Larry Bunker, Gene Estes, A Motherless Child 4:05 Jack Costanzo, Carlos Mejia, Lou 3. Been In The Pen So Long 3:09 Singer (percussion). Hollywood, 4. Chili’lo (Lament) 3:54 September 17, 1958. 5. Rav’s Nigun 2:56 6. Old Paint 4:55 7. Manthi-Ki 5:06 8. Baal Shem Tov 3:57 9. Foggy, Foggy Dew 5:20 HERBIE MANN THE COMMON GROUND S.I.A.E. MJCD 1376 All tunes adapted, arranged © 2020 – 22PUBLISHING S.R.L. and conducted by Fred Katz 10. Baghdad/Asia Minor MUSICAJAZZ.IT FRED KATZ • HERBIE MANN (Ad Lib Music Publishing, ASCAP). (Herbie Mann/Roger Mozian) 5:09 A COMMON GROUND 11. Walkin’ (Richard Carpenter) 5:23 Selected by Luca Conti American Folk Tunes (2, 3, 6, 9): 12. Sawa Sawa De’ Design by Silvano Belloni Gene Estes (vibraphone), Billy Bean (Herbie Mann) 3:05 (guitar), John Williams (piano), Fred 13. St. Thomas (Sonny Rollins) 3:24 Photo by Elena Carminati (Fred Katz) Katz (cello), Mel Pollen (bass), Jerry 14. High Life (Herbie Mann) 2:11 Williams (drums). 15. Uhuru Hollywood, July 21, 1958. (Herbie Mann, Michael Olatunji). -
33909-Cdcaji #33909-Cdcdjf #33909-Cdceje
DVD New Releases from VIEW Pre-order date: Sept. 8, 2003 Street date: Sept. 16, 2003 Bobby Darin: The Darin Invasion with Linda Ronstadt and George Burns DVD BONUS FEATURES Taped at the peak of his popularity, Bobby Darin’s remark- ➤ Fun Facts & Trivia Subtitle Track BOBBY DARIN: able talents as a singer, musician, composer and actor are THE DARIN INVASION ➤ Bobby Darin Discography showcased in this highly rated 1970 television special. ➤ Biographies of Three Artists With special guest appearances by just-emerging Linda ➤ Digitally Mastered Audio & Video Ronstadt and the ever-young and charming George Burns, ➤ Remastered Footage this video will lift your spirits with the sounds and stars ➤ Interactive Menus of that colorful time. Includes hits such as If I Were A ➤ Instant Access to Songs Carpenter, Hi Dee Ho and his touching call for peace and ➤ Dolby Digital Audio hope, Simple Song of Freedom. with Linda Ronstadt and George Burns ISBN 0-8030-2320-0 “…positively gives a blow-away performance…” –Marty Natchez, The Flint Journal 48 minutes plus multiple Bonus Features #33909-CDCAJi VIEW DVD #2320 $19.98 VIEW VHS #1320 $14.98 The 5th Dimension Travelling Sunshine Show DVD BONUS FEATURES with Dionne Warwick, Merle Haggard and The Carpenters ➤ Fun Facts & Trivia Subtitle Track ➤ The only home video of the group that ruled the TOP The 5th Dimension Discography THE 5th DIMENSION ➤ Biography of The 5th Dimension with Dionne Warwick, TRAVELLING The Carpenters and Merle Haggard 10 charts with hits like Aquarius/Let The Sun Shine In, ➤ Biography of Dionne Warwick SUNSHINE SHOW Wedding Bell Blues, and Up-Up and Away. -
Jazz Flute Written by Haley Conway in the Jazz World, the Flute Was Perfor
Jazz Flute Written by Haley Conway In the jazz world, the flute was performed very little until the 1920s and it did not truly emerge as a solo instrument until the early fifties. Part of the reason that popularity was low for jazz flute was because of the low volume the flute could produce against a jazz ensemble. The principal instruments at during the 1920s that were trumpets, trombone, and saxophone because of the sound were big enough to fill a large hall. For a flute to have a chance at being heard within a large hall would involve the 3rd register during the entire solo. With the development of microphones, jazz flutes became more popular and they begin to revolutionize the flute in a jazz setting. For a flute player to be in jazz ensembles, it was important for musicians to learn multiple instruments. One of the best secondary instruments for a flute player to learn is the alto or tenor saxophone. The saxophone has similar fingering system and written musical range. It also interferes little with the flute embouchure and it forces the student to learn to project their sound to a greater extent. Compared to classical works that flute players are used to playing, jazz contains different articulations that makes the musician more aware of the music they are playing and gets them a chance to analyze chord progressions at a deeper level. Flute players also gain another musical experience that is not within classical music, which is improvising. This gives musicians another way to expand musically and to be able to express themselves. -
Herbie Mann: at the Village Gate | Jazz Journal 01.04.19, 10 33
Herbie Mann: At the Village Gate | Jazz Journal 01.04.19, 1033 Herbie Mann: At the Village Gate By Derek Ansell - March 24, 2019 This live session for Atlantic, recorded at NYC club The Village Gate, is one of the most relaxed live jazz club sessions to be found. Herbie Mann’s floating, soft-focus flute is heard against a backing of piano, bass, drums and percussion and, on the opening “Comin’ Home Baby”, “Comin’ Home” is a long soul-type blues of the kind made very popular in the 1960s by the likes of Cannonball Adderley and Bobby Timmons. Mann is very laid back, his lines inventive within the confines of the form and he is well supported by quiet percussion, the two bassists, drums and vibes player Hagood Hardy – whatever happened to him, I wonder? Towards the end Tucker plays a bluesy bass solo, full of double stops and the piece then winds down. “Summertime” continues the set with another lyrical solo by Mann and once again everybody appears to be enjoying themselves and playing well without putting much effort into it. The longest track is “It Ain’t Necessarily”, which takes up all of the second side of this vinyl release. Almost 20 minutes of low-key flute and rhythm with a brisk solo from vibes man Hardy and a passionate bass solo from Abdul Malik. There is also a fascinating workout on African drum from percussionist Chief Bey before the track slowly slides to a halt with polite applause from the audience. Although everybody plays well there is seldom any change from casual medium tempo blowing and it could be that on this night, the musicians were a bit self-conscious about being recorded and decided to play it safe.