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A Euro Report Gimme Shelter Session Pixies FREE
Issue #4 Summer 2012 Published Quarterly. FREE. Or if you really like us you can always log onto www.rabble.ie to donate. Ah g’wan... INSIDE. Disco Liberation rabble takes a time machine to a rather unusual parish hop... Betaville Is it a playground for the city’s hipper twenty somethings? Club Photography Are DSLR swinging douchebags wrecking our club nights? THE Single Parents OBSTACLES How cutbacks are making FACING it real tough out there.. FESTIVAL PROMOTERS A Euro Report Gimme Shelter Session Pixies A Bohemian boyo tells us how it A gay asylum seeker shares his Meet our new peddlers of holistic went down in Poznan... experience... lifestyle advice .... “The intern will gain practical Work Experience. experience performing physical activities such as balancing, walking, lifting and handling of 2 materials.” - I shit you not. Kildare, chinese restaurant. JobBridge.ie {THE RANT} Rick Astley and rain in Mosney. We’ve come a long way since homosexuality Blah was illegal and a gay nightclub was better in than out, as it were. Check out the interview with Tonie Walsh about the infamous Flikkers club on Fownes Blah St in ’79. Anarchaeologist takes a look at DCC’s Beta project and is relieved that the local authority seems to be learning from past mistakes. THE ALL-NIGHT While our new Mob Rules section EDITORIAL SESSION, demonstrates the power of modern FUELLED BY COFFEE communication is a far cry from the AND NICOTINE WITH xerox world of yesteryear. The rabble project is only as strong as those who CRACKLING VINYL IN THE get involved and with our growing BACKGROUND COULD online presence you’ve no excuse! Our BE FROM ANYTIME IN recent Boomtown competition shows {EYE} THE LAST 50 YEARS. -
Submission of Men's Voices Ireland to Commission on the Future of Media
Submission of Men’s Voices Ireland to Commission on the Future of Media Journalism in crisis in the West We shall confine our remarks on media to social and political issues, in particular those social issues which we have been engaged with in our work. Trends in the Irish media have broadly followed those in other Western countries but particularly in the Anglosphere. The media has become a major player in at least shaping news rather than in reporting news as exemplified in the dissemination of partisan views along with the censorship of opposing views and this is happening in many western countries. Certain issues have become defining: a particular ideology obsessed with victimhood and so-called victim classes; issues of race, gender, sexual orientation or “woke” in the jargon; hate speech is another touchstone. Two key issues in the past 10 years which exemplify the media’s attitude have been the Brexit referendum in the UK and the US Presidential election of 2016. It is fair to say that both results came as a huge shock to the media which staunchly campaigned for a Remain vote in the UK and for a Clinton victory in the US. In neither case did the media carry out a dispassionate, impartial analysis of the trends, the swings which were at work in both cases. It ignored trends which pointed to a possible upset. It was as if the media wished to be a player in the result. Other headlines have been set in the US. In August 2019 the New York Times initiated the 1619 project, a series of essays which claimed that the founding act of the United States was not the Declaration of Independence of 1776 but rather the landing of a slave ship in Virginia in 1619. -
The Tyranny of the Past?
The Tyranny of the Past? Revolution, Retrospection and Remembrance in the work of Irish writer, Eilis Dillon Volumes I & II Anne Marie Herron PhD in Humanities (English) 2011 St Patrick’s College, Drumcondra (DCU) Supervisors: Celia Keenan, Dr Mary Shine Thompson and Dr Julie Anne Stevens I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD in Humanities (English) is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: (\- . Anne Marie Herron ID No.: 58262954 Date: 4th October 2011 Thesis Abstract This thesis examines the extent to which Eilis Dillon's (1920-94) reliance on memory and her propensity to represent the past was, for her, a valuable motivating power and/or an inherited repressive influence in terms of her choices of genres, subject matter and style. Volume I of this dissertation consists of a comprehensive survey and critical analysis of Dillon's writing. It addresses the thesis question over six chapters, each of which relates to a specific aspect of the writer's background and work. In doing so, the study includes the full range of genres that Dillon employed - stories and novels in both Irish and English for children of various age-groups, teenage adventure stories, as well as crime fiction, literary and historical novels, short stories, poetry, autobiography and works of translation for an adult readership. The dissertation draws extensively on largely untapped archival material, including lecture notes, draft documents and critical reviews of Dillon's work. -
THE IRISH PUNDITOCRACY AS CONTRARIAN VOICE: Opinion
THE IRISH PUNDITOCRACY AS CONTRARIAN VOICE : Opinion Coverage of the Workplace Smoking Ban Declan Fahy THE JOURNALISM OF COMMENTATORS and columnists has remained a lacuna in media studies. Their work has received so little sustained critical attention that it has become something of a ‘black box’, even as as the space devoted to opinion coverage in newspapers has expanded significantly over the past three decades (Duff, : ; Bogart, ; Glover, ). The section of the newspaper devoted to opinion journalism has traditionally been the op-ed page, so-called because of its usual placement opposite the section containing editorials. Viewed as a forum for the articulation of diverse viewpoints about current social issues, the page aims to provide a space in the ‘marketplace of ideas’ for the expression of opinions not found in news and editorial sections of newspapers (Salisbury, cited in Day and Golan, : ). This page has been virtually ignored in mass communications research, however. (Day and Golan, ; Ciofalo and Traverso, ). The few topics addressed in studies of op-ed content have included the advertisements printed there (Brown et al., ), the public relations strategies used to argue stances on specific issues (Smith and Heath, ) and the political preferences between publishers and editorial page editors (Kapoor and Kang, ). A study that examined the op-ed pages of the Washington Post and the New York Times found limited diversity in the selection of sources and stances in discussions of gay marriages, affirmative action and the death penalty (Day and Golan, ). There has been little critical agreement on how to define more precisely the collective of opinion writers that contribute to the op-ed page. -
West Cork's War of Independence 2017 29Sep17 Final
THE FIRST WEST CORK HISTORY FESTIVAL AND WEST CORK’S WarOFIndependence SECTARIANISM PETER HART KILMICHAEL AMBUSH TOM BARRY A discussion in the Southern Star (Cork), Irish Times, Sunday Independent (Dublin), with TOM COOPER - GERRY GREGG - EOGHAN HARRIS - CAL HYLAND - BARRY KEANE SIMON KINGSTON - NIALL MEEHAN - EVE MORRISON - JOHN REGAN - DONALD WOOD plus MEDA RYAN and PAT MULDOWNEY Edited by Jack Lane THE AUBANE HISTORICAL SOCIETY 2017 2 WEST CORK’S WAR OF INDEPENDENCE WEST CORK’S WAR OF INDEPENDENCE Sectarianism, the Kilmichael Ambush, Tom Barry, and Peter Hart A Southern Star (Cork), Irish Times, Irish Independent (Dublin), Discussion with TOM COOPER - GERRY GREGG - EOGHAN HARRIS - CAL HYLAND - BARRY KEANE SIMON KINGSTON - NIALL MEEHAN - EVE MORRISON - JOHN REGAN - DONALD WOOD PLUS MEDA RYAN AND PAT MULDOWNEY Table of Contents Page The Outcome of the first West Cork History Festival by Jack Lane 3 Three Southern Star letters on West Cork History Festival 4 Four Southern Star letters on An Tost Fada (‘The Long Silence’) 5 History Festival to screen amended documentary (Southern Star report) 7 An Tost Fada – four Irish Times letters (plus two unpublished) 8 Fifteen Southern Star letters on Peter Hart & Kilmichael Ambush 10 Meda Ryan response to Eve Morrison, 2014 History Ireland letter 18 Jack Lane responds to Sunday Independent columnist and An Tost Fada scriptwriter/presenter Eoghan Harris 19 Pat Muldowney on exposure of Peter Hart’s bogus ethnic cleansing statistics by Dundee historian, Dr. John Regan 20 Barry Keane on Peter Hart’s -
Irish Bastards: Celia De Fréine and Merriman's the Midnight Court
Études irlandaises 41-2 | 2016 L’Irlande et sa république passée, présente et à venir Irish Bastards: Celia de Fréine and Merriman’s The Midnight Court/Cúirt an Mheán Oíche Briain Ó Conchubhair Electronic version URL: http://journals.openedition.org/etudesirlandaises/5005 DOI: 10.4000/etudesirlandaises.5005 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 30 November 2016 Number of pages: 105-118 ISBN: 978-2-7535-5358-3 ISSN: 0183-973X Electronic reference Briain Ó Conchubhair, « Irish Bastards: Celia de Fréine and Merriman’s The Midnight Court/Cúirt an Mheán Oíche », Études irlandaises [Online], 41-2 | 2016, Online since 30 November 2018, connection on 20 April 2019. URL : http://journals.openedition.org/etudesirlandaises/5005 ; DOI : 10.4000/ etudesirlandaises.5005 © Presses universitaires de Rennes Irish Bastards: Celia de Fréine and Merriman’s he Midnight Court/Cúirt an Mheán Oíche Briain Ó Conchubhair Notre-Dame University Abstract This article examines Celia de Fréine’s re-imagining of Brian Merriman’s canonic text The Midnight Court/Cúirt an Mheán Oíche. Through textual and contextual analysis of specific extracts of the texts, the article illustrates how de Fréine’s version challenges audiences to consi- der their participation in the social conditions of contemporary marriage, relationships and sexual practices for young women in contemporary Ireland. To this end she draws on Kevin Myers’ “Mother of Bastards” article to highlight the misogyny experienced by unmarried mothers in Ireland. Keywords: De Fréine, Merriman, Cúirt an Mheán Oíche, The Midnight Court, sexual prac- tices, gender, misogyny. Résumé Cet article s’intéresse à la réinterprétation théâtrale de The Midnight Court/Cúirt an Mheán Oíche, texte canonique de Brian Merriman. -
The Involvement the Catholic Clergy Republican Struggle Carlow from 1913-21
Involvement of the clergy in 1916-1923 edited_Layout 1 28/10/2015 19:45 Page 1 100 example from the wider set of military statements shows how an IRA operative was able to identify a detective disguised The involvement as a priest by the amount of time it took him to say the rosary.11 Religion was an of endemic part of everyday life and any form of approval by such a powerful group would give legitimacy to The Catholic Clergy operatives’ actions. with the The Carlow Witness Statements indicate clerical influence back as far as 1914 when the Ballymurphy Company of volunteers was formed. Thomas Ryan Republican struggle (WS1422) describes how Fr. John Lawler, then C.C. at Borris, was instru- in mental in the setting up of the company. Ryan describes how Fr. Lawler intro- duced a Mr. Judge and Mr. L. Mellows to Carlow from 1913-21. the men before they signed up.12 This along with other evidence will show that Tom Joyce the clergy were not merely sympathetic or unsympathetic onlookers in the The Historiography of The Irish War of work for consistent and accurate analy- Republican fight. They were intimately Independence has followed a somewhat sis. Instead of assessing what the hierar- involved in the formation of companies tortuous road. It began as a predictable chy decreed or following chronologically and encouraging volunteers to enlist. story of, ‘the virgin Eire versus the the lists of religious and where they Thomas Ryan (WS1422) in the same bloody Saxon’.1 Recent work by authors served, this article wishes to examine the statement also describes how in 1918 such as Michael Hopkinson and Fearghal minutiae of clerical involvement and the during the Conscription crisis, “the McGarry has seen the revision of this reflected attitude of all society to clerical people were greatly inspired by the work narrative turning attention to the conduct influence. -
Sebastian Barry
Sebastian Barry: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Barry, Sebastian, 1955- Title: Sebastian Barry Papers Dates: 1939-2004, undated Extent: 68 document boxes (28.56 linear feet), 4 oversize folders (osf), 5 serial boxes, 2 oversize boxes (osb) Abstract: The Sebastian Barry papers consist of the personal and professional papers of Irish poet, novelist, and playwright Sebastian Barry. The papers document Barry's diverse writing career and range of creative output which includes drawings, poetry, short stories, novels, essays, and scripts. Call Number: Manuscript Collection MS-4878 Language: English, Arabic, French, Greek, Hungarian, Irish, and Romanian Access: Open for research Administrative Information Acquisition: Purchase, 2001-2005 (R14839, R15350) Processed by: Hope Rider, Gabriela Redwine, Amy E. Armstrong, 2013 Repository: The University of Texas at Austin, Harry Ransom Center Barry, Sebastian, 1955- Manuscript Collection MS-4878 Biographical Sketch Sebastian Barry was born on July 5, 1955, in Dublin, Ireland. His father, Francis, was an architect by profession but also a poet who published poems in literary journals such as Icarus and Broadsheet. His mother, Joan O'Hara, was an actress who frequently performed on stage at the Abbey Theatre in Dublin and in later years appeared on British television. Barry has a younger sister, Siuban, and brother, Guy. As a child, Barry's grandfather taught him to draw and paint, but his interests shifted toward writing poetry and fiction in his late teens, and the Irish Times published Barry's first poem when he was nineteen years old. Barry read Latin and English at Trinity College, Dublin, and served as editor for the 1977 edition of the Trinity College literary journal Icarus. -
Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (B
Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2020-10 Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) Timothy Diovanni Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Music Education Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Diovanni, T. (2020) Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974), Masters Thesis, Technological University Dublin. doi:10.21427/j9f0-hh44 This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Composing Irishness: Remembrances of the Irish Past Through the Prism of the Present in Music by Donnacha Dennehy (b. 1970) and Jennifer Walshe (b. 1974) Timothy Diovanni, B.A. Thesis submitted for the award of M.Phil. to the Technological University Dublin College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Technological University Dublin Conservatoire October 2020 ABSTRACT Although modern remembrances in the fields of literature, theatre, poetry, and the visual arts have received considerable scholarly attention in Ireland since the publication of History and Memory in Modern Ireland in 2001, similar activities in an Irish art music context remain unexplored. -
Unfinished Business: a New Timeline for the Wartime Experiences of the Irish Language Community
Unfinished Business: A New Timeline For The Wartime Experiences Of The Irish Language Community Justin Scannell Master of Arts National University of Ireland, Cork Department of Digital Arts and Humanities September 2016 Head of Department: Professor Brendan Dooley Supervisors: Dr. Orla Murphy, Dr. Shawn Day The CATTUVVIRR Project Table of Contents Declaration 3 Acknowledgements 4 Introduction 5 Literature Review 12 Tools and Methodology 27 Discussion 45 Bibliography 59 Declaration I hereby declare that this dissertation is my own work and has not been submitted for another degree, either at University College Cork or elsewhere. Signature: Acknowledgements Putting this thesis together, and creating the accompanying digital artefact, has been a challenging process, in the sense that I have had to balance my own heartfelt desire to encourage a broader view of Irish history, whilst at the same time, being mindful of the advice of others to adopt a specialized approach towards doing so. For their advice and assistance in helping me achieve those two (hopefully compatible) goals, I would like to thank the following: First and foremost is Alan Titley – Professor Emeritus of Modern Irish in UCC, and former Head of the Irish Department at St Patrick’s College, DCU – who gave me the idea for this dissertation. Drs. Orla Murphy and Shawn Day of UCC for their patience and forbearance. Professor Padraig Ó Macháin (head of the Department of Modern Irish) also provided me with invaluable suggestions for reading material. Justin Tonra and David Kelly of NUI Galway came up with the timeline idea. Rufus Pollock of TimeMapper showed me how to manipulate the timeline, and made sure that I didn’t always have to look for advice in the forums. -
IRISH FILM and TELEVISION ‐ 2006 the Year in Review Tony Tracy (Ed.) Introduction
Estudios Irlandeses , Number 2, 2007, pp. 251-2 86 __________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION ‐ 2006 The Year in Review Tony Tracy (ed.) Introduction ....................................................................................................................................251 Industrial In/Action: The Irish Audiovisual Sector in 2006 Roddy Flynn....................................................................................................................................255 TG 4: Ten Years On Eithne O’Connell ............................................................................................................................258 The Wind that Shakes the Barley Ruth Barton ....................................................................................................................................262 Attack of the Killer Cows! Reading Genre and Context in Isolation Barry Monahan ...............................................................................................................................264 Capital Letters Debbie Ging ...................................................................................................................................267 Once Tony Tracy ....................................................................................................................... 269 Misery, Missed Opportunities and Middletown Jane Ruffino ....................................................................................................................... -
Éabhlóid an Súil Eile: 20 Bliain De Bhrandáil TG4
LNN TNGA AN REIVIÚ Éabhlóid an Súil Eile: 20 Bliain de Bhrandáil TG4 Carmel Ní Bhriain Réamhrá Pléann an páipéar seo an éabhlóid a tháinig ar straitéis bhrandála TG4 ó 1996 go 2016. Diomaite d’obair Lysaght (2009 & 2010) agus Ó Gairbhí (2017) is gné í an bhrandáil de stair agus d’fhorás TG4 nach bhfuil an oiread sin airde tugtha ag acadóirí agus ag taighdeoirí uirthi. Tá mórán taighde foilsithe, áfach, ar chleachtas na brandála go hidirnáisiúnta i dtimpeallacht na craoltóireachta teilifíse ag leithéidí: Chan-Olmsted & Yungwook (2001), Fanthome (2007), Gray (2010), Johnson (2007), Lloyd (2018) agus Seston (2012). Sa pháipéar seo, tarraingítear ar an taighde idirnáisiúnta sin chun anailís a dhéanamh ar bhrandáil an chraoltóra teilifíse Gaeilge. Baintear úsáid as figiúirí féachana mar aon le léirmheasanna sna meáin chlóite chun tionchar bhrandáil TG4 ar an lucht féachana a thomhas. Lena chois sin, baintear úsáid as taighde neamhspleách a cuireadh i gcrích le lucht bainistíochta an stáisiúin (Ó Ciardha (2010) agus Ó Coileáin (2017)) chun iniúchadh a dhéanamh ar an smaointeoireacht a bhí taobh thiar de ghnéithe éagsúla de bhrandáil an stáisiúin. Mar sin féin, ní cuntas forleathan é an páipéar seo ar bhrandáil TG4, ach tarraingíonn sé aird ar fhorbairtí tábhachtacha i dteilgean bhrandáil an stáisiúin ó thosaigh sé ag craoladh go dtí a cheiliúradh 20 bliain ar an aer. Trí anailís a dhéanamh ar bhrandáil an chraoltóra, feictear an múnlú agus an t-athmhúnlú a rinneadh ar íomhá TG4 agus é ag triail lucht féachana a mhealladh. 48 Léann Teanga: An Reiviú 2018 Comhthéacsú: Teacht chun cinn na brandála i margadh na teilifíse De réir Chan-Olmsted & Yungwook: ‘The term branding was first introduced to the broadcast television market in the early 1990s’ (2001: 79).