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Bibliography BIBLIOGRAPHY 1859. New exegesis of Shakespeare. Interpretation of his principal characters and plays on the principle of races . Edinburgh: Adam and Charles Black. 1998. Vocabolario della Lingua Italiana. Il Conciso . Roma: Istituto della Enciclopedia Italiana Treccani. Accati, Luisa. 2006. Beauty and the monster. Discursive and fi gurative representa- tions of the parental couple from Giotto to Tiepolo . Florence: European Press Academic Publishing. Agamben, Giorgio. 1999. The end of the poem. Studies in poetics. Trans. Daniel Heller-Roazen. Stanford: Stanford University Press. Agamben, Giorgio. 2002. Remnants of Auschwitz. The witness and the archive. Trans. Daniel Heller-Roazen. New York: Zone Books. Alberti, Carmelo. 1998. La scena delle metamorfosi. Il teatro negli anni della municipalità democratica di Padova. In La Municipalità democratica di Padova. 1797. Storia e cultura , ed. Armando Balduino, 143–161. Venezia: Marsilio. Alexander, Catherine, and Stanley Wells (eds.). 2000. Shakespeare and race . Cambridge: Cambridge University Press. Alvis, John E., and Thomas G. West (eds.). 2000. Shakespeare as a political thinker . Wilmington: ISI Books; 1981. 1st ed. Durham: Carolina Academic Press. Andrews, Nigel. 2013. Cinema reviews: Arbitrage, the bay, Caesar must die and more. Financial Times , February 28. Anidjar, Gil. 2003. The Jew, the Arab. A history of the enemy . Stanford: Stanford University Press. Aquilecchia, Gaetano. 2002. Giordano Bruno as philosopher of the renaissance. In Giordano Bruno: Philosopher of the renaissance , ed. Gatti Hilary, 19–52. Aldershot: Ashgate. © The Editor(s) (if applicable) and The Author(s) 2016 203 S. Bassi, Shakespeare’s Italy and Italy’s Shakespeare, DOI 10.1057/978-1-137-49170-1 204 BIBLIOGRAPHY Ashcroft, Bill, Hellen Tiffi n, and Gareth Griffi ths. 2007. Post-colonial studies. The key concepts . London/New York: Routledge. Attar, Karina F. Genealogy of a character: A reading of Giraldi’s Moor. In Visions of Venice in Shakespeare , ed. Laura Tosi and Shaul Bassi, 47–64. Auden, W.H. 2000. Lectures on Shakespeare . Princeton: Princeton University Press. Avery, Victoria. 2011. Vulcan’s forge in Venus’ city: The story of bronze in Venice, 1350–1650 . Oxford: Oxford University Press. Aymard, Maurice. 1992. Le minoranze. In L’Europa e gli europei , ed. Fernand Braudel, 177–204. Bari: Laterza. Banfi eld, Edward C. 1958. The moral basis of a backward society . Glencoe: The Free Press. Bartels, Emily C. 2008. Speaking of the Moor: From Alcazar to Othello . Philadelphia: University of Pennsylvania Press. Bassi, Gino. 1916. Nel terzo centenario della morte di Guglielmo Shakespeare. Rassegna Nazionale , April 16. Bassi, Roberto. 2014. Skirmishes on Lake Ladoga. Trans. Jeremy Scott. New York: CPL Editions. Bassi, Shaul. 2000. Le metamorfosi di Otello. Storia di un’etnicità immaginaria . Bari: Graphis. Bassi, Shaul. 2016. The names of the rose. Romeo and Juliet in Italy. In Romeo and Juliet. A critical reader , ed. Julia Reinhard Lupton. London: Bloomsbury. Bassi, Shaul. Barefoot to Palestine: The failed meetings of Shylock and Othello. In Visions of Venice in Shakespeare , ed. Laura Tosi and Shaul Bassi, 232–233. Bassi, Shaul, and Isabella di Lenardo. 2013. The Ghetto inside out . Venezia: Corte del Fontego. Bassi, Shaul, and Alberto Toso Fei. 2007. Shakespeare in Venice. Exploring the city with Shylock and Othello . Treviso: Elzeviro. Bassi, Simonetta (ed.). 2012. Bruno nel XXI secolo. Interpretazioni e ricerche . Firenze: Istituto nazionale di studi sul Rinascimento. Bate, Jonathan. 1989. Shakespearean constitutions: Politics, theatre, criticism 1730–1830 . Oxford: Oxford University Press. Bates, Jennifer, and Richard Wilson (eds.). 2014. Shakespeare and continental phi- losophy . Edinburgh: Edinburgh University Press. Bauman, Zygmunt. 1998. Allosemitism: Premodern, modern, postmodern. In Modernity, culture and “the Jew” , ed. Bryan Cheyette and L. Marcus, 143–156. Cambridge: Polity Press. Belardelli, Giovanni. 2005. Il Ventennio degli intellettuali. Cultura, politica, ideologia nell’Italia fascista . Bari: Laterza. Beller, Manfred. 2007. Italians. In Imagology. The cultural construction and liter- ary representation of national characters: A critical survey , ed. Manfred Beller and Joseph Theodoor Leerssen, 194–200. Amsterdam/New York: Rodopi. Bellotti, Luigi. 1943. L’italianità di Shakespeare. Guglielmo Crollalanza grande genio italiano . Venezia: Opera D.N. Sezione Lettere. BIBLIOGRAPHY 205 Ben-Ghiat, Ruth. 2004. Fascist modernities: Italy, 1922–1945 . Berkeley: University of California Press. Bevington, David. 2011. Murder most foul. Hamlet through the ages . Oxford: Oxford University Press. Bidussa, David. 1994. Il mito del bravo italiano . Milano: Il Saggiatore. Bloom, Allan. 1987. The closing of the American mind . New York: Simon & Schuster. Bloom, Allan. 1996. Shakespeare’s politics , with Harry V. Jaffa. Chicago: University of Chicago Press; Bloom, Allan. 1964. 1st ed. New York: Basic Books; Bloom, Allan. 1981. 2nd ed. Chicago: University of Chicago Press. Blum, Paul Richard. 2012. Giordano Bruno: An introduction . Amsterdam: Rodopi. Boatti, Giorgio. 2001. Preferirei di no. Le storie dei dodici professori che si opposero a Mussolini . Torino: Einaudi. Bodei, Remo. 2014. Teatro e redenzione. A proposito di Cesare deve morire dei fratelli Taviani. In Marco Barabotti, Remo Bodei, Roan Johnson, Bruna Niccoli, Roberto Perpignani. In Fratelli di cinema. Paolo e Vittorio Taviani in viaggio dietro la macchina da presa , ed. Silvia Panichi, 71–82. Roma: Donzelli. Bodin, Jean. 1962. The six bookes of a commonweal. A facsimile reprint of the English translation of 1606 . Cambridge, MA: Harvard University Press. Boelhower, William. 1987. Through a glass darkly: Ethnic semiosis in American literature . Oxford: Oxford University Press. Boerio, Giuseppe. 1829. Dizionario del dialetto veneziano . Venezia: Andrea Santini. Bollati, Giulio. 2011. L’Italiano. Il carattere nazionale come storia e come invenzi- one. [1983] . Torino: Einaudi. Bonavita, Riccardo. 2009. Spettri dell’altro. Letteratura e razzismo nell’Italia con- temporanea . Bologna: Il Mulino. Bossy, John. 2002. Giordano Bruno and the embassy affair . New Haven: Yale University Press. Bradshaw, Graham. 1993. Misrepresentations. Shakespeare and the materialists . Ithaca: Cornell University Press. Brilli, Attilio. 2006. Il viaggio in Italia: storia di una grande tradizione culturale . Bologna: Il Mulino. Brunel, Pierre. 1995. Companion to literary myths, heroes and archetypes . New York: Routledge. Bruno, Giordano. 1975. The Ash Wednesday supper , ed. Stanley L. Jaki. The Hague: Mouton. Bruno, Giordano. 2000. Opere magiche , ed. Simonetta Bassi, Elisabetta Scapparone, and Nicoletta Tirinnanzi. Milano: Adelphi. Bruno, Giordano. 1713. Spaccio della bestia trionfante. Or the Expulsion of the Triumphant Beast. Trans. William Morehead. London. Bryden, Inga. 1996. Reinventing origins: The Victorian Arthur and racial myth. In The Victorians and race , ed. Shearer West, 141–155. Aldershot: Scolar Press. 206 BIBLIOGRAPHY Bucciantini, Massimo. 2015. Campo dei Fiori. Storia di un monumento maledetto . Torino: Einaudi. Burgio, Alberto. 1999. Nel nome della Razza. Il razzismo nella storia d’Italia, 1870–1945 . Bologna: Il Mulino. Busi, Anna. 1973. Otello in Italia. 1777–1972 . Bari: Adriatica. Byron, George. 1976. Byron’s letters and journals, Vol. V: “So late into the night”, 1816–1817 . Cambridge, MA: The Belknap Press. Cacciari, Massimo. 1977. Krisis. Saggio sulla crisi del pensiero negativo da Nietzsche a Wittgenstein . Milano: Feltrinelli. Cacciari, Massimo. 2009a. Hamletica . Milano: Adelphi. Cacciari, Massimo. 2009b. The Unpolitical: On the Radical Critique of Political Reason , ed. Alessandro Carrera. Trans. Massimo Verdicchio. New York: Fordham University Press. Cacciari, Massimo. 2014. “Considerazioni “impolitiche” sul Re Lear .” In Thinking with Shakespeare , edited by Rosy Colombo and Nadia Fusini. Memoria di Shakespeare. A Journal of Shakespearean Studies 1(2014): 129–138. http://ojs. uniroma1.it/index.php/MemShakespeare/article/view/11789 . Calbi, Maurizio. 2014. “In states unborn and accents yet unknown”: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar must die). Shakespeare Bulletin 32(2): 235–253. Callaghan, Dympna. 2001. Shakespeare and religion. Textual Practice 151: 1–3. Camerlingo, Rosanna. 1999. Teatro e teologia. Marlowe, Bruno e i Puritani . Napoli: Liguori. Campana, Carlo. I Tetrarchi: documentazione storica e storie a Venezia. L’enigma dei Tetrarchi , 119–129. Campanelli, Claudia. 1996. J. F. Ducis: Othello come spunto per una tragedia neoclassica. In Il libro del teatro , ed. R. Ciancarelli and S. Carandini, 139–150. Roma: Bulzoni. Canessa, Fabio. 2012. Fabio Cavalli, regista di Cesare deve morire “Il carcere è un teatro”. La Nuova Sardegna 18 giugno 2012. http://lanuovasardegna.gelocal. it/regione/2012/06/18/news/fabio-cavalli-regista-di-cesare-deve-morire- il-carcere-e-un-teatro-1.5284336 . Canfora, Luciano. 2009. Caesar for communists and fascists. In A companion to Julius Caesar , ed. Miriam Griffi n, 431–440. Oxford: Blackwell. Cartelli, Thomas. 1999. Repositioning Shakespeare: National formations, postcolo- nial appropriations . London/New York: Routledge. Cartelli, Thomas, and Katherine Rowe. 2007. New wave Shakespeare on screen . Cambridge: Polity Press. Catelli, Daniela. 2015. Cesare deve morire, incontro con i fratelli Taviani. 29 Feb 2012. http://www.comingsoon.it/news/?source=cinema&key=12082
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