., newsletter Volume 12, Number 3 Fall 1987 nominations for CAA board of directors

The 1987 Nominating Committee has submitted its initial slate of I seek to help lead a strong CAA, sensitive to the needs of its mem­ twelve nominees to serve on the CAA Board of Directors from 1988 to bershlp and committed to insuring intellectual vitality in the scholarly 1992. Of these, six will be selected by the Committee as its final slate and creative disclph'nes it represents. This is a time when the body of and formally proposed for election at the Annual Members Business knowledge has expanded so greatly that specialization within art his­ Meeting to be held in Houston on February 11, 1988. tory puts injeopardy the sense ofa disczpline, and the fracture between The slate of candidates has been chosen with an eye to representa­ those who study art and those who create it has widened to the point tion based on geography and discipline (artists, academic art histo­ that the two now share little. I would bring to the Board a concern for rians, museum professionals). The Nominating Committee recom­ issues such as these and an interest that extends beyond the European mends that voters take such distribution into account in making their foundations of art history. Thus I would work to insure that not only a selection of candidates. The current elected Board of Directors is com­ limited segment ofthe membership is served by the activities and prod­ posed of nine artists (33%), fourteen academically affiliated art histo­ ucts of a vital CAA. rians (52%), and four museum professionals (15%). Of those, eleven are men (41 %) and sixteen are women (59%); fifteen represent the FRANCES BARTH northeast and mid· Atlantic (56%), six represent the midwest (22%), Yale University five represent the west (22%), and one represents the southeast (4%). There is no one currently on the board from the southwest. This com­ BA Hunter, Col 1968; MA painting, Hunter, pares to the following breakdown of the membership: artists 42%; Col 1970. POSITIONS: instructor, Lehman Col­ academically affiliated art historians 52%; museum professionals lege, CUNY 1973; instructor, Kingsborough 11%; male 40%; female 60%; northeast/mid-Atlantic49%; midwest Comm College, 1973 - 74; Bennington College, 20%; west 14%; southeast 11 %; southwest 6%. In making a balanced 1974-75; Princeton Univ, 1975-79; Sarah selection, please keep in mind that the make up of the board will also Lawrence Col, 1979-86; Syracuse Univ, 1986; be affected by those whose terms are expiring: two artists, five art his­ Yale Univ, 1986-. SOLO EXHIBITIONS: Susan torians, one museum professional, five men, three women, three from Caldwell, NYC; "Russian Abecedary," Jersey the northeast/mid-Atlantic, two from the midwest, and three from City Museum; Jan Cicero Gallery, Chicago; Nina Fredenheirn Gallery, the west. Buffalo; set designed for "Tunes," Louisville Ballet; set for Atlanta The preferential ballot is in the form of a prepaid business reply Ballet; COLLECTIONS: Akron Art Inst; Albright- Knox Art Gallery; Dal­ card and is being mailed separately. Please return it promptly; ballots las Museum of Fine Arts; Herbert F. Johnson Museum of Art, Cornell; must be postmarked no later than 1 November. Metropolitan Museum of Art; Museum of Modern Art; Whitney Museum of American Art and numerous corporate collections, FREDERICK M. ASHER AWARDS: Creative Artists Public Service Grant (CAPS); NEA grants; University of Minnesota Guggenheim Fellowship, BA Dartmouth College, 1963, MA, PhD Univ The CAA serves as an important forumfor the exchange ofideas. It Chicago, 1966, 1971. POSITIONS: instructor, has the capacity to nurture artists and scholars, and act as an ethical Lake Forest College, 1967~68 and 1969-.70; voice in this country, getting more involved in helping establish guide­ asst prof to full prof, art history and south Asian lines politically and morally in relation to the arts. Through its prestige studies, 1970-, acting director, university gal­ and its programs, the CAA can effect a more hospitable environment lery, 1971-72, chair, art history, 1978-81, for the growth and support of the arts. chair, south and southwest Asian studies, 1982-84, assoc dean, faculty affairs, college of WENDY CALMAN liberal arts, 1985-, Univ Minnesota, PUBLICATIONS: Includes "The Indiana University Former Broadley Collection, Bihar Sharif," Artibus Asiae, 1970; "Buddhist Ivories from Kashmir," Oriental Art, 1972; The Art of BA Univ Pittsburgh, 1969; MEd, MFA Tyler Eastern India: 300-800, 1980; "Historical and Political Allegory in School of Art, Temple Univ, 1970, 1972. POSI' Gupta Art," in B, Smith ed., The Gupta Age, 1983; Indian Epig­ TIONS: instructor, Univ Tennessee, Knoxville, raphy, co-ed with G.S., 1984; "The Effect of Pala Rule: A Transition 1972-76; assoc prof, Indiana Univ, 1976-. in Art, "Journal ofthe Indian Society of Oriental Art, 1985; "On Stone SOLO EXHIBITIONS: Franklin and Marshall Col­ and Artists in Ancient India," in M. Case and N.G. Barrier, eds., lege, Water Tower Art Association, Louisville, Aspects of India: Essays in Honor' of Edward C. Dimock, 1986; and KY; Northern Kentucky Univ. COLLECTIONS: numerous reviews, plus several articles in press, AWARDS: NEH Fellow­ Honolulu Academy of the Arts; Arkansas Art ship for Younger Humanists; NEH publication subvention grant; Center; Del Mar College, Corpus Christi, TX; International Center NEH Fellowship for Independent Study; Smithsonian Institution for Photography, George Eastman House. AWARDS: Master Fellow in grams; Ford Foundation grants; Univ Minn grants. PROFESSIONAL the Visual Arts, Indiana Arts Commission; best graphic award, Joslyn ACTIVITIES: treasurer, American Committee for South Asian Art (CAA Art Museum, 16th Biennial; Ford Foundation grant; grants-in-aid of affiliate); trustee, American Institute of Indian Studies; NEH panel­ creative research, Indiana Univ; several honorable mentions, PROFES­ ist, Association for Asian Studies; Indo-U.S, Subcommission on SIONAL ACTIVITIES: NEA panelist; photography seminar participant, Education and Culture, CAA ACTIVITIES: presented paper at CAAI Haystack Mountain School of Crafts, CAA ACTIVITIES: annual meeting SAH annual meeting, 1972; presented paper at annual meeting, 1978; panelist, 1974. chaired sessions at annual meetings 1977 and 1985. Continued on p. 2, col. 1 Inominations for CAA board of directors Inominations for CAA board of directors

CAA has a crucial role to play in art and art history beyond the RUTHE. FINE sphere of its membershtft and annual meetings. One of its main goals National Gallery of Art Art; Akron Museum of Art: NYU Collections; National Museum of MARCIA B. HALL over the coming years should be toJurther develop this role by inter­ Women in the Arts. PUBLICATIONS: "Louisa Ignacia Roldan," Tyler School of Art, Temple University acting more vigorously with legislatorslpol£cymakers to enhance its BFA Philadelphia College of Art, 1962; MFA Women's Studies, 1978; "On Carlo Crivelli," Arts Magazine, 1981; Art and Soul, 1986; Audrey Flack on Painting. AWARDS: Butler Insti­ visibz1z~y and influence on both the natz'onal and internatz'onallevels. Univ Penn, 1964. POSITIONS: lecturer, Phila­ BA Wellesley Col, 1960; MA Radcliffe Col, In addition, CAA ought to expand its discourse and relationships with delphia College of Art, 1964-69; asst prof, tute of Art Award of Merit; Cooper Union Citation and honorary doc· 1962; PhD Harvard Univ, 1967. POSITIONS: the professional organizations of other scholarly discipl£nes and tech­ Beaver College, 1968-72; curator, dept of torate; St. Gauden's Medal, Cooper Union; Artist of the Year Award, visiting lecturer, Franklin and Marshall Col, nical fields, CAA should also continue to sponsor undertakings of graphic arts, National Gallery of Art, 1972-. New York City Art Teachers Assoc. 1967 -71; asst prof to full prof, Tyler School of broad-reaching educational significance, along the lines of its publi­ GALLERY AFFILIATION: Dolan/Maxwell Gallery, Art, Temple Univ, 1973-; Sterling Clark visit­ I am first and foremost an artist- a patnter and a sculptor-with a cation Safe Practices in the Arts and Crafts, which identified hazards Philadelphia. SOLO EXHIBITIONS: "Ruth Fine: ing prof, Williams College, fall 1986. PUBLICA­ deep love of art, and I am also involved with art history and fasClnated in the studio and developed standards for safety. Further projects Works on Paper: A Retrospective View," Beav" TIONS: "The Tramezzo in Santa Croce, Flor­ by the mind of the art historian. I would like to help the College Art might t'nclude a follow-up to Safe Practices, surveying £ts t'mpact and er College; Associated American Artists, Philadelphia; Anna Leon­ ence, and Domenico Veneziano's Fresco," Association grow t'n its role as a vital resource for the record£ng and proposing specific procedures for t'mplementing its gut'del£nes where owens Gallery, Nova Scotia College of Art and Design; Philadelphia Burhngton, 1970; "The Operation of Vasari's Workshop and the dissemznation of important t'deas both old and new. A synthesis of problems sUllexist. Another such int'tiative m£ght be the collectt'onand College of Art. BOOKS ILLUSTRATED: Francis Golffing: Collected Poems, Design for Santa Maria Novella and Santa Croce," Burlington, 1973; these tdeas can help us formulate the vistan whtch we need today to dissemination of t'nformatt'on onforeign and national exchanges in art with four linocuts by Ruth Fine, 1980. COLLECTIONS: Board of Educa­ "The Problem of the Rood Screen in Italy: the Ponte in Santa Maria brt'ng us znto the twenty-first century. The dt'chotomies which current­ and art history, grants, fellowshlps, and other opportunities for both tion, Philadelphia; Hunterian Art Gallery, Glasgow Univ; National Novella," Journal of the Warburg and Courtauld Institutes, 1974; ly exist between artists, critics, historians, and educators need to be professt'onal and student members. Gallery of Art; Philadelphia Museum of Art; The Print Club; Fleming "Michelangelo's LastJudgment; Resurrection of the Body and Predes­ examined, the common ground which we all share explored, and a Museum, Univ Vermont. EXHIBITIONS AND PUBLICATIONS: Lessing]. tination," Art Bulletin, 1976; Renovation and Counter-Reformation: synthesis of our van'ous disaplines achieved. In my career I have ex­ VAN DEREN COKE Rosenwald: Trt'bute to a Collector, National Gallery of Art, 1982; Vasan' and Duke Cosimo in Santa Man'a Novella and Santa Croce, plored many ofthese roles through wrt"ttng, teaching, and lecturt"ng at Arizona State University Painters' Chot'ce: Catalogue of an Exhibition held at The GroZier 1565-77, 1979; and several in press. AWARDS: Fulbright Fellowship; various colleges and un£versit£es throughout the United States, and I Club, N. Y., December 19, 1978-February 3, 1979, 1983; Drawing Fellow of Villa I Tatti; NEH Fellowship; Getty Trust grant-in-aid of AB Univ Kentucky; MFA Indiana Univ; post­ am consequently sensitive to many of the complex issues within the Near: Whistler Etchings from the Zelman Collection, Los Angeles publication; Institute for Advanced Study, Princeton; and numerous MFA Harvard. POSITIONS: asst prof and direc­ contemporary art world. County Museum of Art, 1984; Gemini G.E. L. : Art and Collaboration, grants-in-aid for research from Temple Univ. PROFESSIONAL ACTIV­ tor, art gallery program, Univ Florida, 1958- National Gallery of Art, 1984; The Pn'nts of Benton Spruance: A ITIES: conference organizer, Temple Univ, 1980; conference co-direc­ 1961; assoc prof and director, art gallery, Catalogue Raisonne (with Robert F. Looney), 1986. The Graphic t!?r, Princeton, 1983; advisory committee, Getty Trust Conservation Arizona State Univ, 1961-62; director, univer­ RICHARD HAAS Muse: Pnnts by Contemporary American Women Artists (with Infonnation Project. CAA ACTIVITIES: presented paper at annual sity art museum, 1962-66 and 1973-79, prof School of Visual Arts Richard S. Field), 1987. AWARDS: Christian and Mary F. Lindbach meeting, 1981; Art History Program Chair, annual meeting, 1983; ses­ 1962-66, chair, 1963-70, Univ New Mexico; Award for Distinguished Teaching, Beaver College; Yale Center for sion co-chair, annual meeting, 1984. deputy director to director, International Mu­ BA Univ Wisconsin, Milwaukee, 1959; MFA British Art study grant. PROFESSIONAL ACTIVITIES: juror for numerous seum of Photography at George Eastman House, Rochester, 1970-72; Univ Minnesota, 1964. POSITIONS: instructor, I am aware of an zncreasing separatt'on ofthe van'ous components of exhibitions of contemporary art, lecturer, and guest critic at museums director, dept of photography, San Francisco Museum of Modern Art, Univ Minnesota, 1963-64; asst prof, Michigan our professlan: artists, historians, museum people, conservators. The and academic institutions; panel moderator, Middle American CAA, 1979-87; adjunct prof to distinguished prof, Arizona State Univ, State Univ, 1964-68; instructor, Bennington CAA should act as the unifytng and £ntegrating agent, bringing us 1976; advisory board, board of governors, The Print Club; advisory 1984-. EXHIBITIONS AND PUBLICATIONS: dozens of books and cata­ Col, 1968··79; faculty, School of Visual Arts, back into dialogue with one another to prevent us fromspllntedng tnto board, WCA; advisory board, board of directors, Washington Print logues, including Taos and Santa Fe: The Artist's Environment, 1882- 1977 -; instructor of fresco, Skowhegan School isolated facttans. Espedallyas our professtan becomes more complex Club; editorial board, The Tamarind Papers; board of directors, of Painting and Sculpture, 1982, 1984. SOLO and more specialized, we need to keep the channels of communication 1942, 1963; The Painter and the Photograph: From Delacroix to War­ Print Council of America; consultant to Film America; advisory hol, 1972; Photography in New Mexico: From the Daguerrotype to the EXHIBITIONS: Brooke Alexander, NYC; Norton open. Specifically, I would l£ke to see the annual meeting designed to board, Pyramid Atlantic. CAA ACTIVITIES: editor of "Notes from the Present, 1979; Avant-Garde Photography in Germany 1919-1939, Gallery and School of Art, West Palm Beach, FL; San Francisco maximize opportunities for exchange among these groups and a Women's Caucus," CAA newsletter and Art Journal, 1976-78; 1982; and articles in Aperture, Art in America, Artjournal, Encyclo­ Museum of Modern Art; The Urban Center, Municipal Art Society, greater effort made to create a program that will be appeaUng to all panelist at annual meeting, 1985; panel chair and moderator, annual pedia of Photography, Creative Camera, Image, Art News, among NYC; The Octagon, AlA Foundation, Washington, DC; Chrysler four groups. meeting,1987. others. SOLO EXHIBITIONS OF PHOTOGRAPHS: George Eastman House, Museum, Norfolk, VA; Rhona Hoffman Gallery, Chicago. COMMIS­ Rochester; Phoenix Art Museum; Witkin Gallery; Oakland Museum; If I have somethlng distinctive to offer the CAA it stems from my SIONS: In New York City, Boston, Munich, Chicago, Seattle, Milwau" NEWTON HARRISON Galerie Die Brucke, Vienna; Galerie A. Nagel, Berlin; Robert dual professional commitments. I am a museum curator, and I am also kee, New Brunswick, Houston, Norfolk, Cincinnati, St. Louis, Phila­ University of California, San Diego Schoelkopf Gallery, NYC; La Photo Galerie, Paris; Susan Spiritus a patnter and print maker. I taught for several years at the umversity delphia, Salt Lake City, Phoenix, Miami, Fort Worth, Washington, Gallery, Newport Beach, CA; Albuquerque Museum; Niekrug level, and conttnue to be tn contact with art schools and universities as DC, Richmond, and many others. AWARDS: annual award of the Muni­ BFA, MFA Yale Univ; cert. Penn. Academy Fine Arts. POSITIONS: asst. prof, Univ New Mex­ Gallery, NYC. COLLECTIONS: Museum of Modern Art, International a lecturer, crit£c, etc. In an organization as large and complex as the cipal Arts Society of NY, 1979; American Institute of Architecture Museum of Photography at George Eastman House; Bibliotheque CAA, sympathett'c and intelligent communication across professional Medal; NEA grant; Guggenheim Fellowship. PROFESSIONAL ACTIV­ ico, 1965-67; assoc prof to full prof, 1967-, Nationale, Paris; San Francisco Museum of Modern Art; National and special interest groups is a responsibility of significance. Il£ke to ITIES: City of New York, arts commission, 1976-1979; vice president, chair 1973-76, Univ Calif, San Diego. GALLERY Gallery of Canada; Smithsonian Institution; Denver Art Museum; and thlnk it is posst'ble to bridge the gaps among the disapllnes the CAA Architectural League of NY, 1978-81; board of directors, Public Art AFFILIATION: Ronald Feldman Fine Arts. SOLO EXHIBITIONS: Ronald Feldman Fine Arts, NYC; several university collections. AWARDS: "New Talent USA," Art in represents. If elected to the Board, I would work toward that goal. Fund, NY, 1981-; board of governors, Skowhegan School of Painting America; "Photography's Essential 60 Movers and Shakers, Trend­ and Sculpture, 1982-; board of trustees, Preservation League of NY Detroit Institute of the Arts; San Francisco setters, and Taste-Makers," Amer£can Photographer; honorarymem­ AUDREY FLACK State, 1985-87; board of directors, Storefront for Art and Architec­ Museum of Modern Art: Portland Center for ber, American Photographic Historical Society; honorary doctor of New York City ture, 1987. the Visual Arts; Chicago Museum of Contemporary Art; Maryland humane letters, Academy of Art, San Francisco; Annual Governor's Institute College of Art; Washington Project for the Arts; San Jose Awards for art history, photography (New Mexico); Guggenheim Fel­ BFA Cooper Union, 1951; graduate work at I am a studio artist and former artist teacher. I taught in colleges Museum of Art; Baxter Art Gallery, Califlnst ofTechnology;]ohnson Museum, Cornell Univ; Tortue Gallery, Santa Monica; Wenger lowship. PROFESSIONAL ACTIVITIES: editor, Aperture; board of direc­ Yale Univ, 1952, NYU-IFA, 1953. POSITIONS: and universities from 1964 to 1981 and while teaching at Bennington tors, Society for Photographic Education; board of directors, Interna­ Pratt Institute and New York Univ, 1960-68; College, served twice as Art Division Chairman. My primary work has Gallery, San Diego; Grey Gallery, NYU; Los Angeles County Museum tional Folk Art Foundation; editor, Image; Visual Arts panelist for Riverside Museum Master Institute, NY, 1966- been large scale commissions on an architectural scale. of Art. COMMISSIONS: Lagoon, Los Angeles, 1973-·74; Lagoon Cycle, ETS; board of directors, PhotoMetro; and frequent juror and sympo­ 67; School of Visual Arts, NY, 1970-74; Albert In worktng on these projects I have encountered all of the van'ous Metromedia, 1977-83; Baltimore Promenade, Maryland Institute. AWARDS: Award for EAT: Projects Outside Art; NEA Grant; U.S. Dept sium participant. CAA ACTIVITIES: board of directors, 1973-77; CAA Dome prof, Unlv Bridgeport, CT, 1975; Mel­ problems that occur to artists working on commissions and have preservation committee, 1977-79; "The Art of Photography in Col­ lon prof, Cooper Union, 1982. SOLO EXHIBI­ recently served on an NEA panel conference deal£ng with these issues. of Commerce Sea Grant. PROFESSIONAL ACTIVITIES: chair, policy panel, lege Teaching," College Art Journal, 1960; annual meeting session TIONS: Roko Gallery, NYC; French & Co., It is this area ofinterest and my expertise concern£ng such projects that NEA Visual Arts Section, 1977-79; founding member, Stewart Foun­ chair, 1967; presented paper at annual meetings 1974, 1977. NYC; Louis K. Meisel Gallery, NYC; "Audrey Flack: Works on Paper, I would hope to focus on in my tenure on the CAA Board. dation Sculpture Gardens, 1982-. I have taught studio courses as well as art history and have written a 1950-1980," Univ South Florida, Tampa and Art and Culture Center, I have kept up my contacts with art schools, colleges and unt'versities I have always found the College Art AssoC£at£on a very valuable in­ number of catalogues and books and many articles about the fertile Hollywood, FL; Carnegie- Mellon Univ; "Dye Transfer Photographs through constant travel and lectures to communities and on campuses stitution and would like to particzpate t'n its conttnuing development. relationshtps between the two ways of making images. I would bring. and Prints," Atlantic Center for the Arts, New Smyrna Beach, FL; over the years. Its t'mportance to me rests in the sense of collect£vity it engenders my years of experience in this broadeningfield to the College Art Asso­ "Saints and Other Angels: The Religious Paintings of Audrey Flack," I am aware ofand sympathize with the current pressures imposed by among artists, art teachers, art historians and students and the singu­ ciation at a time that photography is increasingly prominent in the Cooper Union, NYC. COLLECTIONS: Allen Memorial Museum, Ober­ the Admtnistrat£on ofcut-back on art budgets andfaculties and at the lar forum it provides. I am interested in the artt"st's education, particu­ works of mMnstream artists as the relationshtp is taking on new mean­ lin; Brandeis Univ; Metropolitan Museum of Art; Museum of Modern same time, sensitive to the problems of mazntaining a professt'onal larly in relationshtp to the emerging possibil£ties zn public art: the art­ i'ng for artists and challenging scholars to investigate the underlyt'ng Art, NY; National Museum of Art, Australia; St. Louis Museum; career as an artist while teachzng full time. ist's lnvolvement tn urban planning, ecological reconstruction and in Solomon R. Guggenheim Museum; Whitney Museum of American reasons why this is the case. Continued on p. 4, col. 1

2 CAA newsletter Fall 1987 3 •

Inominations for CAA board of directors Inominations for CAA board of directors adjacent areas. These concerns obviously emerge from my own work DANIELLE RICE which is collaboraUve and involved in such domains. Moreover, I find Philadelphia Museum of Art Emperor Maximilan I, 'Teuerdank,' and the 'Heldenbuch' CURRENT BOARD OF DIRECTORS institutions themselves interesting as both personal experience and as Tradition," Jahrbuch des ZentralinsUtuts fur Kunstgescht'chte, 1986; PRESIDENT: Paul B. Arnold, Oberlin College subject matter and have worked extensively with them. Actually, this AB Wellesley Col, 1973; PhD Yale Univ, 1979; "Figure nude, historie e poesie: Jan Gossaert and the Renaissance VICE PRESIDENT: Phyllis Pray Bober, Bryn Mawr College has been more play than work JOT me. I have taught in the art depart­ Principles of Management for Cultural Institu­ Nude in the Netherlands," Nederlands Kunsthistorisch Jaarboek, SECRETARy: James Cahill, University of California, Berkeley ment of the University of California at San Diego since its inception in tions, The Museums Collaborative, Inc. and 1986; ''The State of Research in Northern European Art of the Renais­ TREASURER: John W. Hyland, Jr., PaineWebber Inc. 1967 and have served the university in many capacities including Columbia School of Business, 1980. POSITIONS: sance Era," Art Bulletin, 1986; and numerous reviews. AWARDS: Phi COUNSEL: Gilbert S. Edelson, Rosenman & Colin department chair. I have worked with cities both as an artist and in a lecturer, Metropolitan Museum of Art, 1975- Beta Kappa; Woodrow Wilson Fellowship; Danforth Graduate Fel­ consultative capacity, and with alternative spaces, local and state arts 77; education consultant, Yale Center for Brit­ lowship; Kress Foundation Fellowship; Fellow of Southeastern Insti­ TO SERVE UNTIL 1988: Cynthia Carlson, Philadelphia College of Art; agencies and the National Endowment for the Arts as the first policy ish Art, 1976-79; curator of education, Wads­ tute of Medieval and Renaissance Studies, Duke Univ; Arthur Kings­ Alan M. Fern, National Portrait Gallery, Smithsonian Institution; Joel panel chair for the Visual Arts. worth Atheneum, 1979-84; curator of educa­ ley Porter Prize (CAA); Robert and Clarice Smith Fellowship, Nation­ Isaacson, University of Michigan; Martha Kingsbury, University of tion, National Gallery of Art, 1984-86; curator of education, al Gallery of Art; Herodotus Fellow, Institute for Advanced Study, Washington, Seattle; James Marrow, University of California, Berke­ JULES HELLER Philadelphia Museum of Art, 1986-. PUBLICATIONS: "American Princeton; Alexander von Humboldt Fellow, Zentralinstitut fur ley; Catherine Wilkinson Zerner, Brown University. Arizona State University Masterpieces: An Instructional Guide for Teachers," Metropolitan Kunstgeschichte, Munich; Samuel H. Kress Senior Fellow, Center for Museum, 1976; "Women and the Visual Arts," French Women and Advanced Study in the Visual Arts, National Gallery of Art. PROFES­ TO SERVE UNTIL 1989: Sam Gilliam, Washington, D.C., Egbert Haver­ BA Arizona State Univ, 1939; MA Columbia the Age of Enl£ghtenment, ed Samia 1. Spencer, 1984; "Elizabeth SIONAL ACTIVITIES: chair, Newberry Library Renaissance conference, kamp-Begemann, Institute of Fine Arts, New York University; Joyce Univ, 1940; PhDUniv Southern Calif, 1948; D. Vigee-Lebrun vs. Adelaide Labille-Guiard: A Rivalry in Context," 1984; participant, 1984, academic director, 1985, alumni college, Kozloff, New York City; Irving Sandler, S.U.N.Y., College at Pur­ Litt. York Univ, 1985. POSITIONS: lecturer to Proceedz'ngs of the Western Sodety of French History, 1984; "Offset­ Northwestern Univ; NEH panelist; board member, 1984-, program chase; Barbara Maria Stafford, University of Chicago; Ruth Weis­ prof and chair, Univ Southern Calif, 1946-61; ting the Balance in Favor of Analysis: A Museum Educator's Perspec­ chair for regional meetings, 1986, Midwest Art History Society; con­ berg, University of Southern California. director, School of Arts, 1961-63 and founding tive," Design for Arts in Education, 1986; "Making Sense of Art," The sulting curator, Art Institute of Chicago, 1981-; vice president, 1985- dean, College of Arts and Architecture, 1963- Journal ofthe Washt'ngtonAcademy of Sciences, 1986; "On the Ethics 87, program chair for 1987 meeting, Historians of Netherlandish Art TO SERVE UNTIL 1990: Pat Adams, Bennington College; Richard R. 68, Penn State Univ; founding dean, faculty of of Museum Education," in Museum News, 1987. AWARDS: Phi Beta (CAA affiliate); and numerous public lectures. CAA ACTIVITIES: Arthur Brettell, The Art Institute of Chicago; Walter B. Cahn, Yale Univer­ fine arts, 1968-73 and prof 1973-76, York Kappa; Wellesley College Durant Scholar; Alliance Francaise de New Kingsley Porter Prize selection committee, 1976-77, and 1977-78; sity; Ofelia Garcia, The Atlanta College of Art; ElizabethJohns, Uni­ Univ; dean 1976-85 and prof 1985-, Arizona State Univ. SOLO EXHIBI­ York Henry Doll Scholarship; Kress Foundation Summer Research presented paper, annual meeting 1976,1980. versity of Maryland; IreneJ. Winter, University of Pennsylvania. TIONS: Gallery Pascal, Toronto; Univ Alaska, Fairbanks; Alaskaland Grant; Yale Center for British Art Travel Grant. PROFESSIONAL ACTIV­ Since joining the CAA in 1969, I have tried to contribute in various Gallery, Fairbanks; Visual Arts Center of Alaska, Anchorage; Arizona ITIES: chair, Museum Education Journal advisory committee; NEA TO SERVE UNTIL 1991: Elizabeth Hill Boone, Dumbarton Oaks; Judith fashions to the organization's activities: with articles and reviews in the State Univ; Sette Gallery, Scottsdale, AZ. COLLECTIONS: Arizona State panelist; past secretary, American Association of Museums education K. Brodsky, Rutgers University; Mary Schmidt Campbell, The Studio Art Bulletin and Art Journal, with papers at annual meetz'ngs, and Univ; Long Beach Museum of Art, Calif; Allan R. Hite Art Institute, committee; past chair, New England Education Committee; past Museum in Harlem; Faith Ringgold, University of California, San with a committee assignment. In recent years, I have served both as Louisville, KY; Tamarind Institute, Albuquerque; Univ New Mexico; member visual arts advisory panel, New England Foundation for the Diego; Linda Seidel, University of Chicago; Yoshiaki Shimizu, Prince­ program chairman for the annual meett'ng and as board member for York Univ; Canada Council Visual Arts Bank; Library of Congress; Arts; delivered papers at American Association of Museums annual ton, University. III the Midwest Art History Sodety. In addition to my regular academic Phoenix Art Museum. RESEARCH AND PUBLICATIONS: Printmaking meetings, American Society for Eighteenth Century Studies annual Today, 1958,1959,1972; Papermaking, 1978, 1979, 1981; Womanas meetings, and at numerous museums. CAA ACTIVITIES: Session chair, teaching career, my research has also involved close collaboration wz'th Artist (unpublished mss.), at National Museum for Women, Wash­ annual meeting, 1986. museum curators as well as p"rintmakers. As a board member, I would ington, DC. PROFESSIONAL ACTIVITIES: Visiting artist and juror at muse­ therefore hope to be able to represent the interests ofa broad spectrum As an art historian and museum educator I work closely with artists, REMIl~DER: The Preferential Ballot,is being mailed separately. ums and universities worldwide; founder and director, 1st, 2nd, and of members in addition to speaking on behalf of the Midwestern col­ scholars, art educators, and with the museum's diverse audiences. I Pleas'e retain information on nominees until you receive it. 3rd National Exhibition of Prints, Univ Southern Calif, 1952-54; leagues whom I know best. I feel that this organization ought to be a have consistently nurtured the relationshtps between museums and executive editor, Impression, 1957-58; member, Commonwealth of more forceful advocate ofprofeSSional standards, following up its own colleges and umversities by designing and implementing museum Pennsylvania Council on the Arts, 1966-68; board member, National position papers on legal and ethical princtples of a decade ago. studies courses, internshtps, and serv£ces to the academic community. Council on the Arts in Education, 1968; president, International Art history provides me with a valuable methodologyfor considering Council of Fine Arts Deans, 1968; U.S. arts representative, Americas the most complex and fundamental questions of interpretai£on that Society, Canadian Affairs Cultural Committee, 1983-86; steering result from my contact wt~h the general public, whtle my museum committee, International Association of Hand Papermakers, Basel, work often causes me to scrutinize and stretch the theoretical boundar­ Michael Harnett. Katharina Rich Perlow 1986. CAA ACTIVITIES: Participant in several print panels at annual solo shows by artist members ies ofthe disczpline. I am especially comm£tted to ft'nding ways ofusing Gallery, N.Y.C., March 7-28. Contemporary meetings over the years. the art museum and art teacht'ng in general as agents ofsocial change. painting and sculpture. In more than four decades of teaching and administrative positions As a member of the Board of the CAA I would bring this unique com­ A listing of exhibitions by artists who are Baltimore, --Md., June 27 -July 24. "Sorry Billy Hassel. DW Gallery, Dallas, Septem­ at university level, I grappled wt~h situations not unknown to our bination of concerns to bear on the activities of the organization. members of the CAA. Those sendt'ng l'nfor­ About That," monotypes. ber ll-October 8. "In Weather," recent membershtp: fiscal vicissitudes; the ideal curriculum; work loads and mation should include name of artist, gallery Frances de La Rosa. Heath Gallery, paintings, drawings, prints. conditions of work; esthetic altercations and the place of art in soci­ LARRY A. SILVER or museum, city, dates of exhibition; and Atlanta, Ga., August 1-22. Upstairs/Down­ ety-to name but a clutch of perennial considerations. As participant Northwestern University medium. stairs Gallery, Kingston, Jamaica, October 4- Nicholas Hill. Muskegon Museum of Art, and, t'n two cases, founder offaculties offt'ne arts t'n this country and Muskegon, Mich.,July 19-August 30. Recent Banerjee. XVIl Ljubljana Print Biennial, November 1. Metaphorical Landscapes, oil abroad; as a still-practicing print maker and teacher of the black arts; AB Univ Chicago, 1969; MA, PhD Harvard paintings. Museum of Modern Art, Yugoslavia, June on canvas. as an ex-administrator of arts departments, multi-disaplinary fine POSITIONS: University, 1971, 1974. lecturer to 19-5eptember 30. "Evolving Process #1," Mimi Holmes. Southeastern Center for arts faculties, and colleges of arts and architecture, I believe I under­ asst prof, Univ Calif at Berkeley, 1974-79; Lucy Gans. Muse Gallery, Philadelphia, "Evolving Process #4," "Evolving Process #8." Contemporary Art, Winston-Salem, N.C., stand, finally, certain of the problems t'ndigenous to a bureaucracy assoc prof to full prof, 1979- and chair, 1983- September 8-0ctober 3. Huts, Dwellings and Village Fragments, a sculptural installation. August 14-0ctober II. Mixed media sculp­ that houses or tries to house creative artists, art historians, and 86, Northwestern Univ. PUBLICATIONS: Flemish William Berry. Stone House Gallery, Fre­ tures. Clegg Gallery, Young Harris College, museum professionals. My perception of this exercise should be useful, and Dutch Pa£ntings 1440-1900, with Franklin donia, Kansas, September; Solano Commu­ Wolf Gowin. On The Wall Gallery, Med­ Young Harris, Ga., October 5-November 6. were I elected to the Board of the CAA. Robinson and William Wilson, Ringling Muse­ nity College, Suisun, Calif., November 19- ford, Or., January 9-February 21. Assem­ Holocaustal Relics Installation and other um of Art, 1980; Northern European Paint­ December 9. Still life drawings in colored blages and sculptures. Eleven East Ashland sculptures. ings, St. Louis Museum of Art, 1982; The Paintings of Quentin pencil. Gallery, Phoenix, Ariz., June 4-June 27. Roger Howrigan. Blue Hill Cultural Cen­ Massys, 1984; and numerous articles, including "The Sin of Moses: Donald J. Buckley. Pridmore & Taylor Assemblages, installations, sculptures. ter, Pearl River, N.Y., October 21, 1987-Jan­ Comments on the Early Reformation in a Late Painting by Lucas van Galleries, Lake Forest Academy Ferry Hall, uary 29, 1988. "Museum Gardens," oils and Leyden," The Art Bulletin, 1973; "Forest Primeval: Albrecht Alt­ Donna Anne Gregory. Staunton Fine Arts Lake Forest, Ill., April9-May 1. Sculptures. Association, Staunton, Va., September. Fire­ watercolors. NOMINATIONS'forJhe Board of Directors for 1989"may be dorfer and the Early German Wilderness Landscape," Simiolus, 1983; "Step-Sister of the Muses: Painting as Sister Art and Liberal Art," in Stephen C. Cappelli. Meridian Museum of house Galleries, Graham, N.C., October. Chester Kasnowski. Bertha Urdang Gal­ addressed, to: 1988, Nominating Committee; c/o CAA, 275 Fine Art Center for the New River Valley, Seventh Avenue, New York, N. Y_ JOOO}' R. Wendorf, ed, Articulate Images: The Sister Artsfrom Hogarth to Art, Meridian, Miss., September 5-0ctober lery, N.Y.C., November 3-28. New works. Tennyson, 1983; "Prints for a Prince: Maximilian, Nuremberg and 16. Danville Museum of Fine Arts and His­ Pulaski, Va., February 1988. Hobson Pitt­ Lila Katzen. Harper & Row Building, the Woodcut," in J.C. Smith, ed, New Perspective on the Art of tory, Danville, Va., December 6, 1987-Janu­ man Gallery, Tarboro, N.C., March-April N.Y.C. July 16 .. ,November 1. "Favorite Renaissance Nuremberg, Five Essays, 1985; "'Die guten alten istory': ary 19, 1988. Paintings. 1988. Greenville Museum of Art, Greenville, N. C., September 1988. Paintings/ drawings Graces," sculptures. Cynthia Carlson. School 33 Art Center, mixed media. Continued on p. 16, col. 3 4 CAA newsletter Fall 1987 5 conferences and symposia announcements

Scholarly Exchange with China World War II-A 50 Year Perspective American Studies Association: Institute in Nicosia (CAARI). Details and Scholars in the Michigan Society of Fellows. CALL FOR PAPERS The Committee on Scholarly Communica­ Siena College is sponsoring its third annual Annual Meeting information: American Schools of Oriental The equivalent of one academic year is ded­ tion with the People's Republic of China an­ Centre de Recherches Revolutionnaires et multidisciplinary conference on the 50th "Creativity in Differences: The Cultures of Research, 4243 Spruce Street, Philadelphia, icated to teaching or departmental research; nounces a National Program for Scholarly Romantiques anniversary of World War 1I,June 2·, 3,1988. Gender, Race, Ethnicity, and Class." Propo­ PA 19104. (215) 222-4643. Deadline: 2 the balance of time is available for indepen­ Exchanges with the People's Republic of De l'Universie Blaise- Pascal (Clennont- Fer­ Focus will be 1938, though papers dealing sals for possible presentations at the annual November. dent scholarly research and creative work. China for the 1988-89 academic year. The rand) announce pour les 15-17 decembre with broad issues of earlier years are welcome. meeting, October 27 -. 30, 1988, Miami Beach Further information: Michigan Society of Graduate and Research Programs offer op­ 1988 un colloque sur Ie theme "Revolution Topics include Fascism and Nazism, the War Fontainebleau. Contact: ASA, 309 College American Academy in Rome Fellows, 3030 Rackham Building, UM, Ann portunities to graduate students and scholars Franc;aise et Vandalisme Revolutionnaire." in Asia, Spain, Literature, Art, Film, Diplo­ Hall, University of Pennsylvania, Philadel­ AAR announces the 1988-89 Rome Prize Fel­ A,bo,. MI 48109-1070. (313) 763-1259. in social sciences and humanities to conduct Le sujet donnera lieu a une triple demarche: matic, Political and Military History, Popular phia. PA 19104-6303. (215) 898-5408. lowship Competition in the fields of Archi­ Deadline: 16 November. approche historique et critique des notions de Culture and Women's and Jewish studies Deadline: 15 January 1988. long- term research in China. The Visiting tecture, Landscape Architecture, Painting, "vandalisme" et de "vandalisme revolution­ dealing with the era. Czechoslovakia and the Scholar Exchange Program is a reciprocal Sculpture, Musical Composition, Literature, New York State Artists Sought for naire"; faits materiels, modalites, motiva­ Munich Conference will be particularly short-term program which offers opportuni­ Classical Studies, Classical Art and Archae­ Residency Roster tions, debats contemporains; eU~ments d 'ap­ appropriate. Replies and inquiries: Thomas ties to Americans in natural sciences, engi­ ology, History of Art, and Post-Classical The New York Foundation for the Arts' Art­ proche comparative. Le projet detaille de ce O. Kelly, II, History Department, Siena Col­ neering, social sciences, and humanities to Humanistic Studies. Also available are An­ ists in Residence program invites performing colloque peut etre demande au CRRR auquel lege, Loudonville, NY 12211. Deadline: 15 lecture and conduct research in China and in­ drew W. Mellon Foundation and National artists and ensembles, architects and folk­ les propositions de communication devront December. TO ATTEND vites nominations of Chinese scholars to come Endowment for the Humanities post-doc­ lorists to apply for the 1988-89 Artists Roster. parvenir pour Ie 15 Octobre 1987: eRR, to the U.S. For applications: CSCPRC, Na­ toral fellowships, Samuel H. Kress two-year Artists accepted are eligible to participate in Faculte des Lettres et Sciences Hurnaines, 29 South-Central Renaissance Conference tional Academy of Sciences, 2101 Constitu­ pre-doctoral fellowships, and National En­ residencies in a variety of schools, cultural tionAve., Washington, DC 20418. (202) 334- institutions and other non -- profit organiza­ boulevard Gergovia, 63037 Clermont-Fer­ Will meet April 21- 23, 1988 at the Gulf Park "Paris in Japan" in St. Louis dowment for the Arts six - month fellowships rand Cedex, France. 2718. Deadline: 10 October. tions. Applicants are reviewed for artistic Conference Center of the University of South· A symposium and exhibition of Japanese in the design arts. Fellows are selected by na­ professionalism and suitability to carry out a ern Mississippi. Papers on the following topics paintings of the early twentieth-century will tional, rotating juries of prominent artists and quality indepth residency. Artists are re­ Interdisciplinary Nineteenth-Century are invited: Erasmus and the Radical Vision; be held at the Washington University Gallery scholars. Rome Prize Fellowships provide NEA M meum Programs viewed biannually according to the disci­ Studies Conference Patronage; Iconography; Figurative Lan­ of Art, St. Louis, October 1-2. Speakers recipients with a stipend, travel allowance to National Endowment for the Arts announces pline. Visual and media artists are invited to INCS will hold its third annual meeting, guage and Theatricality in Non-Shakespear­ include John Rosenfield, Shuji Takashina, J. and from Rome, housing, most meals, and a upcoming deadlines in the museum program apply in the fall 1988 for placement on the hosted by Northeastern University, in Boston, ean Tragedy; Caroline/Commonwealth Lit­ Thomas Rimer, Robert Rosenblum, Gene­ study/studio space at the Academy's ten­ category: Museum Purchase Plan: deadline, 1989- 90 Artists Roster. Applications: New 14-16 April 1988. The general theme of the erature and its Historical Context. Papers vieve Lacambre, Toru Haga, and Ellen Con­ acre, ten- building facility in Rome, Italy. No October 15; Special Exhibitions: deadline, York Foundation for the Arts, Artists in Resi­ meeting is "Transport, Transition, and Rites from outside the region are welcome. Inqui· ant. For more information, write Paris in courses are offered; fellowship winners pursue November 16. F~Irther information and dence, 5 Beekman Street, Suite 600, New of Passage." Papers addressing this theme or ries: Dale Priest, English Department, Box Japan, Campus Box 1070, One Brookings independent work and creative study. Appli· guidelines: Museum Program, NEA, Wash­ Yacko NY 10038. (212) 233-3900. Deadline: any other aspect of interdisciplinary nine· 10023, Lamar University, Beaumont, TX Drive, St. Louis, MO 63130. 314/889-5297. cations: Fellowship Coordinator, AAR, 41 ington. DC 20506. (202) 682-5442. 23 November. teenth-century studies are welcome. Three 77710. Deadline: 31 December. East 65 Street, New York, NY 10021- 6508. (212) 517 -4200. Please specify field of inter­ sessions of the conference and a roundtable Mellon Postdoctoral Fellowships in the The Art of Northern Europe est when requesting application. Deadline: will deal specifically with transformation in Florida State Symposium Humanities The Detroit Institute of Arts will celebrate the Mellon Fellowships in the Humanities 15 November. the representation of the 19th century city. The Seventh Annual Graduate Student Sym­ For younger scholars who, by September 30, October opening of its newly renovated The Mellon Fellowships in the Humanities Further information: Prof. Stuart Peter­ posium, open to graduate students in art 1988, will have held the Ph.D. for not fewer Northern European galleries and Decorative seek faculty nominations of college seniors freund, Dept. of English-406 HO, NU, 360 history is scheduled for March 11--12, 1988. Center for Advanced Study in the Visual Arts Court with a symposium on Saturday, and recent graduates of outstanding promise than three and not more than eight years. Huntington Ave., Boston, MA 02115. Dead­ Abstracts: Francois Bucher, Art History Arts Pre-Doctoral Fellowship Program Research proposals are invited in all areas of October 10. Related programs are planned at for careers in teaching and scholarship. Ap­ line for first draft of papers (or proposals): 15 Dept. Florida State Unlv, , Tallahassee, FL Eight fellowships will be awarded for 1988-89 humanistic studies except educational curric­ the Toledo Museum of Art and the University proximately 120 awards, providing $9,750 November. 32306. Deadline: 1 January. by the National Gallery of Art, Center for Ad­ ulum-building and performing arts. Prefer­ of Michigan, Ann Arbor, on October 7 and 9 plus tuition and standard fees, will be avail­ vanced Study in the Visual Arts to support (respectively). Information: Patience Young, able for candidates entering upon graduate ence is given to interdisciplinary proposals Medieval Studies Forum doctoral dissertation research in the history of and to candidates who have not previously Monasticism in the Middle Ages DIA, 5200 Woodward Ave., Detroit, MI study in 1987-88, with each award being ten­ Proposals sought for papers, workshops, art, architecture, and urban form in the utilized the resources of UP and whose work The fifteenth annual Sewanee Medieval Col­ 48202. (313) 833-7975. able for as much as three years. The primary panels or complete sessions on any aspect of Western world. Applicants must have com­ allows them to take advantage of the research loquium will meet 8- 9 April 1988. The theme purposes of these awards are to maintain the the Middle Ages, for the Ninth Medieval pleted their residence requirements and strengths of the institution and to make con­ will be "Monks, Nuns, and Friars in Medieval Women Painters of Pennsylvania vitality and high quality of humanistic schol­ Forum to be held in Plymouth, N.H., April coursework for the Ph.D. and general or pre­ tribution to its intellectual life. The award Society." Only papers written specifically for A conference supported in part by the Penn­ arship and to attract into careers of teaching 15-16, 1988. This year special themes include liminary examinations before the date of ap­ carries an annual stipend of$25,000. Further this colloquium will be considered; they must sylvania Humanities Council, will be held and scholarship the fresh critical and creative "The Presence ofthe Middle Ages in the Mod­ plication, and have devoted at least one- half information and application fonns: Chair, be 1) related to the theme, 2) exactly as the October 9 at Shippensburg University, Ship­ minds who will be in greatly increased de­ ern Experience (19th-20th C.)" and three year's full·- time research to their proposed Humanities Coordinating Committee, 16 author will read them, 3) not more than 10 pensburg, Pa. An exhibition of works by Con­ mand for college and university faculties in topics in art history, "Typological Programs dissertation topic before the commencement College Hall, Univ. of Pennsylvania, Phila­ double-spaced typed pages, and 4) have crit­ temporary Pennsylvania women painters will the 1990s and beyond. Nominations and/ and Signs in the Middle Ages," "Medievalism: of the fellowship. Fellowships may begin in delphia, PA 19104-6378. Deadline: I ical apparatus (endnotes) appended. Send accompany the conference. For further infor­ or inquiries: Robert F. Goheen, Director, The Pre--Raphaelites," and "New Ap· the fourth year of their graduate studies. Ap­ December. MFITH, P. O. Box 288, Princeton, NJ 08542. proaches to Medieval Art History." For fur­ two copies of paper, notes, and brief cv to: Se· mation: Cesi Kellinger, 735 Philadelphia plicants must be either U.S. citizens or en­ Deadline: 2 November. Stanford Fellowships 1988-89 therinformation: Manuel Marquez- Sterling, wanee Medieval Colloquium, The University Ave., Chambersburg, PA 17201. rolled in a university in the U.S. Further in­ The Stanford Humanities Center will be of­ Director, Medieval Studies Council, Ply­ of the South, Sewanee, TN 37375. Deadline: formation: The Dean, Center for Advanced mouth State College, Plymouth, NH 03264. 10 January 1988. "Bloomsbury Remembered" fering eight external fellowships for 1988-89 ASOR Awards for Study in the Middle East Study in the Visual Arts, National Gallery of A symposium to complement the exhibition, intended for scholars and teachers in the hu­ (603) 536-5000, ext. 2214. Deadline: 11 1988-89 Art, Washington, DC 20565. Deadline: 15 December. "Bloomsbury Artists at Charleston: Paintings manities, or those in other fields working on The American Schools of Oriental Research November. Medieval Art in the Last Half Century from the Reader's Digest Collection," at The related projects, who would be interested in is offering over $150,000 in research, study, Women and Spirituality A symposium on Romanesque and Gothic Katonah Gallery, will be held Saturday, Octo­ spending the academic year at Stanford. The and travel grants for the 1988-89 academic Michigan Society of Fellows Papers, panels and proposals are sought for Art, co-sponsored by The Metropolitan Mu­ ber 10, in the DeWitt Wallace Auditorium, fellowships are primarily intended to enable year and the summer of 1988. Awards are MSF will offer four three-year, postdoctoral conference to be held at the University of Col· seum of Art and The International Center of Reader's Digest, Chappaqua (Westchester), fellows to pursue their own research and writ­ available to undergraduates, graduate stu­ fellowships at The Univ. of Michigan to begi:c. orado, Colorado Springs, April 8-9, 1988. Medieval Art, to celebrate the fiftieth anni­ New York. Speakers include S.P. Rosen· ing; however, recipients are also expected to dents, seminarians, and post-doctoral schol­ September 1988. Fields of study include all Participants representing diverse academic, versary of The Cloisters will be held October baum, Susan Casteras, Deborah Gage, Peter devote about one-sixth of their time to teach­ ars. Awards offer opportunities for human­ departments and schools at the university. religious, cultural, and ethnic points of view 21-22, 1988. Papers should feature new reo Shepheard, and Nigel Nicolson. Registration ing or in some other way contributing to intel­ istic study in the Middle East from prehistoric Candidates should not be more than three are sought. 2 copies of all papers (maximum search involving works of art in The Cloisters includes morning coffee, lunch, and after­ lectuallife at Stanford. Application materials through Islamic times. Recipients join the years beyond completion of- their degrees. 25 pages), abstracts of panels, proposals for collection. Length: 25 minutes. Respond to: noon tea. Admission fee $70 (Katonah Gal­ and further infonnation: Morton Sosna, As­ scholarly community of the Albright Institute The PhD or comparable professional degree, performances: Lois Frankel, Dept. of Philos­ The Symposium Committee, Mary B. Shep­ lery members, $60). Send checks to The Kato­ sociate Director, SHC, Mariposa House, in Jerusalem, the American Center of Ori­ received prior to appointment, is required. ophy, Univ. of Colorado, Colorado Springs, ard, Coordinator, The Cloisters, Fort Tryon nah Gallery, 28 Bedford Road, Katonah, NY Stanford University, Stanford, CA 94305- ental Research in Amman (ACOR) or the Fellows are appointed as assistant professors CO 80933-7150. (303) 593-3340. Deadline: Park, New York, NY 10040. 500 word 10536.914/232-9555. 8630. Deadline: I December. Cyprus American Archaeological Research with- departmental affiliation/Postdoctoral December 15. abstract due 15 January 1988. Con.tin.ued on p. 14, col. 1 Cont£nued on p. 18, col. 1

Fall 1987 6 CAA newsletter 7 CAA Annual Meeting UPDATE 1988 post-annual meeting tour: Dallas/Fort Worth

deadline extended for 1989 art history session proposals We are very pleased to offer, with much with curators in the afternoon. The grand space~available basis until January 22, which thanks to the participating museums for their finale will be a Valentine reception at the Fort is also the deadline for receipt of the full pay­ generous hospitality, a' post-meeting tour, Worth Museum. You will be free to spend as ment. If by any chance, a minimum of forty­ The deadline for submission of proposals for a half· hour reserved at the end of each work· from the perspective of another discipline, or February 13-15 (Saturday- Monday), to long as you wish in each museum, all within five persons do not sign up by December 15, Art History Sessions at the 1989 Annual Meet­ shop for open discussion. We should not a publication which affinns or questions tra­ Dallas/Fort Worth. short walking distance of each other. Buses we must cancel the tour; all deposits will be ing in San Francisco has been extended to aspire to unifonn coverage, but it is impor· ditional assumptions in our discipline. I Fly to Dallas/Fort Worth after the final ses­ will return to the Fairmont in the early eve­ promptly refunded in full. Cancellations October 31, primarily to allow submission of tant that these workshops range over the en~ should like proposals which build on success­ sion on Saturday, February 13. Everyone ning. For dinner, try another restaurant in made after January 15 will be subject to a $50 proposals for twenty workshops. tire history of art. This notice is primarily to ful symposia or conferences at other institu­ arriving at D/FW Airport between 5:30 P.M. the West End. processing fee. No shows will forfeit the entire Many excellent proposals have already solicit proposals for these twenty workshops. tions or on promising sessions at previous and 7:15 P.M. will be met and bused to the Monday morning, buses will take you to the payment. been received, focusing on a wide range of Proposals may also be submitted for regu· CAA meetings. Of course we shall not repeat luxurious Fainnont Hotel in downtown Dal­ Meadows Museum at Southern Methodist Rates do not include travel between Hou­ materials and problems. It seems clear, how­ lar sessions and symposia, which will still con­ conferences which have already been held las. (American Airlines flights to D/FW University for breakfast and a tour of the ston and Dallas/Fort Worth. You may pur­ ever, that nearly all proposals have been stitute the majority of Art History sessions. I (indeed a paper may not be given at the CAA depart from Houston at 4:41,5:56, and 6:09 museum and sculpture garden. The next and chase your roundtrip home-Houston-Dal­ fonnulated with the expectation that the for­ should like the San Francisco meeting to pro· which has previously been published or pre­ P.M.) Dinner will be on your OWll- the histo­ final stop, is the Dallas Museum of Art to see las/Fort Worth-home ticket at the conven­ mat of the San Francisco meeting will repeat vide a forum for the most important work now sented at another scholarly conference), but ric West End, three blocks from the Fainnom the collection, and where lunch will be pro­ tion rate (5% off the lowest available airfare that of recent annual meetings. The vitality of going on in our discipline, and I should like as many symposia arrive only at the end at the is recommended. vided. You will be free in the afternoon to ex­ or 45% off coach) from our official carrier, our annual meetings derives partly from the many sessions as possible to be proposed by point at which they should have begun. Parti­ Early Sunday morning, a buffet breakfast plore Dallas or return home. Arrangements American Airlines. Call 1-800- 433-1790 any diverse fonnats from year to year as allowed CAA members rather than generated by cipants might well build on problems focused will be provided at the hotel before boarding for transportation to the D/FW Airport may day of the week between 7 :00 A.M. and mid­ by CAA guidelines. myself. For this I shall need a larger number at such symposia for the wider forum of CAA buses for a day in Fort Worth. The day will be made with the Fainnont. night. Ask for Star File #13395. The lowest At the 1989 meeting we shall hold threedif­ and more diverse group of proposals than sessions. I should like proposals for sessions start at the Kimbell Art Museum with tours of Tour cost: $125 per person, double occu­ fares require thirty days advance purchase; ferent types of sessions, as proposed by Harvey have been submitted in recent years. I hope which examine individual masterpieces or key the collections and of the Louis Kahn build­ pancy or $190 per person, single occupancy. some penalties may apply. Tickets will be Stahl for the 1985 Los Angeles meeting: large that each prospective chair will suggest what­ groups of works in San Francisco museums, ing itself. The museum cafe will be open for Reservations with a deposit of $75 per person issued by Conferences and Conventions and symposia on topics of broad interest for the ever fonnat seems most likely to accomplish sessions which might be held at the museums lunch. The Amon Carter Museum will pro­ must be received by December 15. There­ will be mailed directly to you. III entire profession, regular sessions, and rela­ the goals of the session proposed, even if it in which the works are on display. vide tea, coffee, cookies, and a chance to visit after, reservations will be accepted on a tively small workshops on specialized topics. varies markedly from previous practice. In reviewing the types of annual meetings Of these, the workshops have never been fully I consider sessions on architecture and the held by other professional societies, I have realized. If we accept the general principles decorative arts, especially aspects which over· become convinced that the guidelines worked that small sessions should not have to compete lap or parallel studies of painting and sculp­ out in recent years for annual meetings of the with large sessions and that in each time slot ture, fully within the scope of CAA meetings. CAA serve our purposes as well as those of any /Getty/Kress The 1988 Preliminary Program-containing necessary forms and complete informa­ there should be something of interest for I should like proposals for sessions presenting professional society and are vastly superior to travel grant recipients tion on annual meeting registration, hotel room rates, group flights, etc.-will be everyone, it is clear that a large number of three or four divergent reconsiderations of a most. I am anxious that in San Francisco we mailed at the beginning of December. workshops should be scheduled at the same major book: a classic used regularly in under­ take full advantage of the possibilities for time. In San Francisco two of the time-slots graduate or graduate teaching, a book which which these guidelines provide. 723191. Chairs: Patricia Hills, Alan Wallach. will be reserved for workshops, ten each, with successfully deals with art historical materials Charles Rhyne, Art History Chair, Rainer Haussherr, Freie Universitat, West 1989 AnnualMeet£ng II Berlin. Chair: Christiane Andersson, Stadel­ sches Kunstt'nstitut und Stadtische Galerie, son, K£ng's College, Cambridge University, Durerstrasse 2, 6000 Frankfurt am Main, 70, r------l RESERVATION FORM I CAA receives grant from Kress and Getty Cambridge, CB2 1 ST, England. Andreas w: Germany. Bogumil Jewsiewicki, Laval Post-Annual Meeting Tour: Dallas/Fort Worth Bliihm, Lachswehrallee 7, D-2400 Lubeck 1, Universite, Dept. of History, Quebec City, February 13-15, 1988 I for annual meeting travel Gennany. Chair: Francoise Forster-Hahn. J. Quebec GIK 7P4, Canada. Chair: Labelle I Prussin. Dieter Kimpel, University of Olden­ I Briels, Utrecht University. Chair: Gary Yes, I/we wish to join the tour. Please make ~~_ reservation(s) at the The Getty Grant Program and the Samuel H. We at the College Art Association extend our Schwartz, P. O. Box 162, 3600 AD Maarssen, burg. Chair: BarbaraAbou-EI-Haj, Dept. of I single occupancy rate - $190 per person Kress Foundation have jointly awarded the most sincere appreciation to the Getty Grant The Netherlands. Tel: 011-31-3465-62778. Art History, SUNY, Binghamton, NY 13901. o I College Art Association a grant of $55,000 Program and the Samuel H. Kress Founda­ Franca Trinchieri Camiz, Trinity College, Juliet Kinchin, University of Glasgow, 16 o double occupany rate-$125 per person I over three years to support travel of foreign tion for once again making a meaningful con­ Roman Campus and Temple University, Melville St., Glasgow G41 2LW. Tel: 041- I Participants: I and interdisciplinary scholars to the 1988, tribution to the enrichment of art history, for Rome, viale Angelico 97, Rome 00195, Italy. 423-2707. Chair: Thomas S. Michie. Hel­ 1989, and 1990 annual meetings. it is not only the designated scholars them­ Tel: 06-3599536. Chair: Wendy Stedman mut Lorenz, Schillerstrasse 27, 1000 Berlin Name ______I 45, Gennany. Chair: Christian Otto. Stephen I selves who are the direct recipients of their Sheard. Annie E.S. Coombes, University I Melville. Chair: Norman Bryson, (see For the 1988 Annual Meeting, those already generosity, but also all of those who attend the College, London University, 102 Manor Ave., Address~ ______above). Bernard O'Kane, American Univer­ I designated as recipients are listed below; a meeting. On behalf of the College Art Associ­ London SE4 1TE, U.K. Tel: 011-441-691- I complete list will be mailed to colleges, uni­ ation and its membership, we publicly thank 1042. Chair: Cecelia Klein, S.A.C. Dudok sity in Cairo. Chair: Irene Bierman, Dept. of Art, Design and Art History, UCLA, Los versities, and museums in the fall and pub­ the Kress and Getty. van Heel, Amsterdam Municipal Archives. City State Zip lished in the winter CAA newsletter. In 1989 Cha£r: Gary Schwartz, (see above). Trevor Angeles, CA 90024. John Onians, University I of East Anglia. Chair: Martin Powers, Uni­ Telephone ______------­ and 1990, the funds will be used to support 1988 Rectpients of Getty/Kress Travel Funds Fawcett, chair, 25 Northhampton Street, (area code) versity of Micht'gan, Dept. of History of Art, I foreign scholars and scholars from other fields Please contact speaker directly where address Bath BA1 2SW, U.K. Tel: 011-44-225-312- I Tappan Hall, Ann Arbor, MI48104. Mich­ 'nd who are either 1) participating in special ses­ and phone number are given to arrange for 396. Martha Gever, editor, The Indepen­ Name' ______I sions which deal specifically with issues of additional speaking engagements in the dent (film and video), 119 Bergen St., Brook­ elle Parkerson (filmmaker). Chair: Eunice Lipton, Chez Weber, 14 rue Monge, Paris I broad international significance, 2) chairing Um'ted States; if speaker's address is omitted, lyn, NY 11201. Tel: 212/473- 3400 or 7181 Address ______sessions, or 3) participating in symposia. contact symposium or session chair. Refer to 625-5663. Chair: Eunice Lipton. Nicholas 75005, France. Tel: 43-29-59-85. lain Recipients will be selected by the program "Callfor Particzpat£on"forsession title. Make Green, University of East Anglia. Chair: Pears, Oxford University Chair:Jean Wilson, chair in consultation with the CAA staff, and all requests as soon as possible so that speakeTs Anne McCauley, Dept. of Art, Univ. of Dept. of Art and Art History, SUNY Bing­ hamton, NY 13901. Terry Smith, University City State Zip administered by the CAA. can make appropriate travel arrangements. Texas, Aust£n, TX 78712. Inge Hacker, Uni­ Telephone ______(1988 Annual Meeting dates are February versity of Frankfurt, Thorwaldsenplatz 4, of Sydney, Australia. Chairs: Patricia Hills, (area code) It is also the wish of the Kress Foundation and 11-13; the speaker's travel will be fully or par­ 6000 Frankfurt am Main 70, W. Gennany. Alan Wallach, Dept. of Art History, Boston the Getty Grant Program that American col­ tially paid to and from Houston, Texas.) Tel: 069-63-68-07. Chair: Chr£stt"ane Univ., Boston, MA 02215 or Dept. of Art, Enclosed is my / our deposit ($75 per person) in the amount of$ ______leges, universities, and museums be alerted to Andersson. Jonathan P. Harris, The Open Stanford Univ., Stanford, CA 94305-2018. Check payable to CAA must be drawn on a U.S. bank. the fact that these scholars will be in the Jaynie Anderson, The Ruskin School, Ox­ University, 9A Cadogan Terrace, Hackney, Christian Witt-Dorring, Austrian Museum United States, so that interested schools and ford University. Chair: Wendy Stedman London E9 5EG, U.K. and 77a Denmark Vil­ for Applied Arts, Vienna, Magdalenenstrasse Mail to: CAA, Department T, 275 Seventh Avenue, New York, NY 10001 museums may take advantage of the scholars' Sheard, 693 Leetes Island Road, Stony Creek, las, Hove, East Sussex BN3 3Al. :reI: 0273- 1/6a, A-1060 Vienna, Austria, Tel: (0222) 57 (Restaurant and current exhibition information will be sent with confirmation.) 39595. Chair: Richard Brettell. • presence and invite them to speak. CT 06405. Mieke Bal, Chair: Norman Bry- Continued on p. 9, col. 1 I._____ ------~-~------

8 CAA newsletter Fall 1987 9 people and programs lpeople and programs

IN MEMORIAM San Francisco Art Institute has announced News from Northwestern: Nancy J. Troy will The University of Pittsburgh, Frick Fine Arts MUSEUMS the appointment of William O. Barrett be acting chair in winter and spring quarters Department announced the appointment of Suzanne LeBlanc (M.A., Museum Studies, Hannelore Glasser (Ph.D., Columbia), a (B.F.A., Rhode Island School of Design; 1987-88, replacing Sandra Hindman, who Elizabeth Johns as Andrew W. Mellon Pro­ John F. Kennedy University Center for Muse­ scholar of 15th century Italian painting died M.A., New York University) as the school's will be on leave in Paris. Whitney Davis fessor of Fine Arts. She is a board member of um Studies) joined the Georgia Museum of June 22 at the age of 63. After serving as a president. Barrett, Dean of the Corcoran (Ph.D., Harvard University), a specialist in C.A.A. (1986-89) and actively participates in Art Staff as curator of education inJuly 1987. curator at the Virginia Museum of Fine Arts, School of Art in Washington, D.C. since pre-Greek art, joins the faculty in the fall the American Studies Association and the Prior to joining the Georgia Museum staff, Glasser joined the faculty of Wells College in 1981, assumed the position in early July, 1987. Newly appointed director of the Mary Organization of American Historians. She LeBlanc worked as museum educator at the 1959. She was the author of the fundamental Barrett replaces Stephen Goldstine, who and Leigh Block Gallery, David Micken­ has served as visiting Mellon Professor at the Munson- Williams- Proctor Institute in study, "Artists' Contracts of the Early Renais­ resigned as the school's president in Septem­ berg, has been named a lecturer in the University of Pittsburgh 1986-87 and will join Utica, N. Y., where she developed and imple­ sance," and a forthcoming work on Leonar­ ber of 1986. department. the faculty full-time in January 1988. mented school and public programs for chil­ do's Madonna of the Rocks. A memorial fund dren and adults. Martha Adkins Blakeslee has been set up in her honor; contributions The School of The Art Institute of Chicago (M.A., University of Texas- Austin) was can be made by addressing checks to Wells Reed Estabrook (M.F.A., The School of the has reorganized its academic administration named Georgia Museum of Art registrar in College, OffIce of Development, Aurora, Art Institute of Chicago) was selected for the to reflect its growth in recent years in both July 1987; Blakeslee joined the staff as acting N.Y. 13026. probationary position as Photography Coor­ enrollments and numbers of programs. dinator at San Jose State University. Erin Roger Gilmore, dean of the School since registrar in November 1986. Goodwin (M.A., San Jose State University) Lloyd Goodrich, who died on March 27 at 1965, has been promoted to the new position The Center for Advanced Study in the Visual was selected for the probationary position in of provost. Martin Prekop (M.F.A., Rhode the age of 89, was director of the Whitney Arts has announced the appointment of Studio Art. Museum of American Art from 1958 to 1968, Island School of Design), a member of the Therese O'Malley (Ph.D. candidate, Uni­ starting as the museum's research curator in faculty since 1967, has been promoted from versity of Pennsylvania) as- assistant dean. curator in 1947, and associate the position of undergraduate division chair 1935, associate The husband and wife design team of Mi­ O'Malley is currently completing her disserta­ director in 1948. After retiring in 1968, Good­ to dean. John Kurtich, professor of interior chael and Katherine McCoy, who have tion on the Mall in Washington, 1790-1851. architecture and of expanded media, has rich remained an active force in American served as co-chairs of the design department Marianna Shreve Simpson (Ph.D., Harvard been elected by the faculty to succeed Prekop art. Goodrich, who was trained as a painter at at Cranbrook Academy of Art since 1971, will University), associate dean, has been awarded as undergraduate division chair. the Art Students League, is also well known Elizabeth Gilmore Holt be next year's Joyce C. Hall Distinguished a Board of Advisors sabbatical fellowship for for his writings on Thomas Eakins, Winslow Professors of Design at the Kansas City Art In­ 1987 - 1988 to complete a monograph on a Homer, Edward Hopper, and Reginald ingly tried to reconstruct how art works were stitute. The McCoys will make six visits dur­ Lynn Gamwell (Ph.D., U.C.L.A.) has been 16th-century Iranian manuscript. During Marsh. seen and appreciated within their own time ing the school year as the school's fourth Joyce appointed director of the University Art Gal­ her absence, Steven Mansbach (Ph.D., frames. The insightful assessment of docu­ C. Hall Distinguished Professor of Design. lery and adjunct associate professor of art and Princeton University), a specialist in the art of Gretna Campbell, a painter best known for ments was her process, leading students to the art history at S.U.N.Y. at Binghamton. Gam­ the avant-garde in central Europe on leave her landscapes, died this pastJuly. Earlier this historical truth of a period. Though docu­ well formerly held a curatorial position at the from his post as program officer at the Na­ year, she received the Benjamin Altman ments and texts were foremost in Holt's meth­ New faculty for the 1987-88 academic year Laguna Art Museum and was gallery director tional Endowment for the Humanities, will Award in landscape painting and the Ranger odology, she did not want objects to go unex­ in the art department of the University of and assistant professor of art history at Sad­ serve as acting associate dean. Claire R. Fund Purchase Prize, both from the National amined; however Holt believed that connois­ Minnesota-Duluth include Robyn RosIak dleback College in California. Sherman (Ph.D., The Johns Hopkins Univer­ Academy of Design and an award in art from seurship separated from context meant the (Ph.D., U.C.L.A.) as assistant professor of sity) is now senior research associate in charge the American Academy and Institute of Arts elevation of superficiality and signified that art history; John Krueger (M.F.A., Uni­ of the Center's annual publication, Spon­ and Letters. Since graduating from Cooper the discipline of art history could exist with George Parrino (M.F.A., Yale University) versity of Wisconsin-Milwaukee), as visiting sored Research z'n the History of Art. Union in 1943, she had thirty solo exhibitions only a small audience in mind- the specialist has been appointed dean of visual arts at assistant professor of print processes. Elizabeth Johns and participated in over fifty group shows. and the connoisseur. In rebelling against this S.U.N.Y.-Purchase, effective July 1. Parrino Linda Seckelson (B.A., Grinnell College; Other awards include Tiffany, Fulbright, and attitude, Holt returned to the historical roots has been president of the Kansas City Art M.L.S., U.C.L.A.) fonnerly head of the Art, Barry Hannegan (Ph.D. candidate, Insti­ Pearl Fund fellowships. She taught at Yale of the discipline, demonstrating that works of Institute since 1985. Prior to that he was dean Music and Film Department of the Evanston tute of Fine Arts, N.Y.U.) has been named University since 1972 and at the New York art had always been created for an audience. Mary Vernon (M.A., University of New Mex­ (1979-81) and then director (1981-84). Illinois Public Library, has been appointed curator at Marquette University's Patrick and Studio School since 1971. Her other teaching This democratizing, populist belief perme­ ico, Albuquerque), was named new art divi­ Library Director, American Craft Council. Beatrice Haggerty Museum of Art effective affiliations included Pratt Institute, the ates all her writings, and this methodology sion chair at Southern Methodist University, Margaret Kirkpatrick (M. F. A., Univ. Mich­ The ACC Library collection, emphasizing July 15. Hannegan has held a number ofmu­ Maryland Institute, and the Philadelphia has reached the pupils who have followed her effective August 1. Vernon taught art history igan; D.Ed., N.Y.U.), a Tucson artist who crafts of the post-World War II period, in­ seum positions including director of the Duke College of Art. There will be a memorial exhi­ ideals in their own work. Throughout her at SMU from 1967 to 1981. Vernon succeeds retired as a professor of Kean College of New cludes approximately 4,000 books, 5,000 University Art Museum, N.C. He is currently bition of her work at the New York Studio long and productive life, Elizabeth Holt re­ Laurence Schoider, chair of the art division Jersey in 1969, was cited May 14 by the college exhibition catalogues, 75 periodical subscrip­ head of the art department at the Winches­ School, Oct 27-Nov 13 and a Novemberexhi­ mained an independent scholar; preferring to since 1979, who will return to full-time teach­ for her support of its gallery program and the tions and extensive clipping and ephemeral Margaret Kirkpatrick Art Acquisitions Fund ter-Thurston School in Pittsburgh. bition of her most recent paintings at the Ing­ teach where, when, and whom she liked. As a ing in the art department. files relating to the history, techniques, ber Gallery in New York. result, her influence as a scholar, mentor and was established in her honor. Kirkpatrick aesthetics and business of craft. The Jibrary personality was perhaps even more wide­ taught at Kean College, known until 1973 as During the fall semester, Larry Brown, also maintains pictorial and biographical files Elizabeth Gilmore Holt, 1905-1987. The spread than if she had become part of a single Newark State College, beginning 1956. KateM. Sellers(M.A., art history, University represented by Carlo Lamagna Gallery, on professional American craftsmen. Susan writings of Elizabeth Gihnore Holt and her academic organization. In recognition of of Maryland; M. Management, Johns Hop­ NYC, will join the studio staff as visiting artist B_ Wood (M.F.A., Syracuse University) has staunch personal advocacy of populist con­ Holt's contributions to art history, she was The art history department at Florida State kins) was appointed as director of develop­ at S.U.N.Y., Stony Brook. been appointed director of education and cepts continually serve as beacons that have awarded honorary degrees from Syracuse University-Tallahassee reports a lively year ment for The Walters Art Gallery. Sellers is program at the ACG. Until this June, Wood had a pronounced impact on generations of University, the University of St. Andrews with seminars given by Paolo Soled, Clement currently director of the development for directed New York's Greenwich House Pot­ Greenberg and John James. Lauren Wine­ art historians and art students. In Literary (Scotland), and the University of Wisconsin Bill N. Lacy, president of The Cooper Union Planned Parenthood of Maryland: from tery, a not-for-profit gallery and educational Sources of Art History (1947) and A Docu­ (posthumous). She will be sorely missed by a for the Advancement of Science and Art since berger, Craig Adcock and Timothy Verdon 1978-83 she was associate registrar at the facility. mentary History of Art (1957-58), the mes­ discipline that owes her much. (Gabriel P. 1980, has resigned effective December 31, received grants and were replaced by Adrian Walker. Hoch and Bradford Collins who were in sage is apparent: the field of art history must WezSberg and Laurinda S. Dixon) 1987. The Lacy administration is credited Marilyn A_ Zeitlin (Ph.D. candidate, Cor­ democratize, must pay attention to field with a wide variety of accomplishments: im­ charge of renaissance and modern, and who nell University) has been hired for the position documents, must examine figures behind the proving the quality of education and man­ will continue to teach through 1987- 88. This Robert Milnes (Ph.D., University of Pitts­ of curator at the Contemporary Arts Muse­ burgh, M.F.A., University of Washington) scenes as much as the "name players," and agement in Cooper Union's Schools of Art, corning year Penny Mason and Patricia um, Houston. Zeitlin has directed the Ander­ should continually assess the writings of a ACADEME Architecture, and Engineering; strengthen­ Rose will be on sabbatical, Cynthia Hahn was recently appointed director of the School son Gallery of the Virginia Commonwealth of Art, Louisiana State University. Milnes had period. In her more recent books- The Tri­ ing the college's financial resources; upgrad­ will be on a Fulbright and NEH fellowship. University in Richmond where she acts as umph ofArtfor the Public and The Art ofAll Andrew Alan Totman (MFA, Wichita State ing of its physical facilities; bolstering its civic The Sixth Annual Graduate Student Sympo­ previously served as chair of the art depart­ administrator and chief curator, since 1981. ment of Edinboro University of Pennsylvania, Nations 1850-1873-Holt put her principles University) has been appointed assistant pro­ role in its East Village community, and setting sium was addressed and critiqued by Kurt She is also assistant professor at Virginia Com­ to more specific use in the study of the 19th­ fessor of art, head of printmaking at the Uni­ in motion plans for a major capital campaign Forster, and the publication of papers in where he also served as an assistant to the monwealth University. President. century. Holt's working philosophy painstak- versity of Alaska at Achorage. to assure the future of Cooper Union. Athanor is in progress. Continued on p. 17, col. 1

10 CAA newsletter Fall 1987 II • grants and awards Igrants and awards

ACLS Awards The School of Classical Studies.' Classical American Craft Council's Highest Getty Center for the History of Art and the 1987-88 Getty Museum Student Assistants National Humanities Center Awards Studies: Albert Ammerman, Andrew W. Achievement Awards Humanities and Interns 39 fellows were named to study at the NHC 1) Postdoctoral Fellowships for Senior Mellon Fellowship; T. Corey Brennan, Pre­ The ACC, the nation's leading advocacy 1) 1987- 88 Getty Dissertation Fellows: Three The program offers opportunities for under­ during the 1987 - 88 academic year. One art Scholars Doctoral Fellowship; William Levitan, NEH organization for contemporary craft, pre­ Getty Fellows have been selected to be in resi­ graduate and graduate students to obtain historian was among them: Beatrice Far­ Edward R. Branigan, film, Univ, of Calif., Post-Doctoral Fellowship; Margaret Miles, sented its 1987 Gold Medals for excellence, dence in Santa Monica for the 1987-88 aca­ practical training in art museum work at the well, Univ. of California at Santa Barbara, Santa Barbara; Whitney Chadwick, art his­ NEH Post-Doctoral Fellowship; Joanne and installed 12 individuals to the College of demic year. Fellows are chosen on the basis of J. Paul Getty Museum. Student Assistants: "Popular Imagery and High Art in 19th-Cen­ tory, San Francisco State Univ.; Paul C. Fin­ Spurza, Samuel H. Kress Fellowship in Class­ Fellows in an awards ceremony at the Smith­ the innovative and interdisciplinary nature of Sheri Bernstein (Yale Univ.), Sculpture and tury France." ney, art history, Univ. of Missouri; Stephen ical Art and Archaeology. History of Art: sonian's Renwick Gallery. The Gold Medal their research. Charles Dill, (Ph.D. candi­ Works of Art; Allison Boyer (Hamilton Col­ Gardner, art history, Harvard Univ.; Dolores Nicolas Adams, NEH Post-Doctoral Fellow­ signifies that honoree's unprecedented im­ date, Dept. of Music, Princeton Univ.); Con­ lege) Public Information; Anne Leinster pact on generations of artists, on scholarship, Hayden, architecture, V.C.L.A.; Anne ship; Maria Ann Conelli, Robert Lehman radRudolph, (Ph.D., U.C.L.A.); DanielL. (Mount Holyoke College), Antiquities; Antje Two Rockefeller Foundation Fellows Fellowship in the History of Art; Diane on technique and on public appreciation and Markham Schulz, art history, Brown Univ. Selden, (Ph.D., Dept. of Comparative Liter­ Schmitt Oohann Wolfgang Goethe- Universi­ Named at Whitney Museum awareness. Gold Medals: Lenore Tawney, 2) Postdoctoral Fellowships for Recent Ph.D. Ghirado, Andrew W. Mellon Fellowship; ature, Yale Dniv.). tat), Decorative Arts; Jennifer Ullman The Scholars- in - Residence Program grant Alice Jarrad, Samuel H. Kress Fellowship in fiber artist, N. y, C., for her transcendental Recipients 2) 1987-88 Getty Scholars: Ten scholars (Oberlin College) Provenance Index, The has been awarded to Clyde Taylor (English Katherine Manthorne, art history, Univ. of Classical Art and Archaeology. Post-Class­ vision; Haystack Mountain School, Deer have been invited to participate in the third Getty Art History Information Program; Dept., Tufts Univ.) and Dana Polan (Fihn & ical Humanistic Studies: Martha Baldwin, Isle, Maine, the Gold Medal in Education, Illinois at Urbana-Champaign; Eloise Qui­ year of the Getty Scholar Program. The Getty Carla Yanni (Wesleyan Univ.), Manuscripts. English, Univ. of Pittsburgh). Taylor will be for trailblazing leadership; Contemporary nones Keber, art history, Baruch College of NEH Post- Doctoral Fellowship; Katherine scholars, six from the U.S., two from the U.K., Student Interns: Lisa Burkhalter (Emory examining "Black Cinema in the Post-Esthe­ Gill, Pre-Doctoral Fellowship; Diana Rob­ Crafts Gallery, Portland, Oregon, for 50 C.U.N.Y.; Jonathan P. Ribner, art history, one from France, and one from West Ger­ Univ.), Antiquities; Noriko Gamblin (Univ. tic Era" at the museum this fall for future years of pioneering; The Corning Museum Boston University, in, Andrew W. Mellon Fellowship. many, will be in residence at the Center in of Delaware), Photographs; Gerhard Gruit­ publication. Polan's project, "Postmodern­ 3) Grants-in-Aid for Postdoctoral Research of Glass, Corning, N. Y., the Gold Medal for Santa Monica during the 1987-88 academic rooy (Freie Universitat Berlin), Drawings; ism and American Independent Cinema," Exhibitions, in acknowledgment of distin­ Catherine B. Asher, art history, Univ. of year. The scholars will pursue their individual Dana Hayward Howard (Univ. of California will commence in the spring of 1988. The re­ Minnesota; Nina Athanassoglou-Kallmyer, 1987 Classical America Awards guished leadership; Penland School, Pen­ areas of research, while also exploring the at Riverside), Education, The Getty Center search will be conducted under the direction art history, Univ. of Delaware; Barbara A. Classical America, founded to encourage the land, N.C., the Gold Medal in Education, for general theme of this year's program: the for Education in the Arts; Karen Huffman of John G. Hanhardt, curator, Film & classical tradition in the arts, presented the long time service. ACC Fellows: The ACC Barletta, art history, Univ. of Florida; reception and interpretation of works of art Lang (Univ. of California at Riverside), Prov­ Video. Michele H. Bogart, art history, S.U.N.Y. at annual Arthur Ross Awards to honor those College of Fellows was established in 1975 to and cultural products. Svetlana Alpers enance Index, The Getty Art History Infor­ Stony Brook; Babette Bohn, art history, Son­ men and women who have sustained and, to­ acknowledge and honor outstanding con­ (Univ. of Calif., Berkeley), History of Art, mation Program; Christophe Leribault oma State Univ.; Marilyn Brown, art his­ day, continue to sustain classical ideals and tributors to the American craft movement. Baroque and Northern Tradition; Marcia (Ecole du Louvre), Decorative Arts; Jeffrey CASVA Fellowship Appointments, 1987-88 tory, Tulane Univ.; Meredith L. Clausen, canons: Bureau of Forestry, Dept of Public Fellowship' is only offered to those craftsper­ Ascher (Ithaca College), Ethnomathematics; Maish (State University College at Buffalo), Samuel H. Kress Professor: Craig H. Smyth art history, Univ. of Washington; Hilarie Works, City of Milwaukee (landscape archi­ sons who have been professionally involved in Caroline Bynum (Univ. of Washington), Antiquities Conservation; Michael Orr (Cor­ (Professor of Fine Arts, Harvard University, Faberman, art history, Univ. of Michigan; tect/ gardener) for the flowerbeds in the the field for more than 25 years. Cited as Fel­ Medieval History; Gisele Freund, photog· nell Univ.), Manuscripts; Wade Richards emeritus). Paul Mellon Senior Fellow: Carl Alison McNeil Kettering, art history, Carle­ boulevards of the city; Dept of Parks, Recre­ lows for 1987; Val Cushing, ceramist, Alfred, rapher, Paris, France, Sociology of Photog­ (U.C.L.A.), Education & Academic Affairs; R.G. Nylander (Swedish Institute of Class­ ton College; Eunice Lipton, art history, ation and Culture, County of Milwaukee N.Y.; Richard De Vore, ceramist, Fort Col­ raphy; Wolfgang Kemp, (Kunstgeschicht· Kevin Salatino (Univ. of Pennsylvania), ical Studies, Rome). Ailsa Mellon Bruce Sen­ S.U.N.Y. at Binghamton; Anita F. Mosko­ (landscape architect / gardener) for the lins, Col.; Dominic DiMare, sculptor in liches Inst. der PhilippsUniv. Marburg, West Paintings; Mark van Gelder (State Univer­ ior Fellows: Barbara Goldbert Abou-el-Haj witz, art history, S.U.N.Y. at Stony Brook; flowerbeds in the county parks; Norman mixed media, Tiburon, Calif.; Edward Germany), History of Art, Aesthetics of Re­ sity College at Buffalo), Paintings Conserva­ (S.U.N.Y., Binghamton) fall 1987; Meredith Stephen Murray, art history, Columbia Neuerburg (architect), consultant to the late Moulthrop, woodturner, Atlanta, Ga.; June ception, Narratology; Martin Lowry, (Univ. tion; Ken Wayne (Courtauld Institute of Parsons Lillich (Syracuse Univ.); Gerald D. Univ.; Jane Mayo Roos, art history, Hunter J. Paul Getty in designing the J. Paul Getty Schwarcz, enamelist, Sausalito, Calif.; of Warwick, Coventry, England), History of Art), Sculpture and Works of Art. Silk (Univ. Pennsylvania). Samuel H. Kress College ofC.D.N.Y. Museum in Malibu, Calif.; David T. Mayer­ Heikki Seppa, metalsmith, St. Louis, Mo.; Books and Printing, Renaissance Venice; Sent'or Fellows: Colin Eisler (N. Y. U., 4) Fellowships in Chinese Studies nik and Thomas N. Rajkovich (architect) Robert Sperry, ceramist, Seattle; Beatrice Sheldon Nodelman, (Univ. of Calif., San l.F.A.); Ira S. Mark (Dniv. Chicago) spring ISAST Awards Marilyn M. Rhie, art history, Smith College, for the winning design, 1986, for the grounds Wood, ceramist, Ojai, Calif.; Claire Zeisler, Diego), History of Art, Roman and Contem­ 1988. Associate appointments: Mardges The International Society for the Arts, Sci­ (postdoctoral research); Sandra J. Wetzel, of the Minnesota State Capitol; Tania Var­ fiber artist, Chicago. Professionals other than porary; Carl Schorske, (Princeton Dniv.), Bacon (Trinity College, Hartford) spring ences and Technology presents three awards art history, Univ. of Kansas, (dissertation tan (mural painter) for mural decoration in craftspersons, such as museum directors, Intellectual and Cultural History; Leo Stein­ 1988; Alan Sekula (California Institute of the annually. The Frank J. Malina-Leonardo research). residences; Tayssir Suleiman and Ahmad K. curators, writers, educators, administrators berg, (Univ. of Pennsylvania), History of Art, Arts) fall 1987. Ailsa Mellon Bruce National Prize of $1,000 awarded in 1987 to Nicolas Suleiman (craftsman) for ornamental plaster or philanthropists, are given the title "Honor­ Renaissance and Modern; Marina Warner, Gallery of Art Curatorial Fellow: Arthur K. Schoffer for "lifetime of works has achieved a and scagliola executed by Sleiman Studios in ary Fellow." Honorary Fellows for 1987: (Independent scholar, novelist, London, Wheelock, Jr. (Curator of Northern Baroque synthesis of contemporary art, science and Horsham, Penn.; Board of Trustees, Henry LaMar Harrington, director and curator, England), Women in History. technology." The New Horizons Award of Painting). Paul Mellon Visiting Senior Fel­ 1987-88 Prix de Rome E. Huntington Libary and Art Gallery, San Bellevue Museum, Bellevue, Wash.; Jona­ lows, Fall 1987 - Winter 1988: Mary Tomp­ 1987-88 Getty Museum Guest Scholars $1,000 and an invitation to publish an article The American Academy in Rome awarded Marino, Calif. (patron) for commissioning than Fairbanks, curator, American Decora­ kins Lewis (independent); Naomi Miller Each year the J. Paul Getty Museum sponsors in ISATS'sJournal Leonardo winner for inno­ 28 Prix de Rome fellowships in painting, the Virginia Steele Scott Gallery of American tive Arts, Museum of Fine Arts, Boston; Car­ (Boston Univ.); Margaret A. Alexander a guest scholar residency program for the ad­ vation in a new medium Evelyn Edelson-Ro­ sculpture, musical composition, literature, Art in the classical manner. lyle Smith (retired), Sherman, Texas, fonner (Univ. of Iowa); Aicha Ben Abed-Ben vancement of research undertaken by indi­ senberg for her work in detonagraphy (using architecture, landscape architecture, design, professor and chair of the Design and Gold­ Khader (Musee National du Bardo, Bardo, vidual scholars. During 1987-88, the muse­ explosives to create large murals). The Coler­ classical studies, archaeology, history of art smithing Dept., Univ. of Kansas at Lawrence. Tunisia). Ailsa Mellon Bruce Visiting Senior um is hosting the following guest scholars: Maxwell Medal and $1,000 recognizes excel­ and post-classical humanistic studies. Win­ Visual Arts Sculpture Fellowships Fellows: Silvia Bordini (Univ. of Rome); Lillian Armstrong (Wellesley College); lence in an article published in the Journal ners include the following: Ten sculptors from eight southeastern states Anna Ottani Cavina (Univ. of Bologna); Kristen Aschengreen-Piacenti (Palazzo Pit­ Leonardo (award to be announced). Further The School of Fine Arts: Theodore Brown, have won fellowships of $3,500 in recognition Tomas Vlcek (Czechoslovakian Academy of ti, Florence); Reinhold Baumstark (Sammu­ information: ISAST, 2020 Milvia Street, Suite The Marion O. and Maximilian E. Hoffman of their artistic excellence, according to the Science). National Gallery Pre-Doctoral lungen des Reg. Fursten von Liechtenstein); 310, Berkeley, CA 94704. Fellowship in Architecture; Mary-Ann Ray, Southern Arts Federation. The Atlanta­ Swann Foundation Fellowships Fellows 1987 - 90: Marc Gotlieb (Samuel H. Michael Conforti (The Minneapolis Insti­ The Lily Auchincloss Fellowship in Architec­ based SAF conducts the regional Visual Arts The Swann Foundation for Caricature and Kress Fellow, 1987-89, The Johns Hopkins tute of Art); Amy Conger (Univ. of Cali­ ture; George Queral, the Steedman Fellow­ Fellowship Program in cooperation with the Cartoon has announced the award of its an­ Dniv.); Jennifer Kilian (Robert H. and fornia, Riverside); Wouter Kloek (Rijksmu­ ship in Architecture; Daniel Tuttle, land­ NEA in Washington, DC. The fellowship nual Doctoral Fellowship to support candi­ 1987 Massachusetts Artists Fellowships Clarice Smith Fellow, 1987-88, N.Y.D., seum); Emanuele Mattaliano (Universita scape architecture; Joseph D'Urso, NEA recipients, whose work was juried by a SAF / dates for the Ph.D. working in the area of The Artists Foundation announced the win­ I.F.A.); Ewa Lajer-Burcharth (Chester degli Studi dj Venezia); Joachim Plotzek Design Arts, interior design; Ralph Lerner, NEA panel of professional sculptors, were caricature and cartoon studies. The fellow­ ners of the 1987 Program in painting, draw­ Dale Fellow, 1987-88, C.U.N.Y.); Annette (Schnutgen Museum, Cologne); C. Martin NEA Design Arts, architecture: Thom selected from a field of 258 applicants from ship for the 1987- 88 academic year was split_ ing, and printmaking. 1,541 applications Leduc (David E. Finley Fellow, 1986-89, The Robertson (Cambridge, England); Scott were received: 15 Fellowships of $9,500 and Mayne, NEA Design Arts, architecture; Mi­ nine southeastern states: Frank Fleming, between two applicants: Maud Lavin (Ph.D. Johns Hopkins Univ.); Sarah Schroth (Da~d Schaefer (Los Angeles County Museum of chael Van Valkenburgh, NEA Design Arts, Alabama; Sandra L. Winters, Florida; John candidate, C.U.N.Y.), "Hannah Hoch, 34 Finalist awards of $500 were granted. Six E. Finley Fellow, 1987-90, N.Y.V., LF.A.); landscape architecture; Vito Acconci and G. Jensen, Georgia; Denzil Goodpaster and Photomontage, and the Representation of Art); David Ekserdjian (The Courtauld CAA members were among the winners: Thelma Thomas (Chester Dale Fellow, Institute of Art, London); Ann Sutherland Robert Mangurian, NEA Collaborative Carl McKenzie, Kentucky; Barry Stone the New Woman in Weimar Gennany, 1918- David Brody ($9,500 fellowship in painting); 1987-88, N.Y. V., LF.A.); Wendy Wegener Award; Mark Greenwold, NEA painting; Bailey, Louisiana; Ke Francis and Martha 33" and Laura Roe (Ph.D. candidate, Yalc~, Harris (Univ. of Pittsburgh); Herbert Hoff­ Wellington Reiter ($9,500 fellowship in (Mary Davis Fellow, 1987-89, Princeton, Kathy Muehlemann, NEA painting; Gor­ King, Mississippi; Patricia Rieger, North studying Hogarth's illustrations of Samuel man (Hamburg, West Germany); Brian drawing); Phyllis Berman ($500, painting); Univ.); Jeffrey Weiss (Paul Mellon Fellow, Shefton (The University of Newcastle upon don Powell, NEA sculpture; Pike Powers, Carolina; Michael Lawrence Aurbach, Butler's "Hudibras." Dick Dougherty ($500, painting); Harold 1987-90, N.Y.V., LF.A.). NEA sculpture. Tennessee. Tyne); Timothy Standring (Loyola Univer­ Reddicliffe ($500, painting); Tabitha sity of Chicago). Vevers ($500, painting). Continued on p. 16, col. 1 12 CAA newsletter Fall 1987 13 • ...

{conferences and symposia {conferences and symposia information

Apropos of Marcel Duchamp 1887/1987: MAAM 1987 Annual Meeting SECAC/SESAH 1987 Conferences American Modernism, 1911-1947 Urban Form and Meaning in South Asia American Miniature Portraits. The Nation­ A Centennial Tribute The Mid-Atlantic Association of Museums The Southeastern College Art Conference The Saint Louis Art Museum will sponsor a A symposium on "Urban Form and Meaning al Museum of American Art, Smithsonian In· The Philadelphia Museum of Art salutes will hold its 1987 annual meeting in Saratoga (SECAC) will meet October 15-17 at the one day symposium in conjunction with the in South Asia: The Shaping of Cities from stitution, and the Metropolitan Museum of Marcel Ducharnp on the centennial of his Springs, NY, from November 4-7. Events Univ. Tennessee in Knoxville. The confer­ opening of the major special exhibition, "The Pre-historic to Pre-- colonial Times" will be Art are co- sponsoring a large loan exhibition birth with an in-depth installation of his include professional committee sponsored ence will feature sessions on all major histori­ Ebsworth Collection: American Modernism, held in Washington on 3-4-5 December in 1990 which will survey the history of the works drawn from the Museum's extensive . sessions (curators, education, public rela­ cal periods of art history. Studio sessions will 1911-1947," on November 20. This private 1987 under the joint sponsorship of the Amer­ American miniature portrait from the mid- holdings, and a weekend-long festival Octo­ tions, registrars, small museums), discussion stress contemporary art in the region. Work­ collection includes 75 paintings, sculptures, ican Institute of Indian Studies and the Cen­ 18th Century to the mid~19th Century. The ber 16-18. The weekend celebration will be groups, receptions, tours and a placement shop demonstrations will deal with compu­ watercolors and drawings including works ter for Advanced Study in the Visual Arts, exhibit will be accompanied by an extensive launched on Friday evening with a perfor­ service. For registration information, contact ters, printmaking, and ceramic methods. from the Steiglitz Circle, the precisionists and National Gallery of Art. The symposium ses­ publication on the subject. Please send any mance by the Merce Cunningham Dance Molly Lowell, Executive Director, MAAM, The SECAC conference is followed by the An­ early abstractionists. Symposium speakers in­ sions will emphasize new documentation and related material, documents or information Company. Saturday will be devoted to a sym­ P. O. Box 817, Newark, DE 19715-0817. Job nual Conference of the Southeastern Society clude Wanda Corn, Barbara Haskell, Charles new perspectives in the history and process of to Robin Bolton - Smith, National Museum of posium by international scholars including listings deadline: 10 October. To avoid late of Architectural Historians, October 17-18_ Eldredge, Carol Troyen, Susan Larsen, Gail urbanization in four areas: the Indus Valley American Art, 8th & G Streets, N. W., Wash­ Craig Adcock, Ecke Bonk and Yoshiaki registration fee, register by 13 October. The SESAH keynote speaker will be Reyner Stavitsky, Patterson Sims, and prominent and beyond, Taxila, the Madras region, and ington, DC 20560. Tono. More performances and an artists' Banham. Pre- registration material: SECAC, New York dealers. Registration is $20, $15 sacred spaces. For further information write: panel on Duchamp's relevance to contempo­ An International Symposium: University P.O. Box 29833, Richmond, VA 23229. For for students. Further information: Elizabeth Office of the Associate Dean, Center for Ad­ For a monograph and work catalogue on rary art will top off the festivities on Sunday. of Pittsburgh further information: Don Kurka, UT Art Vallance, Director of Education, the Saint vanced Study in the Visual Arts, National Juan Sanchez Cotan (1560- 1627) and his Additional information: (215) 787-5455. "Thinking on Paper: European Drawings of Department, (615) 974-3407. Louis An Museum, Forest Park, St. Louis, Gallery of Art, Washington, D.C. 20565. oeuvre. Peter A. Lipp, Kleine Innstrasse 3, the 16th and 17th Centuries," October 16-17, Leading Critics to Speak at MO 63110. (314) 721-0067. D-IOOO Berlin 44, Germany. has been arranged to coincide with the exhi­ "Critical Vision" bition "Master Drawings from Chatsworth," MACAA'S Annual Conference Medieval Mania: Conference at Emory "Critical Vision: The Role of the Critic in the For a monograph on Robert S. Duncanson which will bring 124 drawings from that col­ The 51st annual conference of the Mid­ The "Medieval Mania: Perceptions of the New Art of the 80's" will be held November (1821-1872), information is sought on paint­ lection to the Frick Museum in Pittsburgh America College Art Association will convene The Italian Presence in American Art Middle Ages In and Out of Context" sympo­ 5-7 in Austin, Texas, co-sponsored by the ings, documents, data. Joseph D. Ketner, from September 12- November 8. To attend: in Minneapolis, October 21-24. The confer­ "Insight and Inspiration: The Italian Pres­ sium to be held December 4-6 in conjunction University of Texas at Austin, College of Fine Washington University Gallery of Art, Cam­ send name, address and check for $25 made ence, entitled "Visions & Revisions," will ence in American Art, 1760-1869," a sympo­ with the exhibition "Canada Collects the Arts and the Texas Fine Arts Association. pus Box 1214, St. Louis, MO 63130. ( out to Friends of Frick Fine Art to Drawings bring together artists, designers, educators, sium sponsored by Fordham University and Middle Ages," will combine the realities of Planned as a major visual arts symposium, Symposium, Frick Fine Arts Building, Uni­ professionals and students from across the na­ the Instituto della Enciclopedia Italiana, the period with contemporary adaptations "Critical Vision" will feature lively and infor­ Information sought on Ruskin, Pound and versity of Pittsburgh, PA 15260 by September tion to actively examine, challenge and re­ November 20-21, will feature talks on paint· and distortions, addressing the misperception mative programs, speakers, panels, slide talks Heidegger's artistic and philosophical 7. Fee covers the cost of the reception at the think presuppositions in studio arts, design, ing, sculpture, architecture and a perfor­ that the Middle Ages vastly differ from histo· and social events. Participating critics in­ responses to technology. Contact P. Morgan, Frick Museum on Friday evening, lunch on art history and criticism. Keynote speakers mance of an 18th- century opera. The event rica I reality. For information, contact Anita clude Douglas Davis, Suzi Gablik, Donald University College, Toronto M55 lAl Saturday, transportation to and from the will be Robert Irwin, Lucy Lippard, Ken at Fordham's Lincoln Center campus has sev­ Pious or Arnold Klukas, Emory Univ. Muse­ Kuspit, Kim Levin, Carter Ratcliff, Dave Canada. museum for the reception. Indicate whether Baynes, Charles Harrison. The cost of the eral unusual features, including a drawing for um of Art and Archaeology, EU, Atlanta, GA Hickey, Christopher Knight, Ingrid Sischy or not you are interested in visiting Falling full, 4~day conference is $50 for the general a roundtrip ticket to Italy; a Box Lunch Con· 30322. (404) 727-6118. and Roberta Smith. Registration fees are $25 In connection with the catalogue raisonne of Water on Sunday October 18 (additional fee public, $40 for MACAA members. Panels are ference Hour with CUNY art historians Mil­ plus meals (optional). To request more infor­ the oil paintings of Karl Hofer (1878-1955) for bus transportation and box lunch to be grouped according to programmatic areas, ton Brown and William Gerdts; an opportu­ Medieval-Renaissance Studies Conference mation, call or write Fine Arts Continuing which is at present being compiled, galleries announced). Registration limited to 200. To and run daily from 9 A.M. to 5:45 P.M.; nity to discuss career planning and other pro­ "In Pursuit of the Ordinary: Popular Culture Education, the University of Texas at Austin, and collectors are requested to get in touch check on available space after September 7: keynotes, receptions and special gallery open­ fessional concerns with John Howat (chair, and Commonplace Beliefs in Northern Euro· Fine Arts Building 2.4, Austin, TX 78712, with me in order to register paintings in their (412) 248-2400 and ask for the Symposium ings will be held in the evening. Further infor­ American art dept. Metropolitan Museum), pean Art of the Late Middle Ages and Renais· possession. Karl Bernhard Wohlert, Franz­ 512/ 471 ~ 8862; or Texas Fine Arts Associa­ Lillian Miller (historian of American culture, Coordinator or Ann Sutherland Harris, Sym­ mation and a complete conference brochure:' sance" is the topic of the U .C.L.A. Center for Liitgenau-Str. 17, D-4600 Dortmund 41 tion, P.O. Box 5023, Austin, TX 78763,512/ National Portrait Gallery), and Grace Glueck Medieval and Renaissance Studies confer­ posium Chair. (612) 625- 7027. (Federal Republic of Germany). 453- 5312. (an critic, NY Times); and a fully costumed ence, December 11-12 at U.C.L.A. For fur­ Talking Pictures Photographic Education Conference performance, with orchestra, of the first ther information on this international confer­ Walter Benjamin in Paris, 1933-40 For a catalogue raisonne of the works of A conference on art and photography will The 1987 regional conference of the SPE will opera published in America. Registration ence: Susanne Kahle, Conference Coordi, The Department of Art History at Northwest­ American painter John Henry Twachtman take place at the Ontario College of Art, be held at the University of Lowell on Hallo­ plus opera, $15. Registration or inquiries: nator, Center for Medieval & Renaissance ern University will present a research sympo· (1853--1902), I would appreciate hearing October 15-18. Panel topics include "At the ween Weekend, October 30-November 1. Irma Jaffe, Art and Music Dept., Fordham Studies, U.C.L.A., 11365 Bunche Hall, Los sium and a series of public lectures on "Wal­ from anyone with knowledge of works, Threshold: Art and Photography," "Pho­ The event is cosponsored by Tufts University. Univ, Bronx, NY 10458. Angeles, CA 90024. (213) 825-1880. ter Benjamin in Paris, 1933-40: Aestheticiza­ papers, letters or other information on the tography after Modernism," "Systems of Panel discussions and audio/visual presenta­ tion of Politics, Politicization of Art," No­ artist. Please call or write: Lisa N. Peters, Influence: Curators and Exhibitions," and tions will center around a critical evaluation vember 6--7. The speakers include Susan Medieval- Renaissance Annual Meeting Director of Research, Ira Spanierman GaJ­ "Creating the Canon/Writing History," of the 70s and 80s- from aesthetic, philo­ French Revolution Symposium Buck- Morss, Rosalind Krauss, Alan Sekula, Rocky Mt. Medieval-Renaissance Associa­ by, 50 East 78th St., NYC 10021. (212) among many others. For further information: sophical, socio-economic and political view­ As the first manifestation of their official link, Jon Bassewitz, O.K. Werckmeister. Further tion annual meeting at Colorado State Uni­ 879-7085. III Talking Pictures, Rhea Tregebov, P.O. Box points-Contact conference coordinators: the University of Maryland, College Park and information: Dept. of Art HiS!'ory, Benjamin versity, Fort Collins, April 22-23, 1988. 129, Station M, Toronto, Ont. M6T 4T2, Arno Minkkinen, Art Department, Univer­ the Universite de Paris I, Pantheon-Sorbonne Symposium, Kresge 254, NU, Evanston, IL Theme of the 20th anniversary meeting is Canada. sity of Lowell at (617) 452- 5000, ext. 2872 or art are organizing an international sympo­ 60208. (312) 491-3230. "Retractations: Medieval and Renaissance Siegfried Halus, Head of Photography De­ sium celebrating the cultural ramifications of Studies, 1968- 1988." Contact: Harry Rosen­ Portrait in Eighteenth-Century America partment, Tufts University at (617) 628- Images of Sainthood in Medieval and the French Revolution. "Culture et Revolu­ A symposium to be held at the National Por­ Renaissance Europe berg, Dept. of History, Colorado State Univ., 5000, ext. 3567. tion," will be held at the University of Mary­ 1988 Annual Meeting reminder: We trait Gallery, October 15-17, features The ninth annual Barnard Medieval and Fort Collins, CO 80523. land, November 20-22. Further informa­ meet in Houston-February 10-12 for speakers from fields of art history, American Renaissance Conference will be held Novem­ tion: George Levitine, Dept. of Art History, placement services, February 11-13 for history and American studies discussing por­ Winterthur Conference Focuses on ber 14. The interdisciplinary conference will Univ. of Maryland, College Park, MD 20742. Michelangelo Rediscovered sessions. The preliminary program list­ traits in colonial America from the perspec­ Philadelphia Culture bring together scholars from different fields (301) 454- 3431. The departments of History of Art and ing sessions, including registration and tive of artists, sitters, iconography, cultural The 1987 Winterthur Conference will explore united by their interest in problems of saintly Romance Languages at The Ohio State Uni­ hotel reservation forms, etc. will be context and later history. Sponsored by the the cultural atmosphere of late 18th-century texts and images. Speakers include Richard versity have organized this interdisciplinary available early December. We are also Gallery and the Institute of Early American Philadelphia in 2 days of lectures and slide Kieckhefer, Barbara Abou-EI-Haj, Cynthia American Studies Association and symposium with the generous support of the offering a post-meeting tour to Dal­ History and Culture, Williamsburg, the sym­ programs, November 6--7. "Shaping a Na­ Hahn, Magdalena Carrasco, GregorySadlek, Canadian Association for American Studies Pizzuti Family Foundation of Columbus, las/Fort Worth-see description and posium coincides with the opening of the tional Culture: The Philadelphia Experience Joanne McNamara Elaine Ancekewicz, John -International Convention May 13-14, 1988. Speakers include Frederick reservation form on page 9. III exhibition "American Colonial Portraits: 1750-1800" will address the question of that Coakley, Elizabeth Robertson, Pamela Shein­ "Creating Cultures: Peoples, Objects, Ideas," Hartt, Craig Smyth, Henry Millon, Kathleen city's cultural primacy and its influence gorn, Ruth Steiner. For further information: 1700-1776," on view at the NPG until Jan­ November 21-24, 1988, New York Hilton. Weil-Garris Brandt, Glauco Cambon. Fur· beyond its geographical borders. Registration Timea Szell, Dept. of English, Barnard Col­ uary 10. For further information, registration Contact: ASA, 309 College Hall, University of ther information: Dept. of History of Art, 100 forms: Ellen Miles, Curator, Dept. of Paint­ information: Office of Advanced Studies, lege, NYC 10027 or Renate Blumenfeld-Ko­ Pennsylvania, Philadelphia, PA 19104-6303. Hayes Hall, 108 N. Oval Mall, Ohio State ing & Sculpture, NPG, 8th & F Sts., NW, Winterthur Museum & Gardens, Winter­ sinski, Dept. of French, Columbia Univ., (215) 898-5408. Univ., Columbus, OH 43210. II Washington, DC 20560. (202) 357-2686. thm, DE 19735. (302) 656-8591, ext. 249. NYC 10027.

14 eAA newsletter Fall 1987 15 J - -.

15010 shows Ipeople and programs Igrants and awards Tom Klinkowstein. Simulcast on WNYC­ Marilyn F. Hoffman (ABD, Brown Univer­ Thomas Garver has resigned as director of William Rathbun has been appointed acting MacArthur Fellows Awards FM, New York and Radio-France, through­ sity), curator of The Currier Gallery of Art, the Madison Art Center, Madison, Wisc., head of curatorial division for Seattle Art The John D. and Catherine T. MacArthur out France, June 20. "Invitation to Travel," a has been appointed director of the museum effective immediately. Art Center business Museum, effective July 1, for the interim Foundation has announced the names of 32 five minute radio-art project. effective January 1, 1988, replacing Rober~ manager Michael Paggie has been named period following the retirement of Henry new MacArthur Fellows who will receive five­ M. Doty, director since 1977. Hoffman acting director. Trubner as associate director for Art and the year awards ranging from $150,000 to Karen Kunc.Jane Haslem Gallery, Wash­ join~d The Currier as curator in 1984, having Collections and the hiring of his successor. ington, D,C., September 8-0ctober 10; preVIOusly served for ten years as director of Rathbun has been a member of the curatorial $375,000 apiece. One art historian and one Tho~ Brown (M.F.A., University of Penn­ Atrium Gallery, St. Louis, Mo" October 30- the Brockton Art Museum-Fuller Memorial staff since 1972. art critic were among the 32: Meyer Scha­ sylvam~) has been appointed as the first gal­ December 5. Woodcut prints, works on Brockton, Mass, ' piro, Columbia Uuiv. and Mark Strand, lery deSIgner of the Elvehjem Museum of Art Vniv. of Utah. paper. effective July 6. From 1984 until he assumed Terry Fenton, Director of The Edmonton Timothy Rub (M.P.P.M., Yale), museum Kyra. Fine Arts Gallery, Broward Commu­ his new position, he served as an assistant ex­ ~rt Gallery, announced his resignation effec­ administrator and architectural historian American Antiquarian Society Fellows nity College, Ft. Lauderdale, July 1-31. hibi.t ,desi~er at the University of Pennsyl­ tIve June 30 for personal reasons. Fenton has been appointed assistant director of th~ The AAS announced the names of 18 scholars "Great Goddess Medusa: Magic Circle XIII," vama s UnIversity Museum. came to the gallery in 1972, after serving as Hood Museum of Art at Dartmouth College. who have received fellowships to study early environmental sculpture installation and assistant director at The Nonnan Mackenzie American history and culture at the society's Rub was curator at the Cooper- Hewitt Muse­ Art Gallery in Regina, Saskatchewan. Al­ ritual video perfonnance. um from 1983-86 and in 1985-86 was guest Gloria DeFilipps Brush (M.F.A., School of library. One art historian was among the 18: the Art Institute of Chicago) has been named though he intends to pursue his interest in Ellen K. Levy. The Museum of Art, curator at the Bronx Museum of Art. Wendy Greenhouse, Yale Dniv., "The Brit­ acting dean of the School of Fine Arts at the writing, painting, and art consultation, Fen­ ish Are Coming: Tudors and Stuarts in Ante­ Science and Industry, Bridgeport, Conn., University of Minnesota, Duluth. Brush, ton has agreed to remain in Edmonton and bellum America." August 28-0ctober 5. Paintings, Two new grant-funded positions have been assist the gallery until a new director is found. filled at the Sterling and Francine Clark Art member of the UMD faculty since 1981, has Marina Moevs_ Gallery in the Cathedral served as head of the department of art since INDIVIDUAL AWARDS Institute in Williamstown, Mass. Margaret Church of St.John the Divine, N .Y.C., Octo­ C. Conrads (Ph.D. candidate Graduate Cen­ 1985. Brush succeeds Richard Durst as act­ ber 4-November 1. "Visionaries," paintings ing dean. Tim Taunton (LaGrange, Ga.) won fourth OUo Wittmann ter, CUNY) has been named American Art ORGANIZATIONS and pastels. prize ($500) in the 1987 Whirlpool Founda­ Otto Wittmann, Trustee of the j. Paul Getty research fellow and Margaret Shaw Moore Mary Schmidt Campbell, Executive Director tion Sculpture Competition/Exhibition, Fig­ Trust and Chair of its Art Acquisitions Com­ Mel Pekarsky. Marianne Deson Gallery, (M.A. George Washington University) has At The Nelson-Atkins Museum of Art David of the Studio Museum in Harlem and CAA urative Category. mittee, received the 1987 Award for Distin­ Chicago, June-August. Paintings and draw­ been appointed to an internship funded by Binkley has been promoted to associate cura­ board member, has been appointed by Mayor guished Service to Museums, the nation's the NEA. tor of the Arts of Africa, Oceania, and the ings. Koch to be Commissioner of Cultural Affairs Yasue Sakaoka, Capital Univ., received an highest museum award, at the annual meet­ Americas. and Robert Cohon (Ph.D., Insti­ for New York City, replacing Bess Myerson. award of $2,500 from the Pollock- Krasner ing of the American Association of Museums Florence Putterman. Foster Hannon Gal­ Maxwell L. Anderson (Ph.D., Harvard Uni­ tute of Fine Arts, N. y, U.) has been promoted Campbell, who has been at the Studio Muse­ Foundation for "exceptional artistic quality in San Francisco on June 9. Wittmann is also lery, Sarasota, Fla., March 1987; Mickelson versity) of New York's Metropolitan Museum to associate curator of Art of the Ancient um since 1977, will assume her new post Octo­ and achievement." director emeritus and vice president of the Gallery, Washington, D.C., May 1987, of Art has been appointed director of the World. They previously were assistant cura­ Emory University Museum of Art and Ar­ tors. In addition, Scott Heffley (Coopers­ ber 1, Prior to joining the Studio Museum, Toledo Museum of Art. Christine Riedell. Mendenhall Gallery, Anne Seelbach has won a MacDowell Colony chaeology, effective September 1. Anderson town graduate program in the conservation of Campbell was curator at the Everson Museum Whittier College, Whittier, Calif., July 12.- Fellowship (painting). Her residency will be has served as assistant curator of the depart­ historic and artistic works) has been pro­ of Art at Syracuse University, where she Steven F. Moyano (Ph.D. candidate, North­ 31. Photographs. earned her Ph.D. in art history. from October 29-December 18. ment of Greek and Roman Art at the Metro­ moted from assistant conservator to associate western Univ.) has been awarded the Haakon politan Museum since 1982. Fellowship at the Meadows School of the Arts, John Rose. Space Gallery, Los Angeles, conservator. Binkley and Cohon joined the George Gurney (Ph.D., Univ. of Delaware), staff in 1985; Heffley in 1984. Southern Methodist Univ. for 1987-89 aca­ December 5, 1987-January 16, 1988, New Dennis Kiel, who joined the Cincinnati Art associate curator of sculpture and painting at demic years. The fellowship provides an paintings. Museum staff in 1982, is the new associate the Smithsonian's National Museum of award of $1 0 ,000 per year for two consecutive curator for the Department of Prints, Draw­ Charles Passella was named head of Photo­ American Art, received the National Sculp­ Shelley Thorstensen. Gallery 50. Bridge­ years. The award supports travel, research ings and Photographs, promoted from assis­ graphic Services at the]. Paul Getty Museum ture Society'S Herbert Adams Memorial ton, N.j.,June28-July31. Monoprints_ and writing of dissertation and provides a tant curator. having served as a consultant to the depart~ Award for the advancement of American nine-month teaching residency in the Art Timothy Van Laar. Charles A. Wustum ment from 1985-86. From 1965-83, Passela sculpture. History Dept. of SMU. Further infonnation Museum of Fine Arts, Racine, Wisc., June 6- In Chicago: Neal Benezra (Ph.D., Stanford served as head of Photographic Services at the about the Haakon Fellowship: Art History Pierpont Morgan Library, New York. Meredith Lillich (Syracuse Univ.) was August 2. Paintings. University) has been appointed curator of Dept., Meadows School of the Arts, SMU, 20th-Century Art at The Art Institute of Chi­ awarded the William Wasserstrom Award for Ronald Watson. San Antonio Art Insti­ Dallas, TX 75275-0356. (214) 692-2698. cago. Benezra came to the Art Institute in Excellence in Graduate Teaching on April 29 tute, May 21-June 18, Paintings, oils and Robert McDonald (Ph.D. candidate, mod­ "In recognition of· her lively imagination, May 1985 as associate curator and has held watercolors. ern. Eur~pean cultural history, University of creative scholarship, and devoted teaching." Roberta J.M. Olson, Wheaton College, was t~e position of associate curator in-charge Cahforma, Berkeley), freelance art critic for awarded an NEH Travel to Collections Grant Lillich has a visitorship at the Institute for Therese Zemlin. Kruk Galleries, Univer­ smce the death of A.James Speyer in Novem­ the Los Angeles Times and art history lec­ for 1987 - 88 to pursue a topic concerning the ber 1986. Prior to his appointment, Benezra Advanced Study in Princeton for July, and a sity of Wisconsin, Superior, October 5-30, turer at the University of San Diego, has been proliferation of comet images in British art served as curator of the Des Moines Art Cen­ fellowship at CASVA, the National Gallery of Recent sculpture. .. na~ed director of Santa Clara University's de between 1740 and 1850. .. ter. The Mary and Leigh Block Gallery at Art, for 1987-88. SaIsset Museum, effective May 18, He suc­ Northwestern University has hired Elizabeth ceeds Rebecca Schapp, who has served as Boone (M.A., University of California, Patrick McCaughey, currently director of interim director since November. She will Jan Seidler Ramirez (Ph,D" American and Berkeley) as curator. Boone's most recent the National Gallery of Victoria in Mel­ resume her post as assistant director. McDon­ Ipeople and programs New England Studies, Boston University) has positions were with the Fine Arts Museums of bourne, Australia, has been appointed direc­ ald w~s chief curator for the Laguna Art Mu­ been appointed curator of paintings and San Francisco and the University Art Museum tor of the Wadsworth Atheneum. He will take seum III 1984-85, served as director of The Charles Eliot Pierce, Jr. (Ph.D., Harvard sculpture at the Museum of the City of New at the University of California, Berkeley, Her office next fall, succeeding Tracy Atkinson. Art Museum of Santa Cruz County from Mary Schmidt Campbell University), a scholar of English literature York, effective June 1. Ramirez has until field of specialization is 19th century Amer­ McCaughey served as art critic for a leading 1982-84, and was chief curator of the LaJolla Photo: Dawoud Bey and chair of the English department at Vassar recently served as chief curator of The Hud­ ican painting. Bruce Guenther has been ap­ Australian newspaper, taught at various uni­ Museum of Contemporary Art from 1979-82. College, has been named the new director of son River Museum in Yonkers, New York. pointed chief curator of the Museum of Con­ W. Eugene Klein bauer , Indiana University­ versities in Melbourne and spent considerable the Pierpont Morgan Library, replacing Bonnie Ellen Yoche1son (Ph.D., Institute of temporary Art in Chicago, Guenther will Bloomington, has been elected president of time in the U, S. and Rome before assuming Charles Ryskamp, who was director of the Fine Arts, N. Y. U.) has been appointed cura­ replace Mary Jane Jacob, who left the MCA Michael Floss (M.A., Williams College) has the International Center of Medieval Art a his directorship at the National Gallery of library for 17 years until last December, when tor of prints and photographs at the Museum in January to become chief curator of Los been appointed assistant curator at the Uni­ non-profit organization dedicated to the ~rt Victoria in 1981, He has just completed a sab­ he announced his resignation to assume the of the City of New York. Yochelson, currently Angeles's Museum of Contemporary Art. He versity Art Museum, Berkeley, effective and civilization of the Middle Ages. Klein­ batical year at Harvard University. directorship of the Frick' Collection, begin­ completing her teaching duties at the Univer­ comes from the Seattle Art Museum, where August 17. Foss comes to the museum from a bauer began serving on the board of directors of the ICMA in 1970. ning in June. sity of Pennsylvania department of art his­ he served as curator of contemporary art for position as curator at the Douglas S. Cramer tory, will join the staff on a full-time basis on seven years. Foundation in Los Angeles. Continued on p, 20, col. 1 June 8. 17 CAA newsletter Fall 1987 16 i i {announcements {announcements

Attention Artists: Call for Entries for Getty Research Grants NEA Arts Administration Fellowships North Carolina Arts Council Programs Ucross Foundation Residencies for Artists Guide to the National Endowment American H erstory The Getty Grant Program announces the fol­ To promote the development of arts admini­ 1) Visiting Artist Program. Residencies are Residency may run two to four months, for the Arts In response to the national celebration of the lowing categories of support for the 1988-89 strators who have demonstrated a strong com­ available in all areas ofthe arts. Self- develop­ average length is six weeks. A complete etch­ For a booklet which is designed to help indi­ Bicentennial of the U.S. Constitution, The academic year: Postdoctoral fellowshtfts are mitment to the field. The program provides ment time is set aside for the artist to devote to ingfacility is included. There is no charge for viduals and organizations become familiar Atlanta College of Art invites visual artists available to scholars who have received their arts administrators with a national overview his/her own work. Residencies vary in length room, board, or studio space, though contri­ with the Endowment and to help them deter­ to create works on paper addressing the Ph.D. degree since January 1982 and who of both the arts and the role and process of the from nine months to one year. Salary levels butions are welcome. For information and mine whether their artistic projects might be problematic relationship of American women demonstrate unusual potential for contribut­ NEA in supporting the arts by bringing arts range from $13,500--$22,000 + fringe bene­ application, send SASE to: Residency Pro­ eligible for grants from the NEA contact: and the U.S, Constitution, Provocative, ing to the field of art history. Twenty fellow­ administrators to the Endowment's offices in fit package. Artists may serve a single institu­ gram, UF, Ucross Route, Box 19, Ucross, WY NEA, Nancy Hanks Center, 1100 Pennsyl­ lively works which examine the legal, political ships will be awarded - ten through desig­ Washington, DC for 13~week periods. Each tion for two years. Masters degree in the art­ 82835. (307) 737-2291. Deadline: 1 March vania Avenue, NW, Washington, DC 20506. and social issues concerning women in past nated universities in the U.S. and ten to indi­ fellow is assigned to one Endowment division ist's discipline or the equivalent required. 1988. (202) 682~ 5400. The booklet describes the and present American history are encour­ viduals chosen through an open competition. or office. Grants consist of a stipend of $4,000 Further information or application: Visiting overall purposes of each of the NEA's pro­ aged. The exhibition, "American Herstory: Previously administered by the Woodrow and round-trip travel expenses. Applicants Artist Program, Community Development grams and outlines the types of support avail­ Women and the U.S. Constitution," in Feb­ Wilson National Fellowship Foundation, should have a B.A. and at least three years Section, North Carolina Arts Council, Dept. able in each of their funding categories. ruary 1988 will coincide with "Women and these fellowships are now managed directly by professional experience. Guidelines and ap­ of Cultural Resources, Raleigh, NC 27611. NEH Education Division Program the Constitution," a conference scheduled for the Grant Program. Two types of senior re­ plication: Arts Administration Fellows Pro­ (919) 733-7897. Deadline: I February 19B8. The Division of Education Programs of the February 10-12,1988. (See Conferences and search grants are also available. First, support gram Coordinator, NEA, Nancy Hanks Cen­ 2) Artists-in~Schools Program. Residencies National Endowment for the Humanities NEH to Support Editions of Letters and Symposia, CAA Winter newsletter. ) All work is available to individuals and teams of schol­ ter, 1100 Pennsylvania Ave., NW, Washing­ are available in all areas of the arts. A resi­ invites applications from colleges and art Papers of American Artists must be submitted in slide form for the initial ars exploring new ideas or methodologies that ton, DC 20506. (202) 682- 5786. Deadlines: 2 dency may take place in any public, private, history. Proposals that involve the incorpo­ The National Endowment for the Humanities jurying. Each artist may enter up to four en­ offer a fresh contribution to the understand­ January 1988 (Summer 1988 program); 15 state or federally-supported school in North ration of art history in western or world civil­ announces its special interest in encouraging tries ($15.00 entry fee) of works on paper ad­ ing of art history. These grants are awarded April 19BB (Fall 1988 program). Carolina. Residency length and salaries vary ization courses or in a core curriculum are also the preparation of editions of the letters and dressing the theme. A catalogue and traveling on a highly selective basis, usually for a max­ depending on the art forms. The minimum welcome. Scholars from several colleges, uni­ papers of major American artists. An edition exhibition of selected works will be organized imum of three years. Second, a limited num­ residency length is one month for visual arts/ versities, museums or libraries may propose may be published in printed volumes, micro­ and toured for two years. For prospectus ber of grants are available to art historians crafts, and eighteen weeks (one semester) for together a summer or academic year institute form, or some combination of the two. The Smithsonian Institution Fellowships write, Amert'canHerstory, ACA Gallery, 1280 who wish to embark on new research outside all other art forms. The Council encourages for faculty in undergraduate and pre- colle­ Endowment will make available small plan­ The Institution provides graduate student Peachtree St., Atlanta, GA 30309. (404) 898- their field of specialization or outside the field longer residencies in all art forms. Individual giate teaching. Draft proposals m'ay be sent ning grants allowing qualified scholars to con­ pre, post-, and senior postdoctoral fellow­ 1157. Entry deadlinf'~ 1 December. of art history that will enhance their ability to artist salary levels range from ca. $100/ day to for review probably two months in advance of duct surveys of the type, quantity, impor­ ships to support research in residence at the contribute to the discipline. Scholars in other $8,000 for eighteen week (one semester) resi­ deadlines. Further information: Elizabeth tance, and location of existing documents. fields of the humanities whose work will con­ Smithsonian. Stipends and tenures vary. For Welles, Program Officer, Div. of Education More substantial support for the preparation Rockefeller Fellowships for 1988-89 dencies. Masters degree in the artist's disci­ tribute to the history of art may also qualify. more information and applications: SI, Of­ Programs, Rm. 302, 1100 Pennsylvania Ave. , of the editions themselves will be awarded to The Institute for Research on Women, Rut­ pline or the equivalent required. Further in­ Fellowships will usually support one year of fice of Fellowships and Grants, Desk A, L'En­ NW, Washington, DC 20506. (202) 786- applicants who are successful in the regular gers University, invites applications for two formation or application: Artists- in- Schools research, not necessarily resulting in a publi" fant Plaza, Suite 7300, Washington, DC 0384. Deadline: 1 Apri11988. competition for Edition funds. Further infor­ Rockefeller Foundation Humanist-in-, Resi­ Program, Community Development Section, cation. With the exception of the postdoc­ 20560. (202) 287-3271. Application dead­ mation: Editions Category, Div. of Research dence Fellowships for 1988- 89. Either junior North Carolina Arts Council, Dept. of Cul­ toral fellowships at the ten designated institu­ line: 15 January. Programs, NEH, Washington, DC 20506. or senior scholars, in residence for the year tural Resources, Raleigh, NC 27611. (919) tions; all of the research grants are entirely (202) 7860207. at Rutgers/New Brunswick, fellows will be 733-7897. Deadline: I February 1988. Grants for Art Critics in California portable. For further information: The Getty primarily responsible for work on original, Artspace announces its 1987 grant program Grant Program, 401 Wilshire Blvd., Suite American Antiquarian Society 1988-89 Conservators Wanted book-length manuscripts about significant for new writing in arts criticism, designed to 1000, Santa Monica, CA 90401-1455. (213) Research Fellowship Program American School of Classical Studies at The U.S. General Services Administration questions in women's studies and the human­ support individuals and give visibility to the 393-4244. Deadline: 10 December. To encourage research in its collections of Athens Summer Session 1988 (GSA), seeks conservators for its substantial ities. Some institutional! public obligations field of art criticism in California. A range of The Getty Centerfor the History ofArt and American history and culture through 1876, The ASCSA invites applications for two six­ inventory of artworks nationwide. The build­ cash awards will be distributed for new writ­ pertain. For information and application the Humanitt'es (401 Wilshire Blvd., Suite the AAS will award a number of short-and week summer session programs in 1988. The ings include artworks produced from 1933- materials, contact: Professor Catharine ing proje'cts and substantive criticism about 400, Santa Monica, CA 90401-1455; (213) long- term visiting research fellowships. Four program provides an intensive introduction 43 under the New Deal art programs, art­ Stimpson, Institute for Research on Women, all contemporary visual art forms and media, 458-9811) and the J. Paul Getty Museum categories of awards are offered. In addition, to the antiquities of Greece in a limited time works commissioned or purchased by GSA Rutgers University, New Brunswick, NJ including issues of importance in the field. A (Department of Education and Academic Af­ research associate status (without stipend) and focuses on the relationship between the since 1962 under its Art-in-Architecture 08903. (201) 932-9072. Application dead­ minimum of $5,000 will be awarded in 1987. fairs, P.O. Box 2112, Santa Monica, CA will be available to qualified applicants. country (its monuments, landscape and cli­ Program, and artworks associated with his­ Applicants must be 21 years of age, and be line: 1 December. 90406; (213) 459-7611) also offer residential mate) and its history, literature and culture. toric, federal, and other buildings. Conserva­ Through an arrangement with The Newberry legal residents of California. Students are in­ fellowships related to their own programs. Library, AAS encourages applications for The program is open to high school and tion involves a variety of media, including eligible, all course and thesis work for Masters Please contact those institutions directly for college teachers, graduate and upper level painting, sculpture, drawings, prints, photo­ J. Paul Getty Museum 1988-89 Student joint fellowship tenure in both Chicago and and Ph.D. candidates must have been com­ Programs further information. Worcester. Fellowships offered: AAS- NEH undergraduate students. Credit can be ar­ graphs, textiles, mosaics and glass. Conserv­ pleted by June 20, 1987. For application in­ TheJ. Paul Getty Museum offers opportuni­ Fellowships for 6-12 months of support (max­ ranged through the applicant's home institu­ ators interested should request a "Conserv­ formation, send an SASE: Artspace, Criti­ ties for undergraduate and graduate students imum $27,500) for research on any subject on tion. The $1,500 fee covers tuition, room and ator Qualifications Questionnaire" from: cism Grant, 1286 Folsom S1., San Francisco, which the society has strong holdings; Kate B. partial board; transportation to and from Art- in~Architecture Conservation Staff, to obtain practical training in art museum 1988-89 Spain Research Fellowships CA 94103. (415) 626-9100. work. The Museum also coordinates the stu­ The Council for International Exchange of and Hall J. Peterson Fellowships for 1- 3 Greece is extra. A limited amount of scholar­ U.S. GSA, 18th & F Streets, NW, Washing­ dent programs for the Getty Center for Edu­ Scholars (Fulbright Scholar Program) an­ months' support (maximum $2,250) for re­ ship support is available. Applications: De­ ton, DC 20405. partment A-3, Summer Session, ASCS, 41 cation in the Arts and the Provenance Index nounces the availability of 10 to 15 grants for search on any subject for which the society has 1987-88 Artists Roster East 72 Street, New York, NY 10021. Dead­ of the Getty Art History Information Pro­ individual research in Spain during the 1988- strong holdings; Albert Boni Fellowship for Aperture Work-Scholar Program line: 1 February 1988. The New York Foundation for the Arts' Art­ gram. Students are assigned on a full- time 89 academic year. Fields in which applica­ 1-2 months' residence (maximum stipend ists in Residence Program announces the Opportunities to become involved with the basis to one department including the curato­ tions are encouraged include anthropology, $1,500) to research a topic in the general field 1987-88 Artists Roster is now available. writing, editing, design, production, distri­ rial and conservation departments, educa­ archaeology, art history, fine and performing of early American bibliography or printing or 1986-87 Clifford Prize These rosters provide a comprehensive listing bution, and marketing of significant photo­ tion, and administration. Undergraduate as­ arts. Basic eligibility requirements are U.S. publishing history; Frances Hiatt Fellowships The James L. Clifford Prize, awarded by the that includes the names, addresses, phone graphic publications, to be directly involved sistants are in residence for thirteen weeks and citizenship, Ph.D. at time of application, or for 1-2 months' residence (maximum stipend American Society for Eighteenth-Century numbers, and areas of artistic specialization in an exhibition space and program including receive a salary anticipated at $3,380. Grad­ equivalent, and sufficient competence in oral $1,500) by persons, including foreign nation­ Studies (ASECS), carries an award of $300 of more than 300 artists from 31 counties major traveling exhibitions, to work with the uate interns are in residence for nine to twelve and written Spanish for proposed research. als, at work on doctoral dissertations. For ap­ and goes to the best nominated article, an around New York State. They include: pro­ Paul Strand photographic archive, and to months and accordingly receive a grant anti­ The award period is three to ten months, Sep­ plication forms: John B. Hench, Assoc Dir outstanding study of some aspect of eigh­ fessional dancers, musicians, theatre artists, learn business practices associated with a cipated at $11 ,520 or $16,640. Information tember 1988 through August 1989. Forinfor­ Research & Publication, AAS, 185 Salisbury teenth-century culture, interesting to any media artists (film, video, audio, photog­ non·- profit organization. Stipend is $250 per and application form: Academic Affairs Of­ mation and applications, contact Robert Street, Worcester, MA 01609. (617) 752- eighteenth - century specialist, regardless of raphy) and visual artists, as well as perform­ month for periods of 6- 9 months. Starting fice, J. Paul Getty Museum, P. O. Box 2112, Burnett, Spain Research Fellowships, CIES, 5813 or 755-5221. At least two AAS-NEH discipline. For full details: ASECS, R.G. ing arts ensembles. Cost is $12.50. Send check dates flexible. Information: Valerie Rout, Santa Monica, CA 90406. (213) 459-7611, 11 Dupont Circle NW, Suite 300, Washing­ fellowships will be awarded, together with Peterson, Executive Secretary, S1. Olaf Col­ or money order to: NY Foundation for the Work-Scholar Program, Aperture, 20 East ext. 254. Applications deadline: 11 Decem­ ton, DC 20036. (202) 939- 5414. Deadline: I 14-17 short-term awards. Deadline: 31 lege, Northfield, MN 55057. (507) 663- 3488. Arts, Attn: Craig Raia, 5 Beekman Street, 23rd Street, New York, NY 10010. (212) 505- ber for assignments in summer or fall 1988. January 1988. January 1988. Deadline: 1 February 1988. Suite 600, New York, NY 10038. 5555. l1li

18 CAA newsletter ! i Fall 1987 19 classifieds

The CAA newsletter will accept classifieds of The following, our NEW catalogues, will be DiSCOVER ART STUDY IN PARIS. Re· a professional or semi-professional nature sent, FREE, upon request. No. 12: Classical ceive college credit while studying painting (sale of libraries, summer rental oT-exchange Studies: Greek & Roman Cultures (inclusive and drawing in Paris. Apprentice on com­ oj homes, etc.). The charge is 50~ per word, of art): No. 14: American Art: No. 15: Euro­ mercial painting jobs. Work on community minimum charge $10.00, advance payment pean Art: 19th & 20th Centuries. Please mural projects. Write the Farrell Interna­ required. Make checks payable to CAA. specify and write to: Dr. Y. MASHIAH, P.O. tional School of An, Paris-France, 350 N. Box 20063, Cherokee Station, New York, NY Raynor Ave., Joliet, Illinois 60435. Phone 10028-9991. 815-723 - 6430. Registration deadline for spring semester is November 30, 1987. SOURCE; NOTES IN THE HISTORY OF ROBERT BEVERLY HALE-Now, on ART welcomes short articles (2,000 words or videotape, Hale's famous series of 10 original less) on all aspects of art history and archae­ demonstration lectures on Artistic Anatomy DiSCOUNT EXHIBITION ANNOUNCE· ology. Illustrations are limited to three per and Figure Drawing given by him at the Art MENTS. Full color separation, coated stock. article. In advocating the virtues of brevity, Students League, NY (in 1976). Fourteen 2-4 week delivery. IMAGES FOR ARTISTS, Source encourages precision of thought and hours of instruction. VHS, Beta, call/write: 308 E. 8th, Cincinnati, OH 45202. execution. Two copies of each manuscript, Visa, MC, AmEx, lo-An Pictures Ltd., 14 E. accompanied by a stamped, self-addressed 39th St" NYC 10016. (212) 532-5003. Southwest Virginia- Ultra Contemporary envelope, should he sent to the Editor, Laurie Home/Studio/Retreat on 5 wooded acres Schneider, at 63 East 93rd Street, New York, The Accademia degli Ippopotami will meet near 1-81, airport, two Universities. Call Joan NY 10128. For style sheet, see Volume IV, this year at 7:00 p.m. on Thursday, February Skipper at Coldwell Banker Valley- Wide No.4 (Summer 1985 issue) or write to the 11th in Houston at Harry's place. Avanti gli REALTORS (703) 951-7653 (W) (703) 951- Editor. ippopotamil 0040 (H), III

Ipeople and programs

Eric Barnett was elected to be editor of the will retain the name the American Federation chair of an departments at Cooper Ur.ion and Association of College and University Muse­ of Arts. Myrna Smoot, currently executive Indiana State University and Provost and ums and Galleries's newsletter. Barnett is director of AMAAin San Francisco, will move Vice-President of RISD. registrar with the Office of University Muse­ to New York and head the new merged organ­ PROGRAMS ums at Southern Illinois University at Ed­ ization. The AFA's former director, Wilder wardsville. The ACUMG Newsletter is a Green, has stepped down to undertake inde­ Northwestern University: a new Program in quarterly publication which serves as a forum pendent activities, including a major project Art Objects funded by a five-year grant from __ for discussion of the critical issues facing the for the Metropolitan Museum of Art. AFA the Andrew W. MeHon Foundation begins in museum profession on college and university administrative headquarters will be located the fall. Designed for a small group of doc­ campuses. Articles and items for inclusion at 41 East 65th Street, N. Y. C. The museum toral students in art history, who are desig­ should be sent to the new editor c/o Univer­ services division will be at 270 Sutter Street, nated Andrew W. Mellon Preceptors, this sity Museums, Box 1150, SIU, Edwardsville, San Francisco. program helps students better integrate the IL 62025. tools of technical analysis with problems of Jack Stewart (B.F.A., Yale, M.A., N.Y.U.) historical interpretation. A series of three The nation's two oldest non- profit art mu­ has been elected president of the N. Y. Artists courses taught in the department of art his­ seum organizations - the American Feder­ Equity Association for 1987-89. He will pur­ tory and art theory and practice culminate in ation of Arts, New York and the Art Museum sue those initiatives in the areas of artists' an internship at a local mUSeum or gallery. • Association of America, San Francisco­ studio and housing problems, preservation of have merged as of July 1. Both were founded works of art, and the Artists' Rights Bill, that To insure',receipt of all CAA, public~: during the first quarter of this century to have been such active concerns of the Board. tions and announcements, please, be broaden the American public's knowledge Stewart has had a long career of university sure to,' keep us informed, of your CUl'-, , and appreciation of the historical and con­ teaching, serving on the faculties of the rent address.' ,," ',' temporary visual arts. The new organization Cooper Union and Columbia and has been

G44 newsletter © 1987 College Art Association of America 275 Seventh Avenue, New York, N.Y. 10001 Editor: Susan L. Ball Associate Editor: Minerva Navarrete

Material for inclusion in the Winter 1987 issue should be sent to CAA Newsletter, 275 Seventh Avenue, N.Y.C.IOOOl.Deadline: 15 November_

Fall 1987