DOCSLIB.ORG

Craft Horizons JULY/AUGUST 1968 a SHOPPING CENTER Ahme for JEWELRY CRAFTSMEN at Your Fingertips! KILNS & CERAMIC EQUIPMENT GAS KILNS from 2 Cu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Craft Horizons JULY/AUGUST 1968 a SHOPPING CENTER Ahme for JEWELRY CRAFTSMEN at Your Fingertips! KILNS & CERAMIC EQUIPMENT GAS KILNS from 2 Cu craft horizons JULY/AUGUST 1968 A SHOPPING CENTER Ahme FOR JEWELRY CRAFTSMEN at your fingertips! KILNS & CERAMIC EQUIPMENT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500°F — some to 3000°F. Instrumentation for temperature control and a positive control of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading — all models fire to 2350°F — some to 2800' F. Fully instrumented. complete catalog of... TOOLS AND SUPPLIES We've spent one year working, compiling and publishing our new 244-page Catalog 1065 ... now it is available. We're mighty proud of this new one. .. because we've incor- porated brand new never-before sections on casting equipment, electroplating equipment and precious metals... We spent literally months redesigning the metals section . giving it clarity ... yet making it concise and with lots of information ... Your 244-page catalog is waiting for you ... just send us $1.00 ... and we'll send you the largest and most complete catalog A wide selection of in the industry. With it you'll receive a certificate ... and POTTERY WHEEL when you send it in with your first order of $5.00 or more... models are available we'll deduct the $1.00 from the order. Order your catalog today . we're certain you'll find it the best "wish-book" you ever had . besides it is destined to become THE encyclopedia of tools and supplies for crafts and jewelry people. Ij| CH WRITE TODAY for COMPLETE information Dept. A ? /t.Z). rffyUne ,7*tc. SMELTING 8c REFINING CO. Dallas Office: San Antonio Office: 353 CORAL CIRCLE 1712 Jackson St. 118 Broadway P. O. Box 2010 P. O. Box 1298 EL SEGUNDO, CALIF. 90245 Dallas, Texas 75221 San Antonio, Texas 78206 AREA CODE (213) 322-2430 772-2557 772-2558 horizons July/August 1968 Vol. XXVIII No. 4 4 The Craftsman's World 5 Letters, Our Contributors 6 Countercues 7 Editorial 8 The Craft of the Object: U.S.A. 14 International Glossary of Craft Terms 16 The Object of Craft: Africa 23 International Color Portfolio of Crafts 27 Pottery in New Guinea by Margaret Tuckson 32 Exhibitions 45 Calendar 46 Where to Show The cover: Detail of decoration on a wall surrounding a Venda home in the Soutpansberg area of South Africa's Northern Transvaal. Women of the village use clays of natural color for decoration. "The Object of Craft: Africa," a photographic essay on modern African crafts, begins on page 16. Photograph by Sam Haskins. Editor-in-Chief Rose Slivka Managing Editor Patricia Dandignac Associate Editor ; Bill Weeden Editorial Assistant Edith Dugmore Advertising Department Adele Zawadzky Editorial Board Robert Beverly Hale William Lescaze Leo Lionni Aileen 0. Webb Ceramics _Daniel Rhodes Metal Adda Husted-Andersen Textiles Lili Blumenau Wood Charles V.W. Brooks Bookbinding. Polly Lada-Mocarski Published bimonthly and copyrighted 1968 by the American Craftsmen's Council, 16 East 52nd Street, New York, N.Y. 10022. Telephone: PLaza 3-7425. Aileen O. Webb, Chairman of the Board; Kenneth Chorley, Vice-Chairman; Donald L. Wyckoff, Direc- tor; May E. Walter, Secretary; R. Leigh Glover, Treasurer; Joseph P. Fallarino, Assist- ant Treasurer. Trustees are: Nicholas B. Angell, Alfred Auerbach, John L. Baringer, Mrs. Lewis G. Carpenter, Mrs. H. Lansing Clute, Rene d'Harnoncourt, Mark Ellingson, Robert D. Graff, August Heckscher, Walter H. Kilham, Jr., Jack Lenor Larsen, De Witt Peterkin, Jr., William Snaith, Frank Stanton. Honorary trustees are: Valla Lada- Mocarski, Dorothy Liebes, Edward Wormley. Craftsmen-trustees are: J. Sheldon Carey, Charles Counts, Trude Guermonprez, Kenneth Shores, Peter Wedland, James Wozniak. Membership rates: $10 per year and higher, includes subscription to CRAFT HORIZONS. Single copy: $2. Second class postage paid at New York, N.Y. The complete content of each issue of CRAFT HORIZONS is indexed in the Art Index and Reader's Guide to Periodical Literature, available in public libraries. Book re- views published in CRAFT HORIZONS are indexed in Book Review Index. Microfilm edition is available from Universal Microfilms, 313 North First Street, Ann Arbor, Michigan. The Craftsman's World Crafts: Can They Help Appalachia? JULY 15-19 Asheville, N. C. A new project to study methods for "Encouraging and Preserving American Handcrafts" will explore the feasibility of relieving eco- For folder write: nomically depressed areas, like Appalachia, by helping the native CRAFTSMAN'S FAIR craftsmen revive and revitalize the traditional designs for useful Box 9145 products and by helping to organize markets for those products. Asheville, N. C. 28805 The project, headed by the American Federation of Arts, New York, The Southern Highland Handicraft Guild is to be funded with a Federal grant from the Department of Health, Education, and Welfare, with supplementary financing from the CRAFTSMAN'S FAIR J.M. Kaplan Fund. It will benefit from the cooperation of profes- OF THE SOUTHERN HIGHLANDS sional designers who will involve themselves with certain fields. Among them are Olav Hammarstrom (carpentry and pre-cut cot- tages), William Pahlmann (decorative objects and accessories), Ed- ward Wormley (furniture), Marianne Strengell (textiles), and Doris and William Justema (design instruction). According to the AFA, S S1LVERSMITH1H certain steps will have to be taken first, since the proposal "faces some delicate problems." These steps include studying the possi- Catalog #68. Price $1.00 deductible from /S1 •>» first order of $5.00 or more - sent without OUR bility of the following: gaining some measure of acceptance in S charge to requests submitted on School or Appalachian communities and with local work groups who might be . organization letterhead. SHOWROOM activated; organizing markets for the craft objects once they are produced; making similar studies in some selected communities of 5 Mail Orders and Correspondence u A C yj 215 Park Avenue • Hicksville, N. Y. 11801 HAo American Indians and Eskimos. The term "handcrafts" as used by w> Phone: (516) 433-1660 and (212) 895-0686 the project, by the way, includes articles "produced in some quan- A NFW tity by hand in the home or under some cottage industry plan or New York Showroom M mi-ww 22 West 48 Street • New York, N. Y. 10036 A NRVNCCC in a handcraft production center employing a number of workers." „ Phone:(212) 895-0686 AUUKtOO The study is not concerned with the artist-craftsman who makes only one-of-a-kind works and has no skills applicable to quantity production—even on a limited basis. The project, to be directed by Tools / Findings ALLCRAFT William Katzenbach, coordinator of the AFA's decorative arts exhi- TOOL & SUPPLY COMPANY, INC. bition program, is based on a study prepared by Charles Counts for 6LJ3 Stones / Metals the Economic Development Administration in 1966. A NEW BOOK AND A SPECIAL OFFER... SELLING YOUR CRAFTS For Your Datebook by Norbert N. Nelson <112 pages >6x9* $5.95 Now available exclusively to American Craftsmen's The special charter flights to the World Crafts Council's third biennial Council members for $4.75—a 20% discount. meeting of its general assembly, to be held in Lima, Peru, August 25- Clear, sales-oriented guidelines for bringing craftwork to the September 5, are already filled. The theme of the conference is "The marketplace successfully. All basic sales areas covered: Cultural and Economic Functions of the Craftsman in a Changing The total crafts market • Unique markets * Preparing prod- World" . The Southwest Regional Assembly of the American ucts for these markets • Pricing • Proven sales tools • Sales Craftsmen's Council is sponsoring a regionwide conference, October planning • Retailing • Mail orders • Publicity and advertising 10-13, at San Jose State College, San Jose, California. Entitled "Reel * Legal pointers. Real and Unreel Unreal: Workshops in Craft Media and Film Mak- "...an important contribution for anyone who wishes to ing," the conference will include the showing of films on crafts and sustain himself as a producing craftsman."—Lois Moran, craftsmen, a demonstration of film making, and discussions and Director, Research and Education, American Craftsmen's demonstrations involving clay, glass, plastics, metal, and textiles. Council. Keynote speaker is California poet-playwright-film maker James Norbert N. Nelson is Director, Retail Marketing, Creative Playthings, N. Y. Broughton. Registration forms and further information may be ob- Clip and Mail this coupon to take advantage of REINHOLD'S tained by writing: James Wayne, 16220 Blossom Hill Road, Los 30-DAY NO-RISK APPROVAL OFFER. SELLING YOUR Gatos, California 95030 . The thirteenth annual York State Craft CRAFTS, list $5.95 ONLY $4.75 for American Craftsmen's Fair at Ithaca College, Ithaca, New York, August 5-10, highlights a Council members. three-day seminar on "Dimension of the Crafts—in three medias, Reinhold Book Corporation Metal, Fiber, and Clay." Leading the metal seminar will be Don 430 Park Avenue, New York, N. Y. 10022 Drumm (Ohio); lecturer in fiber will be Jack Lenor Larsen (New Please send me SELLING YOUR CRAFTS on 30-day approval (in the York); Bill Sax (New Hampshire) heads the clay seminar . The U. S. A. only). I will send $4.75—the special A.C.C. rate—plus small han- dling charge. If I am not completely satisfied I may return the book and Southern Nevada Handweavers and Spinners Guild, Las Vegas, owe nothing. Nevada, is sponsoring the Handweavers International Festival in Las Name. Vegas, October 30-November 1, 1969. The group says, "We are inviting every country in the world to send or bring representative Address- handweaving, and we are suggesting they also supply real live flesh and blood weavers to demonstrate how things are done in their City, State- _Zip. country." The festival has the theme "Weavers Poetry," and the • SAVE MONEY I Check here if enclosing payment with order, and Reinhold will pay shipping costs.
Load more

Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Polymer Clay Artist's Resource List
    POLYMER CLAY ARTIST’S RESOURCE LIST ARTISTS: Accomplished & Emerging Artists & Teachers ............................................................................................................. 2 COMMUNITY: Guilds, Groups, Forums, & Member Communities ........................................................................................... 9 EVENTS: Workshops, retreats, classes & industry shows ............................................................................................................ 13 INFORMATION & LEARNING: Blogs, Tutorials, Publishers, & Schools ................................................................................. 14 ORGANIZATIONS: Organizations for Professional Craft Artists .............................................................................................. 17 SUPPLIES: Supplies for Polymer, Jewelry, & Sculpture ............................................................................................................... 18 SALES & MARKETS: Year-round Sales Avenues & Services ....................................................................................................... 23 TECHNIQUES & STANDARDS: Site Links and Document ....................................................................................................... 24 GENERAL TECHNIQUES/FREE TUTORIALS.......................................................................................................................... 24 PAID TUTORIAL SITES ..............................................................................................................................................................
    [Show full text]
  • Bulletin Describes the Operations of the Artmobile, Presents Some
    DOCUMENT RESUME' ED 027 356 UD 007 709 Artmobile Exhibit # I: A Manual on, Operations and Instructions. Los Angeles City Schools, Calif. Div. of Secondary Education. Report No- LACS -ESEA-T -A-127-67 Pub Date 30 Jun 67 . Note-60p. EDRS Price MF-$0.50 HC-$3.10 Descriptors-Art Activities, *Art Education, Artists, *Art Materials, Educational Objectives, Instructional Materials, Learning Activities, *Mobile Educational services, *Secondary Schools Identifiers-Californik Los Angeles . An Artmobile exhibit was developed for Los Angeles secondary schools underan ESEA specially funded program. The exhibit involves two trailers and packaged instructional materials for a display of the work of 33 local artists. An instructional bulletin describes the operations of the Artmobile, presents some relevant art concepts, outlines several art education objectives, and offers some suggested learning activities for art classrooms. The document includes information about the 33 artists 'and their work (NH) r SPECIALLY FUNDED PROGRAMS" FOR CLASSROOM TRIAL ONLY ESEA NO. T - -61., SUMMER, 1967 ....... : . ,.. ARTMOBILE Exhibit #1 ii . .:: .... ... A AAANIJAL A*. :?.....,.... On Oporations ..::::::...,.. .(44,E.... .... .. :......,...:.::, AndInstructions ,.-....:E.:::::.....,. : " U.3. UtVAKIMUll Ut MAW!, CUULAIIUM Ca WELIMIL OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION MHITMNORPOLMt LoSANGELES CITY SCHOOL DISTRICTS Divi9ion of Secondary Education Beverly Boulevard Center Specially-PundedPrograms DATE: June 30, 1967 ............-______...............CLASSROOM TRIAL APPROVAL PROJECT: FINE ARTS --ART (ARTmOBILE) ARTMOBILE EXHIBIT # I TITLE OF PUBLICATION: A Manual on Operations and Instruction The material isaccepted and approvedfor classroom trial. c../ onsultant in Charge , Project Coordinator .../ .
    [Show full text]
  • The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
    Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2012 Hooked on Wood: The Allure of the Fish Decoy, The Center for Art in Wood, May 18 – July 21, 2012, Curated by Dick Walters, Adviser Gene Kangas. Hooked on Wood, showcases modern wood fish decoys and highlights historical works as early as 3000 years ago. Today fish decoys are appreciated for their beauty as polychrome sculptures and are evaluated on their ability to move in the water to attract real fish. Families and people of all ages will be astonished and delighted at the utter creativity and craftsmanship in this exhibit. Over 100 fish decoys are on display: Ice spearing decoys – a handmade utilitarian tool, trophy fish – decorative piscatorial portraits, and folk sculpture. 2012 Life Aquatic, The Center for Art in Wood, May 18 – July 21, 2012. In conjunction with Hooked on Wood, The Center invited six artists to exhibit work inspired by and in response to themes of sea life. Pulling inspiration from water, sea animals and plants the artists produced captivating sculptures, wall hangings, and even imaginative creatures that may lurk in the abyss. Exhibited Artists: Michael De Forest, Satoshi Fujinuma, Michael Hosulak, Janel Jacobson, Merryll Saylan, and David Sengel. 2011 Turning to Art in Wood: A Creative Journey, The Center for Art in Wood, November 4, 2011 – April 21, 2012. Curator: Gerard Brown. Celebrating the 25th anniversary of Philadelphia’s renowned Wood Turning Center as it takes a new name—The Center for Art in Wood—and moves to an exciting new location among the art galleries in Old City.
    [Show full text]
  • PROCEEDINGS of the 120TH NATIONAL CONVENTION of the VETERANS of FOREIGN WARS of the UNITED STATES
    116th Congress, 2d Session House Document 116–165 PROCEEDINGS of the 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Orlando, Florida ::: July 20 – 24, 2019 116th Congress, 2d Session – – – – – – – – – – – – – House Document 116–165 THE PROCEEDINGS OF THE 120TH NATIONAL CON- VENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES COMMUNICATION FROM THE ADJUTANT GENERAL, THE VETERANS OF FOREIGN WARS OF THE UNITED STATES TRANSMITTING THE PROCEEDINGS OF THE 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES, HELD IN ORLANDO, FLORIDA: JULY 20–24, 2019, PURSUANT TO 44 U.S.C. 1332; (PUBLIC LAW 90–620 (AS AMENDED BY PUBLIC LAW 105–225, SEC. 3); (112 STAT. 1498) NOVEMBER 12, 2020.—Referred to the Committee on Veterans’ Affairs and ordered to be printed U.S. GOVERNMENT PUBLISHING OFFICE 40–535 WASHINGTON : 2020 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respectively, shall be printed annually, with accompanying illustrations, as separate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] ii LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES KANSAS CITY, MISSOURI September, 2020 Honorable Nancy Pelosi The Speaker U.
    [Show full text]
  • Cliff Lee: New Directions by Paul F
    June/July/August 1999 1 2 CERAMICS MONTHLY JunelJulylAugust 1999 Volume 47 Number 6 “Stacked Bowls with Vase,” 21 inches in diameter, by Bobby Silverman; at materia/ The Hand and the Spirit Gallery, Scottsdale, Arizona. FEATURES 48 35 Visiting Ryoji Koie by Kelvin Bradford Trailblazing beyond Japanese tradition 39 Formulating Glazesby Richard A. Eppler “Plain View,” 32 inches in Limits for glaze calculation using mole percent height, painted ceramic, by John Woodward; at 43 Billy Ray Mangham by Gary C. Hatcher Riley Hawk Galleries in Humor and pathos in raku sculpture Columbus and Cleveland. 47 Limitless Low Fire 50 Vessels and sculpture at the Brookfield Craft Center, Connecticut 48 Bobby Silverman Stacked bowls and vases evoking floral forms 50 Looking in the Mirror: Aspects of Figurative Ceramics Contemporary sculpture at Riley Hawk Galleries in Ohio 52 Cliff Lee: New Directions by Paul F. Dauer Meticulously carved organic porcelain forms 57 Different for Me by Ken Vavrek Change doesn’t always come easy 60 English Urban, American Rural by Claire Wilcox Contemplating the capacity of pottery to express humanity 65 A Wood-Firing Raku Kiln by Nesrin During A low-tech way to raku anywhere Bottle, 9 inches in height, by Rob Barnard, 68 Castles in Spain by Frangoise Melville Timberville, Virginia. Three approaches to production 60 105 Unusual Pottery Markets by Brad Sondahl Finding new sales outlets Nesrin During describes construction and firing of a 107 Flash Reduction by Heather Young wood-fueled raku kiln, Low-fire lusters Oosterend, The Netherlands. The cover: A pair of 108 A Limp Ice-Cream Box, Stiff Paper, “Yellow Prickly Melons,” 65 to 14½ inches in height, a Couple Pieces of Magic Tape and by Cliff Lee; see page 52.
    [Show full text]
  • Annual Report 2013-2014
    The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I.
    [Show full text]
  • Ceramics Monthly Jun90 Cei069
    William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad­ dress to: Ceramics Monthly, Circulation Of­ fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra­ tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de­ scribing standards and procedures for the preparation and submission of a manu­ script is available upon request. Mail sub­ missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor­ mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com­ puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452.
    [Show full text]
  • Oral History Interview with Anne Wilson, 2012 July 6-7
    Oral history interview with Anne Wilson, 2012 July 6-7 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Transcription of this oral history interview was made possible by a grant from the Smithsonian Women's Committee. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Anne Wilson on July 6 and 7, 2012. The interview took place in the artist's studio in Evanston, Illinois, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Anne Wilson and Mija Riedel have reviewed the transcript. Their heavy corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Anne Wilson at the artist's studio in Evanston, Illinois, on July 6, 2012, for the Smithsonian Institution's Archives of American Art. This is disc number one. So, Anne, let's just take care of some of the early biographical information first. You were born in Detroit in 1949? ANNE WILSON: I was. MS. RIEDEL: Okay. And would you tell me your parents' names? MS.
    [Show full text]
  • N.J.B.A. Newsletter
    N.J.B.A. Newsletter NJBA Volume 12, Issue 2 08/01/07 Editors Soapbox Red Mill Museum Well it’s the middle of Summer again and I hope in Clinton, New Jersey you all try to make it out to the next few events. I ANNUAL HAMMER-IN / know it can be hard to find the time to go to the meets but, it is also nice to take a break for the day, TOOL SWAP / NJBA PICNIC see some familiar faces and learn something new. Sunday, August 19, 2007, 10 am till 4 pm Larry Brown, Editor Red Mill Museum Village 56 Main Street Upcoming events for 200 Clinton, NJ 08809 Contact: Bob Bozzay, Eric Cuper, The Museum at Get you calendars out and mark these events down. Please bookmark our web site and check for (908) 735-4101 updated meet information. Remember most of our See invite letter on page 3! meets have an “Iron in the Hat” drawing, so be sure Activities will include demonstrations, the tail- to bring something. Meet information starts on this gate tool sale, iron in the hat and the NJBA mem- page and continues on page 3. bers picnic! In addition to previous years activities, we are inviting all Smiths who wish to exhibit/sell August 19th—Red Mill Hammer in Hammer in and picnic Coordinators— Robert their work and wares to participate. NJBA mem- Bozzay, Eric Cuper, Adam Howard bers or anyone wishing to tailgate, demonstrate or exhibit, will be provided free admission with pre- September 1st - Peter’s Valley Pig roast, tick- registration, general admission of $8 for the public.
    [Show full text]
  • CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
    Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr.
    [Show full text]
  • H. Doc. 108-222
    EIGHTEENTH CONGRESS MARCH 4, 1823, TO MARCH 3, 1825 FIRST SESSION—December 1, 1823, to May 27, 1824 SECOND SESSION—December 6, 1824, to March 3, 1825 VICE PRESIDENT OF THE UNITED STATES—DANIEL D. TOMPKINS, of New York PRESIDENT PRO TEMPORE OF THE SENATE—JOHN GAILLARD, 1 of South Carolina SECRETARY OF THE SENATE—CHARLES CUTTS, of New Hampshire SERGEANT AT ARMS OF THE SENATE—MOUNTJOY BAYLY, of Maryland SPEAKER OF THE HOUSE OF REPRESENTATIVES—HENRY CLAY, 2 of Kentucky CLERK OF THE HOUSE—MATTHEW ST. CLAIR CLARKE, 3 of Pennsylvania SERGEANT AT ARMS OF THE HOUSE—THOMAS DUNN, of Maryland; JOHN O. DUNN, 4 of District of Columbia DOORKEEPER OF THE HOUSE—BENJAMIN BIRCH, of Maryland ALABAMA GEORGIA Waller Taylor, Vincennes SENATORS SENATORS REPRESENTATIVES William R. King, Cahaba John Elliott, Sunbury Jonathan Jennings, Charlestown William Kelly, Huntsville Nicholas Ware, 8 Richmond John Test, Brookville REPRESENTATIVES Thomas W. Cobb, 9 Greensboro William Prince, 14 Princeton John McKee, Tuscaloosa REPRESENTATIVES AT LARGE Gabriel Moore, Huntsville Jacob Call, 15 Princeton George W. Owen, Claiborne Joel Abbot, Washington George Cary, Appling CONNECTICUT Thomas W. Cobb, 10 Greensboro KENTUCKY 11 SENATORS Richard H. Wilde, Augusta SENATORS James Lanman, Norwich Alfred Cuthbert, Eatonton Elijah Boardman, 5 Litchfield John Forsyth, Augusta Richard M. Johnson, Great Crossings Henry W. Edwards, 6 New Haven Edward F. Tattnall, Savannah Isham Talbot, Frankfort REPRESENTATIVES AT LARGE Wiley Thompson, Elberton REPRESENTATIVES Noyes Barber, Groton Samuel A. Foote, Cheshire ILLINOIS Richard A. Buckner, Greensburg Ansel Sterling, Sharon SENATORS Henry Clay, Lexington Ebenezer Stoddard, Woodstock Jesse B. Thomas, Edwardsville Robert P. Henry, Hopkinsville Gideon Tomlinson, Fairfield Ninian Edwards, 12 Edwardsville Francis Johnson, Bowling Green Lemuel Whitman, Farmington John McLean, 13 Shawneetown John T.
    [Show full text]