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Anita Baker a Night of Rapture
Anita baker a night of rapture click here to download from The Rapture Tour in #TTVS. Anita Baker - One Night Of Rapture (). Jordan Childs. The Add-on program allows Amazon to offer thousands of low-priced items that would be cost-prohibitive to ship on their own. These items ship with qualifying. Find album reviews, stream songs, credits and award information for A Night of Rapture Live - Anita Baker on AllMusic - - It's been years since Anita Baker. Find album reviews, stream songs, credits and award information for A Night of Rapture [DVD] - Anita Baker on AllMusic - Find a Anita Baker - A Night Of Rapture - Live first pressing or reissue. Complete your Anita Baker collection. Shop Vinyl and CDs. Find a Anita Baker - One Night Of Rapture first pressing or reissue. Complete your Anita Baker collection. Shop Vinyl and CDs. The Rapture Tour is a concert tour and the first headlining tour by American recording artist Anita Baker in support of her hit multi-platinum album Rapture. A DVD and CD Live Collection, entitled A Night Of Rapture: Live was released in. Music · Add a Plot» Jon Small. With Gerald Albright, Anita Baker, James Bradley, Garry Glenn. Anita Baker: One Night of Rapture (). 55min | Music. This browser doesn't support Spotify Web Player. Switch browsers or download Spotify for your desktop. One Night of Rapture. By Anita Baker. • 9 songs. From - , there was no bigger female soul singer in the world than Anita Baker. She was one of the principal architects of the Urban Adult. A Night of Rapture - Live, an Album by Anita Baker. -
Nonprofit Security Grant Program Threat Incident Report
Nonprofit Security Grant Program Threat Incident Report: January 2019 to Present November 15, 2020 (Updated 02/22/2021) Prepared By: Rob Goldberg, Senior Director, Legislative Affairs [email protected] The following is a compilation of recent threat incidents, at home or abroad, targeting Jews and Jewish institutions (and other faith-based organization) that have been reported in the public record. When completing the Threat section of the IJ (Part III. Risk): ▪ First Choice: Describe specific terror (or violent homegrown extremist) incidents, threats, hate crimes, and/or related vandalism, trespass, intimidation, or destruction of property that have targeted its property, membership, or personnel. This may also include a specific event or circumstance that impacted an affiliate or member of the organization’s system or network. ▪ Second Choice: Report on known incidents/threats that have occurred in the community and/or State where the organization is located. ▪ Third Choice: Reference the public record regarding incidents/threats against similar or like institutions at home or abroad. Since there is limited working space in the IJ, the sub-applicant should be selective in choosing appropriate examples to incorporate into the response: events that are most recent, geographically proximate, and closely related to their type or circumstance of their organization or are of such magnitude or breadth that they create a significant existential threat to the Jewish community at large. I. Overview of Recent Federal Risk Assessments of National Significance Summary The following assessments underscore the persistent threat of lethal violence and hate crimes against the Jewish community and other faith- and community-based institutions in the United States. -
Key West High Get
ART In L’Attitudes The Pulitzer Prize-winning play ‘August: Osage Photo by RICHARD WATHERWAX Cast of ‘August:Osage County,’ which opens Dec. 22 at the Waterfront Playhouse. County’ comes to the Waterfront Playhouse. Van Eno’s ‘Cleopatra.’ New Van Eno Pulitzer prize-winner retrospective comes to Waterfront Story, The play is also a Osage County’can be than two years on 5B opens Dec. 17 Broadway chance to showcase a heard echoes of other Broadway. winner has broad lineup of Key classic dramas about the Two preview perform- West’s talented actors. strangling grip of blood ances are scheduled for Eno’s iconic work was Weathers says it may ties - from Eugene Dec. 20-21 with reduced Customs House popularized in Key West in big opening very well be “one of the O’Neill’s ‘Long Day’s ticket prices of $25 per the 1970s and ‘80 and exhibit shows L’Attitudes Staff finest ensembles ever Journey Into Night’ to person. exhibited in the gathered on a Key West Sam Shepard’s ‘Buried Opening night is Gingerbread Square Gallery vibrant palette “August: Osage stage.” Child.’ Thursday, Dec. 22, and when Richard Heyman County” opens the winter The cast of 13 includes “But Mr. Letts infuses includes a catered post- L’Attitudes Staff owned the gallery and theater season at The John Wells (Beverly), Joy his dark drama with performance reception, before Heyman became Waterfront Playhouse. Hawkins (Violet), George potent energies derived sponsored by Bunnie Key West mayor. The Key West Art & Described by the New diBraud (Barbara), Bob from two more populist Smith, that will be held Work in theater costume l Society will pres- York Times as “flat-out, Bowersox (Bill), Jessica forms of American enter- in the sculpture garden in and set design broadened h no asterisks and without Miano Kruel (Jean), tainment. -
4142Re325.Pdf
la isla en peso DIEZ AÑOS DE ENCUENTRO RAFAEL ROJAS: PREMIO ANAGRAMA La revista Encuentro de la Cultura Cubana DE ENSAYO celebró su 10º aniversario con la presentación «Cuba está construyendo la cultura del pre- del número 40, en la Casa de América de sente a través de la memoria, y la política cul- Madrid el pasado 20 de junio. El acto se inició tural está ligada a esas disputas por adueñarse con una breve bienvenida y agradecimiento de de la memoria», afirmó Rafael Rojas, el 19 de nuestra Presidenta, Annabelle Rodríguez, y a mayo, en el Círculo de Bellas Artes de Madrid, continuación intervinieron los poetas Manuel durante la presentación de su libro Tumbas Díaz Martínez, Codirector, a quien dedicamos sin sosiego, que recibió el Premio Anagrama la sección «Homenaje» de este número, y Raúl de Ensayo. Además de la presentación del Rivero, miembro del Consejo de Redacción, editor, Jorge Herralde, Salvador Clotas definió quienes evocaron el nacimiento de la publica- el libro como «una verdadera panorámica de ción y el impacto que ha tenido en sus lectores, la vida cultural cubana» que intenta «recuperar dentro y fuera de la Isla. La mesa, moderada la memoria». Según Antonio Elorza, «estamos por la conocida periodista Concha García ante una obra imprescindible. Un libro de Campoy, dio paso a las actuaciones de Gema y estructura laberíntica y circular». ■ Pavel, buena parte de los integrantes de Habana Abierta, y Nilo Castillo, quien concluyó con un PREMIOS DE JAZZ EN NUEVA YORK «popurrí a lo cubano». El 19 de junio, el pianista Bebo Valdés, el bate- El poder de convocatoria de Encuentro, rista Dafnis Prieto y el clarinetista Paquito que ha acogido a lo largo de estos diez años un D’Rivera fueron galardonados en la décima amplio abanico de tendencias políticas y esté- edición de los Jazz Journalists Awards, durante ticas, quedó avalado por la diversidad de la una ceremonia realizada en el B.B. -
Musicians Line up : 2012 Dizzy Gillespie/Englewood Fund- Raiser
MUSICIANS LINE UP : 2012 DIZZY GILLESPIE/ENGLEWOOD FUND- RAISER THE 2012 DIZZY GILLESPIE/ENGLEWOOD FUND-RAISER HOSTED BY CHRISTOPHER KENNEDY LAWFORD AND CHERYL WILLS TUESDAY OCTOBER 16, 2012 AT THE COTTON CLUB HARLEM 7:30 PM MUSICIANS LINE UP: SPECIAL OPENING BY GUITARIST DR. FRANCIS FORTE EMMY WINNER ALEX GARCIA AFRO MANTRA ALEX GARCÍA/Drums, musical direction & compositions Chilean-born, Cuban-raised, Emmy Winner 2011, drummer & composer Alejandro Garcia, studied classical and contemporary Afro-Cuban and jazz percussion at Cuba's Ignacio Cervantes School of Music under the direction of Irakere's drummer Enrique Plá. Capable of incorporating Afro-Cuban and Latin-American rhythms into the Jazz idiom, Alex has also worked in a variety of musical genres from Pop to Rock, Theatre to Jazz. Along with his performances as a leader with his band AfroMantra, Alex has shared the stage with important bands and artists in the New York’s Latin-Jazz Scene. Major performance, recording and composition accomplishments include Cuban trombonist and composer, Juan Pablo Torres also Grammy nominee singer song writer Juan Carlos Formell, Alex Foster (Jaco Pastorius, Steps Ahead), Tony Cimorosi, Frank Colón (Weather Report, Manhattan Transfer, Wayne Shorter), Omar Hakim (Sting, Madonna, Weather Report), Victor Bailey (Madonna, Weather Report), Rachel Z (Steps Ahead), Marcus Miller (Miles Davis), Najee, Oriente Lopez. Steve Kroon (Ron Carter), Chris Washburn & Syotos, Meme Solis, Israel Kantor (Los Van Van), Charles Flores (Michel Camilo, Issac Delagado), Tony Perez (Klimax), Malena Burke, Alfredo De La Fé (Fannia All Stars) among many others. Alex also has worked with several theater companies, among them, Pregones Theater and Making Books Sing. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
There Are Three Composers That I Have at One Time Or Another Tried to Play
Love Will Come – new long web notes: There are three composers that I have at one time or another tried to play all of their songs: New Orleans R&B pianist Professor Longhair, The Doors, and Vince Guaraldi...Vince Guaraldi and his music are so much a part of the deep heart and soul of San Francisco, and of the experience of childhood, and beyond.” — George Winston In 1996, George released his first album of Guaraldi compositions, entitled LINUS AND LUCY - THE MUSIC OF VINCE GUARALDI. It nicely mixed well known-standards like the title track and Cast Your Fate to the Wind, with less well-known material, including some music cues that had only been heard in the soundtracks. George’s second album of Guaraldi music delves even deeper into the repertoire, uncovering some hidden gems. Like many musicians of his generation, George Winston first heard the music of San Francisco based jazz pianist Vince Guaraldi on his 1962 hit Cast Your Fate to the Wind, and on the 1965 televised Peanuts® animation special A Charlie Brown Christmas. First aired on the CBS network in 1965, the television special was created by the Peanuts® comic strip creator Charles Schulz (1922-2000), writer/producer Lee Mendelson (1933-2019), and former Warner Brothers animator Bill Melendez (1916-2008). Vince Guaraldi was hired to compose the jazz soundtrack, a bold step for network television at that time. Vince completed the diamond that was the Dream Team. At first, some executives at CBS weren’t fully on board about using jazz for the music soundtrack. -
El Cine En Español En Los Estados Unidos Roberto Fandiño Y Joaquín Badajoz
El cine en español en los Estados Unidos Roberto Fandiño y Joaquín Badajoz Siglo XX: los hispanos Roberto Fandiño Introducción Como parte de un continente en el que la mayoría de los países son de habla española, era de esperar que, apenas surgido el cine sonoro en los Estados Unidos, nuestro idioma hicie- ra sentir en él su presencia. Se empezó por frases ocasionalmente pronunciadas en el con- texto del idioma inglés cuando una situación lo requería. Hallar esos momentos obligaría a rastrear entre películas parcial o enteramente desaparecidas o conservadas en precarias condiciones; un material que corresponde al período experimental —entre 1926 y 1929—, cuando la industria, en posesión de una técnica viable y segura, decide cambiar todas las estructuras y hacer que las películas se realicen y se proyecten con un sonido sincrónico que reproduce los sonidos ambientales y, sobre todo, las voces de los artistas que nos ha- blan desde la pantalla. Sabemos que desde sus inicios, además de las frases ocasionales incluidas con un sentido realista en películas habladas en inglés, se hicieron cortos musicales en los que, por su im- portancia, no podían faltar las canciones en nuestro idioma. Poco tiempo después, por ne- cesidades primordialmente comerciales, se llegó a las películas íntegramente habladas en español. Entre las sorpresas desagradables que trajo el sonoro a la industria estadounidense se hallaba la posibilidad de perder el mercado de los países donde no se hablaba inglés, que hasta ese momento habían podido disfrutar sin barreras de un arte basado en la univer- salidad de la imagen y en unos rótulos, fáciles de traducir a otros idiomas, que especifica- ban los diálogos o aclaraban situaciones. -
Rodriguez Jr
Johnny “Dandy” Rodriguez Jr. (Percussion & Band Leader) Johnny “Dandy” Rodriguez Jr. (1945, United States), is a Latin percussionist from New York City. At 17 years old Johnny earned a position playing bongos in the Tito Puente Orchestra. Johnny spent over 30 years with the Tito Puente Orchestra, also working with Tito Rodriguez from 1965 to 1968 and with Ray Barretto from 1970 until the end of 1972. Johnny went on to form ‘Tipica 73’ band in 1972, which he was with until 1979. Following this he went back to work with Tito Puente,[1] playing alongside him until the time of his death in May 2000. He is currently the leader of The Mambo Legends Orchestra, which is arguably, the finest Latin Big Band in the world Video Links: 8 Y Mas, Que Mas CD (8 Y Mas 15462) Released 2011; Category: Salsa/Son => Salsa 8 Y Mas, Juega Billar CD (Q&A / Selectohits 71701) Released 2006; Category: Salsa/Son => Salsa Alegre All Stars, Descargas CD (Alegre/Puerto Son 8100) Released 2013; Category: Salsa/Son => Salsa/Son Descarga Andy Duran, Formats & Concepts CD (Andy Duran 33002) Released 2004; Category: Latin Jazz => Latin Jazz => Venezuela Andy Harlow, La Musica Brava CD (Vaya 24) Released 1974; Re-Issued 1996 Category: Salsa/Son => Salsa: Classic 1960s Or 1970s New York Andy Harlow, Sorpresa La Flauta CD (Vaya VS-14) Released 1972; Re-Issued 2006 Category: Salsa/Son => Salsa: Classic 1960s Or 1970s New York Very Limited Quantities. Angelo Vaillant, Soneros De Cuba Y New York: Angelo Vaillant & Ernest “Chico” Alvarez CD (SAR/Guajiro 1082) Released 2000; Category: Salsa/Son => Son, Guaracha, Guajira Armando Peraza, Wild Thing CD (Vampi Soul 027) Released 1968; Re-Issued 2003 Category: Latin Soul/Boogaloo => Latin Soul, Classic 60s Or 70s Armando Valdespí Y Su Orquesta, Armando Valdespí Y Su Orquesta En Nueva York 1935, Vol. -
A New Catalog! Fresh Offers in Jazz & Classical Music
Holiday Issue, 2020 All Prices Good through 1/31/21 Music Highlights see page 3 Rick Wakeman Christmas Portraits Muisc for Solo Piano SBMG 19075967592 $16.98 Country see page 37 Carrie Underwood My Gift AEC 003260102 $16.98 Classical see page 7 Recommendations Nicola Benedetti Elgar Violin Concerto DEC B003221602 $18.98 Jazz & Big Band see page 45 It’s a David Benoit Christmas! Partnered with: Vince Guaraldi’s wonderful music for a Charlie Brown Christmas STEI 30163 $16.98 Boxed Sets see page 16 Fritz Reiner The Complete Columbia Album Collection 14-CD Set VT / KY / TN SBMG 19075936772 $59.98 see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our Holiday Catalog for 2020! In these times, it has become increasingly clear to us just how important and essential music is for the well-being of so many people. While Holiday 2020 we’ve included pages of classical, jazz and popular music here, this issue is clearly about Christmas - and of course, Christmas has its own soundtrack, personal and unique for each of us. Christmas Carols: SWR Vokal Ensemble Therefore, we have decided to present this year’s holiday catalog in our Mixed-Genre format, In Great Britain, Christmas carols are an integral part of Christmas just like plum conscious of the diversity of musical tastes we are serving. Even as some of you might be interested in the pudding and turkey, paper crowns and mistletoe. The Festival of Nine Lessons same music as other customers, we wanted to offer choices – The First Noel, for example, performed by and Carols - a Christmas mass featuring King’s College Choir, nine short read- a vocal soloist, a choir, piano or guitar, in a traditional style, a Medieval setting, perhaps jazz or country & ings and carols has been broadcast live every year since 1928 on Christmas western. -
Musicians List Pdf Site
lin’/2002, west coast coolin’/2004, stay with me/2007 – Paul Brown white sand/2007 – Jonathan Butler surrender/2002 Alex Acuña – Cafe Soul All Stars/Love Pages various artists/2005 – Vanessa Carlton be not nobody/2002 – Chiara Civello last quarter percussion, drums moon/2005 – Steve Cole between us/2000, ny la/2003 – Brian Culbertson nice & slow/2001, come on up/2003, it’s on Los Angeles - 1978-2007 tonight/2005, a soulful christmas/2006 – Eric Darius just getting started/2006 – Will Downing emotions/2003, soul sym- AO R Light Mellow cool sound edition/2001 – AO R Light Mellow warner edition/2001 – Anri 16th summer breeze/1994, phony/2005 – George Duke duke/2005 – Richard Elliot chill factor/1999, crush/2001 – Forever, for always, for luther twin soul/1997 – David Baerwald bedtime stories/1990 – David Benoit full circle/2006 – Stephen Bishop saudade/2007 various artists/2004 – Michael Franks rendezvous in rio/2006 – Kenny G paradise/2002 – Jeff Golub do it again/2002, soul – Boys Club boys club/1988 – Brian Bromberg choices/2004 – Jackson Browne world in motion/1989 – Severin Browne sessions/2003 – Euge Groove euge groove/2000, play date/2002, livin’ large/2004 – Everette Harp for the love/2000, all from the edge of the world/1995 – Larry Carlton friends/1983, last nite/1987, kid gloves/1992 – Oscar Castro-Neves all for you/2004, in the moment/2006 – Paul Jackson, Jr. the power of the string/2001, still small voice/2003 – Bob James one/2006 – Joe Cocker night calls/1991 – Shawn Colvin fat city/1992 – Rita Coolidge and so is love/2005 -
Nonprofit Security Grant Program
Nonprofit Security Grant Program Threat Incident Report: January 2019 to Present November 15, 2020 (Updated 02/05/2021) Prepared By: Rob Goldberg, Senior Director, Legislative Affairs [email protected] The below Threat Chronology is intended to assist applicants in responding to the “Threat” question in Part III (A) of the Investment Justification (“making the case”): The applicant should discuss the identification and substantiation of prior threats or attacks against the organization or a closely related organization by a terrorist organization, network, or cell (this would also include Violent Homegrown Extremists). Note: Proofs should include any findings from a previously conducted risk assessment, police findings, and/or insurance claims specific to the location. Absent direct threats, a sub-applicant may substantiate the threat through the public record, as discussed below. Recommendations (in order of priority): In answering this question, a sub-applicant should (in order or priority): 1. Describe specific terror (or violent homegrown extremist) incidents, threats, hate crimes, and/or related vandalism, trespass, intimidation, or destruction of property that have targeted its property, membership, or personnel. Note: This may also include a specific event or circumstance that impacted an affiliate or member of the organization’s system or network. 2. Report on incidents/threats that have occurred in the community and/or State where the organization is located. 3. Reference the public record regarding incidents/threats against similar or like institutions at home or abroad. Note: With respect to referencing the public record, there is limited working space in the IJ, so sub- applicants should be selective in choosing appropriate examples to incorporate into the response: Events that are most recent, geographically proximate, and closely related to their type or circumstance of their organization or are of such magnitude or breadth that they create a significant existential threat to the Jewish community at large.