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The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Bibliography
Bibliography Abdulhadi, Rabab. (2010). ‘Sexualities and the Social Order in Arab and Muslim Communities.’ Islam and Homosexuality. Ed. Samar Habib. Santa Barbara, CA: ABC-CLIO, LLC, 463–487. Abercrombie, Nicholas, and Brian Longhurst. (1998). Audiences: A Sociological Theory of Performance and Imagination. London: Sage. Abu-Lughod, Lila. (2002). ’Do Muslim Women Really Need Saving? Anthropolog- ical Reflections on Cultural Relativism and Its Others.’ American Anthropologist 104.3: 783–790. Adams, William Lee. (2010). ‘Jane Fonda, Warrior Princess.’ Time, 25 May, accessed 15 August 2012. http://www.time.com/time/specials/packages/article/ 0,28804,1990719_1990722_1990734,00.html. Addison, Paul. (2010). No Turning Back. The Peacetime Revolutions of Post-War Britain. Oxford: Oxford University Press. Ahmed, Sara. (2004). The Cultural Politics of Emotion. Edinburgh: Edinburgh University Press. Ahmed, Sara. (2010a). The Promise of Happiness. Durham, NC: Duke University Press. Ahmed, Sara. (2010b). ‘Killing Joy: Feminism and the History of Happiness.’ Signs: Journal of Women in Culture and Society 35.3: 571–594. Ahmed, Sara. (2011). ‘Problematic Proximities: Or Why Critiques of Gay Imperi- alism Matter.’ Feminist Legal Studies 19.2: 119–132. Alieva, Leila. (2006). ‘Azerbaijan’s Frustrating Elections.’ Journal of Democracy 17.2: 147–160. Alieva, Leila. (2009). ‘EU Policies and Sub-Regional Multilateralism in the Caspian Region.’ The International Spectator: Italian Journal of International Affairs 44.3: 43–58. Allatson, Paul. (2007). ‘ “Antes cursi que sencilla”: Eurovision Song Contests and the Kitsch-Drive to Euro-Unity.’ Culture, Theory & Critique 48: 1: 87–98. Alyosha. (2010). ‘Sweet People’, online video, accessed 15 April 2012. http:// www.youtube.com/watch?v=NT9GFoRbnfc. -
Ta Compiled By
See CISrts _egend for rules and explanations. x 2007, VNU Business Media. Inc. and Nielsen SoundScan, Inc. All rights reserved. SALES DATA COMPILED BY W 3` W9 ARTIST Title 6- go ARTIST Title ú IMPRINT , 8 NUMBER DISTRIBUTING LABEL (PRICE) . 36 r3 ; . ., YBER DISTRIBUTING LABEL (PRICE) RASCAL FLATTS LEANN RIMES 41 +r1 Me And My Gang I© 58 58 1lwx5 165075 /HOLLYWOOD (18 98) 66 This Woman 2 CARRIE UNDERWOOD GEORGE JONES AND MERLE HAGGARD Some Hearts D 57 60 61 Haggard, 25 ARIS, "97 RMG 118 981 .BI Jones Sings Haggard Sings Jones KEITH URBAN GEORGE STRAIT 3 3 Love, Pain & The Whole Crazy Thing 1 64 63 Somewhere Down In Texas 1 CAPITOL NAS'. 981 L MAN 113 981 RODNEY ATKINS PHIL 4 4 VASSAR If You're Going Through Hell 1 59 57 66 Greatest Hits Volume 1 2 CURB 78945 SON 118 981 BRAD PAISLEY BIG & RICH 5 7 Time Well Wasted © 1 60 55 56 Comin' To Your City 3 :.ARNER BR05 :,,11118981 GREATEST SOUNDTRACK PAT GREEN 20 24 20 Broken Bridges 4 Cannonball 2 GAINER . O '.A 845) .3 981 SUGARLAND MIRANDA LAMBERT 7 6 5 Enjoy The Ride 2 Kerosene 1 MERCURY 00741 I. U8!LY 1' ?CO TAYLOR 8 SWIFT JAKE OWEN 8 6 Taylor Swift 3 Startin' With Me 8 JOSH TURNER STEVE HOLY 9 7 8 Your Man 1 56 60 MCA N- :,N 113981 El 64 Brand New Girlfriend 2 GEORGE STRAIT LONESTAR 10 It Just Comes Natural 1 65 10 .. .',r55 113 981 Mountains TIM MCGRAW EMERSON DRIVE 11 10 11 Greatest Hits Vol 2: Reflected 1 74 0 .,,13981 Countrified 35 12 JOHNNY CASH ALABAMA 'AN The Legend Of Johnny Cash © 2 Essential Alabama 52 ISLAND 005288 UME 113981 0 'Y BMG STRATEGIC MARKETING GROUP 124 981 KELLIE PICKLER 11 JOHNNY CASH 13 12 Small Town Girl 1 4511 61 JC: Johnny Cash 61 -,ODUCTS 52550 MADACY (13 98 CD DVD( THE WRECKERS MARTINA MCBRIDE 14 Stand Still, Look Pretty 4 69 65 67 1 Zao WRN 118 9F . -
Accepted Draft
ACCEPTED DRAFT Title: ‘Bad Retail’: A romantic fiction Author: Laurence Figgis Output Type: Article Published: Journal of Writing in Creative Practice Date: 2017 Biography Laurence Figgis is an artist and writer and a lecturer in Fine Art (Painting and Printmaking) at the Glasgow School of Art. He works in collage, painting, drawing, fiction and poetry. His recent exhibitions include (After) After at Leeds College of Art (2017), Human Shaped at Sculpture & Design, Glasgow (for Glasgow International 2016) and Oh My Have at 1 Royal Terrace, Glasgow (2015). He has produced commissioned texts for other artists’ exhibitions and catalogues including for Lorna Macintyre, Zoe Williams and Cathy Wilkes. His live-performance work ‘Even or Perhaps’ (at DCA, Dundee, 2014) was programmed as part of Generation, a nationwide celebration of Scottish contemporary art. [email protected] www.laurencefiggis.co.uk Abstract ‘Bad Retail’ is a work of fiction that I wrote to accompany a series of my own narrative paintings. The text was originally disseminated through a series of exhibitions in the form of printed handouts that were included alongside the visual works. The story evolved from a simultaneous investigation of two related devices in literature and painting: anachronism and collage. These 1 ACCEPTED DRAFT terms are linked by an act of displacement: of objects from history and of images from their source. This compositional tendency is characteristic of late-eighteenth- and early-nineteenth- century romantic fiction, which often refuses to conform to (and remain within) accustomed genre categories. The aforementioned narrative will be accompanied here by a series of illustrations based on the paintings and drawings that I produced in tandem with the text. -
Body in the Lyrics of Tori Amos
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2014 "Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos Megim A. Parks California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Parks, Megim A., ""Purple People": "Sexed" Linguistics, Pleasure, and the "Feminine" Body in the Lyrics of Tori Amos" (2014). Electronic Theses, Projects, and Dissertations. 5. https://scholarworks.lib.csusb.edu/etd/5 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition ______________________ by Megim Alexi Parks March 2014 “PURPLE PEOPLE”: “SEXED” LINGUISTICS, PLEASURE, AND THE “FEMININE” BODY IN THE LYRICS OF TORI AMOS ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Megim Alexi Parks March 2014 ______________________ Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Dr. Mary Boland, Graduate Coordinator © 2014 Megim Alexi Parks ABSTRACT The notion of a “feminine” style has been staunchly resisted by third-wave feminists who argue that to posit a “feminine” style is essentialist. -
Complete Repertoire
COMPLETE REPERTOIRE 74-75 The Connells 9 Crimes Damien Rice A Bad Dream Keane A Beautiful Friendship Nat ‘King’ Cole A Fine Romance Fred Astaire/Ella Fitzgerald/Billie Holiday A Foggy Day Fred Astaire/Ella Fitzgerald/Frank Sinatra/Michael Bublé A Groovy Kind Of Love Phil Collins A Million Love Songs Take That A Taste Of Honey Herb Alpert/Tony Bennett/Bobby Darrin/The Beatles A Whiter Shade Of Pale Procol Harum A Whole New World From ‘Aladdin’ Against All Odds Phil Collins Ain’t Misbehavin’ Fats Waller/Ella Fitzgerald/Louis Armstrong/Ray Charles All At Once Whitney Houston All I Ask Of You From ‘Phantom of the Opera’ All The Man That I Need Whitney Houston All The Things You Are Frank Sinatra/Mario Lanza/Ella Fitzgerald All The Way Frank Sinatra Alone Heart Always Bon Jovi Always On My Mind Willie Nelson/Elvis Presley Amsterdam Coldplay Angel Sarah McLachlan Angel Eyes Jim Brickman Angels Robbie Williams Ann Veronica From ‘Ann Veronica’ Anne’s Theme From ‘Anne Of Green Gables’ Anniversary Waltz Vera Lynn Another Day In Paradise Phil Collins Anything For You Gloria Estefan Anytime You Need A Friend Mariah Carey Apologize OneRepublic (feat. Timbaland) Army Dreamers Kate Bush As Time Goes By From ‘Casablanca’ Ashokan Farewell From ‘The Civil War’ At Last Glenn Miller/Etta James/Ella Fitzgerald/Nat ‘King’ Cole/Celine Dion Auld Lang Syne Traditional Autumn Leaves Frank Sinatra, Nat ‘King’ Cole, Matt Monro, Eva Cassidy Babe Take That Baby Can I Hold You Tracy Chapman/Boyzone Baby One More Time Britney Spears Ballade Pour Adeline Richard Clayderman -
The RAND American Life Panel
LABOR AND POPULATION The RAND American Life Panel Technical Description Michael Pollard, Matthew D. Baird For more information on this publication, visit www.rand.org/t/RR1651 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2017 RAND Corporation R® is a registered trademark. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface This report describes the methodology behind the RAND American Life Panel. This research was undertaken within RAND Labor and Population. RAND Labor and Population has built an international reputation for conducting objective, high-quality, empirical research to support and improve policies and organizations around the world. Its work focuses on chil- dren and families, demographic behavior, education and training, labor markets, social welfare policy, immigration, international development, financial decisionmaking, and issues related to aging and retirement, with a common aim of understanding how policy and social and eco- nomic forces affect individual decisionmaking and human well-being. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
ALAN PARSONS Eye 2 Eye - Live in Madrid (Rock)
ALAN PARSONS Eye 2 eye - live in madrid (Rock) Année de sortie : 2010 Nombre de pistes : 13 Durée : 68' Support : MP3 Provenance : Reçu du label Formé en 1975 par Alan PARSONS et Eric WOOLFSON, et vite rejoints par de nombreux autres musiciens de renom, les anglais d'ALAN PARSONS PROJECT ont jusqu'en 1990 (et encore maintenant !) "inondé" à satiété les ondes radiophoniques du monde entier avec leurs hits que sont les Eye In The Sky et son prologue Sirius, Don't Answer Me, Psychobabble, I Wouldn't Want To Be like You et autres Games People Play. Après une dizaine d'albums, quelques live plus ou moins "pirates", des compilations best of, l'aventure prend fin et Alan PARSONS continue seul sa carrière sous son nom (je me permets ici de vous renvoyer vers, par exemple, le site internet de BIG BANG et son dossier sur le groupe pour une bibliographie discographique riche et fouillée !). Enregistré en mai 2004 à Madrid en Espagne, Alan PARSONS (claviers, guitare acoustique et chant), ici accompagné de P.J OLSSON (guitare acoustique et chant), G. TOWNSEND (guitares et chant), S. MURPHY (batterie), J. MONTAGNA (basse) et M. FOCARAZZO (claviers), nous offrent un superbe live ou quasiment tous les hits cités ci-dessus du ALAN PARSONS PROJECT s'y trouvent enchaînés. Alan revisite une partie des albums du groupe, de I Robot (1977) à Ammonia Avenue (1984). Et pour les fans quarantenaires qui ont "marché" au son de ses hymnes dans leur jeunesse, ces 13 titres respirent le bonheur et plaquent des retours en arrière chargés d'émotions et de souvenirs pittoresques ! Souvent étiquetée Rock Progressif puis Pop Rock, la musique du groupe est à rapprocher des PINK FLOYD par exemple. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.