Parts of Plate Armor

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PARTS OF 15th CENTURY Fact Booklet PLATE ARMOR This armor is HEAVY! Discover your inner explorer. Try these search terms for more information: plate armor, medieval knights 6 Print this fact booklet off our website www.worldtreasures.org Copyright 2009 by Museum of World Treasures PARTS OF 15th CENTURY PARTS OF 15th CENTURY Fact Booklet PLATE ARMOR Fact Booklet PLATE ARMOR Helmet: Protects the head. This style of helmet is known as the sallet. Bevor: Protects the chin and lower face. PARTS OF 15th CENTURY PARTS OF 15th CENTURY Fact Booklet PLATE ARMOR Fact Booklet PLATE ARMOR Cuirass (say kwi-ras): Breastplate and backplate to protect the chest and back. Fauld: Protects the waist. Tassets: Protects the hips. Gorget (say gawr-jit): Protects the neck and throat. Worn under the cuirass. PARTS OF 15th CENTURY PARTS OF 15th CENTURY Fact Booklet PLATE ARMOR Fact Booklet PLATE ARMOR Cuisse (say kwiss): Protects the thigh. Poleyn (say poh-lane): Protects the knee. Pauldron: Protects the shoulder. Rerebrace (say reer-braeys): Protects the upper arm. Greave: Protects the lower leg/shin. Couter (say koo-ter): Protects the elbow. Sabaton: Protects the foot. Vambrace: The pointy toe Protects the was fashionable forearm. during the period. Gauntlet: Protects the Discover your inner explorer. Try these search terms for more hand. information: plate armor, medieval knights 6 Print this fact booklet off our website www.worldtreasures.org Copyright 2009 by Museum of World Treasures.

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Weaponry & Armor
Weaponry & Armor “Imagine walking five hundred miles over the course of two weeks, carrying an arquebus, a bardiche, a stone of grain, another stone of water, ten pounds of shot, your own armor, your tent, whatever amenities you want for yourself, and your lord’s favorite dog. In the rain. In winter. With dysentery. Alright, are you imagining that? Now imagine that as soon as you’re done with that, you need to actually fight the enemy. You have a horse, but a Senator’s nephew is riding it. You’re knee-deep in mud, and you’ve just been assigned a rookie to train. He speaks four languages, none of which are yours, and has something to prove. Now he’s drunk and arguing with your superiors, you haven’t slept in thirty hours, you’ve just discovered that the fop has broken your horse’s leg in a gopher hole, and your gun’s wheellock is broken, when just then out of the dark comes the beating of war-drums. Someone screams, and a cannonball lands in your cooking fire, where you were drying your boots. “Welcome to war. Enjoy your stay.” -Mago Straddock Dacian Volkodav You’re probably going to see a lot of combat in Song of Swords, and you’re going to want to be ready for it. This section includes everything you need to know about weapons, armor, and the cost of carrying them to battle. That includes fatigue and encumbrance. When you kit up, remember that you don’t have to wear all of your armor all of the time, nor do you need to carry everything physically on your person.
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Basic-Armouring-2Of4.Pdf
Chapter 8 — Padding Because you need to build your armour around your padding you need to know how to make it first! Gamberson This supplies basic padding under the body armour and something to hang your arm armour off. Some people rely on their gamberson (with a few minor additions such as a kidney belt) as their torso protection. This gives them excellent mobility at the expense of protection. If you are learning to fight, as well as armour, you are liable to get hit a lot so body armour might not be a bad idea—your choice! Making a gamberson is a sewing job; go get a needle and thread or borrow a sewing machine. The material you make it from should be relatively tough (it’s going to take a beating), adsorbent (you are going to sweat into it), colour fast (unless you want to start a new fashion in oddly coloured flesh) and washable (see sweating above). Period gambersons were made from multiple layers of cloth stitched together or padded with raw wool or similar material, modern ones often use an internal fill of cotton or polyester batting to achieve the same look with less weight. A descrip- tion of an arming doublet of the 15th century is “a dowbelet of ffustean (a type of heavy woollen broad cloth) lyned with satene cutte full of hoolis”. A heavy outer material, such as canvas or calico, is therefore appropriate with a softer lining next to the skin. For extra ventilation you can add buttonholes down the quilting seams.
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Educational Charts. [Arms and Armor]
u UC-NRLF 800 *B ST 1S1 CO CO Q n . OPOIIT, OF ART EDUCATIONAL G E A H I S Table of Contents: 1 Periods, of armor, 2 Suit of armor: pts. named. Evolution of 3 Helmets. 4 Breastplates. 5 Gauntlets. 6 Shields. 7 Swords. 8 Pole Arms. 9 Guns,. 10 Crossbows. 11 Spurs. 12 Photos s h ov; i ?: how a helmet is ma d e ft 4- HALF ARMOR COMPLETE ARMOR LATE XVI CENTURY COMPLETE ARMOR XVI CENTURY MAXIMILIAN TRANSITIONAL MAIL AND PLATE EUROPEAN ARMOR AND ITS DEVELOPMENT DURING A THOUSAND YEARS FROM A.D. 650 TO 165O 650 MASHIKE MURAYAMft.DCI.. 366451 Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/educationalchartOOmetrrich S u BOWL or SKULL, timbre, scheitelstuck, COPPO, CALVA JUGULAR. JUCULAIRE. BACKENSTUCK. JUGULARE. YUGULAR VENTAIL, VENTAIL. SCHEMBART, VENTACL10 VENTALLE. [UPPER PART BECOMES VISOR] BEVOR, MENTONNIERE, KINREFF, BAVIERA, BARBOTE RONDEL, RONDELLE. SCHEIBE, ROTELLINO, LUNETA GORGET. GORGERIN, KRAGEN, GOLETTA, GORJAL NECK-GUARD garde-col, brech- RANDER, GUARDA-GOLETTA, BUFETA . PAULDRON, EPAULIERE, ACHSEL. I SPALL ACCIO, GUARDABRAZO / _ 11^4 LANCE -REST, faucre. rust- HAKEN, RESTA, RESTA DE MUELLE REREBRACE, arrie re- bras. OBERARMZEUG, BRACCIALE. BRAZAL BREASTPLATE, plas- tron. BRUST, PETTO, PETO /o^ - ELBOW-COP. CUBIT1ERE. ARMKACHEL. CUBITIERA, CODAL '' BACKPLATE. dossi- ERE. RUCKEN, SCHIENA, DOS VAMBRACE. avant- BRAS. UNTERARMROHR, BRACCIALE, BRAZAL GAUNTLET, gantelet, hand- SCHUH, GANTLET, MANOPLA LOIN-GUARD GARDE- ' REINS. GESASSREIFEN, FALDA FALDAR 'TACES BRACCONIERE, BAUCH- REIFEN. PANZIERA. FALDAR TASSET. TASSETTE, BEINTASCHEN, FIANCALE. ESCARCELA - ' FALD. BRAYETTE. STAHLMACHENUN TERSHUTZ. BRAGHETTA. BRAGADURA CUISHE. CUISSARD, DIECHLINGE, COS- CIALE, OUIJOTES KNEE-COP.
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Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries
Roman Armour Chain Mail Armour Transitional Armour Plate Mail Armour Milanese Armour Gothic Armour Maximilian Armour Greenwich Armour Armour Diagrams Page 0 Menu Roman Armour Page 1 400BC - 400AD Worn by Roman Legionaries. Replaced old chain mail armour. Made up of dozens of small metal plates, and held together by leather laces. Lorica Segmentata Page 1 100AD - 400AD Worn by Roman Officers as protection for the lower legs and knees. Attached to legs by leather straps. Roman Greaves Page 1 ?BC - 400AD Used by Roman Legionaries. Handle is located behind the metal boss, which is in the centre of the shield. The boss protected the legionaries hand. Made from several wooden planks stuck together. Could be red or blue. Roman Shield Page 1 100AD - 400AD Worn by Roman Legionaries. Includes cheek pieces and neck protection. Iron helmet replaced old bronze helmet. Plume made of Hoarse hair. Roman Helmet Page 1 100AD - 400AD Soldier on left is wearing old chain mail and bronze helmet. Soldiers on right wear newer iron helmets and Lorica Segmentata. All soldiers carry shields and gladias’. Roman Legionaries Page 1 400BC - 400AD Used as primary weapon by most Roman soldiers. Was used as a thrusting weapon rather than a slashing weapon Roman Gladias Page 1 400BC - 400AD Worn by Roman Officers. Decorations depict muscles of the body. Made out of a single sheet of metal, and beaten while still hot into shape Roman Cuiruss Page 1 ?- 400AD Chain Mail Armour Page 2 400BC - 1600AD Worn by Vikings, Normans, Saxons and most other West European civilizations of the time.
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Constructing a Heavy-List Gambeson Tips and Techniques
Constructing a Heavy-List Gambeson Tips and Techniques Lady Magdalena von Regensburg mka Marla Berry [email protected] July 16, 2005 An Historic Overview “Mail is tough but flexible; it resists a cutting sword-stroke but needs a padded or quilted undergarment as a shock absorber against a heavy blow.”1 Quilted garments were part of soldiers’ kits in varying forms and with varying names throughout most of the SCA timeline. As early as the late Roman/early Byzantine period there is documentation for quilted or padded coats called Zabai or Kabadia.2 Illuminations from Maciejowski Bible (circa 1250) show aketons or gambesons. “These terms seem to have been interchangeable but the weight of evidence From “Jonathan and his Armor- suggests that ‘aketon’ refers to garments worn under the mail while bearer Attack the Philistines,” gambesons were worn over or instead of it...The gambeson is often from the Maciejowski Bible, referred to in contemporary accounts as being worn by the common circa 1250. soldiery and, indeed, is part of the equipment required by the Assize of Arms of 1185 of Edward I of England.”3 Extant examples from the fourteenth century include the pourpoint of Charles de Blois (d. 1364) and the late fourteenth century jupon of Charles VI. Fifteenth century documents mention arming doublets and padded jacks. These garments were worn under maille, over maille, under plate, over plate, or on their own. Some were designed to encase maille or plate. “Infantry, as laid down in the Assize of Arms of 1182, often wore one of two types of gambeson.
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Semi-Historical Arms and Armor the Following Are Some Notes About The
Semi-Historical Arms and Armor The following are some notes about the weapons and armor tables in D&D 5th edition, as they pertain to their relationship to modern understandings of historical arms and armor. In general, 5th edition is far more accurate to ancient and medieval sources regarding these topics than prior editions, but for the sake of balance and ease of play without the onerous restrictions of reality, there are still some expected incongruences. This article attempts to explain some particular facets about the use of arms and armor throughout our long, shared history, and to offer some suggestions (imbalanced as they may be) on how such items would have been used in particular times and places. A note on generalities: One of the best things 5th edition offers in these tables is the generalization of particular weapons and armor compared to prior editions. Is there a significant, functional difference between a half-sword, arming sword, backsword, wakizashi, tulwar, or any other various forms of predominately one-handed pokey and slashy things with 13 inch, sometimes 14 or 20 or even 30 inch blades? Well, actually yes, but that level of discrimination is often not noticeable in the granularity of the combat mechanics of most systems, and, more importantly, how modern readers often distinguish them is often anachronistic. For instance, almost all straight sword-like weapons, be it arming swords, half-swords, back swords, longswords or even great swords like claymores (but not Messers!) are referred to in ancient and medieval texts (MS I.33, Liberi, etc) as… swords.
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The Terminology of Armor in Old French
1 A 1 e n-MlS|^^^PP?; The Terminology Of Amor In Old French. THE TERMINOLOGY OF ARMOR IN OLD FRENCH BY OTHO WILLIAM ALLEN A. B. University of Illinois, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ROMANCE LANGUAGES IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL CO oo ]J1^J % I 9 I ^ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY WtMc^j I^M^. „ ENTITLED ^h... *If?&3!£^^^ ^1 ^^Sh^o-^/ o>h, "^Y^t^C^/ BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. hu^Ur /] CUjfo In Charge of Thesis 1 Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. .343139 LHUC CONTENTS Bibliography i Introduction 1 Glossary 8 Corrigenda — 79 Digitized by the Internet Archive in 2014 http://archive.org/details/terminologyofarmOOalle i BIBLIOGRAPHY I. Descriptive Works on Armor: Boeheim, Wendelin. Handbuch der Waffenkunde. Leipzig, 1890, Quicherat, J, Histoire du costume en France, Paris, 1875* Schultz, Alwin. Das hofische Leben zur Zeit der Minnesinger. Two volumes. Leipzig, 1889. Demmin, August. Die Kriegswaffen in ihren geschicht lichen Ent wicklungen von den altesten Zeiten bis auf die Gegenwart. Vierte Auflage. Leipzig, 1893. Ffoulkes, Charles. Armour and Weapons. Oxford, 1909. Gautier, Leon. La Chevalerie. Viollet-le-Duc • Dictionnaire raisonne' du mobilier frangais. Six volumes. Paris, 1874. Volumes V and VI. Ashdown, Charles Henry. Arms and Armour. New York. Ffoulkes, Charles. The Armourer and his Craft.
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Heroic Armor of the Italian Renaissnace
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Combat Manual
ADRIAN EMPIRE IMPERIAL ESTATES WRIT #17 COMBAT MANUAL ADOPTED JULY 2002 LAST UPDATED DECEMBER 2019, EFFECTIVE 1 JANUARY 2020 ©Copyright 1993-2020 The Adrian Empire, Inc. All rights reserved. Adria is a registered trade name of the Adrian Empire, Inc. Anyone is welcome to point out any error or omission that they may find. Adrian Empire – IEW #17 – Combat Manual Page 2 of 35 TABLE OF CONTENTS I. GENERAL RULES AND REQUIREMENTS ....................................................... 5 A. HEALTH ......................................................................................................................................... 5 B. INHERENT DANGERS ................................................................................................................ 5 C. PROOF OF QUALIFICATION ................................................................................................... 5 D. MINIMUM AGES .......................................................................................................................... 5 E. GENERAL RULES OF COMBAT .............................................................................................. 5 1. Safety ............................................................................................................................................ 5 2. Marshals Must Be Present ............................................................................................................ 5 3. Entering the List Field .................................................................................................................
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Armour As a Symbolic Form
Originalveröffentlichung in: Waffen-und Kostümkunde 26 (1984), Nr. 2, S. 77-96 Armour As a Symbolic Form By Zdzislaw Zygulski Jr. „It is perfectly possible to argue that some distinctive objects are made by the mind, and that these objects, while appearing to exist objectively, have only a fictional reality." E. W. Said, Orientalism, New York 1979 Somewhere in the remote past of mankind armour was born, its basic purpose being to protect the soft and vulnerable human body in combat. It is somewhat surprising that in the course of Darwinian evolution man lost his natural protective attributes, above all hair, and slowly became what is called, with some malice, ,,the naked ape". Very soon man the hunter adopted animal skins as his first dress and also as armour. The tradition of an armour of leather is very ancient and still lingers in the word ,,cuirass". Various natural substances such as hard wood, plant fibres, bones, hoofs, or even tusks were used to make the body protection more resistant, but as soon as metallurgy had been mastered metal became the supreme material for all kinds of weaponry, both offensive and defensive. Since a blow to the head was often lethal, special attention was paid to the pro tection of that principal part of the body: early bronze helmets of conical shape are represented in the Sume rian art as early as the third millennium B. C.l. The shield, a prehistoric invention, although detached from the body and movable, may also be considered as a kind of armour. In the course of centuries a great number of types of armour and innumerable actual specimens were crea ted.
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World Builder Part 1
Table of Contents Book One: Stock-in-Trade 5 1:7 Cloth Patterns 45 Armor 8 1:8 Furs 48 Weapons 18 1:9 d20 Lodging & Board 55 Measurements 40 1:11 Ship’s Cargo 62 The Bazaar 43 2:1a Type of Rain & Visibility 64 The Tavern 56 2:1b Rainfall by Hour and Day 65 Transport 60 2:2 Ice Strength 66 2:3 Type of Snow & Visibility 66 Book Two: Geographics 63 2:4 Wind: Beaufort Wind Scale 66 Geography 64 2:5a Wind Pressure 67 Flora 82 2:5b: Wind Pressure on Sea 67 Fauna 100 2:6 Land Productivity 71 2:7 Water Spring Production 73 Book Three: Dwellings 103 2:8 MOH’s Hardness Scale 75 Materials & Construction 104 2:9 d20 Birth Stones Planet, Luck 76 Buildings 117 2:10 d20 Birth Stones 77 Rooms & Furnishings 127 2:11 d20 Metal/Stones/Gems 78-79 Populace 139 2:12 LA Metal/Stone/Gems 80-81 2:13 d20 Magical Affects of Herbs 97 Appendix A Random Generator 147 2:14 d20 The Horse 102 Appendix B Human Generator 155 2:15 d20 Other Common Animals 102 Appendix C Structures Generator 163 3:1 Tensile Strength Metals 105 Appendix D Colors 163 3:2 Melting Points Metals 105 Appendix E Light from a Flame 165 3:3 d20 Magical Metals 106 Appendix F Unusual Names 166 3:4a d20 Metals Value 107 Appendix G Gems 167 3:4b LA Metals Value 107 Appendix H Crimes Defined 174 3:5 Workmanship Value Addition 107 3:6 Hardness Scale (Extended) 108 Index 177 3:7 Common Uses for Wood 109 OGL 180 3:8 Materials Resistance to Crush 109 3:9 d20 Door Composition 110 Tables 3:10 d20 Weight of Things 112 1:1 d20 Armor 16 3:11 d20 Randomiz Concealment 114 1:2 d20 Head Covering & Helmets 17 3:12 Rope Strengths 114 1:3 d20 Shields 17 3:13 Construction Costs 115 1:4 d20 New Weapons 34-37 3:14 Computations 116 1:5 LA New Weapons 38 3:15 Person Based Measurements 120 1:6 LA Identifying Weapons 39 3:16 Cistern Capacity 124 3:17 Noble Coronets 140 Gary Gygax’s World Builder ARMOR PIECES AND GARMENTS Chausses: The close-fitting leg pieces of a suit of plate mail.
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Armour Manual Mark II Ze
Basic Armouring—A Practical Introduction to Armour Making, Second Edition By Paul Blackwell Publishing History March 1986: First Edition March 2002: Second Edition Copyright © 2002 Paul Blackwell. This document may be copied and printed for personal use. It may not be distributed for profit in whole or part, or modified in any way. Electronic copies may be made for personal use. Electronic copies may not be published. The right of Paul Blackwell to be identified as the Author and Illustrator of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. The latest electronic version of this book may be obtained from: http://www.brighthelm.org/ Ye Small Print—Cautionary Note and Disclaimer Combat re-enactment in any form carries an element of risk (hey they used to do this for real!) Even making armour can be hazardous, if you drop a hammer on your foot, cut yourself on a sharp piece of metal or do something even more disastrous! It must be pointed out, therefore, that if you partake in silly hobbies such as these you do so at your own risk! The advice and information in this booklet is given in good faith (most having been tried out by the author) however as I have no control over what you do, or how you do it, I can accept no liability for injury suffered by yourself or others while making or using armour. Ye Nice Note Having said all that I’ll just add that I’ve been playing for ages and am still in one piece and having fun.
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