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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
De La Producci\363N Al Consumo De La Animaci\363N Como
De la producción al consumo de la animación como fenómeno cultural: Una breve historia crítica Autor: Xavier Fuster Burguera Director: José Igor Prieto Arranz Trabajo de fin de máster Máster en lenguas y literaturas modernas 2010/2011 Universitat de les Illes Balears Índice Capítulo 1. Introducción 2 Capítulo 2. Estados Unidos: centro hegemónico de la animación occidental 11 2.1 Introducción 11 2.2 La semilla de un nuevo género artístico popular: 12 la animación decimonónica 2.3 El Magic Kingdom de Walt Disney 20 2.4 Warner Bros. y su séquito 28 2.5 Y Europa por extensión 35 Capítulo 3. El papel del arte popular japonés en la animación occidental 38 3.1 Introducción 38 3.2 Imágenes cómicas en Japón 40 3.3 La animación de las imágenes cómicas 47 3.4 De occidente a oriente y viceversa 55 3.4.1 La exportación de las imágenes cómicas animadas 59 Capítulo 4. La animación en la época de la televisión 66 4.1 Introducción 66 4.2 De la gran pantalla al televisor 67 4.3 La televisión, el entretenimiento de masas 72 4.4 Japón y su aventura por Europa 84 Capítulo 5. Nuevas perspectivas globales del consumo de la animación 89 5.1 Introducción 89 5.2 El canon de consumo de animación de Disney 90 5.3 Los adultos: consumidores marginales de la animación 97 5.4 Subculturas de consumo de animación 103 Conclusión. 111 Anexo. 116 Cronología 116 Referencias. 129 De la producción al consumo de la animación como fenómeno cultural: Una breve historia crítica Capítulo 1. -
December 2015
December 2015 WEDNESDAY, DECEMBER 2 3:45 AM ET/12:45 AM PT 9:00 PM ET/6:00 PM PT 1:15 AM ET/10:15 PM PT 2:45 AM CT/1:45 AM MT 8:00 PM CT/7:00 PM MT 12:15 AM CT/11:15 PM MT Rudy Spy Game Captain Corelli’s Mandolin 5:45 AM ET/2:45 AM PT 11:15 PM ET/8:15 PM PT TUESDAY, DECEMBER 1 3:30 AM ET/12:30 AM PT 4:45 AM CT/3:45 AM MT 10:15 PM CT/9:15 PM MT 1:30 AM ET/10:30 PM PT 2:30 AM CT/1:30 AM MT The Trailer Show Lock, Stock and Two Smoking Bar- 12:30 AM CT/11:30 PM MT The Pianist 6:00 AM ET/3:00 AM PT rels The Descendants 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT 3:30 AM ET/12:30 AM PT 5:00 AM CT/4:00 AM MT The Flight of the Phoenix FRIDAY, DECEMBER 4 2:30 AM CT/1:30 AM MT South Pacific 8:30 AM ET/5:30 AM PT 1:15 AM ET/10:15 PM PT Fear and Loathing in Las Vegas 8:30 AM ET/5:30 AM PT 7:30 AM CT/6:30 AM MT 12:15 AM CT/11:15 PM MT 5:30 AM ET/2:30 AM PT 7:30 AM CT/6:30 AM MT Hollywood’s Best Directors - George Hollywood’s Best Directors - Bryan 4:30 AM CT/3:30 AM MT Midway Lucas Singer Hollywood’s Best Directors - John 10:45 AM ET/7:45 AM PT 9:00 AM ET/6:00 AM PT 1:45 AM ET/10:45 PM PT Boorman 9:45 AM CT/8:45 AM MT 8:00 AM CT/7:00 AM MT 12:45 AM CT/11:45 PM MT 6:00 AM ET/3:00 AM PT The Flight of the Phoenix Nim’s Island The Usual Suspects 5:00 AM CT/4:00 AM MT 1:15 PM ET/10:15 AM PT 10:45 AM ET/7:45 AM PT 3:45 AM ET/12:45 AM PT A Farewell to Arms 12:15 PM CT/11:15 AM MT 9:45 AM CT/8:45 AM MT 2:45 AM CT/1:45 AM MT 8:35 AM ET/5:35 AM PT Out of Africa Mr. -
80S Movie Trivia Questions and Answers
80s Movie Trivia Questions From: conversationstartersworld.com/80s-movie-trivia 1. Which 80s movie was the highest grossing film of the decade? E.T. The Extraterrestrial The 1982 movie surpassed Star Wars to become the highest grossing film of all time. The movie held that record for 11 years until it was surpassed by Jurassic Park in 1993. 2. Which 80s movie was Alan Rickman’s first feature film role? Die Hard The 1988 film grossed over $140 million worldwide and turned Bruce Willis into an action star. Before then he had been known only as a comedy actor. Willis filmed the comedy television series Moonlighting at the same time as Die Hard. Beethoven’s Ode to Joy is the terrorist’s theme song in the movie, and Rickman can be seen humming the song during his elevator scene with Mr. Takagi. 3. Which 80s movie spawned 6 sequels and a T.V. series? Police Academy The comedy film grossed $146 million worldwide and became the sixth highest grossing film of 1984. The film was inspired by real life police cadets. During the filming of The Right Stuff Paul Maslansky witnessed a diverse group of police cadets ineffectively doing crowd control for the filming. He found the situation humorous, and that night he wrote up two pages to give to the Ladd Company. They loved the concept and agreed to develop the movie. 4. Which 80’s movie was the first to become a hit largely due to MTV? Flashdance The 1983 film had a decent opening weekend but the soundtrack was what catapulted the film to success. -
Interview with Don Bluth Majestic, Sun 04 May 2008 Interview with Don Bluth by Majestic of Brainstorm
http://www.bitfellas.org/e107_plugins/content/content.php?content.1053 Page 1/2 Zine #4 - 32 - Interview With Don Bluth Majestic, Sun 04 May 2008 Interview With Don Bluth by Majestic of Brainstorm Don Bluth, the man behind Dragon's Lair and Space Ace. He's now here to answer some interview questions. 1) Why are there always dogs, cats or mice in the mainrole of the movie? Don Bluth: Think back: The fable of Aesop, also the indian legends and stories were always talking about animals. These animals have characteristics which remind us of our own. 2) Yours stories always have a lesson to tell. Do you think, that kids learn something from these stories? Don Bluth: I hope so. Myself for example learned alot from the old Disney movies. In "Bambi" said Thumper, the little rabid, about Bambi "It can't even work once correctly." The mother then replied "What did you daddy tell you? If you can't say anything nice, then say nothing at all." I never forgot those word in my life. 3) How did you come upon the idea to draw "Charlie"? Don Bluth:I once had five dogs. And since meanwhile all of them had left me, I wondered where they all went to. What happens to a dog when he dies? Do all dogs come to heaven? And so we had our sub-title called "All Dogs Go to Heaven". Then we added the storie of a lousy dog which comes to heaven and from there back to earth. 4) Which character was the most difficult to draw? Don Bluth:The little Maria-Ann. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
©2014 Disney ©2014 Disney Enterprises, Inc
©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY -
Cartoon Saloon and the New Golden Age of Animation | the New Yorker
1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker The studio’s hand-drawn movies use the language of painting and illustration rather than that of the latest technology. Still courtesy Cartoon Saloon and Abrams Books Onward and Upward with the Arts December 21, 2020 Issue The studio’s hand-drawn movies—including its latest, “Wolfwalkers”—offer an alternative vision of what children’s entertainment can be. By Mark O’Connell December 11, 2020 n the seventeenth century, after wolves were hunted to extinction in most of the British Isles, Ireland was sometimes referred I to as Wolf-Land. The implication, perhaps, was that it needed to be tamed. In 1649, Oliver Cromwell’s New Model Army invaded Ireland on behalf of the Commonwealth of England, leading to the deaths of hundreds of thousands of Irish people. The Army also appointed professional hunters to cull the country’s wolves. Cromwell’s men captured the walled city of Kilkenny, which was surrounded by forests full of wolves and was home to as many superstitions about them. One myth held that certain natives of https://www.newyorker.com/magazine/2020/12/21/cartoon-saloon-and-the-new-golden-age-of-animation 1/9 1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker the region could transform into wolves, roaming the land while their ordinary bodies lay in a kind of trance. If they were injured in the course of this lupine marauding, the wounds would appear on their human esh. -
Hartford Public Library DVD Title List
Hartford Public Library DVD Title List # 24 Season 1 (7 Discs) 2 Family Movies: Family Time: Adventures 24 Season 2 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 3 (7 Discs) Hamelin 24 Season 4 (7 Discs) 3:10 to Yuma 24 Season 5 (7 Discs) 30 Minutes or Less 24 Season 6 (7 Discs) 300 24 Season 7 (6 Discs) 3-Way 24 Season 8 (6 Discs) 4 Cult Horror Movies (2 Discs) 24: Redemption 2 Discs 4 Film Favorites: The Matrix Collection- 27 Dresses (4 Discs) 40 Year Old Virgin, The 4 Movies With Soul 50 Icons of Comedy 4 Peliculas! Accion Exploxiva VI (2 Discs) 150 Cartoon Classics (4 Discs) 400 Years of the Telescope 5 Action Movies A 5 Great Movies Rated G A.I. Artificial Intelligence (2 Discs) 5th Wave, The A.R.C.H.I.E. 6 Family Movies(2 Discs) Abduction 8 Family Movies (2 Discs) About Schmidt 8 Mile Abraham Lincoln Vampire Hunter 10 Bible Stories for the Whole Family Absolute Power 10 Minute Solution: Pilates Accountant, The 10 Movie Adventure Pack (2 Discs) Act of Valor 10,000 BC Action Films (2 Discs) 102 Minutes That Changed America Action Pack Volume 6 10th Kingdom, The (3 Discs) Adventure of Sherlock Holmes’ Smarter 11:14 Brother, The 12 Angry Men Adventures in Babysitting 12 Years a Slave Adventures in Zambezia 13 Hours Adventures of Elmo in Grouchland, The 13 Towns of Huron County, The: A 150 Year Adventures of Ichabod and Mr. Toad Heritage Adventures of Mickey Matson and the 16 Blocks Copperhead Treasure, The 17th Annual Lane Automotive Car Show Adventures of Milo and Otis, The 2005 Adventures of Pepper & Paula, The 20 Movie -
Jim Schlenker Art Direction, Set Design, Visual Development
Jim Schlenker Art Direction, Set Design, Visual Development Represented By Ellen Ann Mersereau, Esq. [email protected] 323-461-3316 JimSchlenker.com [email protected] 626 755-5077 IMDb Linkedin Education Art Center College of Design Pasadena, California BFA, Illustration 2017_2020 DreamWorks Animation Art Director: Where’s Waldo 2015- 2017 Walt Disney Television Animation Location Designer: Tangled, Big Hero 6 2014-2015 Nickelodeon Animation Studios Location BG Design Supervisor: Dora and Friends 2010- 2013 DisneyToon Studios Feature Animation Vis/Dev Artist, Set Designer: Planes 1,2, and 3 2009- 2010 Bento Box Entertainment Location BG Design Supervisor: Neighbors from Hell 2004-2009 Universal Cartoon Studios Background Designer Supervisor, VisDev: Curious George Television Background Designer: Brer Rabbit, The Land Before Time (TV series), Curious George 2: Follow That Monkey! 2003- 04 Warner Bros. Animation Art Director: Tom & Jerry Blast off to Mars! 2000- 03 Walt Disney Toons Animation Layout: Tarzan II Production Designer: Piglet’s Big Movie 1998- 2000 Walt Disney Feature Animation Journeyman VisDev, Workbook, Layout: Dinosaur, Atlantis 1989- 96 Walt Disney Television Animation Key Background Designer: Lion King II, Pith Possum, the Little Mermaid, Aladdin, Bonkers, Goof Troop, Darkwing Duck, Tail Spin, Winnie the Pooh, Lilo & Stitch: the Series 1983-89 Mihahn Incorporated Background Painter: Starchaser: the Legend of Orin, Bagdasarian Productions Layout: The Chipmunk Adventure 1983-89 DIC Productions Key Background Designer: -
? Libro Gratis Go ! Go ! Heaven, Tome 2
Register Free To Download Files | File Name : Go ! Go ! Heaven, Tome 2 PDF GO ! GO ! HEAVEN, TOME 2 Broch 14 juin 2007 Author : Shinji Obara Yuko Umino Description du produitExtraitLes ingnieurs japonais avaient galement mis au point des bombes (appeles ka, fleur de cerisier) et des torpilles qui taient pilotes par des hommes. Ces thmes sont largement repris dans les mangas. On voit notamment de tels engins de suicide dans un des chapitres du manga The Cockpit de Leiji Matsumoto. De nos jours, le taux de suicide au Japon est certes lev, mais il reste toutefois infrieur celui de pays de l'Europe de l'Est, comme la Russie ou la Hongrie. Dans un pays o le travail est considr comme une vertu, 50% des personnes commettant un suicide sont sans emploi. La cause principale du suicide tait lie des raisons de sant, mais cette cause tend diminuer au profit de celle lie des motifs conomiques. Enfin, mme si le taux de suicide chez les jeunes est lev, bien qu'il tende baisser lgrement ces dernires annes (10% ont entre 20 et 30 ans), le taux reste tout de mme plus lev chez les sexagnaires et plus. Comme en Occident, au japon, le suicide est une question inquitante qui ne doit tre ni prise la lgre ni ignore. Peut-tre qu'un manga comme Go ! Go ! Heaven ! pourrait aider briser un tabou ou du moins provoquer la discussion. Uch Senshi EdomondoRevue de presseL'aventure de la "Bande des Suicidaires" se poursuit. Julia, Aya, Michaelle et Himiko commencent srieusement se faire connatre, et Martin, leur manager, en profite pour exploiter au maximum cette popularit tout en faisant chouer chaque fois les tentatives de suicide des quatre jeunes femmes.Ainsi, la recette de Go ! Go ! Heaven ne change pas, et tandis que le manager du groupe continue son business sans le moindre tat d'me, on continue de dcouvrir les souffrances de nos quatre hrones. -
An American Tail Worksheet
A G O G G L E R W O R K S H E E T LET'S TALK ABOUT MOVIES A S E R I E S O F G U I D E D L E S S O N S F O R Y O U A N D Y O U R C H I L D T O S P E N D Q U A L I T Y T I M E W A T C H I N G G R E A T M O V I E S A N D L E A R N I N G T O G E T H E R . A Q U I C K Like us, you probably grew up watching the films of Don Bluth. He was the guy whose cartoons made you think. I N T R O D U C T I O N Where Disney's movies were often happy-clappy affairs, T O T H E with the biggest emotional beat often being the death of A N I M A T E D a parent (see: Bambi, The Lion King, The Fox and the Hound, The Hunchback of Notre Dame, Frozen, etc.), Don F I L M S O F D O N Bluth made movies that weren't afraid to show us the B L U T H darker side of humanity. He truly was a master storyteller with a real knack for capturing not just our imaginations, but also the reality of the world around us.