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Blinky Bills White Christmas Music Credits
Music Composed by Guy Gross "Christmas In Australia" Performed by Christine Anu Composed by Guy Gross. Lyrics by John Palmer Published by Mushroom Music. "Christmas in Australia" Recorded & Mixed By Simon Leadley & Tim Ryan String Arrangement by James Lee Strings: Click Track Music Ensemble Piano: Michael Bartolomei Guitar: Rex Goh Produced by Guy Gross Lyrics of the song performed by Christine Anu that runs over the opening sequence and the tail credits and also appears within the movie: It's Christmas in Australia A time of peace and love It's Christmas in Australia With southern skies above From busy towns and cities To the outback far away We come together to rejoice Because it's Christmas Day The summer nights, the fairy lights And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … Down under when it's Christmas time There's lots for kids to do Like making cards and making cakes And making mischief too And Santa Claus is not surprised To hear the children say: "I want it to be Christmas Every single day" The summer days, the Christmas plays And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … At around the 44 minute mark (in the off-air version used by this site), Johnny the Rabbit adds a couple of verses … … a time to share, a time to care A time when dreams come true A time to think about the worth Of everything we do For on this little world of ours We're all one family So come and join us as we sing Around a Christmas tree Singer Christine Anu is too well known to dwell on here. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
De Havilland Technical School, Salisbury Hall .46 W
Last updated 1 July 2021 ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| DeHAVILLAND DH.98 MOSQUITO ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| 98001 • Mk. I W4050 (prototype E-0234): built Salisbury Hall, ff Hatfield 25.11.40 De Havilland Technical School, Salisbury Hall .46 W. J. S. Baird, Hatfield .46/59 (stored Hatfield, later Panshanger, Hatfield, Chester, Hatfield: moved to Salisbury Hall 9.58) Mosquito Aircraft Museum/ De Havilland Aircraft Heritage Centre, Salisbury Hall, London Colney 5.59/20 (complete static rest. 01/03, remained on display, one Merlin rest. to running condition) _______________________________________________________________________________________ - PR Mk. IV DK310 forced landing due engine trouble, Berne-Belpmoos, Switzerland: interned 24.8.43 (to Swiss Army as E-42) HB-IMO Swissair AG: pilot training 1.1.45 (to Swiss AF as B-4) 7.8.45/53 wfu 9.4.53, scrapped 4.12.53 _______________________________________________________________________________________ - PR Mk. IV DZ411 G-AGFV British Overseas Airways Corp, Leuchars 12.42/45 forced landing due Fw190 attack, Stockholm 23.4.43 dam. take-off, Stockholm-Bromma 4.7.44 (returned to RAF as DZ411) 6.1.45 _______________________________________________________________________________________ -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
The Story of Sid Bregman 80 Glorious Years
JANUARY/FEBRUARY 2019 CANADIAN WARPLANE HERITAGE MUSEUM 80 GLORIOUS YEARS Canadian Warplane Heritage’s DC-3 THE STORY OF SID BREGMAN And Spitfire MJ627 President & Chief Executive Officer David G. Rohrer Vice President – External Client Services Manager Controller Operations Cathy Dowd Brenda Shelley Sandra Price Curator Education Services Vice President – Finance Erin Napier Manager Ernie Doyle Howard McLean Flight Coordinator Chief Engineer Laura Hassard-Moran Donor Services Jim Van Dyk Manager Retail Manager Sally Melnyk Marketing Manager Shawn Perras Al Mickeloff Building Maintenance Volunteer Services Manager Food & Beverage Manager Administrator Jason Pascoe Anas Hasan Toni McFarlane Board of Directors Christopher Freeman, Chair David Ippolito Robert Fenn Sandy Thomson, Ex Officio John O’Dwyer Patrick Farrell Bruce MacRitchie, Ex Officio David G. Rohrer Art McCabe Nestor Yakimik, Ex Officio Barbara Maisonneuve David Williams Stay Connected Subscribe to our eFlyer Canadian Warplane warplane.com/mailing-list-signup.aspx Heritage Museum 9280 Airport Road Read Flightlines online warplane.com/about/flightlines.aspx Mount Hope, Ontario L0R 1W0 Like us on Facebook facebook.com/Canadian Phone 905-679-4183 WarplaneHeritageMuseum Toll free 1-877-347-3359 (FIREFLY) Fax 905-679-4186 Follow us on Twitter Email [email protected] @CWHM Web warplane.com Watch videos on YouTube youtube.com/CWHMuseum JANUARY/FEBRUARY 2019 Shop our Gift Shop warplane.com/gift-shop.aspx CANADIAN WARPLANE HERITAGE MUSEUM Follow Us on Instagram instagram.com/ canadianwarplaneheritagemuseum Volunteer Editor: Bill Cumming Flightlines is the official publication of the Canadian 80 GLORIOUS YEARS Canadian Warplane Heritage’s DC-3 Warplane Heritage Museum. It is a benefit of membership THE STORY OF SID BREGMAN And Spitfire MJ627 and is published six times per year (Jan/Feb, Mar/Apr, May/June, July/Aug, Sept/Oct, Nov/Dec). -
December 2015
December 2015 WEDNESDAY, DECEMBER 2 3:45 AM ET/12:45 AM PT 9:00 PM ET/6:00 PM PT 1:15 AM ET/10:15 PM PT 2:45 AM CT/1:45 AM MT 8:00 PM CT/7:00 PM MT 12:15 AM CT/11:15 PM MT Rudy Spy Game Captain Corelli’s Mandolin 5:45 AM ET/2:45 AM PT 11:15 PM ET/8:15 PM PT TUESDAY, DECEMBER 1 3:30 AM ET/12:30 AM PT 4:45 AM CT/3:45 AM MT 10:15 PM CT/9:15 PM MT 1:30 AM ET/10:30 PM PT 2:30 AM CT/1:30 AM MT The Trailer Show Lock, Stock and Two Smoking Bar- 12:30 AM CT/11:30 PM MT The Pianist 6:00 AM ET/3:00 AM PT rels The Descendants 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT 3:30 AM ET/12:30 AM PT 5:00 AM CT/4:00 AM MT The Flight of the Phoenix FRIDAY, DECEMBER 4 2:30 AM CT/1:30 AM MT South Pacific 8:30 AM ET/5:30 AM PT 1:15 AM ET/10:15 PM PT Fear and Loathing in Las Vegas 8:30 AM ET/5:30 AM PT 7:30 AM CT/6:30 AM MT 12:15 AM CT/11:15 PM MT 5:30 AM ET/2:30 AM PT 7:30 AM CT/6:30 AM MT Hollywood’s Best Directors - George Hollywood’s Best Directors - Bryan 4:30 AM CT/3:30 AM MT Midway Lucas Singer Hollywood’s Best Directors - John 10:45 AM ET/7:45 AM PT 9:00 AM ET/6:00 AM PT 1:45 AM ET/10:45 PM PT Boorman 9:45 AM CT/8:45 AM MT 8:00 AM CT/7:00 AM MT 12:45 AM CT/11:45 PM MT 6:00 AM ET/3:00 AM PT The Flight of the Phoenix Nim’s Island The Usual Suspects 5:00 AM CT/4:00 AM MT 1:15 PM ET/10:15 AM PT 10:45 AM ET/7:45 AM PT 3:45 AM ET/12:45 AM PT A Farewell to Arms 12:15 PM CT/11:15 AM MT 9:45 AM CT/8:45 AM MT 2:45 AM CT/1:45 AM MT 8:35 AM ET/5:35 AM PT Out of Africa Mr. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
LET's GO FLYING Book, at the Perfect Landing Restaurant, Centennial Airport Near Denver, Colorado
Cover:Layout 1 12/1/09 11:02 AM Page 1 LET’S GO LET’S FLYING G O FLYING Educational Programs Directorate & Drug Demand Reduction Program Civil Air Patrol National Headquarters 105 South Hansell Street Maxwell Air Force Base, Ala. 36112 Let's Go Fly Chapter 1:Layout 1 12/15/09 7:33 AM Page i CIVIL AIR PATROL DIRECTOR, EDUCATIONAL PROGRAMS DIRECTORATE Mr. James L. Mallett CHIEF, DRUG DEMAND REDUCTION PROGRAM Mr. Michael Simpkins CHIEF, AEROSPACE EDUCATION Dr. Jeff Montgomery AUTHOR & PROJECT DIRECTOR Dr. Ben Millspaugh EDITORIAL TEAM Ms. Gretchen Clayson; Ms. Susan Mallett; Lt. Col. Bruce Hulley, CAP; Ms. Crystal Bloemen; Lt. Col. Barbara Gentry, CAP; Major Kaye Ebelt, CAP; Capt. Russell Grell, CAP; and Mr. Dekker Zimmerman AVIATION CAREER SUPPORT TEAM Maj. Gen. Tandy Bozeman, USAF Ret.; Lt. Col. Ron Gendron, USAF; Lt. Col. Patrick Hanlon, USAF; Capt. Billy Mitchell, Capt. Randy Trujillo; and Capt. Rick Vigil LAYOUT & DESIGN Ms. Barb Pribulick PHOTOGRAPHY Mr. Adam Wright; Mr. Alex McMahon and Mr. Frank E. Mills PRINTING Wells Printing Montgomery, AL 2nd Edition Let's Go Fly Chapter 1:Layout 1 12/15/09 7:33 AM Page ii Contents Part One — Introduction to the world of aviation — your first flight on a commercial airliner . 1 Part Two — So you want to learn to fly — this is your introduction into actual flight training . 23 Part Three — Special programs for your aviation interest . 67 Part Four Fun things you can do with an interest in aviation . 91 Part Five Getting your “ticket” & passing the medical . 119 Part Six Interviews with aviation professionals . -
The Films of Theo Angelopoulos: a Voyage in Time
The Films of Theo Angelopoulos: A Voyage in Time Evangelos Makrygiannakis Thesis submitted for the degree of Doctor of Philosophy The University of Edinburgh 2008 Abstract This thesis provides a critical enquiry into the films of Theo Angelopoulos. Dividing his films into two periods—the one running through the seventies and the other starting with the advent of the eighties—I will examine the representation of history in the first period of Angelopoulos and the metaphor of the journey in his subsequent films. Furthermore, I will trace the development of an aesthetic based on long takes which evokes a particular sense of time in his films. This aesthetic, which is based on the internal rhythm of the shot, inscribes a temporality where past, present, and future coexist in a contemporaneous image. Being free from the requirements of an evolving plot, this image is an autonomous image which allows the passing of time to be felt. Autonomy, which I will define after philosopher Cornelius Castoriadis as an immanent movement towards change, can be also used to describe the process of changing oneself or a given society from within. In exploring the resonances autonomy has, I will make a connection between the social and the cinematic; an attempt which is informed by what Angelopoulos’ films do of their own accord. In this way, I will suggest that Angelopoulos is important not only for the history of film but also for one’s modus vivendi. iii iv Acknowledgements I would like to deeply thank my supervisors, the late Professor Dietrich Scheunemann, Professor Martine Beugnet and Professor John Orr, for all their precious feedback and support throughout the years. -
Creative Europe' in the Spotlight at 65Th Cannes Film Festival
EUROPEAN COMMISSION - PRESS RELEASE MEDIA and 'Creative Europe' in the spotlight at 65th Cannes Film Festival Brussels, 16 May 2012 - Eighteen films supported by the European Commission's MEDIA programme are in the Cannes Film Festival's 'Official Selection' this year, of which seven are in competition for the Palme d’Or, notably "Amour" by Michael Haneke, "The Angel's Share" by Ken Loach and "Jagten" (The Hunt) by Thomas Vinterberg (full list in annex). During the Festival, Androulla Vassiliou, the European Commissioner for Education, Culture, Multilingualism and Youth, will award the first 'Prix MEDIA' to Iranian film-maker Asghar Farhadi and will also discuss the Commission's proposed new 'Creative Europe' programme, which includes MEDIA, with film directors and professionals. The new programme, which focuses on the cultural and creative sectors, has received strong support from EU Culture and Audiovisual Ministers. "I am delighted that, once again, European films are out in force in Cannes. This is the best reward for our efforts and shows that Europe can, by means of targeted investment, bring considerable added value to the audiovisual and culture sectors," said Commissioner Vassiliou. "Our future 'Creative Europe' programme will help the European film industry to meet the challenges of digitisation and globalisation and will continue to safeguard and promote Europe's cultural and linguistic diversity. I am delighted that professional associations in the cinema sector, including renowned directors and actors, have given their support to our future programme." On 20 May, Ms Vassiliou will award the 2012 'Prix MEDIA' for the best European film project to the Iranian film-maker Asghar Farhadi and his French producer Memento Films Production (IP/12/353).