Blinky Bills White Christmas Music Credits
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Greater Parramatta and the Olympic Peninsula Is the the Way We All Imagine Greater Sydney
Greater Our true centre: the connected, Parramatta and the unifying heart GPOP Olympic Peninsula About Us The Greater Sydney Commission (the Commission) was established by the NSW Government to lead metropolitan planning for Greater Sydney. This means the Commission plays a co-ordinating role in economic, social and environmental planning across the whole of Greater Sydney. The Commission has specific roles and responsibilities, such as producing District Plans, the Metropolitan Strategy and identifying infrastructure priorities. Collaboration and engagement are at the core of everything the Commission does. We work across government, with communities, interest groups, institutions, business and investors to ensure that planning for Greater Sydney results in a productive, liveable and sustainable future city. October 2016 FOREWORD CHIEF COMMISSIONER’S DISTRICT COMMISSIONER’S FOREWORD FOREWORD It’s time for a change of perspective and a change in Greater Parramatta and the Olympic Peninsula is the the way we all imagine Greater Sydney. geographic and demographic heart of Greater Sydney, Today, more than 2 million people live west of Sydney and a key part of the West Central District. Olympic Park, yet everyday around 300,000 people We have the opportunity to shape the transformation leave the region to travel for work. of the place we now call GPOP. Greater Sydney needs a true city at its centre, close Global best practice shows that a co-ordinated to its heart. We need a central ‘30-minute city’, that is approach to public and private investment is critical connected to the north, south, east and west. for successful transformation, involving innovation and GPOP is the name we have given to the Greater enterprise. -
Show Me Shorts Booklet for PDF.Indd
24 - 26 November 2006 // Academy Cinemas, 44 Lorne St, Auckland PROUD TO BE Welcome to the fi rst Jameson Show Me Shorts Film Festival, New Zealand’s only trans-Tasman short SPONSORS OF fi lm festival. From around 350 entries, we have assembled a selection of the best and most entertaining fi lms from New Zealand and Australia which we’re proud to be presenting for your viewing pleasure. We’d like to say this festival is the product of extensive research and market analysis, but the truth is it was dreamed up over a few drinks in a central Auckland bar. The concept has been fl eshed out over a full year since, and remains true to the original vision. This vision was to provide everyday Kiwis with better access to some of the amazing and award-winning short fi lms that are produced here and across the Tasman every year. Most of the fi lms are being seen in New Zealand for the fi rst time. welcome This event would not have been possible without the support of our sponsors and partners, selection and judging panel, and all the fi lmmakers who took the time to enter their fi lms. We thank you all for your part in helping bring this project to fruition and look forward to working with you in future to develop Jameson Show Me Shorts into an established and eagerly anticipated annual event. If you love watching short fi lms you’re in for a treat, and we can’t wait to share them with you. -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Gary Doust - Bio
GARY DOUST - BIO Gary Doust is an award winning factual television Director and Producer. He recently worked as Series Director on NEXT STOP HOLLYWOOD, a 6 part observational series following 6 actors in L.A, for which he received an ADG nomination. He has just completed work as a Director / Writer on BLUE ZOO, a 13 part series for ABC3. Gary began his career in TV working as an Assistant Editor on BEYOND 2000 before cutting his teeth Producing and Directing a multitude of conference launch videos for really cool products such as Rectinol and Zithromax (for Chlamydia). His first TV project was MAKING VENUS, an observational feature documentary that followed the epic, roller-coaster journey of two young film producers as the making of their first low-budget feature spiralled out of control. The film premiered at the 2002 Sydney Film Festival where it was awarded a 'Mention Speciale' by the International Fipresci Jury. The film also won the ‘Independent Spirit Award’ at the Inside Film Awards and the ‘Documentary Jury Prize’ at the Film Critic Circle Awards of Australia, before receiving a national cinema release and premiering on SBS. His Directing / Writing credits include BATTLE OF THE BRAINS, a 4 part observational documentary series for ABC, which followed the highs and lows of 24 of Australia's brainiest Biology Students as they competed for a spot to represent Australia at the Science Olympics in Beijing. He also Directed and Wrote EMBEDDED WITH SHEIK HILALY, an hour long documentary for SBS that followed a guy named Dave, who attempts to live as a Muslim with controversial Islamic figure Sheik Hilaly. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Frauds Music Credits
Music Composed by Guy Gross Music Orchestrated and Conducted by Derek Williams Supervising Engineer Simon Leadley Orchestral Engineer Robin Grey Music Editor Andrew Lancaster Assistant to Mr. Gross Mattie Porges Music Publisher Mushroom Music, Australia "I've Got You Under My Skin" Written by Cole Porter Published by Warner/Chappell Music Performed by Marcia Hines with the Bob Cousins Big Band Courtesy of Peter Rix Management Arranged and Conducted by Derek Williams Produced by Guy Gross "It's Delovely" Written by Cole Porter Published by Warner/Chappell Music Performed by Bob Cousins Big Band Arranged and Conducted by Derek Williams Produced by Guy Gross "Tijuana Taxi" Written by Alpert/Coleman Performed by Herb Alpert and the Tijuana Brass Published by Rondor Music (Australia) Pty Ltd Courtesy of A & M Records Inc. Music Recorded at Trackdown Studios, Sydney and Alan Eaton Studios, Melbourne Music Performed by The Victorian Philharmonic Orchestra Supervising Re-Recording Mixer Jeffrey Perkins Re-Recording Mixer Kurt Kassulke Re-Recorded at International Recording Corporation The Producers Would Like To Thank The Cove Chamber Orchestra CD: A CD of the soundtrack was released: CD Picture This PTR003 1992 Original Music Composed and Produced by Guy Gross(Mushroom Music) Except * Composed by Cole Porter (Warner/Chappell) Performed by Marcia Hines and the Bob Coassin’s Big Band Orchestrated and conducted by Derek Williams Additional orchestration, synthesiser arrangements and conducting by Guy Gross Music editor: Andrew Lancaster Supervising engineer: Simon Leadley Orchestra recorded and mixed by Robin Gray Additional engineers: Tom Colley, Bernard O’Reilly & Tim Ryan Recorded at Allan Eaton Studios & Trackdown Studios Orchestra booker: Ron Layton Performed by the Victorian Philharmonic Orchestra Production co-ordinator: Geoff Watson. -
Fulltimeoperationsince1996
| 23 is 10! | Welcome to a celebration of our 10th birthday. First a word from Tony MacGregor, Chair of the Open City Board of Management. This company was established by Keith Gallasch and Virginia Baxter in 1987 for the collaborative works they performed in theatres, galleries and on radio. In 1994 Open City began to publish RealTime+OnScreen which has been a fulltime operation since 1996. FROM THE CHAIR I’ve been free-associating around those words—real, time—looking for a RT61 JUNE / JULY 04 way into writing about this thing I’ve been hovering around for these past 10 years. Longer really, because RealTime was an idea long before it was a reality, one of those determinations that Keith Gallasch and Virginia Baxter make and then work into existence: “mainstream theatre criticism is hopeless, we need a journal that deals properly with the per- formance community in all its hybrid, messy complexity.” (Or words to that effect.) And, lo, it was so. How many ideas have taken shape, been given form in the endless conversa- tion around that generous wooden table in the kitchen at Womerah Avenue, Darlinghurst where Gallasch and Baxter have lived since their arrival from Adelaide in 1986? Like so many projects which have been founded on their energy and ideas—Troupe in Adelaide, Open City, all those performances—once deemed A Good Idea, RealTime seemed inevitable, an idea made real through that seemingly irresistible combination of clear argument, creative invention, per- sonal passion, A-grade grant writing The RealTime team: Keith Gallasch, Dan Edwards, Gail Priest, Virginia Baxter Heidrun Löhr skills and the sheer bloody mindedness that they bring to all their projects. -
Full Music Credits
Original Songs Music; Guy Gross John Levine John Zulaikha Lyrics; John Palmer Incidental Music; Bob Young John Sangster SONGS Queen Ant Spider Cockroach Little Things Butterfly Worker Ant Music Music Guy Gross John Levine & John Zulaikha Lyrics Lyrics John Palmer John Palmer Additional Incidental Music Paul Adolphus Dot & the Kangaroo Song by Bob Young Songwriters John Levine and John Zulaikha: Levine later went into relaxation/trance music, with a bio here. He excluded his site from the Wayback Machine, but there's another site with samples here. John Zulaikha could be found on Discogs here. Co-composer of incidental music, Bob Young: Bob Young had worked as an Australian show band arranger and conductor, as well as a composer before doing the score for the feature film Journey Out Of Darkness. He did a trilogy of films for Goldsworthy CUP, starting with It Takes All Kinds, followed by Color Me Dead, and then the last in the package, That Lady from Peking, which was released in 1971. After doing the convict drama Adam's Woman for Warner Bros, he would continue on with other feature films, including Warwick Freeman's Demonstrator. As well as Inn of the Damned, he would do Plugg, Little Boy Lost and Lady Stay Dead with director Terry Bourke. Young also became an arranger and composer for Yoram Gross and his "Dot" animation features, starting with Dot and the Kangaroo, and including Gross's Sarah and The Camel Boy, and continuing until Gross's son Guy took over composing duties for the company. He became the first president of the Australian Guild of Screen Composers (AGSC) for the period 1987-1991, hosting the first Screen Music Awards ceremony in 1992. -
G and PG DVD Movie List
Includes-G-PG- Ratings Includes All Available Releases For Outdoor Screenings www.ruralcinema.com.au Rural Cinema Ph 0429 116 343 As of 15-Mar-21 Number Of Titles 3836 Title Run Time Rating Genre 1001 RABBIT TALES 74Mins G Drama Jan-01 101 DALMATIONS (ANIMATED) 79Mins G Drama Jan-01 101 DALMATIONS (LIVE ACTION) 103Mins G Drama Jan-01 102 DALMATIONS 100Mins G Drama Jan-01 2001 A SPACE ODYSSEY 141Mins G Drama Jan-01 2040 92Mins G Documentary Aug-19 42ND STREET 89Mins G Drama Jan-01 633 SQUADRON 102Mins G May-05 7 BRIDES FOR 7 BROTHERS 102Mins G Drama Jan-01 84 CHARING CROSS ROAD 99Mins G Drama Jan-01 A LAWLESS STREET 74Mins G Oct-66 A MAN FOR ALL SEASONS 117Mins G Sep-84 A MONSTER IN PARIS 90Mins G Animated Aug-13 ABC 89Mins G Drama Jan-01 ABOMINABLE 97Mins G Nov-19 ABOVE SUSPICION 90Mins G Drama Jan-01 ACROSS THE WIDE MISSOURI 77Mins G Drama Jan-01 ADVENTURES IN ZAMBEZIA 83Mins G ANIMATED Jul-13 ADVENTURES OF HUCKLEBERRY FINN (1939) 90Mins G Drama Jan-01 ADVENTURES OF HUCKLEBERRY FINN '60 117Mins G Drama Jan-01 ADVENTURES OF ICHABOD AND TOAD 68Mins G Drama Jan-01 ADVENTURES OF MILO AND OTIS 63Mins G Drama Jan-01 ADVENTURES OF PINOCCHIO THE 94Mins G Drama Jan-01 ADVENTURE'S OF ROBIN HOOD 102Mins G Drama Jan-01 ADVENTURES OF SHARKBOY AND LAVAGIRL, THE 93Mins G Family/Come Oct-05 AFFAIR TO REMEMBER , AN 142Mins G Drama Jan-01 AGE OF INNOCENCE 138Mins G Drama Jan-01 AGONY AND THE ECSTACY 140Mins G Drama Jan-01 AIR BUD 98Mins G Drama Jan-01 AIRBORNE 91Mins G Drama Jan-01 ALADDIN 90Mins G Drama Jan-01 ALICE IN WONDERLAND 74Mins G Drama Jan-01 -
V I V I D M U S I C 2 0 1 4 Destination Nsw Announces
V I V I D MUSIC 2 0 1 4 DESTINATION NSW ANNOUNCES NEW PROGRAMING AND EXPANDED VIVID MUSIC LINE UP FOR 2014 VIVID SYDNEY 2 3 M A Y – 9 J U N E TICKETS ON SALE With music a favourite feature during Vivid Sydney, Destination NSW announced today a contemporary line-up of performances and talent for the expanded Vivid Music 2014 program. New venues and more acts will take Vivid Music into Carriageworks, Seymour Centre, The Basement, Spice Cellar, Home Nightclub at Darling Harbour, The Argyle and of course The Sydney Opera House with Vivid Live. Vivid Sydney, last year was visited by over 800,000 people, is an 18 day festival of light, music and ideas. In 2013 it was named Australia’s Event of the Year. Minister for Tourism, Major Events and the Arts, and acting Trade and Investment Minister, George Souris, congratulated organisers on the new Vivid Music line-up and encouraged fans to make the most of the entire Vivid Sydney experience, on from 23 May to 9 June. “Boasting world leading artists and creative collectives, Vivid Music continues to wow audiences, expanding this year into new venues and favourite Sydney haunts,” Mr Souris said. “With Sydney set to be transformed by stunning 3D light projections and installations, Vivid Music gives visitors another unique and creative Vivid Sydney experience,” he said. Vivid Music Program Brand new event Modulations at Carriageworks (6-9 June), curated by Stephen Pavlovic, welcomes headliners Pet Shop Boys plus the additions of experimental musicians Liars, iconic Sydney restaurateurs Porteño, and artists from LA indie label Wild Records. -
The Byron Kennedy Award
THE BYRON KENNEDY AWARD The Byron Kennedy Award is awarded for outstanding creative enterprise within the film and television industries. The Award is given to an individual or organization whose work embodies the qualities of Byron Kennedy: innovation, vision and the relentless pursuit of excellence. The Award is presented by Kennedy Miller, in association with AFI | AACTA, and includes a cash prize of $10,000. 1984 Roger Savage for his innovative and pioneering work in film and television sound. 1985 Andrew Pike for his unorthodox and comprehensive contribution to the film industry. 1986 Nadia Tass and David Parker for their fiercely independent approach to filmmaking. 1987 Martha Ansara for her uncompromising use of film as a vehicle for consciousness- raising and her consistent help to filmmakers at the beginning of their careers. 1988 George Ogilvie for the profound wisdom of his work in theatre, film, television and ballet, and his highly influential workshops on ensemble performance. 1989 Jane Campion for her innovative, highly individual and uncompromising work in writing, producing and directing a body of outstanding films and television programmes which have gained recognition both in Australia and overseas. 1990 Dennis O'Rourke for his consistent innovation as an artist in the field of documentary. 1991 John Duigan for an impressive and original body of work both as writer and director, and through that work, his discovery and encouragement of new talent. 1992 Robin Anderson & Bob Connolly whose films are not only fine documentaries - they are great human dramas. They will allow no obstacle to divert their single-minded pursuit of excellence. -
2013/14 Disclosure of Payments
DISCLOSURE Of Payments The following is a list of payments made in the 2013/14 financial year and may in some cases represent only a portion of the full amount committed to projects, businesses or people through our funding programs. PROJECT COMPANY/PERSON PAYMENTS 2013/14 DEVELOPMENT PROGRAMS AND INITIATIVES FICTION DEVELOPMENT AND INITIATIVES Fiction Development Australian Gothic Geoffrey Wright 12,425 Preggers Janet Duncan 9,750 Romeo and Cheryl Roger Monk 20,800 The Architect Circe Films Pty Ltd and Blackout Productions 9,600 Pty Ltd The House that Ross Built (aka Gun Alley/City Extra) Cascade Films Pty Ltd 2,400 Blood Bank Film Camp Pty Ltd 10,000 Cherry Bomb Jane Says Pty Ltd 14,350 The Three Lucias Redman Entertainment Pty Ltd 35,500 The Circus Circus Productions Pty Ltd 8,565 Exhibition New Holland Pictures Two Pty Ltd 14,350 Mulan See-Saw Productions Pty Ltd 30,000 Bad Girl Mini Studios Pty Ltd 10,325 Oddbal (pka An Oddball Solution) Kmunications Pty Ltd 14,000 Blood Borne Rogue Productions Pty Ltd 8,520 Bitten 403 Productions Pty Ltd 6,300 Resistance Maxo Pty Ltd 26,000 Morning Glory Zizani Films Pty Ltd 35,175 Dysmorphia Eleventh Marina Pty Ltd 19,500 Better Man (aka Small Boy) FreemantleMedia and Bravado Productions 7,000 Evie and Tom’s Mad Hair Days Lemonade Digital Productions 3,575 Nowhere Boys Series 2 Matchbox Pictures Pty Ltd 43,000 Cradle Mountain Mysteries Boilermaker Pty Ltd 10,000 Trip For Biscuits Timothy Powell (T/A Robot Panther) 18,279 Corp Marieke Hardy 8,000 Predestination Predestination Pictures Pty Ltd 2,750