V I V I D M U S I C 2 0 1 4 Destination Nsw Announces
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Greater Parramatta and the Olympic Peninsula Is the the Way We All Imagine Greater Sydney
Greater Our true centre: the connected, Parramatta and the unifying heart GPOP Olympic Peninsula About Us The Greater Sydney Commission (the Commission) was established by the NSW Government to lead metropolitan planning for Greater Sydney. This means the Commission plays a co-ordinating role in economic, social and environmental planning across the whole of Greater Sydney. The Commission has specific roles and responsibilities, such as producing District Plans, the Metropolitan Strategy and identifying infrastructure priorities. Collaboration and engagement are at the core of everything the Commission does. We work across government, with communities, interest groups, institutions, business and investors to ensure that planning for Greater Sydney results in a productive, liveable and sustainable future city. October 2016 FOREWORD CHIEF COMMISSIONER’S DISTRICT COMMISSIONER’S FOREWORD FOREWORD It’s time for a change of perspective and a change in Greater Parramatta and the Olympic Peninsula is the the way we all imagine Greater Sydney. geographic and demographic heart of Greater Sydney, Today, more than 2 million people live west of Sydney and a key part of the West Central District. Olympic Park, yet everyday around 300,000 people We have the opportunity to shape the transformation leave the region to travel for work. of the place we now call GPOP. Greater Sydney needs a true city at its centre, close Global best practice shows that a co-ordinated to its heart. We need a central ‘30-minute city’, that is approach to public and private investment is critical connected to the north, south, east and west. for successful transformation, involving innovation and GPOP is the name we have given to the Greater enterprise. -
Show Me Shorts Booklet for PDF.Indd
24 - 26 November 2006 // Academy Cinemas, 44 Lorne St, Auckland PROUD TO BE Welcome to the fi rst Jameson Show Me Shorts Film Festival, New Zealand’s only trans-Tasman short SPONSORS OF fi lm festival. From around 350 entries, we have assembled a selection of the best and most entertaining fi lms from New Zealand and Australia which we’re proud to be presenting for your viewing pleasure. We’d like to say this festival is the product of extensive research and market analysis, but the truth is it was dreamed up over a few drinks in a central Auckland bar. The concept has been fl eshed out over a full year since, and remains true to the original vision. This vision was to provide everyday Kiwis with better access to some of the amazing and award-winning short fi lms that are produced here and across the Tasman every year. Most of the fi lms are being seen in New Zealand for the fi rst time. welcome This event would not have been possible without the support of our sponsors and partners, selection and judging panel, and all the fi lmmakers who took the time to enter their fi lms. We thank you all for your part in helping bring this project to fruition and look forward to working with you in future to develop Jameson Show Me Shorts into an established and eagerly anticipated annual event. If you love watching short fi lms you’re in for a treat, and we can’t wait to share them with you. -
Exclusive PREVIEW of Vivid Sydney 2018 Where to Eat, Shop, Stay And
LOVE EVERY SECOND OF SYDNEY & NSW IN WINTER 25 May – 16 June 2018 VIVID SYDNEY SYDNEY NEW SOUTH WALES exclusive Where to essential short PREVIEW of vivid eat, shop, stay breaks & long sydney 2018 and play road trips VIVID SYDNEY VIVID – WHAT’S ON 03 What to expect from Vivid Light, Music and Ideas Vivid SYDNEY celebrates VIVID LIGHT WALK Lights on! A guide to the 04 amazing Vivid Light installations VIVID PRECINCTS Find out where to see 10 years of creativity 08 the city light up VIVID MUSIC Get into 23 days 25 May - 16 June 2018 10 of music discovery VIVID IDEAS Hear from global Game 13 Changers & Creative Catalysts GETTING AROUND Plan your journey using public 16 transport during Vivid Sydney HELP FROM OUR FRIENDS Thanks to our partners, 17 collaborators and supporters VIVID MAP Use this map to plan your 20 Vivid Sydney experience SYDNEY BEYOND VIVID Your guide to exploring 21 Sydney and New South Wales SYDNEY FOOD & WINE Foodie hotspots, new bars 22 and tours EXPLORE SYDNEY Where to stay and shop 24 and what to see THE GREAT OUTDOORS There is so much more to do, see and love at vivid sydney in 2018. Your guide to walks, the 25 harbour & high-rise adventures Start planning your experience now. IT’S ON! IN SYDNEY 26 Unmissable sporting events, theatre, musicals and exhibitions VIVID SYDNEY SYDNEY IN WINTER EXPLORE NSW At 6pm on 25 May Vivid Sydney 2018 While you’re here for Vivid Sydney, stay The most geographically diverse State in switches on with the Lighting of the Sails a while longer to explore the vibrancy Australia offers a little bit of everything new south wales of the Sydney Opera House and all light of Sydney in Winter. -
Blinky Bills White Christmas Music Credits
Music Composed by Guy Gross "Christmas In Australia" Performed by Christine Anu Composed by Guy Gross. Lyrics by John Palmer Published by Mushroom Music. "Christmas in Australia" Recorded & Mixed By Simon Leadley & Tim Ryan String Arrangement by James Lee Strings: Click Track Music Ensemble Piano: Michael Bartolomei Guitar: Rex Goh Produced by Guy Gross Lyrics of the song performed by Christine Anu that runs over the opening sequence and the tail credits and also appears within the movie: It's Christmas in Australia A time of peace and love It's Christmas in Australia With southern skies above From busy towns and cities To the outback far away We come together to rejoice Because it's Christmas Day The summer nights, the fairy lights And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … Down under when it's Christmas time There's lots for kids to do Like making cards and making cakes And making mischief too And Santa Claus is not surprised To hear the children say: "I want it to be Christmas Every single day" The summer days, the Christmas plays And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … At around the 44 minute mark (in the off-air version used by this site), Johnny the Rabbit adds a couple of verses … … a time to share, a time to care A time when dreams come true A time to think about the worth Of everything we do For on this little world of ours We're all one family So come and join us as we sing Around a Christmas tree Singer Christine Anu is too well known to dwell on here. -
ATE Media Information: Events in Sydney
ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015. -
I Never Took Myself Seriously As a Writer Until I Studied at Macquarie.” LIANE MORIARTY MACQUARIE GRADUATE and BEST-SELLING AUTHOR
2 swf.org.au RESEARCH & ENGAGEMENT 1817 - 2017 luxury property sales and rentals THE UN OF ITE L D A S R T E A T N E E S G O E F T A A M L E U R S I N C O A ●C ● SYDNEY THE LIFTED BROW Welcome 3 SWF 2017 swf.org.au A Message from the Artistic Director Contents eading can be a mixed blessing. For In a special event, writer and photographer 4-15 anyone who has had the misfortune Bill Hayes talks to Slate’s Stephen Metcalf about City & Walsh Bay to glance at the headlines recently, Insomniac City: New York, Oliver, and Me, an the last few months have felt like a intimate love letter to New York and his late Guest Curators 4 long fever dream, for reasons that partner, beloved writer and neurologist extend far beyond the outcome of the Oliver Sacks. R Bernadette Brennan has delved into 7 US Presidential election or Brexit. Nights at Walsh Bay More than 20 million refugees are on the move the career of one of Australia’s most adept and another 40 million people are displaced in and admired authors, Helen Garner, with Thinking Globally 11 their own countries, in the largest worldwide A Writing Life. An all-star cast of Garner humanitarian crisis since 1945. admirers – Annabel Crabb, Benjamin Law Scientists announced that the Earth reached and Fiona McFarlane – will join Bernadette City & Walsh Bay its highest temperatures in 2016 – for the third in conversation with Rebecca Giggs about year in a row. -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Gary Doust - Bio
GARY DOUST - BIO Gary Doust is an award winning factual television Director and Producer. He recently worked as Series Director on NEXT STOP HOLLYWOOD, a 6 part observational series following 6 actors in L.A, for which he received an ADG nomination. He has just completed work as a Director / Writer on BLUE ZOO, a 13 part series for ABC3. Gary began his career in TV working as an Assistant Editor on BEYOND 2000 before cutting his teeth Producing and Directing a multitude of conference launch videos for really cool products such as Rectinol and Zithromax (for Chlamydia). His first TV project was MAKING VENUS, an observational feature documentary that followed the epic, roller-coaster journey of two young film producers as the making of their first low-budget feature spiralled out of control. The film premiered at the 2002 Sydney Film Festival where it was awarded a 'Mention Speciale' by the International Fipresci Jury. The film also won the ‘Independent Spirit Award’ at the Inside Film Awards and the ‘Documentary Jury Prize’ at the Film Critic Circle Awards of Australia, before receiving a national cinema release and premiering on SBS. His Directing / Writing credits include BATTLE OF THE BRAINS, a 4 part observational documentary series for ABC, which followed the highs and lows of 24 of Australia's brainiest Biology Students as they competed for a spot to represent Australia at the Science Olympics in Beijing. He also Directed and Wrote EMBEDDED WITH SHEIK HILALY, an hour long documentary for SBS that followed a guy named Dave, who attempts to live as a Muslim with controversial Islamic figure Sheik Hilaly. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Fulltimeoperationsince1996
| 23 is 10! | Welcome to a celebration of our 10th birthday. First a word from Tony MacGregor, Chair of the Open City Board of Management. This company was established by Keith Gallasch and Virginia Baxter in 1987 for the collaborative works they performed in theatres, galleries and on radio. In 1994 Open City began to publish RealTime+OnScreen which has been a fulltime operation since 1996. FROM THE CHAIR I’ve been free-associating around those words—real, time—looking for a RT61 JUNE / JULY 04 way into writing about this thing I’ve been hovering around for these past 10 years. Longer really, because RealTime was an idea long before it was a reality, one of those determinations that Keith Gallasch and Virginia Baxter make and then work into existence: “mainstream theatre criticism is hopeless, we need a journal that deals properly with the per- formance community in all its hybrid, messy complexity.” (Or words to that effect.) And, lo, it was so. How many ideas have taken shape, been given form in the endless conversa- tion around that generous wooden table in the kitchen at Womerah Avenue, Darlinghurst where Gallasch and Baxter have lived since their arrival from Adelaide in 1986? Like so many projects which have been founded on their energy and ideas—Troupe in Adelaide, Open City, all those performances—once deemed A Good Idea, RealTime seemed inevitable, an idea made real through that seemingly irresistible combination of clear argument, creative invention, per- sonal passion, A-grade grant writing The RealTime team: Keith Gallasch, Dan Edwards, Gail Priest, Virginia Baxter Heidrun Löhr skills and the sheer bloody mindedness that they bring to all their projects. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Destination NSW Annual Report 2019/2020
INDEX & ACCESS Heading H2 Heading H3 DestinationUnt a cus, optia consequas volupidis voluptas alitasp NSW eribeaquame officab orehentio to magnate nonecabore, odita ilit quias que modita perum alibus. Henitiis dollut aperrovitin rererup tatur, sandit invel magnatus. Ame volorit veniscium voles dolumquodic tem rerum necus ANNUALsant fuga. Name rerum unt, eaqueREPORT re net ullaturenet ipsant ma comnis sit a vendeli genureius ma niendis plignih illabo. Ita ipitati onseque nemquibus aut aute cusdae voluptate nat rat. Cil il is rest platest et rate aliquam dolum faceseque derovit, atissusam quis eum re volorep edipsan daector eprorepelest 2019-2020verum que sintureperor simaximus et andis eat as dusa poriatium ant, qui andi consequam ima volo essit, nus cuptati busdaeria aborectibus, odi conseque esecus dolorem iunt as conseque voluptaturit laccus dolorit ipiet quaepro totatur epernatum enitatust, solorum eveliqu asperum is magnata turiorro quuntiam quostem porepe volum rem videnet ut quibus aut enistrum quaepro rerfera temquam autem etur audam faccusa nullam, undi quatibus eos simus re perroreictem eos sunt, ut volest, to ipsam quas ea conem lacerum exerae. Uptis endias estrum que pe pra DESTINATION NSW // Annual Report 2019-2020 Page 1 Destination NSW ANNUAL REPORT 2019-2020 The Hon. Stuart Ayres MP Minister for Jobs, Investment, Tourism and Western Sydney 52 Martin Place SYDNEY NSW 2000 30 November 2020 Dear Minister, We are pleased to submit the Annual Report of Destination NSW for the financial year ended 30 June 2020 for presentation to the NSW Parliament. This report has been prepared in accordance with the provisions of the Annual Reports (Statutory Bodies) Act 1984, the Annual Reports (Statutory Bodies) Regulation 2015, the Government Sector Employment Act 2013, the Public Finance and Audit Act 1983, and the Public Finance and Audit Regulation 2015.