2013/14 Disclosure of Payments
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Greater Parramatta and the Olympic Peninsula Is the the Way We All Imagine Greater Sydney
Greater Our true centre: the connected, Parramatta and the unifying heart GPOP Olympic Peninsula About Us The Greater Sydney Commission (the Commission) was established by the NSW Government to lead metropolitan planning for Greater Sydney. This means the Commission plays a co-ordinating role in economic, social and environmental planning across the whole of Greater Sydney. The Commission has specific roles and responsibilities, such as producing District Plans, the Metropolitan Strategy and identifying infrastructure priorities. Collaboration and engagement are at the core of everything the Commission does. We work across government, with communities, interest groups, institutions, business and investors to ensure that planning for Greater Sydney results in a productive, liveable and sustainable future city. October 2016 FOREWORD CHIEF COMMISSIONER’S DISTRICT COMMISSIONER’S FOREWORD FOREWORD It’s time for a change of perspective and a change in Greater Parramatta and the Olympic Peninsula is the the way we all imagine Greater Sydney. geographic and demographic heart of Greater Sydney, Today, more than 2 million people live west of Sydney and a key part of the West Central District. Olympic Park, yet everyday around 300,000 people We have the opportunity to shape the transformation leave the region to travel for work. of the place we now call GPOP. Greater Sydney needs a true city at its centre, close Global best practice shows that a co-ordinated to its heart. We need a central ‘30-minute city’, that is approach to public and private investment is critical connected to the north, south, east and west. for successful transformation, involving innovation and GPOP is the name we have given to the Greater enterprise. -
Show Me Shorts Booklet for PDF.Indd
24 - 26 November 2006 // Academy Cinemas, 44 Lorne St, Auckland PROUD TO BE Welcome to the fi rst Jameson Show Me Shorts Film Festival, New Zealand’s only trans-Tasman short SPONSORS OF fi lm festival. From around 350 entries, we have assembled a selection of the best and most entertaining fi lms from New Zealand and Australia which we’re proud to be presenting for your viewing pleasure. We’d like to say this festival is the product of extensive research and market analysis, but the truth is it was dreamed up over a few drinks in a central Auckland bar. The concept has been fl eshed out over a full year since, and remains true to the original vision. This vision was to provide everyday Kiwis with better access to some of the amazing and award-winning short fi lms that are produced here and across the Tasman every year. Most of the fi lms are being seen in New Zealand for the fi rst time. welcome This event would not have been possible without the support of our sponsors and partners, selection and judging panel, and all the fi lmmakers who took the time to enter their fi lms. We thank you all for your part in helping bring this project to fruition and look forward to working with you in future to develop Jameson Show Me Shorts into an established and eagerly anticipated annual event. If you love watching short fi lms you’re in for a treat, and we can’t wait to share them with you. -
Blinky Bills White Christmas Music Credits
Music Composed by Guy Gross "Christmas In Australia" Performed by Christine Anu Composed by Guy Gross. Lyrics by John Palmer Published by Mushroom Music. "Christmas in Australia" Recorded & Mixed By Simon Leadley & Tim Ryan String Arrangement by James Lee Strings: Click Track Music Ensemble Piano: Michael Bartolomei Guitar: Rex Goh Produced by Guy Gross Lyrics of the song performed by Christine Anu that runs over the opening sequence and the tail credits and also appears within the movie: It's Christmas in Australia A time of peace and love It's Christmas in Australia With southern skies above From busy towns and cities To the outback far away We come together to rejoice Because it's Christmas Day The summer nights, the fairy lights And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … Down under when it's Christmas time There's lots for kids to do Like making cards and making cakes And making mischief too And Santa Claus is not surprised To hear the children say: "I want it to be Christmas Every single day" The summer days, the Christmas plays And laughter everywhere The church bells ring, the bellbirds sing And joy is in the air With family and friends at home Around the Christmas tree That's what Christmas in Australia Will always mean to me … At around the 44 minute mark (in the off-air version used by this site), Johnny the Rabbit adds a couple of verses … … a time to share, a time to care A time when dreams come true A time to think about the worth Of everything we do For on this little world of ours We're all one family So come and join us as we sing Around a Christmas tree Singer Christine Anu is too well known to dwell on here. -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Gary Doust - Bio
GARY DOUST - BIO Gary Doust is an award winning factual television Director and Producer. He recently worked as Series Director on NEXT STOP HOLLYWOOD, a 6 part observational series following 6 actors in L.A, for which he received an ADG nomination. He has just completed work as a Director / Writer on BLUE ZOO, a 13 part series for ABC3. Gary began his career in TV working as an Assistant Editor on BEYOND 2000 before cutting his teeth Producing and Directing a multitude of conference launch videos for really cool products such as Rectinol and Zithromax (for Chlamydia). His first TV project was MAKING VENUS, an observational feature documentary that followed the epic, roller-coaster journey of two young film producers as the making of their first low-budget feature spiralled out of control. The film premiered at the 2002 Sydney Film Festival where it was awarded a 'Mention Speciale' by the International Fipresci Jury. The film also won the ‘Independent Spirit Award’ at the Inside Film Awards and the ‘Documentary Jury Prize’ at the Film Critic Circle Awards of Australia, before receiving a national cinema release and premiering on SBS. His Directing / Writing credits include BATTLE OF THE BRAINS, a 4 part observational documentary series for ABC, which followed the highs and lows of 24 of Australia's brainiest Biology Students as they competed for a spot to represent Australia at the Science Olympics in Beijing. He also Directed and Wrote EMBEDDED WITH SHEIK HILALY, an hour long documentary for SBS that followed a guy named Dave, who attempts to live as a Muslim with controversial Islamic figure Sheik Hilaly. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Fulltimeoperationsince1996
| 23 is 10! | Welcome to a celebration of our 10th birthday. First a word from Tony MacGregor, Chair of the Open City Board of Management. This company was established by Keith Gallasch and Virginia Baxter in 1987 for the collaborative works they performed in theatres, galleries and on radio. In 1994 Open City began to publish RealTime+OnScreen which has been a fulltime operation since 1996. FROM THE CHAIR I’ve been free-associating around those words—real, time—looking for a RT61 JUNE / JULY 04 way into writing about this thing I’ve been hovering around for these past 10 years. Longer really, because RealTime was an idea long before it was a reality, one of those determinations that Keith Gallasch and Virginia Baxter make and then work into existence: “mainstream theatre criticism is hopeless, we need a journal that deals properly with the per- formance community in all its hybrid, messy complexity.” (Or words to that effect.) And, lo, it was so. How many ideas have taken shape, been given form in the endless conversa- tion around that generous wooden table in the kitchen at Womerah Avenue, Darlinghurst where Gallasch and Baxter have lived since their arrival from Adelaide in 1986? Like so many projects which have been founded on their energy and ideas—Troupe in Adelaide, Open City, all those performances—once deemed A Good Idea, RealTime seemed inevitable, an idea made real through that seemingly irresistible combination of clear argument, creative invention, per- sonal passion, A-grade grant writing The RealTime team: Keith Gallasch, Dan Edwards, Gail Priest, Virginia Baxter Heidrun Löhr skills and the sheer bloody mindedness that they bring to all their projects. -
V I V I D M U S I C 2 0 1 4 Destination Nsw Announces
V I V I D MUSIC 2 0 1 4 DESTINATION NSW ANNOUNCES NEW PROGRAMING AND EXPANDED VIVID MUSIC LINE UP FOR 2014 VIVID SYDNEY 2 3 M A Y – 9 J U N E TICKETS ON SALE With music a favourite feature during Vivid Sydney, Destination NSW announced today a contemporary line-up of performances and talent for the expanded Vivid Music 2014 program. New venues and more acts will take Vivid Music into Carriageworks, Seymour Centre, The Basement, Spice Cellar, Home Nightclub at Darling Harbour, The Argyle and of course The Sydney Opera House with Vivid Live. Vivid Sydney, last year was visited by over 800,000 people, is an 18 day festival of light, music and ideas. In 2013 it was named Australia’s Event of the Year. Minister for Tourism, Major Events and the Arts, and acting Trade and Investment Minister, George Souris, congratulated organisers on the new Vivid Music line-up and encouraged fans to make the most of the entire Vivid Sydney experience, on from 23 May to 9 June. “Boasting world leading artists and creative collectives, Vivid Music continues to wow audiences, expanding this year into new venues and favourite Sydney haunts,” Mr Souris said. “With Sydney set to be transformed by stunning 3D light projections and installations, Vivid Music gives visitors another unique and creative Vivid Sydney experience,” he said. Vivid Music Program Brand new event Modulations at Carriageworks (6-9 June), curated by Stephen Pavlovic, welcomes headliners Pet Shop Boys plus the additions of experimental musicians Liars, iconic Sydney restaurateurs Porteño, and artists from LA indie label Wild Records. -
The Byron Kennedy Award
THE BYRON KENNEDY AWARD The Byron Kennedy Award is awarded for outstanding creative enterprise within the film and television industries. The Award is given to an individual or organization whose work embodies the qualities of Byron Kennedy: innovation, vision and the relentless pursuit of excellence. The Award is presented by Kennedy Miller, in association with AFI | AACTA, and includes a cash prize of $10,000. 1984 Roger Savage for his innovative and pioneering work in film and television sound. 1985 Andrew Pike for his unorthodox and comprehensive contribution to the film industry. 1986 Nadia Tass and David Parker for their fiercely independent approach to filmmaking. 1987 Martha Ansara for her uncompromising use of film as a vehicle for consciousness- raising and her consistent help to filmmakers at the beginning of their careers. 1988 George Ogilvie for the profound wisdom of his work in theatre, film, television and ballet, and his highly influential workshops on ensemble performance. 1989 Jane Campion for her innovative, highly individual and uncompromising work in writing, producing and directing a body of outstanding films and television programmes which have gained recognition both in Australia and overseas. 1990 Dennis O'Rourke for his consistent innovation as an artist in the field of documentary. 1991 John Duigan for an impressive and original body of work both as writer and director, and through that work, his discovery and encouragement of new talent. 1992 Robin Anderson & Bob Connolly whose films are not only fine documentaries - they are great human dramas. They will allow no obstacle to divert their single-minded pursuit of excellence. -
16 June, Presents the Dendy Awards for Australian Short Films Finalists
MEDIA RELEASE EMBARGOED UNTIL MIDDAY 8 MAY 2013 Sydney Film Festival, 5- 16 June, presents the Dendy Awards for Australian Short Films Finalists The Sydney Film Festival is produce to announce the 10 finalists in the 2013 Dendy Awards for Australian Short Films. Sponsored by Dendy Cinemas for 25 years, these awards have launched and aided the careers of many great Australian filmmakers. The finalists in this year’s awards will screen together on Saturday 15 June at 4pm and again on Sunday 16 June at 11am at Event Cinemas George Street. “We’re really proud to have been able to support the short-film award for the past 25 years. For us, it’s a way to make sure that we’re doing our best to encourage our talented filmmakers and ensure we’re creating a healthy feature film industry in Australia for the future,” said Dendy Cinemas Marketing Communications Manager Hadi Tieu-Vinh. The Dendy Awards acknowledge the way in which short films help aspiring filmmakers springboard into feature-film production, while also recognising the vibrancy of the short genre. This year’s stellar line-up is a testament to the world-class quality of Australian filmmaking. The Awards for Australian Short Films were originally established by SFF in 1970. Winners of the Best Live Action Short Film award and the Yoram Gross Animation award (sponsored by Yoram Gross Films) are Academy Award®-eligible, opening new pathways for many Australian filmmakers. Previous winners include The Lost Thing, directed by Shaun Tan and Andrew Ruhemann, which went on to win an Academy Award in 2011; Miracle Fish, directed by Luke Doolan, which was a 2009® Oscar nominee; and The Palace, directed by Anthony Maras, which also won Best Short Fiction and Best Screenplay in a Short Film at the 2012 Australian Academy of Cinema and Television Arts Awards (AACTA). -
Case Study: Metro Screen
Sydney International Film School Sydney International Film School is an independent film school which aims to train exceptionally skilled and talented individuals for careers in the global film industry. The two year intensive training course teaches through a hands-on creative process that emulates worldwide industry practice. Students are encouraged to produce up to 8 films during their two year study, as well as collaborating with other students on their work. The school provides equipment, software and sophisticated production facilities. "ASED IN 2OSEBERY IN CENTRAL 3YDNEY THE )NTERNATIONAL &ILM 3CHOOL 3YDNEY IS A 2EGISTERED 4RAINING /RGANISATION PROVIDING training and assessment services in filmmaking, 86H:HIJ9N/B:IGDH8G::C Metro Screen has over 27 years’ experience in the screen industry, serving the professional and production development needs of screen practitioners in NSW across film, television, online and portable media. Metro Screen’s primary focus is on screen skills development and the production of quality screen works. Each year Metro Screen supports the production of over 140 screen works across all genres. In 2009 Metro Screen productions won both Tropfest and Trop Jr 1st prize awards, with many of the short film works going on to screen and win awards at numerous national and international festivals. Metro Screen, located in the Paddington Town Hall, attracts a wide range of people passionate about film, from school children who participate in short school holiday programs to seasoned professionals who need to learn advanced techniques on the latest software. Metro Screen’s program includes a regular series of professional development seminars on areas like pitching, marketing & distribution, speed networking, career advice and copyright & legal matters. -
July 2010 August 2010
Indexed Files Opened For the Period: July 2010 - December 2010 July 2010 SA10/0140 EMBASSY ROADSHOW - POST - BEIRUT - 2010 P.10128-01 MARKETING - THEATRICAL PRINTS SA10/0141 EMBASSY ROADSHOW - POST - AND ADVERTISING (P&A) - SUMMER KUWAIT - 2010 CODA SA10/0142 EMBASSY ROADSHOW - POST - SA10/0125-01 MARKETING - FESTIVALS AND SANTIAGO (VALDIVIA) - 2010 MARKETS - CANNES 2010 SA10/0143 EMBASSY ROADSHOW - POST - P.10129 MARKETING - INNOVATIVE MEXICO (DOMINICAN REPUBLIC) - DISTRIBUTION - MOTHER FISH 2010 P.10130 FIRST INTERVIEW SA10/0144 EMBASSY ROADSHOW - POST - SA10/0127 MARKETING - MARKET ESCALATOR - MEXICO (HAVANA) - 2010 JONATHAN REISS AUSTRALIAN TOUR SA10/0145 EMBASSY ROADSHOW - POST - P.08604-06 ALL MY FRIENDS ARE LEAVING MANILA - 2010 BRISBANE - DELIVERY ITEMS SA10/0146 EMBASSY ROADSHOW - POST - P.10131 MARKETING - PRINTS AND ANKARA - 2010 ADVERTISING - MATCHING JACK SA10/0147 EMBASSY ROADSHOW - POST - SA10/0125-02 MARKETING - FESTIVALS AND JAKARTA - 2010 MARKETS - CANNES 2010 P.09683-03 THE PLACE BETWEEN P.10132 PLEASANT SA10/0148 MARKETING - AUDIENCE TESTING - P.08792-02 THE SAPPHIRES BRAN NUE DAE P.10133 WOLF CREEK 2 P.09843-02 PLAYING FOR CHARLIE - INNOVATIVE DISTRIBUTION P.10134 MARKETING - INNOVATIVE DISTRIBUTION - THE CLINIC SA10/0149 EMBASSY ROADSHOW - POST - KATHMANDU - 2011 P.10135 JEWEL SA10/0150 EMBASSY ROADSHOW - POST - ROME P.09265-02 DEAD EUROPE - 2011 P.09838-02 SHOW ME THE MAGIC SA10/0152 EMBASSY ROADSHOW - POST - P.10136 "GIVE ""EM THE FINGER" MOSCOW - 2011 P.09878-02 WIDE OPEN ROAD SA10/0153 EMBASSY ROADSHOW - POST