Black History Month 2018
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Update on Systems Subsequent to Tropical Storm Grace
Update on Systems subsequent to Tropical Storm Grace KSA NAME AREA SERVED STATUS East Gordon Town Relift Gordon Town and Kintyre JPS Single Phase Up Park Camp Well Up Park Camp, Sections of Vineyard Town Currently down - Investigation pending August Town, Hope Flats, Papine, Gordon Town, Mona Heights, Hope Road, Beverly Hills, Hope Pastures, Ravina, Hope Filter Plant Liguanea, Up Park Camp, Sections of Barbican Road Low Voltage Harbour View, Palisadoes, Port Royal, Seven Miles, Long Mountain Bayshore Power Outage Sections of Jack's Hill Road, Skyline Drive, Mountain Jubba Spring Booster Spring, Scott Level Road, Peter's Log No power due to fallen pipe West Constant Spring, Norbrook, Cherry Gardens, Havendale, Half-Way-Tree, Lady Musgrave, Liguanea, Manor Park, Shortwood, Graham Heights, Aylsham, Allerdyce, Arcadia, White Hall Gardens, Belgrade, Kingswood, Riva Ridge, Eastwood Park Gardens, Hughenden, Stillwell Road, Barbican Road, Russell Heights Constant Spring Road & Low Inflows. Intakes currently being Gardens, Camperdown, Mannings Hill Road, Red Hills cleaned Road, Arlene Gardens, Roehampton, Smokey Vale, Constant Spring Golf Club, Lower Jacks Hill Road, Jacks Hill, Tavistock, Trench Town, Calabar Mews, Zaidie Gardens, State Gardens, Haven Meade Relift, Hydra Drive Constant Spring Filter Plant Relift, Chancery Hall, Norbrook Tank To Forrest Hills Relift, Kirkland Relift, Brentwood Relift.Rock Pond, Red Hills, Brentwood, Leas Flat, Belvedere, Mosquito Valley, Sterling Castle, Forrest Hills, Forrest Hills Brentwood Relift, Kirkland -
Natália Cristina De Aquino Gomes
UNIVERSIDADE FEDERAL DE SÃO PAULO ESCOLA DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA DA ARTE NATÁLIA CRISTINA DE AQUINO GOMES RETRATO DE ARTISTA NO ATELIÊ: a representação de pintores e escultores pelos pincéis de seus contemporâneos no Brasil (1878-1919) Guarulhos 2019 NATÁLIA CRISTINA DE AQUINO GOMES RETRATO DE ARTISTA NO ATELIÊ: a representação de pintores e escultores pelos pincéis de seus contemporâneos no Brasil (1878-1919) Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em História da Arte da Universidade Federal de São Paulo para obtenção do título de Mestre em História da Arte. Orientadora: Profª. Drª. Elaine Cristina Dias. Guarulhos 2019 2 AQUINO GOMES, Natália Cristina de. Retrato de artista no ateliê: a representação de pintores e escultores pelos pincéis de seus contemporâneos no Brasil (1878-1919)/ Natália Cristina de Aquino Gomes. – Guarulhos, 2019. 250 f. Dissertação (mestrado em História da Arte) – Universidade Federal de São Paulo, Escola de Filosofia, Letras e Ciências Humanas, Programa de Pós-Graduação em História da Arte, 2019. Orientadora: Profª. Drª. Elaine Cristina Dias. Título em inglês: Portrait of artist in the studio: the representation of painters and sculptors by the brushes of their contemporaries in Brazil (1878-1919). 1. Retrato. 2. Ateliê. 3. Arte Brasileira. 4. Século XIX. 5. Início do século XX. I. Dias, Elaine Cristina. II. Universidade Federal de São Paulo, Escola de Filosofia, Letras e Ciências Humanas, Programa de Pós-Graduação em História da Arte. III. Título. 3 NATÁLIA CRISTINA DE AQUINO GOMES RETRATO DE ARTISTA NO ATELIÊ: a representação de pintores e escultores pelos pincéis de seus contemporâneos no Brasil (1878-1919) DISSERTAÇÃO apresentada ao Programa de Pós- Graduação em História da Arte da Universidade Federal de São Paulo para obtenção do título de MESTRE EM HISTÓRIA DA ARTE. -
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
Literatura Negra Brasileira
ITINERÁRIOS REVISTA DE LITERATURA Faculdade de Ciências e Letras, UNESP – Universidade Estadual Paulista, Campus Araraquara Diretor Prof. Dr. Cláudio Cesar de Paiva Vice-Diretora Profa. Dra. Rosa Fátima de Souza Chaloba Pós-Graduação em Estudos Literários Coordenador Prof. Dr. Brunno Vinicius Gonçalves Vieira Vice-Coordenador Prof. Dr. João Batista Toledo Prado ITINERÁRIOS – Revista de Literatura Editor responsável Brunno Vinicius Gonçalves Vieira Editores deste número Paulo Andrade (UNESP) Rosangela Sarteschi (USP) Endereço para correspondência, permuta, aquisição e assinatura: ITINERÁRIOS – Revista de Literatura Seção de Pós-Graduação UNESP – Faculdade de Ciências e Letras Rodovia Araraquara-Jaú, km 1 14800-901 Araraquara SP – BRASIL FONE (16) 3334-6242 FAX (16) 3334-6264 e-mail: [email protected] homepage: www.fclar.unesp.br UNESP – UNIVERSIDADE ESTADUAL PAULISTA Faculdade de Ciências e Letras – Araraquara – Pós-Graduação em Estudos Literários ITINERÁRIOS REVISTA DE LITERATURA Literatura Negra Brasileira ISSN 0103-815x ITINERÁRIOS Araraquara n. 46 p. 1-242 jan./jun. 2018 Conselho editorial Maria Célia de Moraes Leonel Maria Silvia Betti (USP) Alfredo Bosi (USP) Maria das Graças Gomes Villa da Silva Mario Augusto Medeiros da Silva Antonio Dimas (USP) Maria de Lourdes Ortiz Gandini Baldan (Unicamp) Cecília de Lara (USP) Maria Lúcia Outeiro Fernandes Mario Cesar Lugarinho (USP) Cleusa Rios Pinheiro Passos (USP) Wilton José Marques Mayumi Ilari (USP) Diana Luz Pessoa de Barros (USP) Pareceristas deste número Natali F. Costa -
Ministério Da Educação Universidade Federal De Sergipe Colégio De Aplicação
MINISTÉRIO DA EDUCAÇÃO UNIVERSIDADE FEDERAL DE SERGIPE COLÉGIO DE APLICAÇÃO Av. Marechal Rondon S/N, Rosa Elze. CEP: 49100-000 (79) 3194-6930/6931 – [email protected] – Atividades de Arte para o 3º ANO Ensino Médio Codap 2020 Arte neoclássica / Missão Artística Francesa de 1816 / Artistas brasileiros pós missão francesa Jean-Baptiste Debret Você conhece essas imagens? Sabe quem as produziu e em que contexto histórico-cultural isso ocorreu? Se eu disser que são obras de um dos mais renomados pintores franceses do século XIX e que foram produzidas no Brasil, no período colonial, na cidade do Rio de Janeiro, durante a missão artística francesa que ocorreu na regência de Don Joao VI. Vamos conhecer um pouco mais dessa história? Segue um texto escrito por nos, enquanto aluno de graduação, para estimular o interesse sobre esse assunto. Peço que cada um escreva sobre suas impressões após a leitura do texto. (lembrando que leitura e escrita são fundamentais no processo de formação de vocês). A MISSÃO ARTÍSTICA FRANCESA INTRODUÇÃO Quando em 1808 a família real se viu obrigada a vir para o Brasil, trouxe com ela, mesmo que inconscientemente, a semente da criação desta, que seria a precursora do ensino de arte no Brasil, a missão artística francesa de 1816. Composta por importantes nomes das artes francesas veio para ser o marco inicial do ensino de arte no Brasil. Por ser uma empreitada grandiosa formada por um número grande de profissionais, 18 no total e contando com artistas de reconhecido talento e merecida estima, sempre suscitou desconfianças sobre como realmente surgiu a idéia de sua criação e de que forma ocorreram as negociações entre os artistas e os representantes da Coroa portuguesa que culminaram com a partida para o Brasil deste grande número de imigrantes franceses. -
Caribbean State Posture, Merchant Capital and the Export Services Option
Third World Quarterly, Vol 23, No 4, pp 725–751, 2002 At whose service? Caribbean state posture, merchant capital and the export services option DON D MARSHALL ABSTRACT Elite planners in the Eastern Caribbean sub-region pin their hopes of economic viability on tourism, a vibrant offshore financial (and other) services sector and an increase in export activity from companies operating out of industrial parks. Framed against the perception of an inevitable globalisation process underway, with limitations posed to high-level or diversified manu- facturing, power holders have sought to concentrate on the promotion of ‘export services’ as a viable cover against new competitive challenges. This article argues, however, that this state of affairs betrays a crisis-of-mission within the ruling class on how to reconstruct political economies marked by the hegemony of merchant capital. Rather than a move towards what are globally the most remunerative factors of production—high-level manufacturing and services—a rather curious consensus has emerged which proclaims a solid future for export services without roots and/or ganglia to local manufacturing. The success of such an ‘export services’ model anywhere in the Eastern Caribbean will not turn as much on the quality of human resources as it will on overcoming the short- term horizon of local politicians, and the low-risk predilections of the wealthy planter–merchant elite. The latter’s conscious ‘opt out’ strategy on the question of manufacturing diversity has made for a strikingly conservative enterprise culture. More specifically, merchant capitalist societies like those in the Eastern Caribbean insufficiently display the sociocultural attributes required for the creation of high-level services: innovation-mediated risk, research and develop- ment competence, and affinities to industrial processes and networks. -
Haitians Rally in Times Square Against Trump Caribbean Countries Express Outrage Over US Prez's Insults
FREE www.caribbeanlifenews.com QUEENS/LONG ISLAND/BRONX/MANHATTAN Jan. 19–Jan. 25, 2018 CARICOM TRASHES TRUMP Caribbean countries express outrage over US prez’s insults By Bert Wilkinson cifically. In the past week, Caribbean After all, Haiti is a full mem- community governments have ber of the group of 15 nations. been forced to grapple with two It was the last to join at a sum- major issues of international mit in Guyana in 2002, large- concern and of course one had to ly through the extra efforts of do with the outrageous remarks then Jamaican Prime Minister by President Trump about Haiti, P. J Patterson African immigrants and a pref- The leaders said in their erence for the lily white peo- angry narrative on Trump’s ple from Norway settling in the remarks that he has “this pat- United States. tern of denigrating Haiti and When Trump had made the its citizens in what seems to racist statements to a biparti- be a concerted attempt to per- Many demonstrators paralleled the head of state’s comments with white surpremacist san group of congress men and petuate a negative narrative of language. Community News Group / Alexandra Simon women at a White House meet- the country. We are especially ing, many in the Caribbean saddened that such narrative began listening for some form emerged around the time of the of formal and official reaction anniversary of the devastating Haitians rally in Times Square against Trump from leaders in the region. They 2010 earthquake which took so reasoned that they should be so many lives of citizens in that By Alexandra Simon with the President’s com- Johnson. -
Translating Brazil: from Transnational Periodicals to Hemispheric Fictions, 1808-2010
Translating Brazil: From Transnational Periodicals to Hemispheric Fictions, 1808-2010 By Krista Marie Brune A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Natalia Brizuela, Co-chair Professor Candace Slater, Co-chair Professor Scott Saul Spring 2016 Abstract Translating Brazil: From Transnational Periodicals to Hemispheric Fictions, 1808-2010 by Krista Marie Brune Doctor of Philosophy in Hispanic Languages and Literatures University of California, Berkeley Professor Natalia Brizuela, Co-chair Professor Candace Slater, Co-chair This dissertation analyzes how travel and translation informed the construction of Brazil as modern in the 19th century, and how similar processes of transnational translation continue to shape the cultural visibility of the nation abroad in the contemporary moment. By reading journals, literary works, and cultural criticism, this study inserts Brazilian literature and culture into recent debates about translatability, world literature, and cosmopolitanism, while also underscoring the often-overlooked presence of Brazilians in the United States. The first half of the dissertation contends that Portuguese-language periodicals Correio Braziliense (London, 1808-1822), Revista Nitheroy (Paris, 1836), and O Novo Mundo (New York, 1870-1879) translated European and North American ideas of technology and education to a readership primarily in Brazil. The transnational circulation of these periodicals contributed to the self- fashioning of intellectuals who came to define the nation. To suggest parallels between Brazil and the United States in the late 19th century, the analysis of O Novo Mundo focuses on discourses of nation, modernity, and technological progress emerging in the hemispheric travels of scientists, intellectuals, and the Brazilian empire Dom Pedro II, and in the national displays at the 1876 Centennial Exhibition in Philadelphia. -
1 Entre a Sociedade E a Política: a Produção Intelectual De Arthur
Entre a sociedade e a política: a produção intelectual de Arthur Azevedo (1873-1897) Giselle Pereira Nicolau* Arthur Azevedo viveu uma época de mudanças. Nascido em São Luís do Maranhão, em 14 de julho de 1855, este deixou a terra natal aos 18 anos, em busca de oportunidades na Corte.1 No Rio de Janeiro, foi jornalista, cronista e funcionário público, mas destacou-se como autor de teatro. Arthur testemunhou a passagem do Império à República, fazendo desse conjunto de acontecimentos, matéria e cenário para suas crônicas, contos e peças teatrais, em especial, em suas Revistas de Ano. Quando chegou ao Rio de Janeiro em 1873, com o objetivo de trabalhar no jornalismo e no teatro, o jovem de apenas 18 anos, iniciou suas atividades na folha A Reforma, dirigido por Joaquim Serra,2 um dos precursores da moderna imprensa política brasileira. Periódico de cunho liberal tinha, entre os colaboradores, nomes como os de Joaquim Nabuco, Rodrigo Otávio e Cesário Alvim. A redação do semanário era ponto de encontro de políticos, como Francisco Otaviano, Afonso Celso, que posteriormente veio a se tornar o Visconde Ouro Preto, e Tavares Bastos, além de outras figuras ligadas ao Partido Liberal. Não obstante a baixa remuneração, o trabalho jornalístico abria as portas para jovens que desejavam seguir carreira literária. Algo muito comum nessa época, o apadrinhamento ou mecenato, para usar a expressão de Machado Neto, dava oportunidades na imprensa para jovens que desejavam ganhar a vida com as letras (NETO, 1973: 11). Com Arthur Azevedo não ocorreu de outra maneira. Recém-chegado do Maranhão, onde havia desempenhado funções de jornalista, encontrou espaço no periodismo carioca, por intermédio de seu conterrâneo, Joaquim Serra. -
KD-ADV49/KD-AVX44 RÉCEPTEUR DVD/CD RECEPTOR CONDVD/CD DVD/CD RECEIVER Pour L’Installationetlesraccordements,Seréféreraumanuelséparé
ENGLISH DVD/CD RECEIVER RECEPTOR CON DVD/CD RÉCEPTEUR DVD/CD ESPAÑOL KD-ADV49/KD-AVX44 FRANÇAIS For canceling the display demonstration, see page 7. Para cancelar la demonstración en pantalla, consulte la página 7. Pour annuler la démonstration des affichages, référez-vous à la page 7. For installation and connections, refer to the separate manual. For customer Use: Para la instalación y las conexiones, refiérase al manual separado. Enter below the Model No. Pour l’installation et les raccordements, se référer au manuel séparé. and Serial No. which are located on the top or bottom of the cabinet. Retain this information for future INSTRUCTIONS reference. MANUAL DE INSTRUCCIONES MANUEL D’INSTRUCTIONS Model No. Serial No. LVT1797-001B [J/C] CCover_KDADV49AVX44[JC].inddover_KDADV49AVX44[JC].indd 2 008.2.188.2.18 110:45:380:45:38 AAMM Thank you for purchasing a JVC product. Please read all instructions carefully before operation, to ensure your complete understanding and to obtain the best possible performance from the unit. IMPORTANT FOR LASER PRODUCTS 1. CLASS 1 LASER PRODUCT ENGLISH 2. CAUTION: Do not open the top cover. There are no user serviceable parts inside the unit; leave all servicing to qualified service personnel. 3. CAUTION: (For U.S.A.) Visible and/or invisible class II laser radiation when open. Do not stare into beam. (For Canada) Visible and/or invisible class 1M laser radiation when open. Do not view directly with optical instruments. 4. REPRODUCTION OF LABEL: CAUTION LABEL, PLACED OUTSIDE THE UNIT. INFORMATION (For U.S.A.) WARNINGS: This equipment has been tested and found to To prevent accidents and damage comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Debret and Public Archeology: the Tikuna Mask and the Fire of the National Museumain
Perspective Glob J Arch & Anthropol Volume 9 Issue 2 - May 2019 Copyright © All rights are reserved by Mariane Pimentel Tutui DOI: 10.19080/GJAA.2019.09.555757 Debret and Public Archeology: The Tikuna Mask and the Fire of the National Museumain Mariane Pimentel Tutui* Master in History, University Estadual de Maringá, Brazil Submission: April 16, 2019; Published: May 09, 2019 *Corresponding author: Mariane Pimentel Tutui, Master in History, University Estadual de Maringá, Rua Narlir Miguel, 897 - Centro. Postal Code: 18230-000. São Miguel Arcanjo, São Paulo, Brazil Abstract The object of study of archeology is the materiality left by previous societies. For this bias, Public Archeology seeks to share and disseminate archaeological knowledge with communities involved in research. This article aims to explain the Tikuna masks, especially the monkey head, observed and designed by the French artist Jean-Baptiste Debret during the French Artistic Mission in Brazil and published in his work Voyage Pittoresque et Historique au Brésil (1834) -1839). The mask was one of the highlights of the eighteenth-century collections of the National MuseumKeywords: in RioDebret; de Janeiro, Tikuna; which National suffered museum; a fire Brazil; in late XIX2018. century; Public archeology Perspective all publics, Public Archeology has as one of its objectives, This article aims to guide its discussions in the defense of the publicity of archaeological science. With the bonds of historical, artistic and cultural patrimony and, above all, to identity strengthened, memory helps the history lived by provide a basis for a better understanding of the social issues individuals, whose memories and ideas are generated within that surround the theme of “Public Archeology” through the the communities.