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The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c. -
Ambito N°7 PRATO E VAL DI BISENZIO
QUADRO CONOSCITIVO Ambito n°7 PRATO E VAL DI BISENZIO PROVINCE : Firenze , Prato TERRITORI APPARTENENTI AI COMUNI : Calenzano, Campi Bisenzio, Cantagallo, Carmignano, Montemurlo, Poggio a Caiano, Prato, Signa, Vaiano, Vernio COMUNI INTERESSATI E POPOLAZIONE I comuni sono tutti quelli della provincia di Prato - Cantagallo, Carmignano, Montemurlo, Poggio a Caiano, Prato, Vaiano, Vernio - e parte del territorio dei Comuni di Campi Bisenzio e Calenzano, nella provincia di Firenze. L’incremento della popolazione in 30 anni è poco meno del 26%, il più elevato fra le aree della Toscana. L’unico grande centro urbano è Prato, che era fino al 1991 la terza città della Toscana, e in seguito la seconda, avendo sorpassato Livorno. Gli altri comuni sono tutti in crescita, in vari casi hanno ripreso a crescere dopo fasi più o meno lunghe di calo. Ad esempio, Carmignano: cresce fino al 1911, quando Poggio a Caiano era una sua frazione, e sfiora i 9000 abitanti, e riprende poi una moderata crescita; Poggio a Caiano, formato nel 1962, è da allora in crescita sostenuta (nel 2001 ha il 190% della popolazione legale della frazione esistente nel 1951). Vernio aumenta fino al 1931 (probabilmente in relazione alla costruzione della grande galleria ferroviaria appenninica) sfiorando i 9.000 residenti; poi cala, stabilizzandosi a partire dal 1981. Il numero dei residenti è quasi sestuplicato (570,8%) nei 50 anni dal 1951 al 2001: è senza dubbio il comune toscano che ha avuto un più forte ritmo di crescita. L’insediamento urbano recente è cresciuto occupando il fondovalle anche con insediamenti produttivi, sebbene essi oggi non abbiano il radicamento territoriale di quelli storici rispetto alla disponibilità di acqua, cosicché sono frequenti gli squilibri di scala rispetto alle dimensioni della sezione del fondovalle (Vaiano). -
Montagna Meccanica
6.000 COPIE DISTRIBUITE GRATUITAMENTE - SE AMI LA MONTAGNA SOSTIENI QUESTA INIZIATIVA STUDIO VETERINARIO SANT’ANTONIO STUDIO VETERINARIO SANT’ANTONIO Dott.ssa Annachiara Zini tel. 347 6897849 VIA RISORGIMENTO, 208 - MARESCA ANNO I - N°2 - Settembre/Dicembre 2014 PERIODICO QUADRIMESTRALE DI CULTURA, STORIA E SOCIETÀ NELLA MONTAGNA PISTOIESE COPIA OMAGGIO Edito da Associazione culturale Amo la Montagna - Presidente Maurizio Ferrari - Direttore responsabile Paolo Vannini - Progetto grafico, impaginazione e direzione artistica Antonio Zini Registrazione Tribunale di Pistoia N° 8 del 13/11/2014 - [email protected] - Seguici anche su EDITORIALE di MAURIZIO FERRARI pag. 6 - ECONOMIA E SVILUPPO ’è un filo rosso che lega molti degli articoli presenti in que- sto numero de “La Voce della montagna”: è la mole di osta- coliC burocratici che, sommata alle difficoltà oggettive, toglie energia e entusia- smo a imprenditori e volontari che operano sul nostro territorio. Purtuttavia l’attaccamento alle radici, la voglia di opporre alla crisi dilagante delle proposte creative e innovative, nonché il tentativo di far finalmente rete, indurrebbero a reagire, sulla base degli esempi del passatoLa e dellaVoce forza dellache si ricava Montagna dal vivere, nonostante tutto, tra questi monti. La lettura dei testi proposti nella prima parte della rivista vuole quindi richiamare ad una riflessione collettiva anche Enti e Istituzioni affinché sostengano la voglia di risveglio e di sviluppo delle aziende e delle associazioni. La seconda parte di questa terza uscita dedica, come già era accaduto nei numeri precedenti, ampio spazio ad eccellenze di varia natura che contraddi- stinguono il nostro territorio; eccellenze paesaggistico-ambientali, storiche e sociali che lo valorizzano e in molti casi lo rendono unico, spesso purtroppo all’insaputa di molti di noi. -
The Medici Palace, Cosimo the Elder, and Michelozzo: a Historiographical Survey
chapter 11 The Medici Palace, Cosimo the Elder, and Michelozzo: A Historiographical Survey Emanuela Ferretti* The Medici Palace has long been recognized as an architectural icon of the Florentine Quattrocento. This imposing building, commissioned by Cosimo di Giovanni de’ Medici (1389–1464), is a palimpsest that reveals complex layers rooted in the city’s architectural, urban, economic, and social history. A symbol – just like its patron – of a formidable era of Italian art, the palace on the Via Larga represents a key moment in the development of the palace type and and influenced every other Italian centre. Indeed, it is this building that scholars have identified as the prototype for the urban residence of the nobility.1 The aim of this chapter, based on a great wealth of secondary literature, including articles, essays, and monographs, is to touch upon several themes and problems of relevance to the Medici Palace, some of which remain unresolved or are still debated in the current scholarship. After delineating the basic construction chronology, this chapter will turn to questions such as the patron’s role in the building of his family palace, the architecture itself with regards to its spatial, morphological, and linguistic characteristics, and finally the issue of author- ship. We can try to draw the state of the literature: this preliminary historio- graphical survey comes more than twenty years after the monograph edited by Cherubini and Fanelli (1990)2 and follows an extensive period of innovative study of the Florentine early Quattrocento,3 as well as the fundamental works * I would like to thank Nadja Naksamija who checked the English translation, showing many kindnesses. -
Merchants and the Origins of Capitalism
Merchants and the Origins of Capitalism Sophus A. Reinert Robert Fredona Working Paper 18-021 Merchants and the Origins of Capitalism Sophus A. Reinert Harvard Business School Robert Fredona Harvard Business School Working Paper 18-021 Copyright © 2017 by Sophus A. Reinert and Robert Fredona Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Merchants and the Origins of Capitalism Sophus A. Reinert and Robert Fredona ABSTRACT: N.S.B. Gras, the father of Business History in the United States, argued that the era of mercantile capitalism was defined by the figure of the “sedentary merchant,” who managed his business from home, using correspondence and intermediaries, in contrast to the earlier “traveling merchant,” who accompanied his own goods to trade fairs. Taking this concept as its point of departure, this essay focuses on the predominantly Italian merchants who controlled the long‐distance East‐West trade of the Mediterranean during the Middle Ages and Renaissance. Until the opening of the Atlantic trade, the Mediterranean was Europe’s most important commercial zone and its trade enriched European civilization and its merchants developed the most important premodern mercantile innovations, from maritime insurance contracts and partnership agreements to the bill of exchange and double‐entry bookkeeping. Emerging from literate and numerate cultures, these merchants left behind an abundance of records that allows us to understand how their companies, especially the largest of them, were organized and managed. -
Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: February 26, 2002 Passion for Art and Science Merge in "The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002 Washington, DC -- The Medici family's passion for the arts and fascination with the natural sciences, from the 15th century to the end of the dynasty in the 18th century, is beautifully illustrated in The Flowering of Florence: Botanical Art for the Medici, at the National Gallery of Art's East Building, March 3 through May 27, 2002. Sixty-eight exquisite examples of botanical art, many never before shown in the United States, include paintings, works on vellum and paper, pietre dure (mosaics of semiprecious stones), manuscripts, printed books, and sumptuous textiles. The exhibition focuses on the work of three remarkable artists in Florence who dedicated themselves to depicting nature--Jacopo Ligozzi (1547-1626), Giovanna Garzoni (1600-1670), and Bartolomeo Bimbi (1648-1729). "The masterly technique of these remarkable artists, combined with freshness and originality of style, has had a lasting influence on the art of naturalistic painting," said Earl A. Powell III, director, National Gallery of Art. "We are indebted to the institutions and collectors, most based in Italy, who generously lent works of art to the exhibition." The Exhibition Early Nature Studies: The exhibition begins with an introductory section on nature studies from the late 1400s and early 1500s. -
Getting to Know Italy
Map Skills: Europe- Italy Name_____________________________________________Date________________ Getting to Know Italy 1. What countries border Italy? _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ 2. With which of those countries does Italy share the largest border? ____________________________________________ 3. With which of those countries does Italy share the smallest border? ____________________________________________ 4. What are some regions within Italy? ____________________________________________ ____________________________________________ ____________________________________________ 5. What is the capital of Italy? ____________________________________________ 6. Name at least two other major cities in Italy. ____________________________________________ ____________________________________________ 7. Name some rivers that flow through Italy. ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ 8. Name some of the national parks in Italy. ____________________________________________ ____________________________________________ 1 ©2005abcteach.com Map Skills: Europe- Italy Name_____________________________________________Date________________ Getting to -
The Importance of Cosimo De Medici in Library History
THE IMPORTANCE OF COSIMO DE MEDICI IN LIBRARY HISTORY by William F Meehan III osimo de Medici, the aristocratic banker in Gern1any are 'epoch-making" (Holmes, 1969 p. and statesman who enlivened philan 119). thropy in Renaissance Florence might When it came to his personal book collection, have made his greatest contribution to [Q Cosin10 preferred quality over quantity, and he added the arts through his patronage of human to his library wisely. After growing up in a home with ist libraries. Cosima hin1self accumulated a superb only three books, Cosima by the age of 30 had as personal collection, but his three major library initia sembled a library of about 70 exquisite volumes. The tives were charitable activities and included Italy's first collection reflected his literary taste and consisted of public library, which made its way to the magnificent classical texts as well as a mix of secular and sacred library founded generations later by one of his descen works typical of collections at the time. Sening his dants. library, as well as other Florentine humanist libraries, Cosima's patronage of libraries flourished when a apart from others in Italy in the first half of the four small group of Florentine intellectuals leading a revival teenth century was the accession of Greek texts, which of the classical world and litterae humaniores sought were exceedingly scarce at th time but central to the his support. They fostered a milieu that engendered an unifying theme of Cosima's excell nt collection as well appreciation for books and learning in the benefactor as a principal scholarly interest of the humanists. -
Essays on British Women Poets B Studi Di Letterature Moderne E Comparate Collana Diretta Da Claudia Corti E Arnaldo Pizzorusso 15
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research ESSAYS ON BRITISH WOMEN POETS B STUDI DI LETTERATURE MODERNE E COMPARATE COLLANA DIRETTA DA CLAUDIA CORTI E ARNALDO PIZZORUSSO 15 SUSAN PAYNE ESSAYS ON BRITISH WOMEN POETS © Copyright 2006 by Pacini Editore SpA ISBN 88-7781-771-2 Pubblicato con un contributo dai Fondi Dipartimento di Storia delle Arti e dello Spettacolo di Firenze Fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, comma 4, della legge 22 aprile 1941 n. 633 ovvero dall’accordo stipulato tra SIAE, AIE, SNS e CNA, CONFARTIGIANATO, CASA, CLAAI, CONFCOMMERCIO, CONFESERCENTI il 18 dicembre 2000. Le riproduzioni per uso differente da quello personale potranno avvenire solo a seguito di specifica autorizzazione rilasciata dagli aventi diritto/dall’editore. to Jen B CONTENTS Introduction . pag. 7 Renaissance Women Poets and the Sonnet Tradition in England and Italy: Mary Wroth, Vittoria Colonna and Veronica Franco. » 11 The Poet and the Muse: Isabella Lickbarrow and Lakeland Romantic Poetry . » 35 “Stone Walls do not a Prison Make”: Two Poems by Alfred Tennyson and Emily Brontë . » 59 Elizabeth Barrett Browning: The Search for a Poetic Identity . » 77 “Love or Rhyme”: Wendy Cope and the Lightness of Thoughtfulness . » 99 Bibliography. » 121 Index. » 127 B INTRODUCTION 1. These five essays are the result of a series of coincidences rather than a carefully thought out plan of action, but, as is the case with many apparently haphazard choices, they reflect an ongoing interest which has lasted for the past ten years. -
La Ricostruzione Della Ferrovia Porrettana
LA RICOSTRUZIONE DELLA FERROVIA PORRETTANA NELLE PUBBLICAZIONI DELLE FERROVIE DELLO STATO (1947–1949) a cura di Andrea Ottanelli e Renzo Zagnoni SOMMARIO Volume promosso da SALVATORE BIANCONI Associazione Storia e Città, Pistoia Gruppo di Studi Alta Valle del Reno, Porretta Terme PREFAZIONE con l’adesione di Pro Loco, San Mommè 4 Pro Loco, Piteccio ANDREA OTTANELLI , RENZO ZAGNONI realizzato da Gli Ori, Pistoia INTRODUZIONE con il contributo determinante di 5 ANDREA OTTANELLI Binari d’Italia è un progetto sostenuto da PISTOIA, 29 MAGGIO 1949. LA PORRETTANA RIAPRE 7 Collane Libri di Storia e Città (n. 3) Libri di Nueter (n. 48) Pubblicazioni originali fornite da Lido Bargellini e Gruppo di Studi Alta Valle del Reno “La PORRETTANA” TRATTO BOLOGNA PRACCHIA Impaginazione, redazione ed editing 5-X-1947 Gli Ori Redazione Impianti 13 CTP Firenze, Calenzano Stampa Grafica Lito, Calenzano Ringraziamenti PORRETTANA Lido Bargellini, Egizia Fronzoni, Leone Morelli, Pietro Diddi, Ugo Stilli PISToia – PraCCHIA Un ringraziamento particolare alle Ferrovie dello Stato Italiane 77 © per l’edizione Gli Ori ISBN 978-88-7336-459-7 tutti i diritti riservati www.gliori.it [email protected] Finito di stampare nel mese di agosto 2011 PREFAZIONE ANDREA OTTANELLI , RENZO ZAGNONI INTRODUZIONE Congiunzione fra Pistoia e Bologna, due città dalla Recentemente la nostra AnsaldoBreda ha acquisi- Nel 2009 abbiamo dato alle stampe il volume Vedute ideale completamento del volume dedicato alla sua secolare tradizione ferroviaria, la linea “Porrettana” to la commessa più importante della nostra storia, fotografiche della costruzione della Ferrovia Porrettana1 costruzione. è pure il segmento che unì l’Italia da poco tempo che prevede la fornitura dei nuovi treni “superve- che raccoglie la ristampa di una serie di foto scat- Le due pubblicazioni, infatti, documentano con te- costituita come nazione unica. -
IN FOCUS: COUNTRYSIDE of TUSCANY, ITALY Nana Boussia Associate
MAY 2017 | PRICE €400 IN FOCUS: COUNTRYSIDE OF TUSCANY, ITALY Nana Boussia Associate Pavlos Papadimitriou, MRICS Associate Director Ezio Poinelli Senior Director Southern Europe HVS.com HVS ATHENS | 17 Posidonos Ave. 5th Floor, 17455 Alimos, Athens, GREECE HVS MILAN | Piazza 4 Novembre, 7, 20124 Milan, ITALY Introduction 2 Tuscany is a region in central Italy with an area of about 23,000 km and a LOCATION OF TUSCANY population of about 3.8 million (2013). The regional capital and most populated town is Florence with approximately 370,000 inhabitants while it features a Western coastline of 400 kilometers overlooking the Ligurian Sea (in the North) and the Tyrrhenian Sea (in the Center and South). Tuscany is known for its landscapes, traditions, history, artistic legacy and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance, the home of many influential in the history of art and science, and contains well-known museums such as the Uffizi and the Pitti Palace. Tuscany produces several well-known wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is sometimes considered "a nation within a nation". Seven Tuscan localities have been designated World Heritage Sites by UNESCO: the historic centre of Florence (1982); the historical centre of Siena (1995); the square of the Cathedral of Pisa (1987); the historical centre of San Gimignano (1990); the historical centre of Pienza (1996); the Val d'Orcia (2004), and the Medici Villas and Gardens (2013). Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year.