CONCEPT of SELF in LUIGI PIRANDELLO a Psychoanalytic Study of Two Heroes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Staging Iranian Modernity: Authors in Search of New Forms
Copyright by Maryam Shariati 2016 The Dissertation Committee for Maryam Shariati certifies that this is the approved version of the following dissertation: Staging Iranian Modernity: Authors in Search of New Forms Committee: Elizabeth M. Richmond-Garza, Supervisor Mohammad R. Ghanoonparvar, Co-Supervisor Lynn R. Wilkinson Katherine M. Arens Sofian Merabet Staging Iranian Modernity: Authors in Search of New Forms by Maryam Shariati, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2016 Dedication For my soulmate, Ehsan. For everything. Acknowledgements I wish to gratefully acknowledge the guidance and support I have received, intellectual and otherwise, throughout the process of composing and revising this dissertation. My first debt of gratitude is to my dissertation committee members and in particular my indefatigable supervisor, Professor Elizabeth Richmond-Garza, for her unflinching encouragement and infinite forbearance throughout my studies at The University of Texas at Austin. She has been an erudite mentor, critical commentator, and encouraging guide and I thank her for sharing her wealth of knowledge, invaluable insight and expertise in this project. To my co-supervisor, Professor Mohammad R. Ghanoonparvar, I owe immeasurable debt of gratitude for his intellectual guidance and strong commitment to my research—from the start to finish. His boundless enthusiasm, great knowledge, and unfathomable erudition opened an avenue to many stimulating discussions and enabled me to have a clear direction of my project. Another substantial acknowledgement must go to Professor Lynn Wilkinson for her instrumental role at every stage of my research: conceptualizing, researching, and writing. -
Women As Hidden Authoritarian Figures in Luigi Pirandello's Literary
The Paradox of Identity: Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works Thesis Prospectus by MLA Program Primary Reader: Dr. Susan Willis Secondary Reader: Dr. Mike Winkelman Auburn University at Montgomery 1 December 2010 The Paradox of Identity: 1 Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works On June 28, 1867 in Sicily, Italian author and playwright Luigi Pirandello was born in a town called Caos, translated chaos, during a cholera epidemic. Pirandello’s life was marked by chaos, turmoil, and disease. He literally entered into a world of chaos. Dictated to by a tyrannical father and cared for by a meek mother, Pirandello developed an interesting view of marriage, women, and love. The passivity of his mother and eventual paranoia and insanity of his wife, Antoinette Potulano, created a premise for his literary women. As he formulated and evolved his impressions of the feminine identity from what he witnessed between his parents and experienced with his wife, the “Master of Futurism” examined the flaws of interpersonal communication between genders. He translated those experiences into his literature by depicting institutions such as marriage negatively in his early works and later shifting the bulk of his focus to gender oppositions. Pirandello explores the conundrum between men and women by placing his female characters into paradoxical roles. This thesis challenges previous criticism that maintains Pirandello’s women are “dismembered,” weak, and deconstructed characters and instead concludes that, although Pirandello’s literary women are mutable figures and his literature contains patriarchal elements, a matriarchal society dominates Pirandello’s literature. -
The Pirandello Society of America BOARD of DIRECTORS Jana O
The Pirandello Society of America BOARD OF DIRECTORS Jana O’Keefe Bazzoni Stefano Boselli Janice Capuana Samantha Costanzo Burrier Mimi Gisolfi D’Aponte John Louis DiGaetani Mario Fratti Jane House Michael Subialka Kurt Taroff (Europe) Susan Tenneriello HONORARY BOARD Stefano Albertini Eric Bentley Robert Brustein Marvin Carlson Enzo Lauretta Maristella Lorch John Martello PSA The Journal of the Pirandello Society of America Susan Tenneriello, Senior Editor Michael Subialka, Editor Samantha Costanzo Burrier and Lisa Sarti, Assistant Editors Lisa Tagliaferri, Managing Editor EDITORIAL BOARD Angela Belli Daniela Bini John DiGaetani Antonio Illiano Umberto Mariani Olga Ragusa John Welle Stefano Boselli, Webmaster PSA The official publication of the Pirandello Society of America Subscriptions: Annual calendar year subscriptions/dues: $35 individual; $50 libraries; $15 students with copy of current ID. International memberships, add $10. Please see Membership form in this issue, or online: www.pirandellosocietyofamerica.org Make all checks payable to: The Pirandello Society of America/PSA c/o Casa Italiana Zerilli-Marimò 24 West 12th Street New York, NY 10011 All correspondence may be sent to the above address. Submissions: All manuscripts will be screened in a peer-review process by at least two readers. Submit with a separate cover sheet giving the author’s name and contact information. Omit self-identifying information in the body of the text and all headers and footers. Guidelines: Please use the current MLA Style Manual; use in-text references, minimal endnotes, works cited. Articles should generally be 10-20 pages in length; reviews, 2-3 pages. Please do not use automatic formatting. Send MSWord doc. -
Writing for the Theatre by Jane House Pirandello Was Over
Pirandello’s Youthful Passion: Writing for the Theatre by Jane House Pirandello was over 40 and had already achieved fame as a novelist with The Outcast (L’Esclusa, 1901) and The Late Mattia Pascal (Il fu Mattia Pascal, 1904) when his first plays were produced in 1910,1 and he did not commit himself to playwriting until he was almost 50. However, the letters he wrote as a young man and two extant plays present incontrovertible evidence that he had the ambition to make his name as a playwright when he was a university student and a recent graduate, and that the young man had no compunction about submitting his plays to major figures in Italian theatre---Cesare Rossi, Ermete Zacconi, and Flavio Andò---in the expectation that they would be produced at important theatres in Rome. The two extant plays from this period, Why? (Perchè?) and The Epilogue (L’epilogo), published in 1892 and 1898 respectively, represent only a fragment of the plays that Pirandello wrote before he turned 30. The Epilogue would become The Vise (La morsa) which was published in Maschere nude. Why?, on the other hand, lay forgotten for almost a century. The one act was never produced during Pirandello’s lifetime; it was not part of his collected works; and William Murray did not include it in his comprehensive collection of Pirandello’s one-act plays. It was brought to the attention of Pirandello scholars in 1976 by Edoardo Villa (173–80) and was first published in English in 1995 (House and Attisani 417–423). -
Luigi Pirandello Bibliothèque Nobel 1934
Bibliothèque Nobel 1934 Luigi Pirandello Works - translated Englisch Drama A As You Desire Me (Englisch: ; Original: Come tu mi vuoi [1930]) B Better Think Twice About It (Englisch: ; Original: Pensaci, giacomino! [1916]) D Diana and Tuda (Englisch: ; Original: Diana e la Tuda [1926]) E Each in His Own Way (Englisch [1923] : Arthur Livingston; Original: Ciascuno a suo modo [1924]) 134.0043e H Henri IV (Englisch [1921] : Edward Storer; Original: Enrico IV [1922]) 134.0041e N Naked (Englisch [1923] : Arthur Livingstone; Original: Vestire gli ignudi [1923]) 134.0043e No One Knows How (Englisch: ; Original: Non si sa come [1935]) R Right You Are - If You Think So (Englisch [1921] : Arthur Livingston; Original: Così è - se vi pare [1918]) 134.0041e S Sicilian Limes (Englisch [1921] : Isaac Goldberg; Original: Lumìe di Sicilia [1911]) 134.0042e Six Chracters in Search of An Author (Englisch [1921] : Edward Storer; Original: Sei personaggi in cerca d'autore [1921]) 134.0041e T The Life I Gave You (Englisch: ; Original: La vita che ti diedi [1924]) The Mountain Giants (Englisch: ; Original: I Giganti della Montagna [1937]) The New Colony (Englisch: ; Original: La nuova colonia [1928]) The Pleasure of Honesty (Englisch [1923] : Arthur Livingstone; Original: Il piacere dell' onestà [1917]) 134.0043e The Wives' Friend (Englisch: ; Original: L'amica delle mogli [1927]) To Find Onself (Englisch: ; Original: Trovarsi [1930]) W When Somebody Is Somebody (Englisch: ; Original: Quando si è qualcuno [1933]) Prose: Fiction A A Call to Duty (Englisch [1934] -
Pirandello Proto-Modern: a New Reading of <I>L'esclusa</I>
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Pirandello Proto-Modern: A New Reading of L’Esclusa Bradford Masoni The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2330 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PIRANDELLO PROTO-MODERN: A NEW READING OF L’ESCLUSA by Bradford A. Masoni A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City University of New York. 2017 © 2017 BRADFORD A. MASONI All Rights Reserved ii Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ____________________ ________________________________ Date Paolo Fasoli Chair of Examining Committee ____________________ _____________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paolo Fasoli Giancarlo Lombardi William Coleman THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni Advisor: Paolo Fasoli Luigi Pirandello’s first novel, L’Esclusa, written in 1893, but not published in its definitive edition until 1927, straddles two literary worlds: that of the realistic style of the Italian veristi, and something new, a style and approach to narrative that anticipates the theory of writing Pirandello lays out in his long essay L’Umorismo, as well as the kinds of experimental writing that one associates with early-20th-century modernism in general, and with Pirandello’s later work in particular. -
Pirandello : Six Characters in Search of an Author
Strictly for Private Use Course Material Department of English and Modern European Languages M.A. SEMESTER IV S M Mirza Paper-XIV(C) : Comparative Literature Unit IV : Drama Aristophanes : The Frogs Shudrak : Mrichchakatikam (The Clay Cart) Moliere : The Miser Luigi Pirandello : Six Characters in Search of an Author Dear Students, Hello. Only the text highlighted above remains to be taught in UNIT IV. I’m providing you course material below for Luigi Pirandello: Six Characters in Search of an Author so that you can understand it and prepare your answers for the exam. Prepare the following: critical appreciation, themes, technique, innovations, and significance of the title (short question). I’ll send you course material on Unit I soon. In case you have any doubts you can contact me on phone or send queries to my email. All the best! Luigi Pirandello: Six Characters in Search of an Author Biographical note Luigi Pirandello(1867-1936) was born in Girgenti, Sicily. He studied philology at Rome and at Bonn and wrote a dissertation on the dialect of his native town (1891). From 1897 to 1922 he was professor of aesthetics and stylistics at the Real Istituto di Magistere Femminile at Rome. Pirandello’s work is impressive by its sheer volume. He wrote a great number of novellas which were collected under the title Novelle per un anno (15 vols., 1922-37). Of his six novels the best known are Il fu Mattia Pascal (1904) [The Late Mattia Pascal], I vecchi e i giovani (1913) [The Old and the Young], Si gira (1916) | [Shoot!], and Uno, nessuno e centomila (1926) [One, None, and a Hundred thousand]. -
Research Guides at University of Southern California
9/14/2017 Home - Luigi Pirandello's "Six Characters in Search of an Author" - Research Guides at University of Southern California Research Guides Ask a Librarian University of Southern California / Research Guides / Luigi Pirandello's "Six Characters in Search of an Author" / Home Luigi Pirandello's "Six Characters in Search of an Author": Home Search this Guide Search This guide has been created as an information supplement to the Visions & Voices Event (16 April 2016): "Six Characters in Search of an Author", by Luigi Pirandello. Home Six Characters in Search of an Author - Resources Visions & Voices Event, April 2016 Six Characters in Search of an Author A Visions and Voices Experience L.A. Event Saturday, April 16, 2016 Depart USC at 1 p.m.; return at 5:45 p.m. A Noise Within, Pasadena ADMISSION Open to USC students only. Reservations required. RSVP beginning Thursday, March 24, at 9 a.m. See description for details.* About this guide This guide provides information about Luigi Pirandello's play, "Six Characters in Search of an Author." A companion guide, on Italian Studies, is the following: Italian Studies Research Guide For further assistance on Italy, its literature, arts, history, and culture, do touch base with me: Danielle Mihram (Leavey Library), [email protected] http://libguides.usc.edu/pirandello 1/2 9/14/2017 Home - Luigi Pirandello's "Six Characters in Search of an Author" - Research Guides at University of Southern California Luigi Pirandello - A Short biography Luigi Pirandello - Nobel Prize in Literature, 1934: http://www.nobelprize.org/nobel_prizes/literature/laureates/1934/ Nobel Prize: "for his bold and ingenious revival of dramatic and scenic art." See: Award Ceremony Speech: http://www.nobelprize.org/nobel_prizes/literature/laureates/1934/press.html, and Video (5.42 mins.) This autobiography/biography (below) was written at the time of the award and first published in the book series Les Prix Nobel. -
La Biblioteca Di Luigi Pirandello Catalogo
La Biblioteca di Luigi Pirandello Catalogo alfabetico per autore a cura di Dina Saponaro e Lucia Torsello con la supervisione di Alessandro d'Amico A Acero, Tre giganti Duce, Shakespeare, Leopardi Viareggio, Arti Grafiche A. Bertolozzi, 1935 Achard Marcel, Voulez-vous jouer avec Moà Trois actes Sesta edizione Parigi, Editions de La Nouvelle Revue Française, 1924 Affo P. Ireneo, Dizionario precettivo, critico ed istorico della poesia volgare Milano, Per Giovanni Silvestri, 1824 Aghito Lorenza, Combattimenti Milano, Ceschina, 1935 Ahnfelt Astrid, Foglie al vento Scene del terremoto del 1908 /Prefazione di Luigi Capuana Firenze, G. Barbèra, Editore, 1910 Volume con dedica Aleramo Sibilla, Il Passaggio Firenze, Bemporad, 1921 Volume con dedica Aleramo Sibilla, Endimione Poema drammatico in tre atti Roma, Alberto Stock Editore, 1923 Volume con dedica Aleramo Sibilla, Sì alla terra Nuove poesie Milano, Mondadori, 1935 Volume con dedica Aleramo Sibilla, Il frustino Romanzo Milano, Mondadori, s.d. Volume con dedica Alighieri Dante, La Vita Nuova /Introduzione, commento, glossario di Tommaso Casini/ Seconda Edizione riveduta e corretta Firenze, G. C. Sansoni, Editore, 1910 Alinovi Anna, Vittoria Aganoor Pompili Milano, Fratelli Treves, Editori, 1921 Allgemeines Deutsches Kommersbuch Lahr, Druck und Verlag von Moritz Schauenburg, 1886 Allodoli Ettore, Le più belle pagine di G. M. Cecchi Milano, Fratelli, Treves, 1928 Volume con dedica Almanacco Italiano, 1936 Omaggio del casino municipale di San Remo Firenze, Bemporad, 1936 Almanach 1928 Zurigo e Lipsia, Orell Füssli Verlag, 1928 Altfranzösisches Uebungsbuch a cura di W. Foerster e E. Koschwitz Prima Parte Heilbronn, Verlag von Gebr. Henninger, 1884 Sulla prima pagina firma autografa di Luigi Pirandello Amar Giuseppe, Nerone. -
Six Characters in Search of an Author Is Now Recognised As a Clas- Sic Of
Cambridge University Press 0521646189 - Pirandello: Six Characters in Search of an Author Jennifer Lorch Excerpt More information INTRODUCTION Six Characters in Search of an Author is now recognised as a clas- sic of modernism; many would echo Felicity Firth’s words, asserting that it is ‘the major single subversive moment in the history of mod- ern theatre’.1 In 1921 its story of family strife and sexual horror, set within the philosophical context of relativism, and its self-conscious form provided a double-pronged challenge: to bourgeois social values, and to the accepted mode of naturalist theatre-making. Six Characters is a deeply disturbing play as well as an intensely exciting one. It was also very influential. Written and presented in Italy long before the word ‘director’ became part of the Italian vocabulary, it gained its early European and American reputation through the work of partic- ular directors: Theodore Komisarjevsky, Brock Pemberton, Georges Pitoeff¨ and Max Reinhardt. Georges Pitoeff’s¨ production in Paris in April 1923 was to be recognised as a major force in shaping subse- quent French theatre. In other countries the influence is perhaps less distinct, and becomes blurred with that of other Pirandello plays. Certainly, Alan Ayckbourn, Samuel Beckett, Nigel Dennis, Michael Frayn, Harold Pinter, N. F. Simpson and Tom Stoppard in the UK bear affinities with Pirandello, as do Thornton Wilder and Edward Albee in the USA. The man who wrote this European classic was born in a house called ‘Caos’ on the southern coast of Sicily near Agrigento in 1867, the second child (but first son) of six children. -
© 2011 Samantha M. Costanzo ALL RIGHTS RESERVED
© 2011 Samantha M. Costanzo ALL RIGHTS RESERVED THE REANIMATION OF THE PIRANDELLIAN PROTAGONIST FROM SPIRITUAL SICKNESS TO MYSTICAL CONSCIOUSNESS By SAMANTHA MARY COSTANZO A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Elizabeth Leake and approved by ________________________ ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October, 2011 ABSTRACT OF THE DISSERTATION The Reanimation of the Pirandellian Protagonist From Spiritual Sickness to Mystical Consciousness By SAMANTHA MARY COSTANZO Dissertation Director: Elizabeth Leake My analysis demonstrates Luigi Pirandello’s application of spiritual modes of thought ranging from Eastern mysticism to the modern Western movements of Theosophy, Spiritualism and Parapsychology. Using Antonio Illiano’s seminal work, Metapsichica e letteratura in Pirandello (Metapsychics and Literature in Pirandello) as a point of departure, my research incorporates the various philosophical, scientific and spiritual frameworks Pirandello utilized to describe the psychological and spiritual crisis pervading man’s experience in the modern world. One of the most interesting facets of my research is the unequivocal parallel between Pirandello’s spiritual approach and the ancients teachings of Hinduism and Buddhism. Very few Pirandello scholars address the spiritual essence that encompasses Pirandello’s entire collection. This is surprising considering the author’s ingenuous admission of the fundamental role of the spirit in the genesis of his artistic creation as well as the explicit presence of spiritual elements that pervade his aesthetic theories and fictional stories. This dissertation contributes to the limited scholarship of this nature and aims to ii stimulate further discussion regarding the connection between Pirandello’s work and Buddhism. -
The Late Mattia Pascal (Il Fu Mattia Pascal)
THE LATE MATTIA PASCAL BY LUIGI PIRANDELLO THREE PLAYS Six Characters in Search of an Author “ Henry IV ” Right You Are! (If You Think So) E. P. DUTTON & COMPANY THE LATE MATTIA PASCAL (IL FU MATTIA PASCAL) BY LUIGI PIRANDELLO Translated from the Italian by ARTHUR LIVINGSTON % NEW YORK E. P. DUTTON & COMPANY 681 Fifth Avenue Copyright, 1923 By E. P. DUTTON & COMPANY All rights reserved TU5 L 3 This edition is limited to 500 copies Printed in the United Stales of America TRANSLATOR’S NOTE SHALL we say that the theatre of Pirandello is a higher and more perfect expression of his peculiar art than his tales or his novels? That has been said. And a certain body of fact is there to support such a contention. It is Pirandello’s drama that has won him world-wide recognition, whereas his prose work, though for thirty years it has held him in a high position in Italian letters, remained national in circulation and even in Italy was the delight of an elect few. Many of his comedies, besides, are reworkings of his short stories; as though he himself regarded the latter as incomplete expressions of the vision they contained. In the third place, one might say that since the novelty of Piran¬ dello’s art consists rather in his method of dissecting life than in his judgment of life, his geometrical, sym¬ metrical, theorematic situations are more vivid in the clashing dialogue of people on a stage than in the less animated form of prose narrative. These considerations do not all apply, however, to “The Late Mattia Pascal.” That we have a first class drama in this novel is evi¬ dent from the fact that Pirandello himself used the amusing situation in the first part of the story as the theme of one of his Sicilian comedies: “Liola”; and v 184934 VI Translator’s Note in a more important sense the book as a whole is to be counted among the sources that have inspired the 44 new ’ ’ theatre in Italy.