La Biblioteca Di Luigi Pirandello Catalogo
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Staging Iranian Modernity: Authors in Search of New Forms
Copyright by Maryam Shariati 2016 The Dissertation Committee for Maryam Shariati certifies that this is the approved version of the following dissertation: Staging Iranian Modernity: Authors in Search of New Forms Committee: Elizabeth M. Richmond-Garza, Supervisor Mohammad R. Ghanoonparvar, Co-Supervisor Lynn R. Wilkinson Katherine M. Arens Sofian Merabet Staging Iranian Modernity: Authors in Search of New Forms by Maryam Shariati, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2016 Dedication For my soulmate, Ehsan. For everything. Acknowledgements I wish to gratefully acknowledge the guidance and support I have received, intellectual and otherwise, throughout the process of composing and revising this dissertation. My first debt of gratitude is to my dissertation committee members and in particular my indefatigable supervisor, Professor Elizabeth Richmond-Garza, for her unflinching encouragement and infinite forbearance throughout my studies at The University of Texas at Austin. She has been an erudite mentor, critical commentator, and encouraging guide and I thank her for sharing her wealth of knowledge, invaluable insight and expertise in this project. To my co-supervisor, Professor Mohammad R. Ghanoonparvar, I owe immeasurable debt of gratitude for his intellectual guidance and strong commitment to my research—from the start to finish. His boundless enthusiasm, great knowledge, and unfathomable erudition opened an avenue to many stimulating discussions and enabled me to have a clear direction of my project. Another substantial acknowledgement must go to Professor Lynn Wilkinson for her instrumental role at every stage of my research: conceptualizing, researching, and writing. -
Women As Hidden Authoritarian Figures in Luigi Pirandello's Literary
The Paradox of Identity: Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works Thesis Prospectus by MLA Program Primary Reader: Dr. Susan Willis Secondary Reader: Dr. Mike Winkelman Auburn University at Montgomery 1 December 2010 The Paradox of Identity: 1 Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works On June 28, 1867 in Sicily, Italian author and playwright Luigi Pirandello was born in a town called Caos, translated chaos, during a cholera epidemic. Pirandello’s life was marked by chaos, turmoil, and disease. He literally entered into a world of chaos. Dictated to by a tyrannical father and cared for by a meek mother, Pirandello developed an interesting view of marriage, women, and love. The passivity of his mother and eventual paranoia and insanity of his wife, Antoinette Potulano, created a premise for his literary women. As he formulated and evolved his impressions of the feminine identity from what he witnessed between his parents and experienced with his wife, the “Master of Futurism” examined the flaws of interpersonal communication between genders. He translated those experiences into his literature by depicting institutions such as marriage negatively in his early works and later shifting the bulk of his focus to gender oppositions. Pirandello explores the conundrum between men and women by placing his female characters into paradoxical roles. This thesis challenges previous criticism that maintains Pirandello’s women are “dismembered,” weak, and deconstructed characters and instead concludes that, although Pirandello’s literary women are mutable figures and his literature contains patriarchal elements, a matriarchal society dominates Pirandello’s literature. -
Dante's Dream: Rossetti's Reading of the Vita Nuova Through the Lens Of
Dante’s Dream: Rossetti’s Reading of the Vita Nuova Through the Lens of a Double Translation Chiara Moriconi, La Sapienza Università di Roma Abstract Dante Gabriel Rossetti’s work as an interlinguistic and intersemiotic translator of the Vita Nuova reveals much about his characteristic adaptation of Dante to the new sensibility of Victorian poetry and art. After translating the episode of the dream of Beatrice’s death into English, Rossetti goes on to illustrate it in an early watercolor version (1865), and then in a final monumental oil (1871) which will be closely examined in this article. By focusing on both phases of Rossettian translation this article means to show how Rossetti derives from the Florentine a distinctively Dantesque iconographic repertoire which he then develops into a post-Romantic set of poetics. It is precisely in the distance between Dante’s poetry and Rossetti’s double works of art that the latter’s understanding of and autonomy from Dante has to be traced. Keywords: Dante Gabriel Rossetti; Dante Alighieri; Vita Nuova; intersemiotic translation; interlinguistic translation; Victorian literature and art; Pathetic Fallacy One of the most crucial episodes of the Vita Nuova is Beatrice’s death as dreamt by Dante. Dante Gabriel Rossetti’s deep love of Dante Alighieri, inherited from his father Gabriele,1 led him to an early reading and translation into English of this chapter of the Florentine’s ‘rubrica ’. He set to illustrate the passage in 1848. The project, however, was soon laid aside and resumed between 1855 and 1857, when the artist made a watercolor of the same episode, Dante’s Dream at the Time of the Death of Beatrice . -
La Vita Nuova (The New Life) Is a Profound Reflection on the Nature of Love, Devoted to Dante’S Muse Beatrice
Dante POETRY LA VITA UNABRIDGED NUOVA Read by Jonathan Keeble Written in alternating prose and poetry, La Vita Nuova (The New Life) is a profound reflection on the nature of love, devoted to Dante’s muse Beatrice. Following Beatrice’s death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love, and saw her as an image of salvation itself – a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven. La Vita Nuova gives a fascinating glimpse into the poet’s innermost feelings – his joy, his guilt and his grief – and remains one of the greatest works of Christian autobiography. Jonathan Keeble is an award-winning actor who combines his audio work with a busy theatre and TV career. Much in demand, his voice work ranges from the voice of God in the Sistine Chapel to the Angel of Death in the film Hellboy 2, with all stops in between. He has featured in over 700 radio plays for the BBC, appearing in everything from Shakespeare to Sherlock Holmes and Dr Who; he also played evil Owen Total running time: 2:23:26 in The Archers. He has recorded over 400 audiobooks, for which he has View our catalogue online at n-ab.com/cat won multiple awards. 1 La Vita Nuova (or, The New Life) 7:43 20 I. You that thus wear a modest countenance… 1:12 2 To every heart which the sweet pain doth… 5:51 21 II. -
La Figura E Il Ruolo Di Beatrice Nell' Opera Dantesca
La figura e il ruolo di Beatrice nell' opera Dantesca Šegulja, Sanja Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:550026 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository 1 SVEUČILIŠTE U RIJECI UNIVERSITÀ DEGLI STUDI DI FIUME FILOZOFSKI FAKULTET / FACOLTÀ DI LETTERE E FILOSOFIA Odsjek za talijanistiku / Dipartimento di Italianistica SANJA ŠEGULJA LA FIGURA E IL RUOLO DI BEATRICE NELL’OPERA DANTESCA ZAVRŠNI RAD / TESI DI LAUREA Mentor / Relatore: dr.sc. Gianna Mazzieri – Sanković, doc. Rijeka/Fiume, 2017 2 SVEUČILIŠTE U RIJECI UNIVERSITÀ DEGLI STUDI DI FIUME FILOZOFSKI FAKULTET / FACOLTÀ DI LETTERE E FILOSOFIA Odsjek za talijanistiku / Dipartimento di Italianistica SANJA ŠEGULJA LA FIGURA E IL RUOLO DI BEATRICE NELL’OPERA DANTESCA ZAVRŠNI RAD / TESI DI LAUREA JMBAG / N. Matricola: 2224005600 Preddiplomski studij Talijanski jezik i književnost / Engleski jezik i književnost Corso di laurea triennale in Lingua e letteratura italiana / Lingua e letteratura inglese Mentor / Relatore: dr.sc. Gianna Mazzieri – Sanković, doc. Rijeka/Fiume, 7.09. 2017. 3 INDICE INDICE.................................................................................................................3 -
The Pirandello Society of America BOARD of DIRECTORS Jana O
The Pirandello Society of America BOARD OF DIRECTORS Jana O’Keefe Bazzoni Stefano Boselli Janice Capuana Samantha Costanzo Burrier Mimi Gisolfi D’Aponte John Louis DiGaetani Mario Fratti Jane House Michael Subialka Kurt Taroff (Europe) Susan Tenneriello HONORARY BOARD Stefano Albertini Eric Bentley Robert Brustein Marvin Carlson Enzo Lauretta Maristella Lorch John Martello PSA The Journal of the Pirandello Society of America Susan Tenneriello, Senior Editor Michael Subialka, Editor Samantha Costanzo Burrier and Lisa Sarti, Assistant Editors Lisa Tagliaferri, Managing Editor EDITORIAL BOARD Angela Belli Daniela Bini John DiGaetani Antonio Illiano Umberto Mariani Olga Ragusa John Welle Stefano Boselli, Webmaster PSA The official publication of the Pirandello Society of America Subscriptions: Annual calendar year subscriptions/dues: $35 individual; $50 libraries; $15 students with copy of current ID. International memberships, add $10. Please see Membership form in this issue, or online: www.pirandellosocietyofamerica.org Make all checks payable to: The Pirandello Society of America/PSA c/o Casa Italiana Zerilli-Marimò 24 West 12th Street New York, NY 10011 All correspondence may be sent to the above address. Submissions: All manuscripts will be screened in a peer-review process by at least two readers. Submit with a separate cover sheet giving the author’s name and contact information. Omit self-identifying information in the body of the text and all headers and footers. Guidelines: Please use the current MLA Style Manual; use in-text references, minimal endnotes, works cited. Articles should generally be 10-20 pages in length; reviews, 2-3 pages. Please do not use automatic formatting. Send MSWord doc. -
Writing for the Theatre by Jane House Pirandello Was Over
Pirandello’s Youthful Passion: Writing for the Theatre by Jane House Pirandello was over 40 and had already achieved fame as a novelist with The Outcast (L’Esclusa, 1901) and The Late Mattia Pascal (Il fu Mattia Pascal, 1904) when his first plays were produced in 1910,1 and he did not commit himself to playwriting until he was almost 50. However, the letters he wrote as a young man and two extant plays present incontrovertible evidence that he had the ambition to make his name as a playwright when he was a university student and a recent graduate, and that the young man had no compunction about submitting his plays to major figures in Italian theatre---Cesare Rossi, Ermete Zacconi, and Flavio Andò---in the expectation that they would be produced at important theatres in Rome. The two extant plays from this period, Why? (Perchè?) and The Epilogue (L’epilogo), published in 1892 and 1898 respectively, represent only a fragment of the plays that Pirandello wrote before he turned 30. The Epilogue would become The Vise (La morsa) which was published in Maschere nude. Why?, on the other hand, lay forgotten for almost a century. The one act was never produced during Pirandello’s lifetime; it was not part of his collected works; and William Murray did not include it in his comprehensive collection of Pirandello’s one-act plays. It was brought to the attention of Pirandello scholars in 1976 by Edoardo Villa (173–80) and was first published in English in 1995 (House and Attisani 417–423). -
Luigi Pirandello Bibliothèque Nobel 1934
Bibliothèque Nobel 1934 Luigi Pirandello Works - translated Englisch Drama A As You Desire Me (Englisch: ; Original: Come tu mi vuoi [1930]) B Better Think Twice About It (Englisch: ; Original: Pensaci, giacomino! [1916]) D Diana and Tuda (Englisch: ; Original: Diana e la Tuda [1926]) E Each in His Own Way (Englisch [1923] : Arthur Livingston; Original: Ciascuno a suo modo [1924]) 134.0043e H Henri IV (Englisch [1921] : Edward Storer; Original: Enrico IV [1922]) 134.0041e N Naked (Englisch [1923] : Arthur Livingstone; Original: Vestire gli ignudi [1923]) 134.0043e No One Knows How (Englisch: ; Original: Non si sa come [1935]) R Right You Are - If You Think So (Englisch [1921] : Arthur Livingston; Original: Così è - se vi pare [1918]) 134.0041e S Sicilian Limes (Englisch [1921] : Isaac Goldberg; Original: Lumìe di Sicilia [1911]) 134.0042e Six Chracters in Search of An Author (Englisch [1921] : Edward Storer; Original: Sei personaggi in cerca d'autore [1921]) 134.0041e T The Life I Gave You (Englisch: ; Original: La vita che ti diedi [1924]) The Mountain Giants (Englisch: ; Original: I Giganti della Montagna [1937]) The New Colony (Englisch: ; Original: La nuova colonia [1928]) The Pleasure of Honesty (Englisch [1923] : Arthur Livingstone; Original: Il piacere dell' onestà [1917]) 134.0043e The Wives' Friend (Englisch: ; Original: L'amica delle mogli [1927]) To Find Onself (Englisch: ; Original: Trovarsi [1930]) W When Somebody Is Somebody (Englisch: ; Original: Quando si è qualcuno [1933]) Prose: Fiction A A Call to Duty (Englisch [1934] -
Biscioni's Dante
Biscioni’s Dante Beatrice Arduini and Jelena Todorovi´c Abstract This essay focuses on the 1723 edition of two of Dante Alighieri’s “minor texts”, the Vita Nova and the Convivio, both of which had troubled editorial histories, within the volume Prose di Dante Alighieri e di Messer Gio. Boccacci prepared for the Tartini press in Flor- ence by Anton Maria Biscioni. In intervening in the texts of both works in unique ways, this edition sought to return to Dante’s original intentions when writing them. This essay argues that Anton Maria Biscioni’s work offers modern readers a unique glimpse into the work- shop of an editor of this eighteenth-century edition of Dante’s texts, an editor who details all the facets of the editorial process, from the collation of manuscripts to the hard choices determined by that collation and by the current practices of the editorial trade. The authors argue that main achievements of this 1723 edition can be seen in its editor’s promotion of bibliographical studies. This paper offers a glimpse into the history of printed edi- tions of Dante Alighieri’s works, a history that has yet to be fully written. The following pages will focus on two of Dante’s “minor works”, namely the Vita Nova and the Convivio, as these were included in a 1723 volume entitled Prose di Dante Alighieri e di Messer Gio. Boccacci prepared for the Tartini press in Florence by Anton Maria Biscioni.1 Of Dante’s texts, the 1. This essay emerges from two separate larger studies by Arduini and Todorovic´ on the reception of Dante’s Vita Nova and the Convivio, united here by an inter- est in the sole eighteenth-century edition to include the two works. -
Pirandello Proto-Modern: a New Reading of <I>L'esclusa</I>
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Pirandello Proto-Modern: A New Reading of L’Esclusa Bradford Masoni The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2330 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PIRANDELLO PROTO-MODERN: A NEW READING OF L’ESCLUSA by Bradford A. Masoni A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City University of New York. 2017 © 2017 BRADFORD A. MASONI All Rights Reserved ii Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ____________________ ________________________________ Date Paolo Fasoli Chair of Examining Committee ____________________ _____________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paolo Fasoli Giancarlo Lombardi William Coleman THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni Advisor: Paolo Fasoli Luigi Pirandello’s first novel, L’Esclusa, written in 1893, but not published in its definitive edition until 1927, straddles two literary worlds: that of the realistic style of the Italian veristi, and something new, a style and approach to narrative that anticipates the theory of writing Pirandello lays out in his long essay L’Umorismo, as well as the kinds of experimental writing that one associates with early-20th-century modernism in general, and with Pirandello’s later work in particular. -
La Vita Nuova: (Poems of Youth) Free
FREE LA VITA NUOVA: (POEMS OF YOUTH) PDF Dante Alighieri,Barbara Reynolds | 112 pages | 30 Oct 2004 | Penguin Books Ltd | 9780140449471 | English | London, United Kingdom La Vita Nuova (poems of Youth) - Dante Alighieri - Google книги Very unique and interesting short read. In this work, Dante's writing is split between traditional story-telling and poems often within the same short chapter where he actually writes personally to La Vita Nuova poems of Youth. Dante Alighieri. A unique treatise by a poet, written for poets, on the art of poetry, LA VITA NUOVA is elaborately and symbolically patterned, consisting of a selection of Dante's La Vita Nuova: (Poems of Youth) poems, interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of 'screen-loves', to his overwhelming grief ather death, ending with the transformative vision of her in heaven. These are some of the richest love poems in literature and the movement from self-pitying lament to praise for the beloved's beauty and virtue, illustrate the elevating power of love. His life was divided by political duties and poetry, the most famous of which - The Divine Comedy and La Vita Nuova - was inspired by his meeting with Bice Portinari, whom he called Beatrice. He died in Ravenna in La Vita Nuova: (Poems of Youth) Vita Nuova poems of Youth Penguin classics. -
The New Life / La Vita Nuova: a Dual-Language Book Pdf, Epub, Ebook
THE NEW LIFE / LA VITA NUOVA: A DUAL-LANGUAGE BOOK PDF, EPUB, EBOOK Dante Alighieri,Stanley Appelbaum | 144 pages | 26 Jan 2007 | Dover Publications Inc. | 9780486453491 | English, Italian | New York, United States The New Life / La Vita Nuova: A Dual-Language Book PDF Book The remainder of his oeuvre was written in exile, including his last lyrics. Dante Alighieri. The Blacks, who had been exiled, joined the new alliance between the papacy and Charles de Valois, a French adventurer whose brother was Philip IV, king of France. This new translation features an informative introduction and notes. He entered into Florentine politics in , but he and his party were forced into exile in a hostile political climate in For the rest of his life, until his death in Ravenna probably from malaria in , Dante received hospitality at various North Italian courts outside of Tuscany, particularly with the Scala family in Verona. Taking asylum in Ravenna late in life, Dante completed his Divine Commedia, considered one of the most important works of Western literature, before his death in The lyric verse of the dolce stil nuovo was chiefly love poetry, interiorized and more psychological than allegorical, in which the woman being praised was angelicized and all but worshipped like the Blessed Virgin. Enter your reading speed here: Estimate To find your reading speed you can take one of our WPM tests. After extensive travels, he stayed in Ravenna in , completing The Divine Comedy there, until his death in Seller Image. Start your free trial. More information about this seller Contact this seller.