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Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
2012–2013 NFB Annual Report
Annual Report T R L REPO A NNU 20 1 2 A 201 3 TABLE 03 Governance OF CONTENTS 04 Management 01 Message from 05 Summary of the NFB Activities 02 Awards Received 06 Financial Statements Annex I NFB Across Canada Annex II Productions Annex III Independent Film Projects Supported by ACIC and FAP Photos from French Program productions are featured in the French-language version of this annual report at http://onf-nfb.gc.ca/rapports-annuels. © 2013 National Film Board of Canada ©Published 2013 National by: Film Board of Canada Corporate Communications PublishedP.O. Box 6100,by: Station Centre-ville CorporateMontreal, CommunicationsQuebec H3C 3H5 P.O. Box 6100, Station Centre-ville Montreal,Phone:© 2012 514-283-2469 NationalQuebec H3CFilm Board3H5 of Canada Fax: 514-496-4372 Phone:Internet:Published 514-283-2469 onf-nfb.gc.ca by: Fax:Corporate 514-496-4372 Communications Internet:ISBN:P.O. Box 0-7722-1272-4 onf-nfb.gc.ca 6100, Station Centre-ville Montreal, Quebec H3C 3H5 4th quarter 2013 ISBN: 0-7722-1272-4 4thPhone: quarter 514-283-2469 2013 GraphicFax: 514-496-4372 design: Oblik Communication-design GraphicInternet: design: ONF-NFB.gc.ca Oblik Communication-design ISBN: 0-7722-1271-6 4th quarter 2012 Cover: Stories We Tell, Sarah Polley Graphic design: Folio et Garetti Cover: Stories We Tell, Sarah Polley Cover: Soldier Brother Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper 2012–2013 NFB Annual Report 2012–2013 93 Independent film projects IN NUMBERS supported by the NFB (FAP and ACIC) 76 Original NFB films and 135 co-productions Awards 8 491 New productions on Interactive websites NFB.ca/ONF.ca 83 33,721 Digital documents supporting DVD units (and other products) interactive works sold in Canada * 7,957 2 Public installations Public and private screenings at the NFB mediatheques (Montreal and Toronto) and other community screenings 3 Applications for tablets 6,126 Television broadcasts in Canada * The NFB mediatheques were closed on September 1, 2012, and the public screening program was expanded. -
Films for Change
Films for Change Sustainability Education Activity Guide Films for Change 2 About This Guide Important note: For the purposes of this activity, the debate has been set around This educator’s guide is intended to serve as an additional module the idea of sustainability. The model presented applies the issues in the Films for Change: A Pedagogical Template for Sustainability of monocultures and industrial agriculture, but these can be Education guide, though it can also be used independently. More substituted for any other issue. The NFB offers a rich selection information on the Films for Change program and playlist can be of resources that will introduce students to topical issues that are found at nfb.ca/playlist/films-change. suitable for a debate. The activities in this guide invite students to engage in the debate Purpose surrounding the concept of sustainability by addressing the issues of monocultures (the practice of growing a single crop intensively, To debate a proposition related to the concept of sustainability in on a very large scale, year after year) and industrial agriculture. An order to develop an opinion on and comprehensive understanding inquiry and research process precedes the actual debate, with the of the opposing views on the issue. National Film Board of Canada (NFB) films Island Green and The Fruit Hunters serving as springboards for discussion. The learning Material and resources model proposed in this guide can be used to develop other debates on problems related to sustainability. NFB films to watch for this activity: The activity guide aims to achieve the following learning objectives: Island Green • Develop environmental literacy; Prince Edward Island has long been famous for its spuds and red mud. -
HOSMAN, SARAH SILTANEN, MA Muslim Punk Rock in the United States
HOSMAN, SARAH SILTANEN, M.A. Muslim Punk Rock in the United States: A Social History of the Taqwacores. (2009) Directed by Dr. Rebecca G. Adams. 124 pp. This project develops a social history of a Muslim American punk rock subculture, The Taqwacores. This social history examines the social context in the United States that has facilitated the emergence of Taqwacore, specifically the cultural, political, and social influences in the lives of Taqwacore members. This social history also examines how individuals explain and understand their involvement with Taqwacore and their combination of these two seemingly paradoxical identities. Methods include an analysis of publications about The Taqwacores to understand how the media conceptualize Taqwacore and interviews with musicians and fans in order to understand Taqwacore on an individual level, explore the personal experiences of specific Muslim Americans with Taqwacore, and determine specific motivating factors for involvement in Taqwacore. Drawing on subcultural theory, theories of punk rock, and recent studies of Islamic identity in United States, Taqwacore is conceptualized as an expression of a dual frustration toward the United States and Islam for the individuals involved. Taqwacore also serves as a form of resistance to this dual frustration, a community for those involved, a re-appropriation of punk rock within the United States, and a source of both individual and collective identity construction. MUSLIM PUNK ROCK IN THE UNITED STATES: A SOCIAL HISTORY OF THE TAQWACORES by Sarah Siltanen Hosman A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2009 Approved by _____________________________ Committee Chair © 2009 Sarah Siltanen Hosman APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
Punk Islam and Selected Works of Michael Muhammad Knight
Arabian Knights: Punk Islam and Selected Works of Michael Muhammad Knight by Kurosh Amoui Kalareh M.A., The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIRMENTS FOR THE DEGREE OF MASTER OF ARTS in THE COLLEGE OF GRADUATE STUDIES (Critical Studies) (Interdisciplinary Graduate Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) August 2013 © Kurosh Amoui Kalareh, 2013 Abstract This thesis is an analysis of Michael Muhammad Knight’s works with a particular focus on The Taqwacores, Blue-Eyed Devil, Osama Van Halen, Impossible Man, William S. Burroughs vs. the Quran, and Tripping with Allah. It differs from earlier critical writing on Knight by taking a Bakhtinian approach to his ground-breaking first novel The Taqwacores and its attempt to open a dialogue on reforming American Islam, focusing on Knight’s relationship to the Beats and their often overlooked Islamic discourses as his ideal model for this artistic/social reform, and tracing a shift in his work from reformist, documentary fiction to self-focused, “cool” autobiography. It argues that what enables Knight to initiate a punk reading of Islam, to cut-up the Quran, and to prescribe ayahuasca (a psychoactive vine native to Amazonian Peru) to pilgrims going to Mecca is his interpretation of the famous statement attributed to Hassan Sabbah: “Nothing is true; everything is permitted.” Meanwhile, Knight’s approach differs from that of many writers from Rabelais and Dostoyevsky to Nietzsche and Burroughs who have cited or paraphrased this statement. While these writers describe how devastating it would be to live in a godless world where everything is permitted with no hereafter, Knight stresses a vague “coolness” in Sabbah’s statement which he uses to guide his own style of living. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Media Release. Twelve Canadian Creatives
June 7, 2018 .MEDIA RELEASE. TWELVE CANADIAN CREATIVES SELECTED FOR TIFF WRITERS’ STUDIO 2018/19 TORONTO — Today TIFF announced the 12 selected participants in this year’s TIFF Writers’ Studio. The lineup features six women and six men, highlighting Canada’s best emerging writers and underscoring TIFF’s commitment to gender parity across the breadth of its talent-development programmes. The women in this year’s intake will be supported in part by the organization’s trailblazing Share Her Journey campaign, which champions women both in front of and behind the camera. The 2018–19 TIFF Writers’ Studio participants are: Danilo Baracho, Yung Chang, Martin Edralin, Sarah Goodman, Carinne Leduc, Jennifer Liao, Frieda Luk, Kaveh Nabatian, Celeste Parr, Kazik Radwanski, Lina Rodriguez, and Jorge Thielen- Armand. Launched in 2012, the Industry programme provides a space for mid-career screenwriters to consolidate their skills, exchange ideas, and discuss their challenges in a collaborative and artistic environment. This year’s candidates will develop their chosen screenplay with expert support from international script consultants. “We’re delighted to welcome this exceptionally talented group to TIFF Writers’ Studio,” said Kathleen Drumm, TIFF Industry Director. “Now in its sixth cycle, the programme has proved successful in preparing Canada’s best and brightest talent for the global film industry. Candidates will be inspired to take their careers to the next level by developing their creative processes in a series of candid sessions with distinguished local and international writing mentors.” TIFF Studio has helped cultivate exciting new cinematic voices. Notable alumni include filmmakers Pat Mills (Don't Talk to Irene); Molly McGlynn (Mary Goes Round); Joyce Wong (Wexford Plaza); and Ashley McKenzie (Werewolf). -
To Preview Films Or Download This Catalogue to Your Favourite Device, Visit
TO PREVIEW FILMS OR DOWNLOAD THIS CATALOGUE TO YOUR FAVOURITE DEVICE, VISIT nfb.ca/distribution POUR VOIR LES FILMS EN ENTIER OU TÉLÉCHARGER CE CATALOGUE SUR VOTRE APPAREIL PRÉFÉRÉ, ALLEZ À onf.ca/distribution NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA documentary documentaire NFB.CA/DISTRIBUTION ATANASOFF NEW • NOUVEAU ATANASOFF Significant inventions tend to make their creators famous. Most people know who invented the telephone, the light bulb, the airplane. But what about the digital computer? Who in- vented one of the most important devices in human history? ATANASOFF En général, les grandes inventions rendent leurs créateurs célèbres. La plupart des gens savent qui est l’inventeur du téléphone, de l’ampoule électrique ou de l’avion. Mais qu’en est-il de l’ordinateur? Qui est l’auteur de l’une des inventions les plus marquantes de l’humanité? Doc | 93 min • 52 min | HD Mila Aung-Thwin EyeSteelFilm NFB.CA/DISTRIBUTION NFB.CA/DISTRIBUTION BONE WIND FIRE Bone Wind Fire is a journey into the hearts and minds of three extraordinary, celebrated women painters: American Georgia O’Keeffe, Canadian Emily Carr and Mexican Frida Kahlo. Each woman had her own response to her environment, to the people who surrounded her and to the artistic or practical challenges she faced in wringing beauty and truth from her particular time and place. The film uses the women’s own words, taken from their letters and diaries, to reveal three individual creative processes in all their subtle and fascinating variety. DÉSERT VENT FEU Désert Vent Feu est un voyage intime et évocateur au plus profond du cœur, de l’esprit et du regard de Georgia O’Keeffe, d’Emily Carr et de Frida Kahlo – trois des artistes les plus remarquables du 20e siècle. -
Statistiques Sur L'industrie Du Film Et De La Production Télévisuelle
STATISTIQUES SUR L’INDUSTRIE DU FILM ET DE LA PRODUCTION TÉLÉVISUELLE INDÉPENDANTE ÉDITION 2010 Pour tout renseignement concernant l’ISQ et les données statistiques qui y sont disponibles, s’adresser à : Institut de la statistique du Québec 200, chemin Sainte-Foy Québec (Québec) G1R 5T4 Téléphone : 418 691-2401 ou Téléphone : 1 800 463-4090 (sans frais d’appel au Canada et aux États-Unis) Site Web : www.stat.gouv.qc.ca Cette publication a été élaborée à l’initiative et sous la supervision de l’Institut de la statistique du Québec, avec la collaboration de Bibliothèque et Archives nationales du Québec, de la Cinémathèque québécoise, de la Régie du cinéma, et de la Société de développement des entreprises culturelles. Cette édition a été produite par l’Institut de la statistique du Québec. Dépôt légal Bibliothèque et Archives Canada Bibliothèque et Archives nationales du Québec 4e trimestre 2010 ISBN : 978-2-551-23991-7 (version imprimée) ISBN : 978-2-550-60183-8 (PDF) © Gouvernement du Québec, Institut de la statistique du Québec, 1993 Toute reproduction est interdite sans l’autorisation du gouvernement du Québec. www.stat.gouv.qc.ca/droits_auteur.htm Octobre 2010 AVANT-PROPOS L’Observatoire de la culture et des communications du Québec (chapitre 5), les résultats de l’exploitation et de la diffusion des (OCCQ), de l’Institut de la statistique du Québec, est fi er de fi lms en salle (chapitre 6), l’exploitation en DVD (chapitre 7), vous présenter l’édition 2010 des Statistiques sur l’industrie du la transformation de l’équipement audiovisuel (chapitre 8) et fi lm et de la production télévisuelle indépendante. -
DOK Market Catalogue 2010
DOK MARKET CATALOGUE 2010 RD INTERNATioNAL LEIPZIG FESTIVAL foR DocUMENTARY AND ANimATED FILM 53 18 – 24 OCTOBER 2010 THE HEART OF DOCU MEN TARY Imprint DOK Leipzig 2010 Table of Contents Greetings DOK Leipzig 4 MDM 6 East Silver 7 Guangzhou IDFF 8 Krakow Film Foundation 9 Sheffield Doc/Fest 10 Visions du Réel 11 Imprint DOK Market Information 12 Publisher DOK Summits and DOK PODIUM Leipziger Dok-Filmwochen GmbH My Market My Film (DOK Summit) 15 Große Fleischergasse 11 Decoding Cross Media (DOK Summit) 16 04109 Leipzig, Germany Close Up and Personal – Animadoc (DOK Podium) 17 T + 49 (0) 341–3 08 64–0 Crowd Funding (DOK Podium) 18 F + 49 (0) 341–3 08 64–15 Diving Into Distribution (DOK Podium) 19 New German Animation (AnimaDOK Podium) 20 Editorial Staff Innovative Non-fiction TV (Leipzig Forum) 21 Susanne Guggenberger Film Funding (German Day) 22 Anna Theil Co-Production Meeting 23 Leipzig Screenings 24 Proofreader Patrick Burkholder Films 25 Design IndeX 323 Netzwerk für Gestaltung English Film Titles 315 www.dreizweidrei.de Original Film Titles 321 Directors 327 Print Countries 333 Druck und Werte GmbH Genres 341 DER STRATEGISCHE PARTNER FÜR PRINTBYING Sales Contacts 350 Peterssteinweg 17 04107 Leipzig DOK Industry Staff 362 isbn 978-3-9322-14-28-8 Map of LeipZig City 379 4 DOK Leipzig 2010 Greeting 5 Welcome to the 53rd International Leipzig Festival for Documentary and Animated Film and to our DOK Market! The international film market is always in a state of transition. Some of An exclusive selection of the latest German feature-length documentary the key words are: cross media, crowd funding, social media, online-distri- films and high quality television productions will be presented to interna- bution, grass root marketing and changing strategies of TV networks. -
Canada Now 2020 Spirited · Diverse · Independent February 13 –16 Ifc Center, New York
CANADA NOW 2020 SPIRITED · DIVERSE · INDEPENDENT FEBRUARY 13 –16 IFC CENTER, NEW YORK CanadaNowFestival.com Follow us on Facebook at @CanadaNowFilm With the support of CANADA NOW 2020: EYES WIDE OPEN NEW FILMS FROM CANADA In these troubled, tense, tempestuous times, now is the moment to look to your northern neighbor’s flm artists for their 2020 visions. CANADA NOW 2020 is coming soon, and it features some of Canada’s most acclaimed veteran flmmakers as well as some sensational emerging cinematic talents. As William Faulkner famously wrote, “The past is never dead. It’s not even past.” The flms in CANADA NOW 2020 offer diverse, inventive explorations of how the past both exists in and shapes the present. While its presence can be traumatic, it can also be a source of power and inspiration. In dramatic and documentary forms, in tones serious and comic, these Canadian flmmakers tell stories that confront that gnarled interaction of then and now with cinematic artistry and with open eyes and open hearts. Canada Now’s 2020 offerings range from Atom Egoyan’s dark father- daughter tale GUEST OF HONOUR and Zacharias Kunuk’s breathtaking drama of colonialism in the vast snowy landscapes of Canada’s north, ONE DAY IN THE LIFE OF NOAH PIUGATTUK, to Sophie Deraspe’s astonishing modern update of ANTIGONE (winner of the Best Canadian Feature Film Award at the Toronto International Film Festival) and THIS IS NOT A MOVIE, Yung Chang’s revealing documentary portrait of international journalism’s fearless foreign correspondent, Robert Fisk. The selection also includes Louise Archambault’s poetic AND THE BIRDS RAINED DOWN, the story of three aging hermits living ‘off the grid;’ Nicole Dorsey’s debut feature, BLACK CONFLUX, an original coming-of-age drama set in a small town in Canada’s easternmost province, Newfoundland; RED SNOW, an intense war drama by Marie Clements about an Indigenous Canadian soldier captured by the Taliban while serving in Afghanistan; and Monia Chokri’s A BROTHER’S LOVE, an offbeat comedy about a sister and brother who have a decidedly unique flial bond. -
Catalogue RIDM 2006) Before It Was Reopened As a Cultural Centre, Valparaiso Prison Had Been Witness to 150 Years of Horror
1 2 3 ÉQUIPE | TEAM 2 PARTENAIRES | PARTNERS 4 REMERCIEMENTS | ACKNOWLEDGMENTS 6 MOTS DE BIENVENUE | WORDS OF WElcoME 8 PRIX ET JURYS | AwARDS & JURIES 18 15 ANS, 15 COUPS DE cœur | 15 YEARS, 15 ALL-TIME FAVOURITES 31 FILMS D’OUVERTURE ET DE CLÔTURE | OPENING & cloSING FILMS 67 COMPÉTITION OFFICIELLE | OFFICIAL COMPETITION 70 COMPÉTITION INTERNATIONALE LONGS MÉTRAGES | 71 INTERNATIONAL FEATURE COMPETITION COMPÉTITION NATIONALE LONGS MÉTRAGES | 86 CANADIAN FEATURE COMPETITION COMPÉTITION INTERNATIONALE COURTS MÉTRAGES | 99 INTERNATIONAL SHORT FILM COMPETITION COMPÉTITION INTERNATIONALE MOYENS MÉTRAGES | 110 INTERNATIONAL MEDium-LENgtH COMPETITION PANORAMA 119 PRÉSENTATIONS SPÉCIALES | SPECIAL PRESENTATIONS 120 HORIZONS 136 CONTRE-courant | AgAINST THE GRAIN 146 TERRITOIRES | TERRItoRIES 157 DOCS 2.0 167 AcTIVITÉS PARALLÈLES | PARALLEL ACTIVITIES 173 DISCUSSIONS 174 PROJECtions-dÉBATS | ScREENINGS & DEBATES 178 ÉVÉNEMENTS | EVENTS 180 DOC CIRCUIT MONTRÉAL 185 INDEX 238 SALLES | VENUES 240 ÉQUIPE TEAM CONSEIL D’ADMINISTRATION BoARD OF DIREctoRS DIRECTRICE GÉNÉRALE PRÉSIDENT | CHAIR EXECUTIVE DIREctoR MILA AUNG-THWIN ROXANNE SAYEGH — — VICE-prÉSIDENTE | VICE-CHAIR DIRECTRICE DE LA PROGRAMMATION MARIE-DoMINIQUE BONMARIAGE DIREctoR OF PROGRAMMINg — CHARLOttE SELB TRÉSORIER | TREASURER — CLAUDEttE VIAU PROGRAMMATEUR ASSOCIé — ASSOCIATE PROGRAMMER SECRÉTAIRE | SECRETARY BRUNO DEQUEN REMY KHOUZAM — — ADJOINT À LA PROGRAMMATION PATRICIA BERGERON PROGRAMMING ASSISTANT RICHARD BROUILLETTE ÉRIC POIRIER HÉLÈNE GIRARD — PHILIPPE LAMARRE DIRECTEUR DES