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Louise Seidel 62 MACKIE CRES - SASKATOON, SK - S7L 3V3 - 306-380-2759 [email protected]
Louise Seidel 62 MACKIE CRES - SASKATOON, SK - S7L 3V3 - 306-380-2759 [email protected] Qualification Highlights Directing and teaching in a kind and nurturing manner. Inspiring others to bring their best to their creative work Empowering individuals as artists Pursuing excellence as a theatre artist Employing the power of theatre for personal and social change Experience Current - Director and Producer - Chrysalis Theatre - Saskatoon, SK The Shape of a Girl by Joan MacLeod -Produce powerful anti-bullying play as a tour -Network with schools and youth groups to share show 2014 - Drama Teacher - Adelaide Park-Churchill Community - Saskatoon, SK -Leading a group of 6 - 9 year olds in an exploration of drama 2013 Director and Producer - Chrysalis Theatre - Fringe Festival - Saskatoon, SK The Shape of a Girl by Joan MacLeod -Recruited talent -Developed a moving performance through an intense rehearsal -Created and implemented a publicity campaign 2008-Pres – FOH Volunteer – Persephone, Live Five and SNTC – Saskatoon, SK -Facilitating an enjoyable and safe experience for theatre patrons 2012 Performance Coach and Lighting Tech - Family Social Service - Saskatoon, SK 2011 Drama Instructor - Persephone Drama Camp - Saskatoon, SK -Co-teaching drama camp for 9-12 yr olds 2010-2012 Puppeteer -Saskatoon Sexual Assault and Information Centre -Saskatoon, SK -Performed a variety of roles in “I’m the Boss of Me” *A puppet play informing grade 4 students about sexual assault -Facilitated group discussion around sexual assault and it’s the prevention -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Films for Change Educator's Guide
Films for Change A pedagogical template for sustainability education (CEL) Films for Change 2 Lynn Butler-Kisber McGill University Centre for Educational Leadership (CEL) Tey Cottingham National Film Board of Canada (NFB) Mary Stewart Leading English Education and Resource Network (LEARN) Researcher and writer Danielle Delhaes A.D. Naturalists Inc. Graphic artist Maryse Boutin Turbinegraphique.ca Cover illustration Marie-Claude Serra MCSdesign.net Copy editor David Mitchell DMitchell.ca McGill University (CEL), LEARN and the NFB acknowledge and thank the following teachers McGill University (CEL), LEARN and the NFB are not responsible for their input and valuable expertise in piloting for the availability or content of any third party Web sites that are accessible through <learnquebec.ca> and/or <nfb.ca>. Any the Films for Change pedagogical template: links to third party Web sites from <learnquebec.ca> and/or <nfb.ca> do not constitute an endorsement of that site by Danielle Couture, Riverside School Board McGill University (CEL), LEARN or the NFB. Pierre Doyon, Lester B. Pearson School Board © McGill University Centre for Educational Leadership (CEL), Leading English Education and Resource Network (LEARN) and National Film Board of Canada (NFB) 2009 ISBN 1-897341-33-4 (CEL) Films for Change 3 Table of Contents 4 — Introduction 5 — Learning outcomes of Films for Change are compatible with curricula across Canada 8 — Films for Change in the classroom 8 — 1. Before viewing the film 11 — 2. Activities 12 — * Focus on the Film 16 — * Making -
2012–2013 NFB Annual Report
Annual Report T R L REPO A NNU 20 1 2 A 201 3 TABLE 03 Governance OF CONTENTS 04 Management 01 Message from 05 Summary of the NFB Activities 02 Awards Received 06 Financial Statements Annex I NFB Across Canada Annex II Productions Annex III Independent Film Projects Supported by ACIC and FAP Photos from French Program productions are featured in the French-language version of this annual report at http://onf-nfb.gc.ca/rapports-annuels. © 2013 National Film Board of Canada ©Published 2013 National by: Film Board of Canada Corporate Communications PublishedP.O. Box 6100,by: Station Centre-ville CorporateMontreal, CommunicationsQuebec H3C 3H5 P.O. Box 6100, Station Centre-ville Montreal,Phone:© 2012 514-283-2469 NationalQuebec H3CFilm Board3H5 of Canada Fax: 514-496-4372 Phone:Internet:Published 514-283-2469 onf-nfb.gc.ca by: Fax:Corporate 514-496-4372 Communications Internet:ISBN:P.O. Box 0-7722-1272-4 onf-nfb.gc.ca 6100, Station Centre-ville Montreal, Quebec H3C 3H5 4th quarter 2013 ISBN: 0-7722-1272-4 4thPhone: quarter 514-283-2469 2013 GraphicFax: 514-496-4372 design: Oblik Communication-design GraphicInternet: design: ONF-NFB.gc.ca Oblik Communication-design ISBN: 0-7722-1271-6 4th quarter 2012 Cover: Stories We Tell, Sarah Polley Graphic design: Folio et Garetti Cover: Stories We Tell, Sarah Polley Cover: Soldier Brother Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper 2012–2013 NFB Annual Report 2012–2013 93 Independent film projects IN NUMBERS supported by the NFB (FAP and ACIC) 76 Original NFB films and 135 co-productions Awards 8 491 New productions on Interactive websites NFB.ca/ONF.ca 83 33,721 Digital documents supporting DVD units (and other products) interactive works sold in Canada * 7,957 2 Public installations Public and private screenings at the NFB mediatheques (Montreal and Toronto) and other community screenings 3 Applications for tablets 6,126 Television broadcasts in Canada * The NFB mediatheques were closed on September 1, 2012, and the public screening program was expanded. -
The Global Irish and Chinese: Migration, Exclusion, and Foreign Relations Among Empires, 1784-1904
THE GLOBAL IRISH AND CHINESE: MIGRATION, EXCLUSION, AND FOREIGN RELATIONS AMONG EMPIRES, 1784-1904 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Barry Patrick McCarron, M.A. Washington, DC April 6, 2016 Copyright 2016 by Barry Patrick McCarron All Rights Reserved ii THE GLOBAL IRISH AND CHINESE: MIGRATION, EXCLUSION, AND FOREIGN RELATIONS AMONG EMPIRES, 1784-1904 Barry Patrick McCarron, M.A. Thesis Advisor: Carol A. Benedict, Ph.D. ABSTRACT This dissertation is the first study to examine the Irish and Chinese interethnic and interracial dynamic in the United States and the British Empire in Australia and Canada during the nineteenth and early twentieth centuries. Utilizing comparative and transnational perspectives and drawing on multinational and multilingual archival research including Chinese language sources, “The Global Irish and Chinese” argues that Irish immigrants were at the forefront of anti-Chinese movements in Australia, Canada, and the United States during the second half of the nineteenth century. Their rhetoric and actions gave rise to Chinese immigration restriction legislation and caused major friction in the Qing Empire’s foreign relations with the United States and the British Empire. Moreover, Irish immigrants east and west of the Rocky Mountains and on both sides of the Canada-United States border were central to the formation of a transnational white working-class alliance aimed at restricting the flow of Chinese labor into North America. Looking at the intersections of race, class, ethnicity, and gender, this project reveals a complicated history of relations between the Irish and Chinese in Australia, Canada, and the United States, which began in earnest with the mid-nineteenth century gold rushes in California, New South Wales, Victoria, and British Columbia. -
CHINA HEAVYWEIGHT 千錘百煉 Qiānchuí-Bǎiliàn (Lit.‘A Thousand Hammerings, a Hundred Refinements’, I.E
CHINA HEAVYWEIGHT 千錘百煉 Qiānchuí-bǎiliàn (lit.‘a thousand hammerings, a hundred refinements’, i.e. steeled and tempered through many trials) Director Yung Chang 张侨勇 (Zhāng Qiáoyǒng) Canada-China, 2012. Documentary, 94min. Cinematography: Sun Shaoguang 孫少光. Music: Olivier Alary Best Feature Film (Milan FF). Best Documentary (Golden Horse). Best Cinematography - Documentary Feature (Los Angeles Asian Pacific FF) You won’t need to be a boxing fan to find yourself drawn into this extraordinary documentary, which follows a state boxing coach and former champion as he identifies teen-age village talent in the tobacco- growing region of Sichuan, and then trains the best of them for the provincial competition from which they may be selected to be nationally trained for possible sports careers and Olympic competition. The film focuses on on the coach over a period of two years as he struggles with an urge to return to the professional ring, and mentors two of his most promising young athletes as they perservere through excruciating training and face soul-searching decisions about their future. There is no intrusive explanatory voice here: the film’s characters and situations speak for themselves. Officially released in 200 mainland Chinese theatres, China Heavyweight became the most widely screened social-issue documentary in Chinese film history. Main Characters The filming took place 2009-2011 with occasional flashbacks, and is set in Sichuan 四川 Province: Huili County 会理县 (Huìlǐ Xiàn), Fushun County 富順县 (Fùshùn Xiàn); Xichang City 西昌市, Sichuan Provincial Team Training Camp; Chongqing 重庆, National Men’s Boxing Competition Training Camp; Chengdu 成都 Sports College; Dalian 大连 (Liaoming 辽宁 Province), National Boxing Tournament. -
Films for Change
Films for Change Sustainability Education Activity Guide Films for Change 2 About This Guide Important note: For the purposes of this activity, the debate has been set around This educator’s guide is intended to serve as an additional module the idea of sustainability. The model presented applies the issues in the Films for Change: A Pedagogical Template for Sustainability of monocultures and industrial agriculture, but these can be Education guide, though it can also be used independently. More substituted for any other issue. The NFB offers a rich selection information on the Films for Change program and playlist can be of resources that will introduce students to topical issues that are found at nfb.ca/playlist/films-change. suitable for a debate. The activities in this guide invite students to engage in the debate Purpose surrounding the concept of sustainability by addressing the issues of monocultures (the practice of growing a single crop intensively, To debate a proposition related to the concept of sustainability in on a very large scale, year after year) and industrial agriculture. An order to develop an opinion on and comprehensive understanding inquiry and research process precedes the actual debate, with the of the opposing views on the issue. National Film Board of Canada (NFB) films Island Green and The Fruit Hunters serving as springboards for discussion. The learning Material and resources model proposed in this guide can be used to develop other debates on problems related to sustainability. NFB films to watch for this activity: The activity guide aims to achieve the following learning objectives: Island Green • Develop environmental literacy; Prince Edward Island has long been famous for its spuds and red mud. -
Date Title Director Cast the Devil Inside William Brent Bell Fernanda
2012 (Film release dates are for Toronto, Ontario, Canada.) See IMDB.com for full list of Cast & Crew, Poster art, story synopsis, and viewer’s comments on any of the movie titles. Date Title Director Cast Jan. 6, 2012: The Devil Inside William Brent Bell Fernanda Andrade Jan. 13, 2012: Beauty and the Beast 3D (Animation) Gary Trousdale, Kirk Wise Paige O’Hara Contraband Baltasar Kormákur Mark Wahlberg A Dangerous Method (UK/Germany/Cdn) David Cronenberg Keira Knightley The Iron Lady (UK/France) Phyllida Lloyd Meryl Streep Joyful Noise Todd Graff Queen Latifah Pariah Dee Rees Adepero Oduye Red Light Revolution (China) Sam Voutas Zhao Jun Spellbound (Chilling Romance) (South Korea) In-Ho Hwang Ye-jin Son The Swell Season (Documentary) Nick August-Perna Glen Hansard Jan. 20, 2012: Coriolanus (UK) Ralph Fiennes Ralph Fiennes The Divide (Germany/US/Cdn) Xavier Gens Lauren German The Front Line (South Korea) Hun Jang Shin Ha-kyun Haywire Steven Soderbergh Gina Carano In the Land of Blood and Honey Angelina Jolie Zana Marjanovic Not Since You Jeff Stephenson Desmond Harrington Red Tails Anthony Hemingway Cuba Gooding Jr. A Separation (Iran) Asghar Farhadi Leila Hatami Underworld: Awakening Mans Marlind, Björn Stein Kate Beckinsale The Viral Factor (Hong Kong) Dante Lam Jay Chou Jan. 27, 2012: The Grey Joe Carnahan Liam Neeson Man on a Ledge Asger Leth Sam Worthington Monsieur Lazhar (FrCdn) Philippe Falardeau Mohamed Fellag One for the Money Julie Anne Rbinson Katherine Heigl Tyrannosaur (UK) Paddy Considine Peter Mullan Feb. 3, 2012: Albert Nobbs (UK/Ireland) Rodrigo García Glenn Close Big Miracle Ken Kwapis Drew Barrymore Chronicle (UK/US) Josh Trank Dane DeHaan The Innkeepers Ti West Sara Paxton Inside Lara Roxx (Documentary) Mia Donovan Lara Roxx Miss Bala (Mexico) Gerardo Naranjo Stephanie Sigman Moon Point (Cdn) Sean Cisterna Nick McKinlay Pink Ribbons, Inc. -
Media Release. Twelve Canadian Creatives
June 7, 2018 .MEDIA RELEASE. TWELVE CANADIAN CREATIVES SELECTED FOR TIFF WRITERS’ STUDIO 2018/19 TORONTO — Today TIFF announced the 12 selected participants in this year’s TIFF Writers’ Studio. The lineup features six women and six men, highlighting Canada’s best emerging writers and underscoring TIFF’s commitment to gender parity across the breadth of its talent-development programmes. The women in this year’s intake will be supported in part by the organization’s trailblazing Share Her Journey campaign, which champions women both in front of and behind the camera. The 2018–19 TIFF Writers’ Studio participants are: Danilo Baracho, Yung Chang, Martin Edralin, Sarah Goodman, Carinne Leduc, Jennifer Liao, Frieda Luk, Kaveh Nabatian, Celeste Parr, Kazik Radwanski, Lina Rodriguez, and Jorge Thielen- Armand. Launched in 2012, the Industry programme provides a space for mid-career screenwriters to consolidate their skills, exchange ideas, and discuss their challenges in a collaborative and artistic environment. This year’s candidates will develop their chosen screenplay with expert support from international script consultants. “We’re delighted to welcome this exceptionally talented group to TIFF Writers’ Studio,” said Kathleen Drumm, TIFF Industry Director. “Now in its sixth cycle, the programme has proved successful in preparing Canada’s best and brightest talent for the global film industry. Candidates will be inspired to take their careers to the next level by developing their creative processes in a series of candid sessions with distinguished local and international writing mentors.” TIFF Studio has helped cultivate exciting new cinematic voices. Notable alumni include filmmakers Pat Mills (Don't Talk to Irene); Molly McGlynn (Mary Goes Round); Joyce Wong (Wexford Plaza); and Ashley McKenzie (Werewolf). -
To Preview Films Or Download This Catalogue to Your Favourite Device, Visit
TO PREVIEW FILMS OR DOWNLOAD THIS CATALOGUE TO YOUR FAVOURITE DEVICE, VISIT nfb.ca/distribution POUR VOIR LES FILMS EN ENTIER OU TÉLÉCHARGER CE CATALOGUE SUR VOTRE APPAREIL PRÉFÉRÉ, ALLEZ À onf.ca/distribution NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA documentary documentaire NFB.CA/DISTRIBUTION ATANASOFF NEW • NOUVEAU ATANASOFF Significant inventions tend to make their creators famous. Most people know who invented the telephone, the light bulb, the airplane. But what about the digital computer? Who in- vented one of the most important devices in human history? ATANASOFF En général, les grandes inventions rendent leurs créateurs célèbres. La plupart des gens savent qui est l’inventeur du téléphone, de l’ampoule électrique ou de l’avion. Mais qu’en est-il de l’ordinateur? Qui est l’auteur de l’une des inventions les plus marquantes de l’humanité? Doc | 93 min • 52 min | HD Mila Aung-Thwin EyeSteelFilm NFB.CA/DISTRIBUTION NFB.CA/DISTRIBUTION BONE WIND FIRE Bone Wind Fire is a journey into the hearts and minds of three extraordinary, celebrated women painters: American Georgia O’Keeffe, Canadian Emily Carr and Mexican Frida Kahlo. Each woman had her own response to her environment, to the people who surrounded her and to the artistic or practical challenges she faced in wringing beauty and truth from her particular time and place. The film uses the women’s own words, taken from their letters and diaries, to reveal three individual creative processes in all their subtle and fascinating variety. DÉSERT VENT FEU Désert Vent Feu est un voyage intime et évocateur au plus profond du cœur, de l’esprit et du regard de Georgia O’Keeffe, d’Emily Carr et de Frida Kahlo – trois des artistes les plus remarquables du 20e siècle. -
Catalogue Ridm 2020
Table des matières Table of Contents 2 Équipe Team 4 Partenaires Partners 6 Remerciements Acknowledgments 7 Mots de bienvenue Words of Welcome JE SUIS JE SUIS 21 Prix et jurys HEATH LEDGER JACKIE ONASSIS Awards and Juries 8 OCTOBRE 29 OCTOBRE 41 Confronter l’Histoire Disrupting History 53 Explorer la nature Exploring Nature 65 Trouver ses communautés Seeking Communities 78 Réfléchir la dystopie Contemplating Dystopia 91 Devenir soi-même Becoming Oneself 105 Contester le pouvoir Challenging Power 118 Repenser l’intimité Redefining Intimacy IRVIN BLAIS, LA VOIX DU PEUPLE JUKEBOX 132 Survivre à la violence 12 NOVEMBRE 19 NOVEMBRE Surviving Violence 147 Intersections Crossroads 156 Index Index 2 3 Équipe Team CONTENUS IMPRIMÉS PRODUCTION FORUM RIDM CONSEIL Administrateurs Membres honoraires PUBLICATION D’ADMINISTRATION Administrators Honorary Members CONTRIBUTORS Directrice de production Directrice de la BOARD OF DIRECTORS FRÉDÉRIC BARRIAULT MARTIN DUBÉ Production Director programmation Forum CORYELL BOFFY-RESEL CLAUDE GODBOUT Responsable des publications JACINTHE PARÉ Forum Programming Director Présidente MIRYAM CHARLES DOROTHY HÉNAUT Publications Coordinator SELIN MURAT Chair Chargé de projet web GINETTE DEPELTEAU JEAN-DANIEL LAFOND JADE BERGERON SARAH SPRING et Circulation des copies Chargée de projet Forum LESLEY JOHNSTONE PAUL LAPOINTE Rédaction Web and Copies Circulation Forum Project Manager Trésorier PHILIPPE LAMARRE ERICA POMERANCE Copywriting Project Manager ANANDA NICOLAÏEFF Treasurer CAROLINE MONNET MARIE-ANNE RAULET APOLLINE