Catalogue Doc Circuit Montréal
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Kennedy Matthew C 2016 Ma
BLIND DATE MATTHEW KENNEDY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERISTY TORONTO, ONTARIO June 2016 © Matthew Kennedy, 2016 Abstract Blind Date is a documentary film about a young woman from rural China named Chun Cao Zhao who is pressured into marriage through a tradition known as “blind dating.” The film begins in Guangzhou, a sprawling metropolis in Southern China, where she has been living for the past ten years, and is just days away from returning home for her wedding. As she slowly says goodbye to city life, the life she wants to keep, she reveals to the camera her feelings toward her fiancé, her thoughts on the impending wedding and her own struggles to find a boyfriend. As the film follows her back home we intimately witness the sacrifices she is forced to make in order to appease her parents and the greater instrument of Chinese culture. The film examines and contrasts contemporary China with traditional China and displays the varying roles of each gender in both rural and urban settings. The film concludes with her arranged marriage and a short follow-up with her new husband six months after the wedding. ii Acknowledgements Throughout the entire process of making this film I have several people to which I owe a tremendous amount of gratitude. Firstly, to my supervisor Barbara Evans, making this film was a long journey and it could not have been done without her patience, encouragement and unwavering support. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
2012–2013 NFB Annual Report
Annual Report T R L REPO A NNU 20 1 2 A 201 3 TABLE 03 Governance OF CONTENTS 04 Management 01 Message from 05 Summary of the NFB Activities 02 Awards Received 06 Financial Statements Annex I NFB Across Canada Annex II Productions Annex III Independent Film Projects Supported by ACIC and FAP Photos from French Program productions are featured in the French-language version of this annual report at http://onf-nfb.gc.ca/rapports-annuels. © 2013 National Film Board of Canada ©Published 2013 National by: Film Board of Canada Corporate Communications PublishedP.O. Box 6100,by: Station Centre-ville CorporateMontreal, CommunicationsQuebec H3C 3H5 P.O. Box 6100, Station Centre-ville Montreal,Phone:© 2012 514-283-2469 NationalQuebec H3CFilm Board3H5 of Canada Fax: 514-496-4372 Phone:Internet:Published 514-283-2469 onf-nfb.gc.ca by: Fax:Corporate 514-496-4372 Communications Internet:ISBN:P.O. Box 0-7722-1272-4 onf-nfb.gc.ca 6100, Station Centre-ville Montreal, Quebec H3C 3H5 4th quarter 2013 ISBN: 0-7722-1272-4 4thPhone: quarter 514-283-2469 2013 GraphicFax: 514-496-4372 design: Oblik Communication-design GraphicInternet: design: ONF-NFB.gc.ca Oblik Communication-design ISBN: 0-7722-1271-6 4th quarter 2012 Cover: Stories We Tell, Sarah Polley Graphic design: Folio et Garetti Cover: Stories We Tell, Sarah Polley Cover: Soldier Brother Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper 2012–2013 NFB Annual Report 2012–2013 93 Independent film projects IN NUMBERS supported by the NFB (FAP and ACIC) 76 Original NFB films and 135 co-productions Awards 8 491 New productions on Interactive websites NFB.ca/ONF.ca 83 33,721 Digital documents supporting DVD units (and other products) interactive works sold in Canada * 7,957 2 Public installations Public and private screenings at the NFB mediatheques (Montreal and Toronto) and other community screenings 3 Applications for tablets 6,126 Television broadcasts in Canada * The NFB mediatheques were closed on September 1, 2012, and the public screening program was expanded. -
Films for Change
Films for Change Sustainability Education Activity Guide Films for Change 2 About This Guide Important note: For the purposes of this activity, the debate has been set around This educator’s guide is intended to serve as an additional module the idea of sustainability. The model presented applies the issues in the Films for Change: A Pedagogical Template for Sustainability of monocultures and industrial agriculture, but these can be Education guide, though it can also be used independently. More substituted for any other issue. The NFB offers a rich selection information on the Films for Change program and playlist can be of resources that will introduce students to topical issues that are found at nfb.ca/playlist/films-change. suitable for a debate. The activities in this guide invite students to engage in the debate Purpose surrounding the concept of sustainability by addressing the issues of monocultures (the practice of growing a single crop intensively, To debate a proposition related to the concept of sustainability in on a very large scale, year after year) and industrial agriculture. An order to develop an opinion on and comprehensive understanding inquiry and research process precedes the actual debate, with the of the opposing views on the issue. National Film Board of Canada (NFB) films Island Green and The Fruit Hunters serving as springboards for discussion. The learning Material and resources model proposed in this guide can be used to develop other debates on problems related to sustainability. NFB films to watch for this activity: The activity guide aims to achieve the following learning objectives: Island Green • Develop environmental literacy; Prince Edward Island has long been famous for its spuds and red mud. -
Date Title Director Cast the Devil Inside William Brent Bell Fernanda
2012 (Film release dates are for Toronto, Ontario, Canada.) See IMDB.com for full list of Cast & Crew, Poster art, story synopsis, and viewer’s comments on any of the movie titles. Date Title Director Cast Jan. 6, 2012: The Devil Inside William Brent Bell Fernanda Andrade Jan. 13, 2012: Beauty and the Beast 3D (Animation) Gary Trousdale, Kirk Wise Paige O’Hara Contraband Baltasar Kormákur Mark Wahlberg A Dangerous Method (UK/Germany/Cdn) David Cronenberg Keira Knightley The Iron Lady (UK/France) Phyllida Lloyd Meryl Streep Joyful Noise Todd Graff Queen Latifah Pariah Dee Rees Adepero Oduye Red Light Revolution (China) Sam Voutas Zhao Jun Spellbound (Chilling Romance) (South Korea) In-Ho Hwang Ye-jin Son The Swell Season (Documentary) Nick August-Perna Glen Hansard Jan. 20, 2012: Coriolanus (UK) Ralph Fiennes Ralph Fiennes The Divide (Germany/US/Cdn) Xavier Gens Lauren German The Front Line (South Korea) Hun Jang Shin Ha-kyun Haywire Steven Soderbergh Gina Carano In the Land of Blood and Honey Angelina Jolie Zana Marjanovic Not Since You Jeff Stephenson Desmond Harrington Red Tails Anthony Hemingway Cuba Gooding Jr. A Separation (Iran) Asghar Farhadi Leila Hatami Underworld: Awakening Mans Marlind, Björn Stein Kate Beckinsale The Viral Factor (Hong Kong) Dante Lam Jay Chou Jan. 27, 2012: The Grey Joe Carnahan Liam Neeson Man on a Ledge Asger Leth Sam Worthington Monsieur Lazhar (FrCdn) Philippe Falardeau Mohamed Fellag One for the Money Julie Anne Rbinson Katherine Heigl Tyrannosaur (UK) Paddy Considine Peter Mullan Feb. 3, 2012: Albert Nobbs (UK/Ireland) Rodrigo García Glenn Close Big Miracle Ken Kwapis Drew Barrymore Chronicle (UK/US) Josh Trank Dane DeHaan The Innkeepers Ti West Sara Paxton Inside Lara Roxx (Documentary) Mia Donovan Lara Roxx Miss Bala (Mexico) Gerardo Naranjo Stephanie Sigman Moon Point (Cdn) Sean Cisterna Nick McKinlay Pink Ribbons, Inc. -
Media Release. Twelve Canadian Creatives
June 7, 2018 .MEDIA RELEASE. TWELVE CANADIAN CREATIVES SELECTED FOR TIFF WRITERS’ STUDIO 2018/19 TORONTO — Today TIFF announced the 12 selected participants in this year’s TIFF Writers’ Studio. The lineup features six women and six men, highlighting Canada’s best emerging writers and underscoring TIFF’s commitment to gender parity across the breadth of its talent-development programmes. The women in this year’s intake will be supported in part by the organization’s trailblazing Share Her Journey campaign, which champions women both in front of and behind the camera. The 2018–19 TIFF Writers’ Studio participants are: Danilo Baracho, Yung Chang, Martin Edralin, Sarah Goodman, Carinne Leduc, Jennifer Liao, Frieda Luk, Kaveh Nabatian, Celeste Parr, Kazik Radwanski, Lina Rodriguez, and Jorge Thielen- Armand. Launched in 2012, the Industry programme provides a space for mid-career screenwriters to consolidate their skills, exchange ideas, and discuss their challenges in a collaborative and artistic environment. This year’s candidates will develop their chosen screenplay with expert support from international script consultants. “We’re delighted to welcome this exceptionally talented group to TIFF Writers’ Studio,” said Kathleen Drumm, TIFF Industry Director. “Now in its sixth cycle, the programme has proved successful in preparing Canada’s best and brightest talent for the global film industry. Candidates will be inspired to take their careers to the next level by developing their creative processes in a series of candid sessions with distinguished local and international writing mentors.” TIFF Studio has helped cultivate exciting new cinematic voices. Notable alumni include filmmakers Pat Mills (Don't Talk to Irene); Molly McGlynn (Mary Goes Round); Joyce Wong (Wexford Plaza); and Ashley McKenzie (Werewolf). -
To Preview Films Or Download This Catalogue to Your Favourite Device, Visit
TO PREVIEW FILMS OR DOWNLOAD THIS CATALOGUE TO YOUR FAVOURITE DEVICE, VISIT nfb.ca/distribution POUR VOIR LES FILMS EN ENTIER OU TÉLÉCHARGER CE CATALOGUE SUR VOTRE APPAREIL PRÉFÉRÉ, ALLEZ À onf.ca/distribution NATIONAL FILM BOARD OF CANADA OFFICE NATIONAL DU FILM DU CANADA documentary documentaire NFB.CA/DISTRIBUTION ATANASOFF NEW • NOUVEAU ATANASOFF Significant inventions tend to make their creators famous. Most people know who invented the telephone, the light bulb, the airplane. But what about the digital computer? Who in- vented one of the most important devices in human history? ATANASOFF En général, les grandes inventions rendent leurs créateurs célèbres. La plupart des gens savent qui est l’inventeur du téléphone, de l’ampoule électrique ou de l’avion. Mais qu’en est-il de l’ordinateur? Qui est l’auteur de l’une des inventions les plus marquantes de l’humanité? Doc | 93 min • 52 min | HD Mila Aung-Thwin EyeSteelFilm NFB.CA/DISTRIBUTION NFB.CA/DISTRIBUTION BONE WIND FIRE Bone Wind Fire is a journey into the hearts and minds of three extraordinary, celebrated women painters: American Georgia O’Keeffe, Canadian Emily Carr and Mexican Frida Kahlo. Each woman had her own response to her environment, to the people who surrounded her and to the artistic or practical challenges she faced in wringing beauty and truth from her particular time and place. The film uses the women’s own words, taken from their letters and diaries, to reveal three individual creative processes in all their subtle and fascinating variety. DÉSERT VENT FEU Désert Vent Feu est un voyage intime et évocateur au plus profond du cœur, de l’esprit et du regard de Georgia O’Keeffe, d’Emily Carr et de Frida Kahlo – trois des artistes les plus remarquables du 20e siècle. -
Catalogue Ridm 2020
Table des matières Table of Contents 2 Équipe Team 4 Partenaires Partners 6 Remerciements Acknowledgments 7 Mots de bienvenue Words of Welcome JE SUIS JE SUIS 21 Prix et jurys HEATH LEDGER JACKIE ONASSIS Awards and Juries 8 OCTOBRE 29 OCTOBRE 41 Confronter l’Histoire Disrupting History 53 Explorer la nature Exploring Nature 65 Trouver ses communautés Seeking Communities 78 Réfléchir la dystopie Contemplating Dystopia 91 Devenir soi-même Becoming Oneself 105 Contester le pouvoir Challenging Power 118 Repenser l’intimité Redefining Intimacy IRVIN BLAIS, LA VOIX DU PEUPLE JUKEBOX 132 Survivre à la violence 12 NOVEMBRE 19 NOVEMBRE Surviving Violence 147 Intersections Crossroads 156 Index Index 2 3 Équipe Team CONTENUS IMPRIMÉS PRODUCTION FORUM RIDM CONSEIL Administrateurs Membres honoraires PUBLICATION D’ADMINISTRATION Administrators Honorary Members CONTRIBUTORS Directrice de production Directrice de la BOARD OF DIRECTORS FRÉDÉRIC BARRIAULT MARTIN DUBÉ Production Director programmation Forum CORYELL BOFFY-RESEL CLAUDE GODBOUT Responsable des publications JACINTHE PARÉ Forum Programming Director Présidente MIRYAM CHARLES DOROTHY HÉNAUT Publications Coordinator SELIN MURAT Chair Chargé de projet web GINETTE DEPELTEAU JEAN-DANIEL LAFOND JADE BERGERON SARAH SPRING et Circulation des copies Chargée de projet Forum LESLEY JOHNSTONE PAUL LAPOINTE Rédaction Web and Copies Circulation Forum Project Manager Trésorier PHILIPPE LAMARRE ERICA POMERANCE Copywriting Project Manager ANANDA NICOLAÏEFF Treasurer CAROLINE MONNET MARIE-ANNE RAULET APOLLINE -
DOOC Report 1 June 2021 Fr-1
Comprendre le paysage international pour les documentaires canadiens : coproductions officielles, promotions et ventes Par: Maria De Rosa and Marilyn Burgess Pour: L’Association des documentaristes du Canada (DOC) Le financement de cette étude a été offert par Ontario Crée Toutes les opinions, découvertes, conclusions ou recommandations exprimées dans ce rapport sont celles des auteures et ne reflètent pas nécessairement les vues de Ontario Créatif, du Groupe de fonds Rogers, de l’Association canadienne de producteurs médiatiques, ou du gouvernement canadien. Les financeurs, le gouvernement du Canada leurs agences et la CMPA ne sont aucunement liés aux recommandations contenues dans ce rapport. 2 2021 TABLE DES MATIÈRES I. APERÇU GÉNÉRAL DES TENDANCES DE LA COPRODUCTION AUDIOVISUELLE OFFICIELLE ET DES VENTES INTERNATIONALES DE DOCUMENTAIRES INDÉPENDANTS CANADIENS 4 1. PRINCIPALES TENDANCES DES COPRODUCTIONS INTERNATIONALES OFFICIELLES 4 2. PRINCIPALES TENDANCES DES VENTES INTERNATIONALES DE DOCUMENTAIRES INDÉPENDANTS 6 3. RÉSUMÉ DES OBSERVATIONS 8 II. POINTS DE VUE SUR LES OPPORTUNITÉS, LES DÉFIS ET LES LEÇONS À TIRER DES COPRODUCTIONS INTERNATIONALES DE DOCUMENTAIRES CANADIENS 9 1. OPPORTUNITÉS ET DÉFIS. 9 2. LEÇONS À TIRER DES COPRODUCTIONS INTERNATIONALES DE DOCUMENTAIRES CANADIENS 11 3. RÉSUMÉ DES OBSERVATIONS III. AVIS SUR LES OPPORTUNITÉS ET LES DÉFIS POUR LES DES DOCUMENTAIRES INDÉPENDANTS CANADIENS QUANT À LA PROMOTION ET AUX VENTES INTERNATIONALES 16 1. OPPORTUNITÉS ET DÉFIS 16 2. RÉSUMÉ DES OBSERVATIONS 19 IV. MESURES D’AIDE À LA COPRODUCTION INTERNATIONALE, LA PROMOTION ET LES VENTES DES DOCUMENTAIRES DANS LES PAYS ÉTUDIÉS 20 1. MESURES D’AIDE POUR AUGMENTER LES COPRODUCTIONS INTERNATIONALES 2. MESURES POUR FAVORISER LA PROMOTION ET LES VENTES INTERNATIONALES 21 3. -
LAAPFF 2015 Catalog
VISUAL COMMUNICATIONS presents the LOS ANGELES ASIAN PACIFIC FILM FESTIVAL APRIL 23 – 30, 2015 No. 31 LITTLE TOKYO _ KOREATOWN _ WEST HOLLYWOOD SEE YOU NEXT YEAR! CONTENTS 7 Festival Welcome 8 Festival Sponsors 10 Community Partners 12 “About VC” Update for 2015 14 Friends of Visual Communications 16 AWC Indiegogo Supporters 18 Year of The Question of the Year! 26 Why Arthur Dong Still Matters 32 Festival Awards: Past Awardees 36 Festival Award Nominees: Feature Narrative 39 Festival Award Nominees: Feature Documentary 42 Festival Award Nominees: Short Film 48 Programmers’ Recommendations 51 Conference for Creative Content 2015 56 Filmmaker Panels & Seminars 60 Program Schedule 61 Box Office Info 62 Venue Info 63 Parties & Afterhours 65 Festival Galas 75 Festival Special Presentations 83 Artist’s Spotlight: Arthur Dong 87 Narrative Competition Films 97 Documentary Competition Films 107 International Showcase Films 123 Short Film Programs 144 Acknowledgements 146 Print & Tape Sources 150 Title/Artist Index 152 Country Index The Los Angeles Asian Pacific Film Festival • 2 The Los Angeles Asian Pacific Film Festival • 3 The Los Angeles Asian Pacific Film Festival • 4 The Los Angeles Asian Pacific Film Festival • 5 The Los Angeles Asian Pacific Film Festival • 6 WELCOME Welcome to the 31st edition of presentations, we are extremely proud to showcase the Los Angeles Asian Pacific returning, seasoned, and emerging Asian Pacific Film Festival! American and International artists and their stories to After a 5-year absence, Visual our communities throughout the Festival at the JACCC, Communications is excited to Japanese American National Museum, Downtown open the Festival at the Japanese Independent, The Great Company, CGV Cinemas, and American Cultural & Community the Directors Guild of America. -
China, Hong Kong, and Taiwan on Film
CHINA, HONG KONG AND TAIWAN ON FILM, TELEVISION AND VIDEO IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad June 2020 Introduction This is an annotated guide to non-fiction moving image materials related to China, Hong Kong and Taiwan in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. The guide encompasses a wide variety of items from the earliest days of cinema to the present, and focuses on films, TV programs and videos with China as the main subject. It also includes theatrical newsreels (e.g. Fox Movietone News) and TV news magazines (e.g. 60 Minutes) with distinct segments related to the subject. How to Use this Guide Titles are listed in chronological order by date of release or broadcast, and alphabetically within the same year. This enables users to follow the history of the region and for the most part groups together items dealing with the same historical event and/or period (e.g. Sino-Japanese conflict, World War II, Cold War, etc.). Credits given for each entry are as follows: main title, production company, distributor / broadcaster (if different from production company), country of production (if not U.S.), release year / broadcast date, series title (if not TV), and basic personnel listings (director, producer, writer, narrator). The holdings listed are access copies unless otherwise noted. The physical properties given are: number of carriers (reels, tapes, discs, or digital files), video format (VHS, U- matic, DVD, etc.), running time, sound/silent, black & white/color, wide screen process (if applicable, e.g. -
Anote's Ark Is His Feature Documentary Debut
ANOTE’S ARK Directed by Matthieu Rytz Sundance Film Festival 2018 | World Documentary Feature Competition https://www.facebook.com/anotesark/ // http://www.eyesteelfilm.com/anotesark SALES CONTACT: Bob Moore - [email protected] PRESS CONTACT: David Magdael and Associates Elisha Gustafson - [email protected] David Magdael - [email protected] 1 LOGLINE Kiribati faces the unstoppable rise of the sea, which will engulf the nation before long. The people of Kiribati will soon be the world’s first “climate change refugees.” Can these people survive as their country disappears? SYNOPSIS What happens when your nation is swallowed by the sea? With the harsh realities of climate change looming, the low-lying Pacific nation Kiribati must find a new solution for the survival of its people. With sweeping cinematography, Anote’s Ark interweaves two poignant stories. Anote Tong, endearing president of the island, races to find options—advocating in international climate negotiations and even investigating building underwater cities. At the same time, warm and sharp-witted Sermery, a young mother of six, tackles every struggle with humour. She must decide whether to leave the only culture she knows on the island and migrate to a new life in New Zealand. Anote’s Ark captures the next evolution in the shifting dynamics of climate change—one where borders, technology, and global treaties are urgent and can change daily life as we know it. This portrait of the Kiribati people exudes strength of character and grace as they confront the inevitable change they are facing head-on. ABOUT THE FILM Anote’s Ark is the first feature film directed by Matthieu Rytz, filmmaker and photographer specialized in visual anthropology.