E Lichtbericht 84
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LVMH 2017 Annual Report
2017 ANNUAL REPORT Passionate about creativity Passionate about creativity W H O W E A R E A creative universe of men and women passionate about their profession and driven by the desire to innovate and achieve. A globally unrivalled group of powerfully evocative brands and great names that are synonymous with the history of luxury. A natural alliance between art and craftsmanship, dominated by creativity, virtuosity and quality. A remarkable economic success story with more than 145,000 employees worldwide and global leadership in the manufacture and distribution of luxury goods. A global vision dedicated to serving the needs of every customer. The successful marriage of cultures grounded in tradition and elegance with the most advanced product presentation, industrial organization and management techniques. A singular mix of talent, daring and thoroughness in the quest for excellence. A unique enterprise that stands out in its sector. Our philosophy: passionate about creativity LVMH VALUES INNOVATION AND CREATIVITY Because our future success will come from the desire that our new products elicit while respecting the roots of our Maisons. EXCELLENCE OF PRODUCTS AND SERVICE Because we embody what is most noble and quality-endowed in the artisan world. ENTREPRENEURSHIP Because this is the key to our ability to react and our motivation to manage our businesses as startups. 2 • 3 Selecting leather at Berluti. THE LVMH GROUP 06 Chairman’s message 12 Responsible initiatives in 2017 16 Interview with the Group Managing Director 18 Governance and Organization 20 Our Maisons and business groups 22 Performance and responsibility 24 Key fi gures and strategy 26 Talent 32 Environment 38 Responsible partnerships 40 Corporate sponsorship BUSINESS GROUP INSIGHTS 46 Wines & Spirits 56 Fashion & Leather Goods 66 Perfumes & Cosmetics 76 Watches & Jewelry 86 Selective Retailing 96 LVMH STORIES PERFORMANCE MEASURES 130 Stock market performance measures 132 Financial performance measures 134 Non-fi nancial performance measures 4 • 5 LVMH 2017 . -
The Avant-Garde Architecture of Three 21St Century Universal Art Museums
ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS by Leslie Elaine Reid APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Richard Brettell, Chair ___________________________________________ Nils Roemer ___________________________________________ Maximilian Schich ___________________________________________ Charissa N. Terranova Copyright 2019 Leslie Elaine Reid All Rights Reserved ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS by LESLIE ELAINE REID, MLA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES - AESTHETIC STUDIES THE UNIVERSITY OF TEXAS AT DALLAS May 2019 ACKNOWLEDGMENTS I wish to thank, in particular, two people in Paris for their kindness and generosity in granting me interviews, providing electronic links to their work, and emailing me data on the Louvre-Lens for my dissertation. Adrién Gardère of studio adrien gardère and Catherine Mosbach of mosbach paysagists gave hours of their time and provided invaluable insight for this dissertation. And – even after I had returned to the United States, they continued to email documents that I would need. March 2019 iv ABU DHABI, LENS, AND LOS ANGELES: THE AVANT-GARDE ARCHITECTURE OF THREE 21ST CENTURY UNIVERSAL ART MUSEUMS Leslie Elaine Reid, PhD The University of Texas at Dallas, 2019 ABSTRACT Supervising Professor: Richard Brettell Rooted in the late 18th and 19th century idea of the museum as a “library of past civilizations,” the universal or encyclopedic museum attempts to cover as much of the history of mankind through “art” as possible. -
Lions Travelling East Heleanor Feltham
Lions Travelling East Heleanor Feltham Ill. 1. Architectural lion, Persepolis, Iran, C6th BC1 Ill. 2. Eastern Han 25 –221 AD life-sized stone bixie (winged lion) 293 cm l. Found in Henan Province. Luoyang Museum2 Between the sixth century BC and the first AD, lion iconography travelled eastward along the Silk Roads, reaching China by the Eastern Han period (25-221 AD), a time which also saw the first live lions presented to the Chinese Emperor by Central Asian 1 Iranmania Travels and Tours http://www.iranmania.com/travel/tours/The_Great_Culture_tour.asp Accessed 30.5.2005 2 Metropolitan Museum of Art China: Dawn of a Golden Age, 200-750 AD http://www.metmuseum.org/special/se_event.asp?OccurrenceId={8DC7B584- ACB9-4D15-ABCB-2B0CE09C6652}&HomePageLink=special_c2b Accessed 7.11.2004 Lions Travelling East 2 ambassadors3. The imagery followed a number of different routes, and by the time it reached China, had absorbed a range of religious, stylistic and political associations, including Achaemenid Persian, Nomad, Hellenistic Greek and North Indian Buddhist elements, though all were strongly influenced by the Persian lion. Superimpose a map of the original distribution of the Asiatic lion over a map of the Persian Empire under Alexander (C4th BC) and the correspondence becomes immediate and obvious. With a few exceptions4 the realm of the lions and the rule of the Greeks and Persians overlap; incorporating most of the early cultures where lion beliefs and imagery evolved. Ill. 3. Map of the Asiatic lion’s historical distribution5 3 The Western Regions according to the Hou Hanshu Chapter on the Western Regions. -
Lopes-Fernandes 2018 Entre Predadores Com Anexos E
“Entre Predadores” Relações com a natureza a propósito da reintrodução do lince-ibérico Margarida Lopes Fernandes Tese de doutoramento em Antropologia Novembro, 2018 DECLARAÇÕES Declaro que esta tese é o resultado da minha investigação pessoal e independente. O seu conteúdo é original e todas as fontes consultadas estão devidamente mencionadas no texto, nas notas e na bibliografia. A candidata, Lisboa, 18 de Dezembro de 2017 Declaro que esta tese se encontra em condições de ser apreciado pelo júri a designar. A orientadora, Lisboa, 18 de Dezembro de 2017 Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Antropologia, especialização em Antropologia Biológica e Etnoecologia, realizada sob a orientação científica da Profª Amélia Frazão-Moreira Co-orientação Doutora Ana Isabel Queiroz Apoio financeiro da FCT e do FSE no âmbito do III Quadro Comunitário de Apoio - SFRH/ BD/ 75769/ 2011 Dedico a tese aos meus pais e antepassados barrosões, que me trouxeram o amor pelo campo e o interesse e respeito pelas pessoas AGRADECIMENTOS Institucionais À Fundação Ciência e Tecnologia pela atribuição de uma bolsa individual de doutoramento e que permitiu realizar períodos de pesquisa a tempo inteiro. À Secretaria de Estado do Ambiente e das Florestas e Desenvolvimento Rural, Secretaria de Estado do Ordenamento do Território e da Conservação da Natureza e ao Instituto da Conservação da Natureza e Florestas pela concordância com o estatuto de equiparação a bolseira entre 2012 e 2016 e pela articulação do estudo em curso com a conservação de lince-ibérico em Portugal. Ao Centro em Rede Investigação em Antropologia pelo acolhimento formal, apoio logístico e receptividade a novos projectos. -
CULTURAL HERITAGE Working Paper Final
EUI Working Papers AEL 2009/9 ACADEMY OF EUROPEAN LAW Cultural heritage project THE ILLICIT TRAFFIC OF CULTURAL OBJECTS IN THE MEDITERRANEAN edited by Ana Filipa Vrdoljak and Francesco Francioni EUROPEAN UNIVERSITY INSTITUTE , FLORENCE ACADEMY OF EUROPEAN LAW ROBERT SCHUMAN CENTRE MEDITERRANEAN PROGRAMME The Illicit Traffic of Cultural Objects in the Mediterranean EDITED BY ANA FILIPA VRDOLJAK AND FRANCESCO FRANCIONI EUI W orking Paper AEL 2009/9 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If c ited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. The author(s)/editor(s) should inform the Academy of European Law if the paper is to be published elsewhere, and should also assume responsibility for any consequent obligation(s). ISSN 1831-4066 © 2009 Ana Filipa Vrdoljak and Francesco Francioni (editors) Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract Ongoing high profile litigation in Europe and the United States against museum officials and art dealers reveals that the illicit trade in cultural heritage is flourishing rather than abating. Ironically, the disparity between the failure of states to sign on to and implement certain multilateral agreements, and escalating cultural loss is particularly significant in the Mediterranean region, because of the cultural wealth located in the Mediterranean Sea and the countries which surround it. -
Proquest Dissertations
DISCOVERY, INHERITANCE AND INNOVATION INCORPORATING TRADITIONAL CHINESE FAMILY VALUES WITH RESIDENTIAL DESIGN Arthur Chen, B.A.S. A thesis submitted to The Faculty of Graduate and Postdoctoral Affairs In partial fulfillment of the requirements for the degree of Master of Architecture Carleton University The Azrieli School of Architecture and Urbanism Ottawa, ON ©2011 Arthur Chen Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-81718-6 Our file Notre reference ISBN: 978-0-494-81718-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Faking, Forging, Counterfeiting
Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Faking, Forging, Counterfeiting Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Funded by the Elite Network of Bavaria as part of the International Doctoral Program MIMESIS. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3762-9. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Maria Arndt, Bielefeld -
Luce Chapel.Pdf
1 Luce Chapel is a renowned architecture in Taiwan. With its outstanding achievements, it certainly stands outin the modern architectural movement of Preface post-war Taiwan. In October 2014, Luce Chapel was chosen to be one of the ten global classic modern architectures, and the first project within Asian architecture,which received the first “Keeping It Modern” (hereafter abbreviated as KIM) Grant from the Getty Foundation. The Grant acknowledgesthese 20th century modern architectures as milestones of human civilization. With high experimental mentalities, groups of architects and engineersof the previous centuryboldlytried out exploratory materials and cutting edge construction techniques, and built innovative architectures thathave stimulated changes in their surrounding environments, histories, local culture, and forever transformed the philosophical approaches of architecture. However, the Getty Foundation also regards these architectures to be under various degrees of risks. Being fifty to sixty or even older, many of these innovative materials and techniques boldly used at the time oftheirsconstruction were not, and still have not been scientifically tested and analyzed to this very day. Furthermore, the productions of many of these materials have been discontinued due to low adoptions in the market, making conservations even more difficult. Therefore, the Getty Foundation KIM grants promote the sustainable conservation of modern architecture. This focus has also been the core value of the Luce Chapel conservation project. Built in 1963, Luce Chapel has stood on the campus of Tunghai University for over 50 years. This building was designed and built to function as a church building, and has maintained its religious purpose over the years.However, as the number of faculty and students continues to grow,the space demand for community engagements and ceremonial activities of colleges and departments on campus have also increased extensively. -
Bulletin of Ancient Macedonian Studies 2020
Universitat Autònoma de Barcelona. Departament de Ciències de l’Antiguitat i l’Edat Mitjana Karanos BULLETIN OF ANCIENT MACEDONIAN STUDIES http://revistes.uab.cat/karanos 03 ), online ( 3521 - 2604 ISSN e 2020 (paper), 6199 - 2604 , ISSN 20 20 , 3 Vol. Karanos Bulletin of Ancient Macedonian Studies Vol. 3 (2020) President of Honor Secretary F. J. Gómez Espelosín, Marc Mendoza Sanahuja (Universitat Autònoma (Universidad de Alcalá) de Barcelona) Director Edition Borja Antela-Bernárdez, Universitat Autònoma de Barcelona (Universitat Autònoma de Barcelona) Departament de Ciències de l’Antiguitat i l’Edat Mitjana Editorial Board 08193 Bellaterra (Barcelona). Spain Borja Antela-Bernárdez Tel.: 93 581 47 87. Antonio Ignacio Molina Marín Fax: 93 581 31 14 (Universidad de Alcalá) [email protected] Mario Agudo Villanueva http://revistes.uab.cat/karanos (Universidad Complutense de Madrid) Layout: Borja Antela-Bernárdez Advisory Board F. Landucci (Università Cattolica del Printing Sacro Cuore) Universitat Autònoma de Barcelona E. Carney (Clemson University) Servei de Publicacions D. Mirón (Universidad de Granada) 08193 Bellaterra (Barcelona). Spain C. Rosillo (Universidad Pablo de Olavide) [email protected] F. Pownall (University of Alberta) http://publicacions.uab.cat/ W. L. Adams (University of Utah) N. Akamatis (International Hellenic University) ISSN: 2604-6199 (paper) V. Alonso-Troncoso (Universidad de A Coruña) eISSN 2604-3521 (online) A. Domínguez Monedero (Universidad Dipòsit legal: B 26.673-2018 Autónoma de Madrid) F. J. Gómez Espelosín (Universidad de Alcalá) Printed in Spain W. S. Greenwalt (Santa Clara University) Printed in Ecologic paper M. Hatzopoulos (National Hellenic Research Foundation) S. Müller (Philipps-Universität Marburg) M. Jan Olbrycht (University of Rzeszów) O. -
Perwujudan Konsep Dan Nilai-Nilai Kosmologi
Jurnal “ ruang “ VOLUME 2 NOMOR 2 September 2010 IEOH MING PEI DASAR PERANCANGAN DAN METODA APLIKASI Naimatul Aufa Fakultas Teknik Jurusan Arsitektur Universitas Lambung Mangkurat Abstrak Dasar perancangan dan metoda seorang arsitek dalam merancang karya-karyanya, dapat dipahami dengan menelaah tentang biografi arsitek tersebut untuk mengetahui latar arsitekturnya, mendengar atau membaca pernyataan-pernyataan arsitek tersebut tentang apa yang menjadi dasar perancangannya, serta membedah karya-karya arsitek tersebut untuk mengetahui hal-hal fundamental dalam setiap karya-karyanya. Ketiga hal ini akan digunakan untuk mengetahui dan memahami dasar perancangan dan metoda aplikasi dari seorang arsitek yang bernama Ieoh Ming Pei, atau yang lebih dikenal dengan nama I. M. Pei. Ada tiga dasar yang digunakan I. M. Pei dalam merancang karyanya, yaitu: life of people, nature dan geometry. Untuk menerjemahkan “life of people” dalam rancangan, I. M. Pei bertanya tentang siapa pengguna bangunan dirancang, kenapa mereka menggunakan bangunan tersebut, dan apa yang akan membuat mereka bahagia dalam bangunan ini. Untuk menerjemahkan “nature” dalam rancangan, I. M. Pei memutuskan untuk tidak melawan alam tetapi meyatu dengan alam, dengan membuatnya sesuai dengan kondisi site. Dan untuk menerjemahkan “geometry” dalam rancanganya, menurut I. M. Pei, bentuk pada setiap karyanya terbentuk dari hasil penelitiannya tentang cahaya, bagaimana sebuah ruang dapat terbentuk dari cahaya, menyesuaikan skala dan proporsinya, dan yang terpenting ada ciri khas sebagai bangunan yang tidak berdiri sendiri. Kata Kunci: Pei, life of people, nature, geometry PENDAHULUAN Ieoh Ming Pei (Pei) lahir di Kota Canton, Cina pada tanggal 26 April 1917. Nenek moyang Pei ada di Kota Suzhou sejak 600 tahun silam. Saat Pei lahir, Kota Suzhou tengah bergejolak. -
2015 MIT Briefing Book
MIT Briefing Book 2015 September edition Massachusetts Institute of Technology MIT Briefing Book © 2015, Massachusetts Institute of Technology September 2015 Cover images: Christopher Harting Massachusetts Institute of Technology 77 Massachusetts Avenue Cambridge, Massachusetts 02139-4307 Telephone Number 617.253.1000 TTY 617.258.9344 Website http://web.mit.edu/ The Briefing Book is researched and written by a variety of MIT faculty and staff, in particular the members of the Office of the Provost’s Institutional Research group, Industrial Liaison Program, Student Financial Services, and the MIT Washington Office. Executive Editors Maria T. Zuber, Vice President for Research [email protected] William B. Bonvillian, Director, MIT Washington Office [email protected] Editors Shirley Wong [email protected] Lydia Snover, to whom all questions should be directed [email protected] 2 MIT Briefing Book MIT Senior Leadership President Director, Lincoln Laboratory L. Rafael Reif Eric D. Evans Chairman of the Corporation Dean, School of Architecture and Planning Robert B. Millard Hashim Sarkis Provost Dean, School of Engineering Martin A. Schmidt Ian A. Waitz Chancellor Dean, School of Humanities, Arts, and Social Sciences Cynthia Barnhart Melissa Nobles Executive Vice President and Treasurer Dean, School of Science Israel Ruiz Michael Sipser Vice President for Research Dean, Sloan School of Management Maria T. Zuber David C. Schmittlein Vice President and General Counsel Associate Provost Mark DiVincenzo Karen Gleason Chancellor for Academic Advancement Associate Provost W. Eric L. Grimson Philip S. Khoury Vice President Associate Provost Kirk D. Kolenbrander Richard K. Lester Vice President for Communications Director of Libraries Nathaniel W. Nickerson Chris Bourg Vice President for Resource Development Institute Community and Equity Officer Julie Lucas Edmund Bertschinger Senior Vice President and Secretary of the Corporation Dean for Graduate Education R. -
P20-21 Layout 1
Established 1961 21 Lifestyle Feature Monday, May 20, 2019 In this file photo taken on September 27, 1985 Chinese-American architect Ieoh Ming Pei pos- In this file photo taken on June 22, 2006 Chinese architect of In this file photo taken on April 8, 2007 a general view shows the new Islamic Museum of Art, es with the architectural model of the Louvre Pyramid in Paris. — AFP photos the Louvre Pyramid Ieoh Ming Pei smiles in the Napoleon designed by architect I.M. Pei., in Doha, Qatar. courtyard of the Louvre museum in Paris. .M. Pei, the preeminent US architect who forged a dis- said a New York Times review 30 years after its unveiling. Itinct brand of modern building design with his sharp French president Francois Mitterrand was so impressed lines and stark structures, has died in New York, his that he had Pei hired to build a glass pyramid into the sons’ architecture firm said Thursday. He was 102 years courtyard of the Louvre, the world’s most visited museum. old. From the controversial Louvre Pyramid in Paris to the The project was deeply controversial in Paris and Pei landmark Bank of China tower in Hong Kong, the Chinese- endured a roasting from critics before the giant glass born Pei was the mastermind behind works seen as structure opened in 1989, but his creation is now an icon embracing modernity tempered by a grounding in history. of the French capital. “I received many angry glances in Pei Partnership Architects confirmed Pei’s death to AFP. the streets of Paris,” Pei later said, confessing that “after The New York Times, citing Pei’s son Li Chung, said the the Louvre, I thought no project would be too difficult.” architect had died overnight Wednesday into Thursday.