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An Extended Presence, Interstate Style: First Notes on a Theme from Saenz Bernard E
Hofstra Law Review Volume 30 | Issue 4 Article 2 2002 An Extended Presence, Interstate Style: First Notes on a Theme from Saenz Bernard E. Jacob Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/hlr Part of the Law Commons Recommended Citation Jacob, Bernard E. (2002) "An Extended Presence, Interstate Style: First Notes on a Theme from Saenz," Hofstra Law Review: Vol. 30 : Iss. 4 , Article 2. Available at: https://scholarlycommons.law.hofstra.edu/hlr/vol30/iss4/2 This document is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Review by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. Jacob: An Extended Presence, Interstate Style: First Notes on a Theme fr AN EXTENDED PRESENCE, INTERSTATE STYLE: FIRST NOTES ON A THEME FROM SAENZ Bernard E. Jacob* "[Piroperty will [not] be subjected to double or treble taxation. Each state will tax only the capitalreally employed in it.... CONTENTS I. FOUNDER-STATE TRUSTS .......................................................1134 II. AT THE INCEPTION ..................................................................1143 A. Income Taxation in the United States.............................. 1144 B. Legislative History ..........................................................1151 C. What Founder-State Trusts Mean ...................................1153 1. The Theme of Legality ..............................................1157 2. The Theme of Evading Evasion ................................1161 3. The Theme of the Founder's Forfeit ..........................1165 4. A New York Brew .....................................................1169 D. Residence and Domicile: Double Taxation..................... 1171 I. DuE PROCESS AND THE SITUS OF TAx ...................................1179 A. Situs and Domicile ..........................................................1180 B. -
Passeggiate Romane
Passeggiate Romane 18 ITINERARI PER SCOPRIRE, PASSO DOPO PASSO, LE MERAVIGLIE DELLA CITTÀ AZIENDA DI PROMOZIONE TURISTICA DI ROMA PASSEGGIATE ROMANE AZIENDA DI PROMOZIONE TURISTICA DI ROMA Via Parigi, 11 - 00185 Roma Commissario Straordinario: Walter Veltroni Direttore: Guido Improta Realizzazione curata dall’Ufficio Editoria dell’APT di Roma Testi: Fiorenza Rausa Claudia Viggiani Progetto grafico e copertina: Marco Filippetti Foto: Archivio APT Roma In copertina: Foro Traiano Stampa: Stilgrafica Srl Distribuzione gratuita ESTATE • Itinerario 1 L’ACQUA A ROMA: fontane e fontanelle • Itinerario 2 I MOSAICI: da Santa Maria Maggiore a Santa Maria in Trastevere • Itinerario 3 I CHIOSTRI MEDIEVALI • Itinerario 4 G.L. Bernini: Angelo – Ponte Sant’Angelo – Ponte G.L. Bernini: Angelo LUNGO IL TEVERE “È bella Roma, tanto bella che, giuro, tutto il resto mi pare niente di fronte a lei… …Insomma, per dirvi in una parola il mio pensiero su Roma, essa è, dal punto di vista estetico, non solo la più bella città del mondo, ma lo è senza possibilità di paragone con qualunque altra…” Charles de Brosses, Viaggio in Italia, Lettere Famigliari [1739], ed. Parenti, Roma 1957. polpo, fu prontamente ribattezzato «fritto misto». Il Itinerario 1 4 ore ¡ gruppo fu trasferito a Piazza Vittorio e sostituito con L’ACQUA A ROMA: la figura di Glauco in lotta con un tritone. fontane e fontanelle Per i più golosi è d’obbligo una sosta al bar pastic- ceria Dagnino, Via V. Emanuele Orlando 75, dove si Indubbiamente non esiste al mondo città più ricca possono gustare le migliori specialità siciliane, dai di acque e fontane di Roma. -
Macro-Évaluation Et Respect Des Fonds. Réflexion Sur Leur Mise En Œuvre Au Sein Du Gouvernement Du Canada
Macro-évaluation et respect des fonds. Réflexion sur leur mise en œuvre au sein du gouvernement du Canada Robert Nahuet Keywords: Records Appraisal / Évaluation des documents Archival Selection of Government Archives / Sélection des archives gouvernementales Principle of Provenance / Principe de respect des fonds Introduction Le fonds d’archives est une notion fondamentale de l’archivistique qui englobe la production organique et consignée d’une personne ou d’une organisation jouissant d’une certaine autonomie. La production documentaire de cette personne physique ou morale est à l’image de ses activités; elle reflète sa mission et son mandat spécifiques. Le principe de respect des fonds vise, d’une part, à conserver groupés les documents produits par une personne physique ou morale et, d’autre part, quand cela est possible, selon leur ordre originel : ce qui correspond respectivement au premier et au second degré de ce principe. Tant la notion de fonds d’archives que le principe de son respect constituent des fondements de l’archivistique qui ont été établis il y a plus de 150 ans. De nos jours, dans le contexte de l’interaction et de l’interdépendance entre institutions, ces notions sont-elles encore valables et peuvent-elles être mises en œuvre dans le cadre des organisations contemporaines? Par ailleurs, une saine gestion des organisations impose de procéder à une évaluation et à une sélection des masses documentaires produites afin de juguler cette “marée blanche”, mais surtout de retrouver l’information pertinente ainsi que d’identifier et de conserver les archives historiques. À cet égard, nul ne saurait mettre en doute la nécessité de la sélection, mais surtout de l’évaluation qui permettra de séparer le bon grain de l’ivraie1. -
List of State Directors of Farmers' Institutes and Farmers' Institute Lecturers of the United States
Historic, archived document Do not assume content reflects current scientific knowledge, policies, or practices. m UNITED STATES DEPARTMENT OF AGRICULTURE UNITED STATES DEPARTMENT OF AGRICULTURE LIBRARY )CDMH£sc BOOK NUMBER l Ex6G dlll97 ao.51-84a , 1903-1909 «5" 1* &f~K 610 U. S. DEPARTMENT OF AGRICULTURE. OFFICE OF EXPERIMENT STATIONS—CIRCULAR NO. 51. A. C. TRUE, Director. LIST OF STATE DIRECTORS OF AND FARMERS' INSTITUTE LECTURERS OP THE UNITED STATES. BY JOHN HAMILTON, Farmers' Institute Specialist. WASHINGTON: G-OYEKXMEXT FEINTING OFFICE, 19 03. * LETTER OF TRANSMITTAL. U. S. Department of Agriculture, Office of Experiment Stations, Washington, D. C, August 7, 1903. Sir: I have the honor to transmit herewith and to recommend for publication as a circular of this Office a list of names, with addresses, of State directors of farmers' institutes and farmers' institute lecturers of the United States, prepared by John Hamilton, farmers' institute specialist of this Office. This list has been prepared from data received in response to a circular sent to directors of farmers' institutes in the several States and Territories asking for the names of those who have been engaged in farmers' institute work under their direction. It does not include local lecturers employed by local authority. Respectfully, A. C. True, Director. Hon. James Wilson, Secretary of Agriculture. 2 LIST OF STATE DIRECTORS OF FARMERS' INSTITUTES LOT) FARMERS' INSTITUTE LECTURERS, [Corrected to August 1. !!mi:;. ] STATK DIRECTORS OF FARMERS' INSTITUTES. Alabama. — I>r. ('. A. Can, Agricultural Experiment Station, Auhurn; Prof. <i. \\ . Carver, \'\\-k< gee Normal ami Industrial Institute. Tuskegee. ( ALASKA. Prof. C. '. l irorgeson, Sitka. -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
William B. Bailey and Company Fonds 1963.110
Kamloops Museum and Archives William B. Bailey and Company fonds 1963.110 Compiled by Jaimie Fedorak, May 2019 Kamloops Museum and Archives 2019 KAMLOOPS MUSEUM AND ARCHIVES 1963.110 William B. Bailey and Company fonds 1902-1924 Access: Open. Textual 0.09 meters Title: William B. Bailey and Company fonds Dates of Creation: 1902-1924 Physical Description: 9 cm of textual records Administrative History: William B. Bailey and Company was a storage and forwarding agency headquartered in Ashcroft, B.C., which served the Cariboo region. The company was operated by William B. Bailey, who was also business partners with Oliver Harvey in similar enterprises in Ashcroft and Enderby. Scope and Content: Fonds consists of two books of waybills, one Day Book, and one Journal for William B. Bailey and Company. Custodial History: Accession 1963.110 was donated to the Kamloops Museum and Archives on November 9, 1963 by E.J. Maloney, after being found in Ashcroft. 2 KAMLOOPS MUSEUM AND ARCHIVES 1963.110 William B. Bailey and Company fonds 1902-1924 Access: Open. Textual 0.09 meters Notes: Source of supplied title: Title based on contents of fonds. Arrangement: Order that fonds arrived in was maintained by the archivist. Access restrictions: No restrictions on access. The archivist reserves the right to restrict access to any fragile material for preservation purposes. Terms governing use and reproduction: No reproduction permitted without consent of copyright holder. It is the researcher's responsibility to obtain permission for the reproduction of materials for publication or dissemination. Finding aids: File list is available for this collection. -
Cultural Collections Digital Preservation Policy
Digital Preservation Policy Version: 1.0 Last Amendment: 22/11/2019 File name: CC_DigitalPreservationPolicy_Final Policy Owner/Sponsor: Debra Hiom Policy Contact: Debra Hiom Prepared By: Digital Archival Management Working Group Approved By: Digital Archival Management Project Board Date Approved: 07/02/2020 Next Review: 2022 Availability: Public University of Bristol’s Cultural Collections Digital Preservation Policy 1. Introduction 1.1 Cultural Collections at the University of Bristol collects and preserves archival materials to support the University and wider communities in accessing and unlocking the potential of these unique collections. Through preserving and providing access to digital collections it aligns with the University’s Strategic Plan, to ‘revamp our digital infrastructure to make it more resilient, scalable, flexible and secure’ meeting the University’s dual ambitions to become a truly civic university and ‘to provide a welcoming, well-maintained and inclusive campus that provides the infrastructure, both physical and digital, that our staff and students need to succeed individually and to flourish as a community’. 1.2 The Digital Preservation Policy covers the Cultural Collections of the University of Bristol, namely the collaboration between the University of Bristol Library Special Collections, and the Theatre Collection. These organisations are planning to co-locate to a Cultural Collections Centre in a New University Library, and a Cultural Collections Transition Board will be set up for this purpose. 1.3 The University recognises that both archive services are increasingly being asked to care for collections which have been digitised or created in digital form which carry a high risk of becoming obsolete, lost, corrupt or unreadable, if not managed and preserved. -
Hassler's Roma: a Publication That Descrive Tutte Le Meraviglie Intorno Al Nostro Al- Describes All the Marvels, Both Hidden and Not, Bergo, Nascoste E Non
HASSLER’S ROMA A CURA DI FILIPPO COSMELLI Prodotto in esclusiva per l’Hotel Hassler direzione creativa: Filippo Cosmelli direzione editoriale: Daniela Bianco fotografie: Alessandro Celani testi: Filippo Cosmelli & Giacomo Levi ricerche iconografiche: Pietro Aldobrandini traduzione: Logos Srls. - Creative services assistente: Carmen Mariel Di Buono mappe disegnate a mano: Mario Camerini progetto grafico: Leonardo Magrelli stampato presso: Varigrafica, Roma Tutti I Diritti Riservati Nessuna parte di questo libro può essere riprodotta in nessuna forma senza il preventivo permesso da parte dell’Hotel Hassler 2018. If/Books · Marchio di Proprietà di If S.r.l. Via di Parione 17, 00186 Roma · www.ifbooks.it Gentilissimi ospiti, cari amici, Dear guests, dear friends, Le strade, le piazze e i monumenti che circonda- The streets, squares and buildings that surround no l’Hotel Hassler sono senza dubbio parte inte- the Hassler Hotel are without a doubt an in- grante della nostra identità. Attraversando ogni tegral part of our identity. Crossing Trinità de mattina la piazza di Trinità de Monti, circonda- Monti every morning, surrounded by the stair- ta dalla scalinata, dal verde brillante del Pincio case, the brilliant greenery of the Pincio and the e dalla quiete di via Gregoriana, è inevitabile silence of Via Gregoriana, the desire to preser- che sorga il desiderio di preservare, e traman- ve and hand so much beauty down to future ge- dare tanta bellezza. È per questo che sono feli- nerations is inevitable. This is why I am pleased ce di presentarvi Hassler’s Roma: un volume che to present Hassler's Roma: a publication that descrive tutte le meraviglie intorno al nostro al- describes all the marvels, both hidden and not, bergo, nascoste e non. -
India—A Land of Contrasts Feels Safe and Comfortable
PAGE EIGHTEEN trip to India is everything it promises to be... and more!!! People who have Abeen there all offer –oddly enough- the same sage advice: “Look beyond the underlying poverty and let yourself be ‘seduced’ by this extraordinary country and its people. It will mark a ‘Before and After’ in your life and most assuredly you will be anxious to return”. This turned out to be my case… and that of all those who accompanied me on this extraordinary trip to India’s Golden Triangle: Delhi, Jaipur and Agra. India is color in the streets, in the saris, in the outdoor marketplaces… It is also spicy smells, fairy tale palaces, noise, crowds, street vendors selling everything imaginable, and overwhelmingly warm and friendly people. To begin with, I would say that it would be hard to find a more hospitable, open and gracious people than the Indians. With a broad and ready smile, they seem to be more than willing to help you, accompany you to where you are going or even pose for a photo. The country itself makes one feel at home and in these difficulties times, the traveler India—A Land of Contrasts feels safe and comfortable. Even the begging children and the persistent street peddlers will respect your “personal” space and TEXT & PHOTOS BY MURIEL FEINER eventually take NO for an answer, after some insistence. limit themselves to passing just on the right, former Viceroy’s Palace and today the Service in the hotels and restaurants is but they are rambling all over the road. Cars President’s Residence, with no less than 350 impeccable and what they may lack in modern approach head-on, but there seem to be few rooms, and also the circular, colonnaded conveniences and state-of-the-art major accidents—thankfully—because it is Parliament House. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today. -
Last Post Indian War Memorials Around the World
Last Post Indian War Memorials Around the World Introduction • 1 Rana Chhina Last Post Indian War Memorials Around the World i Capt Suresh Sharma Last Post Indian War Memorials Around the World Rana T.S. Chhina Centre for Armed Forces Historical Research United Service Institution of India 2014 First published 2014 © United Service Institution of India All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without prior permission of the author / publisher. ISBN 978-81-902097-9-3 Centre for Armed Forces Historical Research United Service Institution of India Rao Tula Ram Marg, Post Bag No. 8, Vasant Vihar PO New Delhi 110057, India. email: [email protected] www.usiofindia.org Printed by Aegean Offset Printers, Gr. Noida, India. Capt Suresh Sharma Contents Foreword ix Introduction 1 Section I The Two World Wars 15 Memorials around the World 47 Section II The Wars since Independence 129 Memorials in India 161 Acknowledgements 206 Appendix A Indian War Dead WW-I & II: Details by CWGC Memorial 208 Appendix B CWGC Commitment Summary by Country 230 The Gift of India Is there ought you need that my hands hold? Rich gifts of raiment or grain or gold? Lo! I have flung to the East and the West Priceless treasures torn from my breast, and yielded the sons of my stricken womb to the drum-beats of duty, the sabers of doom. Gathered like pearls in their alien graves Silent they sleep by the Persian waves, scattered like shells on Egyptian sands, they lie with pale brows and brave, broken hands, strewn like blossoms mowed down by chance on the blood-brown meadows of Flanders and France.