Interview with Brandon James
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												  MAY 2020 NEW TITLES FICTION WOLF HALL BRING up the BODIES Beautiful Hilary Mantel New Hilary MantelMAY 2020 NEW TITLES FICTION WOLF HALL BRING UP THE BODIES Beautiful Hilary Mantel New Hilary Mantel Winner of the Man Booker Prize Jackets! Winner of the Man Booker Prize 2012 Shortlisted for the Orange Prize Winner of the 2012 Costa Book of the Year Shortlisted for the Costa Novel Award Shortlisted for the 2013 Women’s Prize for Fiction `Dizzyingly, dazzlingly good' Daily Mail ‘Simply exceptional…I envy anyone who hasn’t yet read it’ Daily Mail ‘Our most brilliant English writer’ Guardian ‘A gripping story of tumbling fury and terror’ Independent England, the 1520s. Henry VIII is on the throne, but has no on Sunday heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this With this historic win for Bring Up the Bodies, Hilary Mantel atmosphere of distrust and need comes Thomas Cromwell, becomes the first British author and the first woman to be first as Wolsey's clerk, and later his successor. awarded two Man Booker Prizes. Cromwell is a wholly original man: the son of a brutal By 1535 Thomas Cromwell is Chief Minister to Henry VIII, his blacksmith, a political genius, a briber, a charmer, a bully, a fortunes having risen with those of Anne Boleyn, the king’s man with a delicate and deadly expertise in manipulating new wife. But Anne has failed to give the king an heir, and people and events. Ruthless in pursuit of his own interests, he Cromwell watches as Henry falls for plain Jane Seymour. is as ambitious in his wider politics as he is for himself.
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												  Champagne and Good Food – and I'm in Heaven and Love MarilynChampagne and good food – and I’m in heaven and love Marilyn Monroen suhde ruokaan kirjallisuuden valossa Helsingin yliopisto Käyttäytymistieteellinen tiedekunta Opettajankoulutuslaitos Kotitalousopettajan koulutus Pro gradu -tutkielma Kotitaloustiede Maaliskuu 2011 Sirkku Aaltonen Ohjaaja: Päivi Palojoki Tiedekunta - Fakultet - Faculty Laitos - Institution - Department Käyttäytymistieteellinen Opettajankoulutuslaitos Tekijä - Författare - Author Sirkku Lilli Päivikki Aaltonen Työn nimi - Arbetets titel Champagne and good food – and I’m in heaven and love Title Marilyn Monroen suhde ruokaan kirjallisuuden valossa Oppiaine - Läroämne - Subject Kotitaloustiede Työn laji/ Ohjaaja - Arbetets art/Handledare - Aika - Datum - Month and Sivumäärä - Sidoantal - Number of Level/Instructor year pages Pro gradu -tutkielma / Päivi Palojoki 3/2011 78 s + 11 liites. Tiivistelmä - Referat - Abstract Tavoitteet. Tutkimuksen tavoitteena on selvittää, millainen oli Marilyn Monroen suhde ruo- kaan niin kuin se ilmenee hänestä kirjoitetussa kirjallisuudessa. Tarkastelun kohteena oli Marilynin aikuisikä, joka kattoi vuodet 1942–1962. Tällä aikavälillä Marilyn oli 16–36 – vuotias ja pääasiallisesti vastuussa omasta ruokailustaan. Tutkimuksessa kiinnitettiin huo- miota seuraaviin asioihin: millaista ruokaa Marilyn söi, miten eri elämänvaiheet vaikuttivat hänen ruokailuunsa, oliko hänen nauttimansa ruoka itse valmistettua vai jonkun muun val- mistamaa, kuinka kiinnostunut hän oli ruoasta sekä millaisesta ruoasta hän piti. Tutkimuk- sessa otettiin huomioon myös
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												  My Week with Marilyn 2011MY WEEK WITH MARILYN by Adrian Hodges Shooting Script dated 27 August 2010 Pink Revisions: 17 September 2010 Blue Revisions: 05 October 2010 PRODUCTION OFFICE: Trademark (Marilyn) Ltd 'A' Block Pinewood Studios Iver Heath Bucks SL0 0NH Tel: +44 (0)1753 656385 E-mail: [email protected] 1 EXT. TILBURY DOCKS. DAY. 1 Over a DARK SCREEN we see the caption: “This is a fairy story, an episode out of time and space, which nevertheless was real” - Colin Clark. Then, FADE UP ON: Newsreel footage of SIR LAURENCE OLIVIER AND VIVIEN LEIGH arriving back at Tilbury Docks to be greeted by an excited crowd of fans. As they progress down the gangplank and stop to sign autographs we HEAR an excited commentary OVER: COMMENTATOR “Returning to England are Britain’s acting royalty Sir Laurence Olivier and Lady Olivier, better known as stunning Gone With The Wind star Vivien Leigh. Sir Laurence has added a new string to his bow with the announcement that he is to direct and star in a screen version of Terence Rattigan’s stage play The Sleeping Prince with none other than Hollywood siren Marilyn Monroe. When the world’s greatest actor romances the most famous woman alive, we can be sure that sparks will fly. Now, now Lady Olivier, don’t worry - any romance is strictly for the camera!” As OLIVIER and VIVIEN smile for the photographers, we - CUT TO: 2 EXT. SALTWOOD CASTLE. DAY. 2 It is 1956. Saltwood Castle, the ancestral home of the Clark family, looms over the landscape, framed by the setting sun.
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												  In St It Utodeestud Io Snorteamer Ic AnosDIAS DAYS A n o V I APRIL 26 - MAY 3 N u m . 2 O B E l T i n t e r o obra original de Carlos Muniz, sera representada en el Teatro del Institulo los d'tas 28, 29 y 30 de abril. (Cease ultima pagina) INSTITUTO DE ESTUDIOS NORTEAMERICANOS Via Augusta, 123 - TelSIonos Z27 76 31 - Z17 73 9B - 228 90 38 . BARCELONA - 6 PROGRAM APRIL, 26 - MAY, 3 S u n d a y 2 6 11:00 a. m. Ensayo de “EL TINTERO”. Teatro. NOTE: The FILM SHOWING of the “THIS HAPPY FEELING” scheduled for today has been postponed to Saturday, May 2nd. M o n d a y 2 7 5:00 p. m. LADIES SECTION M EETIN G . Canasta-Bridge. Senior Member Lounge. 7th floor. 7:30 p. m. Ensayo General de “EL TINTERO”. Teatro. T u e s d a y 2 8 7:30 p. m. Representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 15 ptas.; no socios, 25 ptas. Wednesday 29 7:30 p. m. Representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 15 ptas.; no socios, 25 ptas. Thursday 30 10:45 p. m. LJltima representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 20 ptas.; no socios, 35 ptas.
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												  Stanley Kubrick, Spartacus and 1950S Jewish Masculinity Abrams, NDBecoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish ANGOR UNIVERSITY Masculinity Abrams, N.D.; Abrams, N. Adaptation: The Journal of Literature on Screen Studies DOI: 10.1093/adaptation/apv006 PRIFYSGOL BANGOR / B Published: 30/03/2015 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Abrams, N. D., & Abrams, N. (2015). Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity. Adaptation: The Journal of Literature on Screen Studies, 8(3), 283-296. https://doi.org/10.1093/adaptation/apv006 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 29. Sep. 2021 Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity ‘The New York and Jewish origins and backgrounds of many of those associated with Spartacus – Douglas, Kubrick, and Curtis, among others – provide a political and cultural subtext to the film’ (Girgus 95).
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												  Value Added: Jews in Postwar American Culture 69Value Added: Jews in Postwar American completely secularized, even surpas. skepticism. So complete ~ triur Bless America" (1918, rev. 1938rcOl: Value Added: Jews in Postwar gled Banner" as the national antherr remember. The principle of separatiOi American Culture obstacle. 2 Until the early 1960s, however, th. pluralism were unrealized. Although Stephen J. Whitfield dency has not recurred, John F. Ker (BRANDEIS UNIVERSITY) longer necessary for the holder of the years later, another symbolic defeal conformity with the landmark U.S. Though Protestantism had long unoft the country, the Supreme Court bann five New York children challenged Americans are "descended from the same ancestors, speaking the same language, graders was eleven-year-old Joe Rotn professing the same religion, attached to the same principles of government, very graduation, he later recalled, some of similar in their manners and customs," John Jay wrote in The Federalist No.2, in before talking to him.) The shock Wi defense of the new Constitution. 1 At least he got the politics right: All the basic Long Island and across the country. A political institutions of the United States had been created by the end of the eigh the Supreme Court's ruling, and lib· teenth century, and none since then. But the Framers could scarcely have imagined their outrage. Two years later, the Re how the culture would keep shifting into new configurations. Regional and ethnic whether 1964 was "the time for our I customs would vary widely, new languages would get injected (at least for one or our school rooms"; and a conservativ two generations) and religious pluralism would become legitimated, largely because increasing antisemitism if the Jews ~ Americans increasingly did not have the same ancestors.
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												  Jews and HollywoodFrom Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.
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												  Marilyn Monroe's Star Canon: Postwar American Culture and the SemioticsUniversity of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
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												  Documenting the Director: Delbert Mann, His Life, His Work, and His Papershttp://spider.georgetowncollege.edu/htallant/border/bs10/fr-harw.htm Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 10 (1995) DOCUMENTING THE DIRECTOR: DELBERT MANN, HIS LIFE, HIS WORK, AND HIS PAPERS Sarah Harwell Vanderbilt University Library The Papers of Delbert Mann at the Special Collections Library of Vanderbilt University provide not only a rich chronicle of the award-winning television and motion picture director's life and work, but also document the history of aspects of American popular culture and motion picture art in the latter half of the twentieth century. Delbert Mann was born in Lawrence, Kansas, in 1920. He moved to Nashville, which he considers his home town, as a young boy when his father came to teach at Scarritt College. He graduated from Hume-Fogg High School and Vanderbilt University, where Dinah Shore and Mann's future wife, Ann Caroline Gillespie, were among his classmates. Also in Nashville he developed a lifelong friendship with Fred Coe through their mutual involvement in the Nashville Community Playhouse. Coe would play a very important role in Mann's life. A few months after his graduation from Vanderbilt in 1941, Mann joined the Eighth Air Force, for which he completed thirty-five missions as a pilot of a B-24 bomber. After the end of the Second World War he attended the Yale Drama School, followed by two years as director of the Town Theatre of Columbia, South Carolina. In 1949, Fred Coe, already a producer at NBC television network, invited Delbert Mann to come to New York to direct live television drama on the "Philco Television Playhouse." Then in its infancy, television offered many fine original plays to its relatively small viewing audience.
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												  MY WEEK with MARILYN Written by Adrian Hodges 1 EXT. TILBURY DOCKS. DAY. 1 Over a DARK SCREEN We See the CaptionMY WEEK WITH MARILYN Written by Adrian Hodges 1 EXT. TILBURY DOCKS. DAY. 1 Over a DARK SCREEN we see the caption: "This is a fairy story, an episode out of time and space, which nevertheless was real" - Colin Clark. Then, FADE UP ON: Newsreel footage of SIR LAURENCE OLIVIER AND VIVIEN LEIGH arriving back at Tilbury Docks to be greeted by an excited crowd of fans. As they progress down the gangplank and stop to sign autographs we HEAR an excited commentary OVER: COMMENTATOR "Returning to England are Britain's acting royalty Sir Laurence Olivier and Lady Olivier, better known as stunning Gone With The Wind star Vivien Leigh. Sir Laurence has added a new string to his bow with the announcement that he is to direct and star in a screen version of Terence Rattigan's stage play The Sleeping Prince with none other than Hollywood siren Marilyn Monroe. When the world's greatest actor romances the most famous woman alive, we can be sure that sparks will fly. Now, now Lady Olivier, don't worry - any romance is strictly for the camera!" As OLIVIER and VIVIEN smile for the photographers, we - CUT TO: 2 EXT. SALTWOOD CASTLE. DAY. 2 It is 1956. Saltwood Castle, the family home of the Clark family, looms over the landscape, framed by the setting sun. It is majestic, an Englishman's dream of a home, complete with turrets and even a moat. There is a feeling of timeless beauty and stability about the scene, something profoundly English. We are a very long way from Hollywood.
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												  Norma Jeane (De)Constructs Marilyn Monroe: Joyce Carol Oates' Blonde1 Bilge MutluayJournal of American Studies of Turkey 18 (2003) : 15-24 Norma Jeane (De)Constructs Marilyn Monroe: Joyce Carol Oates' Blonde1 Bilge Mutluay Raymond Federman, the contemporary American writer who fictionalizes parts of his life experiences, was once challenged by one of his readers to prove that a certain event really happened to him. In retrospect, he comments on the connections between narrating an experience faithfully and creating stories from the memory of that experience: […] fiction and autobiography are always interchangeable, just as life and fiction, fact and fiction, language and fiction, that is to say history and story are interchangeable. And this is because […] the STORY always comes first. Or to put it slightly different: everything is fiction, because everything always begins in language, everything is language. The great silence within us must be decoded into words in order to be and to mean. (Federman 42) Readers may be curious about life stories or seriously interested in the experiences of others or simply seek to know more about the scandalous affairs of celebrities. Whatever their reasons for reading biographies are, stories about one’s life raise questions on the factuality of the text. Biographers may claim that they have represented their subjects faithfully, yet, as Federman puts it, naturally "a great deal of suspicion may arise as to the reliability of its facts" (40). 1 This is a revised and expanded version of the paper presented at the 27th Annual American Studies Seminar, Myths and Legends in America: America in Myths and Legends, November 6-9, 2002 in Çeşme, İzmir.
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												  Films on Jewish Culture, History, and Current AffairsSEVENTH ART RELEASING FILMS ON JEWISH CULTURE, HISTORY, AND CURRENT AFFAIRS Fall 2014 ABOUT 7TH ART NEW RELEASES FROM 7TH ART Seventh Art Releasing was founded in 1994 by Udy Epstein and Jonathan 50 CHILDREN: THE RESCUE MISSION OF MR. & MRS. KRAUS Cordish to distribute award-winning independent and foreign films to Directed by Steven Pressman 63 min. audiences in the United States and abroad. With a focus on Jewish culture, “Heart-wrenching, thrilling and above all history and current affairs, our films (including The Long Way Home, relevant.” —The New York Times Eyewitness, and many others) have been nominated for and received Gilbert and Eleanor Kraus never intended to become heroes. But in Academy Awards, Emmy Awards, and almost every major festival award. early 1939, as conditions were worsening for Jews living inside Nazi Germany, the Philadelphia couple embarked on a risky and improbable mission—an effort to rescue 50 Jewish children and bring Our films cover topics such as the Holocaust, Israel, Jewish culture, Jewish them to safety in the United States. music, important and influential Jewish figures, the Middle East, politics, social issues, conflict, comedy, children’s films, love and marriage, and The couple faced imposing obstacles. The United States government was largely indifferent to the plight of Jewish refugees. The Krauses, who were Jewish, also had to face the sports along with many films that defy categorization. risks of traveling into Nazi Germany and dealing with the Gestapo and other Nazi officials in their effort to carry out their bold rescue plan. 50 CHILDREN: THE RESCUE MISSION OF MR.