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Jew Taboo: Jewish Difference and the Affirmative Action Debate
The Jew Taboo: Jewish Difference and the Affirmative Action Debate DEBORAH C. MALAMUD* One of the most important questions for a serious debate on affirmative action is why certain minority groups need affirmative action while others have succeeded without it. The question is rarely asked, however, because the comparisonthat most frequently comes to mind-i.e., blacks and Jews-is seen by many as taboo. Daniel A. Farberand Suzanna Sherry have breached that taboo in recent writings. ProfessorMalamud's Article draws on work in the Jewish Studies field to respond to Farberand Sherry. It begins by critiquing their claim that Jewish values account for Jewish success. It then explores and embraces alternative explanations-some of which Farberand Sheny reject as anti-Semitic-as essentialparts of the story ofJewish success in America. 1 Jews arepeople who are not what anti-Semitessay they are. Jean-Paul Sartre ha[s] written that for Jews authenticity means not to deny what in fact they are. Yes, but it also means not to claim more than one has a right to.2 Defenders of affirmative action today are publicly faced with questions once thought improper in polite company. For Jewish liberals, the most disturbing question on the list is that posed by the comparison between the twentieth-century Jewish and African-American experiences in the United States. It goes something like this: The Jews succeeded in America without affirmative action. In fact, the Jews have done better on any reasonable measure of economic and educational achievement than members of the dominant majority, and began to succeed even while they were still being discriminated against by this country's elite institutions. -
Chicken Wire and Telephone Calls: on Robert Caro
30 The Nation. December 10, 2012 LBJ PRESIDENTIAL LIBRARY/YOICHI OKAMOTO LBJ PRESIDENTIAL LIBRARY/YOICHI President Lyndon B. Johnson, October 22, 1968 Chicken Wire and Telephone Calls by THOMAS MEANEY obert Caro has been tracking his great The Years of Lyndon Johnson simply to be always the greediest, most ambi- white whale for thirty years now. As The Passage of Power. tious and ruthless man in the room. with any undertaking of this scale, an By Robert A. Caro. This is a serious criticism, but like the Knopf. 712 pp. $35. aura of legend attaches to the labor. journalistic halo over Caro, it confuses First there is the Ahab-like devotion to post-1960 scholarship. All of this fact- the trappings of his achievement for its Rwith which he has pursued the life of Lyndon hunting and what you might call Method core. Caro has always been more valuable Baines Johnson. In 1977, not long after pub- research has made Caro—who started his as a guide to how power works in postwar lishing his epic biography of Robert Moses, career as a reporter for Newsday—something America in particular than how it works New York City’s master builder, Caro de- of a hero for American journalists: he is the in some general abstract sense. Biography camped to Texas Hill Country for three years guildsman who made good and raised their would not initially seem to be the form best to take in the air of LBJ’s childhood. He spent craft to a level that academics can only envy. -
The Holocaust: Full Book List
Page 1 Holocaust Books for Young Readers Prejudice, Discrimination, Tolerance, Bullying, Being an Upstander The Sneetches by Dr. Seuss (1961) – Ages 4 - 8 Picture book that teaches children to be tolerant through a metaphor of what happened during the Holocaust https://greenvilleartspartnership.files.wordpress.com/2010/12/thesneetchesguide.p df https://www.teachingchildrenphilosophy.org/BookModule/TheSneetches Terrible Things: Allegory of the Holocaust by Eve Bunting (1996) Ages 6 and up. The author teaches children about the Holocaust through an allegory using animals. This introduction to the Holocaust encourages young children to stand up for what they think is right, without waiting for others to join them. It shows young readers the dangers of being silent in the face of danger. https://rapickering.files.wordpress.com/2011/08/terrible-things-questions.docx ______________________________________________________________ Brundibar by Toni Kushner (2003) – Ages 6 - 9 Picture book based on the Czech Opera performed by the children of Terezin. Brundibar tells the story of a brother and sister who stand up against tyranny with the help of other children in order to help their sick mother. http://www.ratiotheatre.org/Brund-SG www.pbs.org/now/arts/brundibar.html _____________________________________________________________ Star of Fear, Star of Hope by Jo Hoestlandt (1993) – Ages 7 - 10 The story of a nine year old girl who is confused by the disappearance of her Jewish friend during the Nazi occupation of Paris. www.holyfamilyregional.com/.../Star%20of%20Fear%20Star%20of%20Hope.p df _____________________________________________________________ Page 2 Mischling, Second Degree: My Childhood in Nazi Germany by Ilse Koehn (1977) Ages 11 - 14 A memoir of Ilse Koehn who is classified a Mischling, second degree citizen in Nazi Germany. -
Annual Report 2018
ANNUAL REPORT 2018 JULY 1, 2017 – JUNE 30, 2018 be out-of-date or reflect the bias and expeditionary initiative, which traveled to SCIENCE stereotypes of past eras, the Museum is Transylvania under Macaulay Curator in endeavoring to address these. Thus, new the Division of Paleontology Mark Norell to 4 interpretation was developed for the “Old study dinosaurs and pterosaurs. The Richard New York” diorama. Similarly, at the request Gilder Graduate School conferred Ph.D. and EDUCATION of Mayor de Blasio’s Commission on Statues Masters of Arts in Teaching degrees, as well 10 and Monuments, the Museum is currently as honorary doctorates on exobiologist developing new interpretive content for the Andrew Knoll and philanthropists David S. EXHIBITION City-owned Theodore Roosevelt statue on and Ruth L. Gottesman. Visitors continued to 12 the Central Park West plaza. flock to the Museum to enjoy the Mummies, Our Senses, and Unseen Oceans exhibitions. Our second big event in fall 2017 was the REPORT OF THE The Gottesman Hall of Planet Earth received CHIEF FINANCIAL announcement of the complete renovation important updates, including a magnificent OFFICER of the long-beloved Gems and Minerals new Climate Change interactive wall. And 14 Halls. The newly named Allison and Roberto farther afield, in Columbus, Ohio, COSI Mignone Halls of Gems and Minerals will opened the new AMNH Dinosaur Gallery, the FINANCIAL showcase the Museum’s dazzling collections first Museum gallery outside of New York STATEMENTS and present the science of our Earth in new City, in an important new partnership. 16 and exciting ways. The Halls will also provide an important physical link to the Gilder All of this is testament to the public’s hunger BOARD OF Center for Science, Education, and Innovation for the kind of science and education the TRUSTEES when that new facility is completed, vastly Museum does, and the critical importance of 18 improving circulation and creating a more the Museum’s role as a trusted guide to the coherent and enjoyable experience, both science-based issues of our time. -
In St It Utodeestud Io Snorteamer Ic Anos
DIAS DAYS A n o V I APRIL 26 - MAY 3 N u m . 2 O B E l T i n t e r o obra original de Carlos Muniz, sera representada en el Teatro del Institulo los d'tas 28, 29 y 30 de abril. (Cease ultima pagina) INSTITUTO DE ESTUDIOS NORTEAMERICANOS Via Augusta, 123 - TelSIonos Z27 76 31 - Z17 73 9B - 228 90 38 . BARCELONA - 6 PROGRAM APRIL, 26 - MAY, 3 S u n d a y 2 6 11:00 a. m. Ensayo de “EL TINTERO”. Teatro. NOTE: The FILM SHOWING of the “THIS HAPPY FEELING” scheduled for today has been postponed to Saturday, May 2nd. M o n d a y 2 7 5:00 p. m. LADIES SECTION M EETIN G . Canasta-Bridge. Senior Member Lounge. 7th floor. 7:30 p. m. Ensayo General de “EL TINTERO”. Teatro. T u e s d a y 2 8 7:30 p. m. Representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 15 ptas.; no socios, 25 ptas. Wednesday 29 7:30 p. m. Representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 15 ptas.; no socios, 25 ptas. Thursday 30 10:45 p. m. LJltima representacion de “EL T IN T E R O ” de Carlos Muniz, por el Grupo de Teatro Experimental en Castellano del Comite de Estudiantes. Tickets: socios, 20 ptas.; no socios, 35 ptas. -
Stanley Kubrick, Spartacus and 1950S Jewish Masculinity Abrams, ND
Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish ANGOR UNIVERSITY Masculinity Abrams, N.D.; Abrams, N. Adaptation: The Journal of Literature on Screen Studies DOI: 10.1093/adaptation/apv006 PRIFYSGOL BANGOR / B Published: 30/03/2015 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Abrams, N. D., & Abrams, N. (2015). Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity. Adaptation: The Journal of Literature on Screen Studies, 8(3), 283-296. https://doi.org/10.1093/adaptation/apv006 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 29. Sep. 2021 Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity ‘The New York and Jewish origins and backgrounds of many of those associated with Spartacus – Douglas, Kubrick, and Curtis, among others – provide a political and cultural subtext to the film’ (Girgus 95). -
Overcoming Financial and Institutional Barriers to TOD: Lindbergh Station Case Study
Overcoming Financial and Insitutional Barriers to TOD Overcoming Financial and Institutional Barriers to TOD: Lindbergh Station Case Study Eric Dumbaugh Abstract While transit-oriented development has been embraced as a strategy to address a wide range of planning objectives, from minimizing automobile dependence to im- proving quality of life, there has been almost no examination into the practices that have resulted in the actual development of one. This study examines Atlanta’s Lindbergh Station TOD to understand how a real-world development was able to overcome the substantial development barriers that face these developments. It finds that transit agencies have a largely underappreciated ability to overcome the land assembly and project financing barriers that have heretofore prevented the develop- ment of these projects. Further, because they provide a means from converting capi- tal investment into positive operating returns, this study finds that development projects provide transit agencies with a unique means of overcoming the capital bias in funding apportionment mechanisms. This latter factor will undoubtedly play a key role in increasing the popularity of transit-agency sponsored TOD projects in the future. 43 Journal of Public Transportation, Vol. 7, No. 3, 2004 Introduction Transit-oriented development (TOD), which seeks to encourage transit and walk- ing as a travel mode by clustering mixed-use, higher density development around transit stations (Calthorpe 1993), has become popularly embraced as a strategy for mitigating a host of social ills, such as sprawl, automobile dependence, travel congestion, air pollution, and physical health, among others (Belzer and Autler 2002; Cervero et al. 2002; Frank et al. -
2019 BIO Program Rev3.Indd
MAY 17–1 9, 2019 BIOGRAPHERS INTERNATIONAL CONFERENCE NEW YORK CITY LEON LEVY CENTER FOR BIOGRAPHY THE GRADUATE CENTER CITY UNIVERSITY OF NEW YORK The 2019 Plutarch Award Biographers International Organization is proud to present the Plutarch Award for the best biography of 2018, as chosen by our members. Congratulations to the ten nominees: The 2019 BIO Award Recipient: James McGrath Morris James McGrath Morris first fell in love with biography as a child reading newspaper obituaries. In fact, his steady diet of them be- came an important part of his education in history. In 2005, after a career as a journalist, an editor, a book publisher, and a school- teacher, Morris began writing books full-time. Among his works are Jailhouse Journalism: The Fourth Estate Behind Bars; The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism; Pulitzer: A Life in Politics, Print, and Power; Eye on the Struggle: Ethel Payne, The First Lady of the Black Press, which was awarded the Benjamin Hooks National Book Prize for the best work in civil rights history in 2015; and The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War. He is also the author of two Kindle Singles, The Radio Operator and Murder by Revolution. In 2016, he taught literary journalism at Texas A&M, and he has conducted writing workshops at various colleges, universities, and conferences. He is the progenitor of the idea for BIO and was among the found- ers as well as a past president. -
A Republic...If You Can Keep It Essays and Reviews by Michael Burlingame, Charles C
VOLUME XIII, NUM BER 1, WINTER 2012/13 A Journal of Political Thought and Statesmanship A Republic...If You Can Keep It Essays and Reviews by Michael Burlingame, Charles C. Johnson, Michael Nelson, Ronald J. Pestritto, Richard Vedder, William Voegeli, and Ryan P. Williams Plus Victor Davis James Hankins: Hanson: Christopher Caldwell: Protestants Algis Valiunas: Imperial Burdens Gay Rites Gone Wild Leo Tolstoy Martha Bayles: Cheryl Miller: Benjamin Balint: Lincoln & Downton Abbey Salman Rushdie Django Unchained PRICE: $6.95 IN CANADA: $6.95 mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm Book Review by Michael Nelson Too Much Information The Passage of Power: The Years of Lyndon Johnson, by Robert A. Caro. Alfred A. Knopf, 736 pages, $35 obert a. caro began working on Caro turned 77 in October, however, and has Caro’s interpretation. Although the Johnson a biography of Lyndon Johnson in been requiring more time to account for his of Lone Star Rising and Flawed Giant is almost R1974, the year he published his award- subject’s life, which is understandable since it as unattractive as the man Caro describes, winning The Power Broker: Robert Moses and grew increasingly complex and consequential. Dallek argued that Johnson’s personal ambi- the Fall of New York. He meant The Years of At every stage of The Years of Lyndon Johnson, tion served a larger lifelong cause: to integrate Lyndon Johnson to be a six-year, three-volume Caro has underestimated the number of in- the South into the nation by developing its project. Instead, Caro’s first volume,The Path stallments to come and the number of years economy and ending racial segregation. -
1.20: Mandatory Minimums Guests: Mayor Karen Freeman-Wilson and Kathleen “Bird” York
The West Wing Weekly 1.20: Mandatory Minimums Guests: Mayor Karen Freeman-Wilson and Kathleen “Bird” York [Intro Music] JOSH: You're listening to “The West Wing Weekly.” I'm Joshua Malina. HRISHI: And I'm Hrishikesh Hirway. Today we're talking about Episode 20 from Season 1. It's called "Mandatory Minimums." JOSH: It was written by fan favorite Aaron Sorkin, and it was directed by Bob Berlinger - incredibly nice, funny, great guy and an excellent director. I worked with him on, I think, something like twelve episodes of Sports Night . He directed me in my brief appearance in a TV movie starring Charisma Carpenter called See Jane Date , and - he's great. HRISHI: And now he's directing See Jane Cregg . JOSH: Ah. There you go! HRISHI: Coming up later in the episode, we're going to be joined by Mayor Karen Freeman- Wilson of Gary, Indiana to talk to us about the issue of mandatory minimums, and we're going to be joined by Kathleen York, who makes her first appearance in the series guest-starring as Andrea Wyatt. JOSH: Ok, music guy: Gary, Indiana. Made famous in what musical? HRISHI: Our Town ? JOSH: Good guess, but it's not a musical. HRISHI: [laughs] Our Town isn't a musical? JOSH: So, I guess that would be among the worst possible guesses. HRISHI: [laughs] It's on a stage! JOSH: There's a song in The Music Man - oh, now I've given it away - The Music Man . HRISHI: Is it The Music Man ? JOSH: Since your original guess was a straight play, I figured I'd just zoom right ahead to the correct answer: The Music Man. -
Essays on Humor and Identity in American Jewish Fiction
UNLV Retrospective Theses & Dissertations 1-1-2004 Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction Jason Paul Steed University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Steed, Jason Paul, "Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction" (2004). UNLV Retrospective Theses & Dissertations. 2577. http://dx.doi.org/10.25669/501a-0s8y This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. E56AYS(3NPnJNK%tAfü3E&ENTTrf n^/UÆEKKLANTEM%SHI%CTK%% by Jason Paul Steed Bachelor of Arts Brigham Young University 1995 Master of Fine Arts University of Idaho 1999 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2004 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3143390 Copyright 2004 by Steed, Jason Paul All rights reserved. -
David Greenberg
DAVID GREENBERG Professor of History Professor of Journalism & Media Studies Rutgers University, The State University of New Jersey 4 Huntington Street, New Brunswick, NJ 08901 646.504.5071 • [email protected] Education. Columbia University, New York, NY. PhD, History. 2001. MPhil, History. 1998. MA, History. 1996. Yale University, New Haven, CT. BA, History. 1990. Summa cum laude. Phi Beta Kappa. Distinction in the major. Academic Positions. Rutgers University, New Brunswick, NJ. Professor, Departments of History and Journalism & Media Studies. 2016- . Associate Professor, Departments of History and Journalism & Media Studies. 2008-2016. Assistant Professor, Department of Journalism & Media Studies. 2004-2008. Appointment to the Graduate Faculty, Department of History. 2004-2008. Affiliation with Department of Political Science. Affiliation with Department of Jewish Studies. Affiliation with Eagleton Institute of Politics. Columbia University, New York, NY. Visiting Associate Professor, Department of History, Spring 2014. Yale University, New Haven, CT. Lecturer, Department of History and Political Science. 2003-04. American Academy of Arts & Sciences, Cambridge MA. Visiting Scholar. 2002-03. Columbia University, New York, NY. Lecturer, Department of History. 2001-02. Teaching Assistant, Department of History. 1996-99. Greenberg, CV, p. 2. Other Journalism and Professional Experience. Politico Magazine. Columnist and Contributing Editor, 2015- The New Republic. Contributing Editor, 2006-2014. Moderator, “The Open University” blog, 2006-07. Acting Editor (with Peter Beinart), 1996. Managing Editor, 1994-95. Reporter-researcher, 1990-91. Slate Magazine. Contributing editor and founder of “History Lesson” column, the first regular history column by a professional historian in the mainstream media. 1998-2015. Staff editor, culture section, 1996-98. The New York Times.