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Issue of Blake
BLAKE AN ILLUSTRATED QUARTERLY PBOCJLAllATION TIRED OF THE SPECTACLE OF SHORT STORIES, NOVELS, POEMS AND PLAYS STILL UNDER THE HEGEMONY OF THE BANAL WORD, MONO TONOUS SYNTAX, STATIC PSYCHOLOGY, DESCRIPTIVE NATURALISM, AND DESIROUS OF CRYSTALLIZING A VIEWPOINT ••• WE HEREBY DECLARE THAT : 1. THE REVOLUTION IN THE ENGLISH LANGUAGE IS AN AC COl\IPLISHED FA CT. 2. THE lllAGINATION IN SEARCH OF A FABULOUS WORLD IS AUTONOMOUS AND UNCONFINED. (Prudence is a rich, ugly old maid courted by Incapacity ... Blake) 3. PURE POETRY IS A LYRICAL ABSOLUTE THAT SEEKS AN A PRIORI BEAUTY WITHIN OURSELVES ALONE. (Bring oul number, weight and measure in a year of dearth ... ~lake) 4. NARRATIVE IS NOT .llERE ANECDOTE, BUT THE PROJEC TION OF A METAMORPHOSIS OF REALITY. (Enough I Or Too Much !... Blake) 6. THE EXPRESSION OF THESE CONCEPTS CL\lV BE ACHIEVED ONLY THROUGH THE RHYTHMIC " HALLUCINATION OF THE WORD ". (Rimbaud). 6. THE LITERARY CREATOR HAS THE RIGHT TO DISINTE GRATE THE PRIMAL llA'ITER OF WORDS IMPOSED ON HDI BY TEXT-BOOKS A.~D DICTIONARIES. (The road of excess leads to the palace of Wisdom ... Blake) 7. HE HAS THE RIGHT TO USE WORDS OF HIS OWN FASH IO~NG AND TO DISREGARD EXISTJNG GRAMMATICAL AND SYNTACTICAL LAWS. (The tigers of wrath are wiser lhan the horses of inslruclion ... Blake) 8. THE" LITANY OF WORDS" IS ADMI'ITED AS AN INDEPEN DE~T lJ-:\TIT. 9. WE ARE NOT CONCERNED WITH THE PROPAGATION OF SOCIOLOGICAL IDEAS, EXCEPT TO Ei\IANCJPATE THE CREATIVE El,E..\lEi"VTS FROl\I THE PRESENT IDEOLOGY. 10. TL\IE IS A TYRANNY TO BE ABOLISHED. -
74 the Seventeenth Century Article by Alain on Saint-Simon,142 and E
74 The Seventeenth Century article by Alain on Saint-Simon,142 and E. Delval draws from Limbo an early pamphlet, Telemacomanie, in which a con temporary busybody dares to measure himself against Fenelon. 143 THE EIGHTEENTH CENTURY By H. TEMPLE PATTERSON [The place of publication is Paris unless otherwise stated. An asterisk denotes that a book does not deal exclusively with the eighteenth century] I. GENERAL LANGUAGE. F. Brunot, Histoire de la Langue Fra1Zfaise: La Rivolution et l'Empire, ii: Les ivenements, les institutions et la langue, Colin, 660 pp. HISTORY OF LITERATURE. E. Abry, P. Crouzet, J. Beroes et J. Leger, Les Grands Ecrivains de France illustres, iv: Le dix-huitibne siecle, Didier, 424 pp.-P. Russel, The Glittering Century, N.Y., Scribner (18th-century studies).-Chapman, Cons, Levengood and Vree land, Anthology of Eighteenth Century French Literature, Princeton Univ. Press, 1937, 529 pp. RELIGION AND THOUGHT. G. Dumas, Histoire du Journal de Trevoux depuis 170ljusqu'en 1762, Boivin, 1936, 210 pp.-·M. Nicholson, A World in the Moon: A Study of the Changing Attitude toward the Moon in the 17th and 18th Centuries, Smith Coll. Studies in Mod. Lang., 1936,72 pp.-H. Hastings,ManandBeastinFrench Thought of the Eighteenth Century, Baltimore, Johns Hopkins Press, and D.U.P. II. FOREIGN RELATIONS AND COMPARATIVE LITERATURE FOREIGN INFLUENCES IN FRANCE. T. J. Beck, Northern Antiquities in French Learning and Literature (1755-1855), vol. ii: The Odin Legend and the Oriental Fascination, N.Y., Columbia Univ. (re viewed P. van Tieghem, RLC, juillet-sept. I936).-D. S. von Mohrenschildt, Russia in the Intellectual Life of Eighteenth-century France, D.U.P.-·N. -
Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F
Exoticism and the Jew: Racine's Biblical Tragedies by Stanley F. Levine pour B. Ponthieu [The Comedie franchise production of Esther (1987) delighted and surprised this spectator by the unexpected power of the play itself as pure theater, by the exotic splendor of the staging, with its magnificent gold and blue decor and the flowing white robes of the Israelite maidens, and most particularly by the insistent Jewish references, some of which seemed strikingly contemporary. That production underlies much of this descussion of the interwoven themes of exoticism and the Jewish character as they are played out in Racine's two final plays.] Although the setting for every Racinian tragedy was spatially or temporally and culturally removed from its audience, the term "exotic" would hardly be applied to most of them. With the exception of Esther and Athalie, they lack the necessary 'local color' which might give them the aura of specificity.1 The abstract Greece of Andromaque or Phedre, for example, pales in comparison with the more circumstantial Roman world of Shakespeare's Julius Caesar and Titus Andronicus, to say nothing of the lavish sensual Oriental Egypt in which Gautier's Roman de la Momie luxuriates. To be sure, there are exotic elements, even in Racine's classical tragedies: heroes of Greco-Roman history and legend, melifluous place and personal names ("la fille de Minos et de Pasiphae"), strange and barbaric customs (human sacrifice in Iphigenie). Despite such features, however, the essence of these plays is ahistorical. Racine's Biblical tragedies present a far different picture. Although they may have more in common 52 STANLEY F. -
Documents (Pdf)
Documents_ 18.7 7/18/01 11:40 AM Page 212 Documents 1915 1918 Exhibition of Paintings by Cézanne, Van Gogh, Picasso, Tristan Tzara, 25 poèmes; H Arp, 10 gravures sur bois, Picabia, Braque, Desseignes, Rivera, New York, Zurich, 1918 ca. 1915/16 Flyer advertising an edition of 25 poems by Tristan Tzara Flyer with exhibition catalogue list with 10 wood engravings by Jean (Hans) Arp 1 p. (folded), 15.3x12 Illustrated, 1 p., 24x16 1916 Tristan Tzara lira de ses oeuvres et le Manifeste Dada, Autoren-Abend, Zurich, 14 July 1916 Zurich, 23 July 1918 Program for a Dada event in the Zunfthaus zur Waag Flyer announcing a soirée at Kouni & Co. Includes the 1 p., 23x29 above advertisement Illustrated, 2 pp., 24x16 Cangiullo futurista; Cafeconcerto; Alfabeto a sorpresa, Milan, August 1916 Program published by Edizioni futuriste di “Poesia,” Milan, for an event at Grand Eden – Teatro di Varietà in Naples Illustrated, 48 pp., 25.2x17.5 Pantomime futuriste di Francesco Cangiullo, Rome, 1916 Flyer advertising an event at the Club al Cantastorie 1 p., 35x50 Galerie Dada envelope, Zurich, 1916 1 p., 12x15 Stationary headed ”Mouvement Dada, Zurich,“ Zurich, ca. 1916 1 p., 14x22 Stationary headed ”Mouvement Dada, Zeltweg 83,“ Zurich, ca. 1916 Club Dada, Prospekt des Verlags Freie Strasse, Berlin, 1918 1 p., 12x15 Booklet with texts by Richard Huelsenbeck, Franz Jung, and Raoul Hausmann Mouvement Dada – Abonnement Liste, Zurich, ca. 1916 Illustrated, 16 pp., 27.1x20 Subscription form for Dada publications 1 p., 28x20.5 Centralamt der Dadaistischen Bewegung, Berlin, ca. 1918–19 1917 Stationary of Richard Huelsenbeck with heading of the Sturm Ausstellung, II Serie, Zurich, 14 April 1917 Dada Movement Central Office Catalogue of an exhibition at the Galerie Dada. -
Serious Play: Formal Innovation and Politics in French Literature from the 1950S to the Present
Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present by Aubrey Ann Gabel A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Debarati Sanyal Professor C.D. Blanton Professor Mairi McLaughlin Summer 2017 Abstract Serious Play: Formal Innovation and Politics in French Literature from the 1950s to the Present By Aubrey Ann Gabel Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair Serious Play: Formal Innovation and Politics in French literature from the 1950s to the present investigates how 20th- and 21st-century French authors play with literary form as a means of engaging with contemporary history and politics. Authors like Georges Perec, Monique Wittig, and Jacques Jouet often treat the practice of writing like a game with fixed rules, imposing constraints on when, where, or how they write. They play with literary form by eliminating letters and pronouns; by using only certain genders, or by writing in specific times and spaces. While such alterations of the French language may appear strange or even trivial, by experimenting with new language systems, these authors probe into how political subjects—both individual and collective—are formed in language. The meticulous way in which they approach form challenges unspoken assumptions about which cultural practices are granted political authority and by whom. This investigation is grounded in specific historical circumstances: the student worker- strike of May ’68 and the Algerian War, the rise of and competition between early feminist collectives, and the failure of communism and the rise of the right-wing extremism in 21st-century France. -
Bibliographie Fonds Ponge
Bibliothèque Denis Diderot Centre de documentation recherche Mas des Vergers (sans date), photographie anonyme. (Coll. A. Ponge) A partir du moment où l’on considère les mots (et les expressions verbales) comme une matière, il est très agréable de s’en occuper. Tout autant qu’il peut l’être pour un peintre de s’occuper des matières et des formes » (29 janvier 1954). Francis Ponge, Pratiques d’écriture ou l’inachèvement perpétuel. P., Hermann, 1984. Catalogue réalisé par Nadine Pontal responsable du fonds Francis Ponge au Centre de documentation recherche, Isabelle Brun responsable du catalogage à la bibliothèque de l’ENS et Caroline Yermia responsable des collections de revues à la bibliothèque de l’ENS, avec l’appui de Jean Marie Gleize, professeur émérite de l’ENS de Lyon et de Benoît Auclerc, Maître de conférences à l’Université Lyon3. Nous remercions l’ensemble des équipes de la bibliothèque ainsi qu’Antonello Marvulli et Vincent Brault du service Ens-médias pour leur participation à l’illustration et à la mise en forme de ce travail. Cette bibliographie est le reflet de l’état actuel des collections qui sont régulièrement enrichies par de nouvelles acquisitions et de nouveaux dons. Bibliographie | Bibliographie réalisée dans le cadre de l’exposition Ponge en regards organisée par la Bibliothèque de l’ENS de Lyon dans le hall de la bibliothèque Denis Diderot, du 15 mars au 4 mai 2012. L’exposition accompagne le colloque Politiques de Ponge des 15 et 16 mars 2012, organisé par le groupe Marge de l’Université Lyon 3 sous la direction de Jean- Marie Gleize, Benoît Auclerc et Bénédicte Gorrillot. -
Cat68 FINAL with Edits.Indd
PHILLIP J. PIRAGES J. PHILLIP PHILLIP J. PIRAGES Catalogue 68 SIGNIFICANT BOOKS IN NOTABLE BINDINGS CATALOGUE 68 CATALOGUE Items Pictured on the Front Cover 35 19 18 27 4 2 31 42 1 20 Items Pictured on the Back Cover 9 20 6 38 33 15 25 16 26 30 38 37 39 21 36 To identify items on the front and back covers, lift this flap up and to the right, then close the cover. Catalogue 68: Significant Books in Notable Bindings Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. If you telephone while no one is in the office to receive your call, automatic equipment will take your message. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged. Significant portions of the text of this catalogue were written by Cokie Anderson, Kaitlin Manning, and Garth Reese. -
Aragon: a Translation
ARAGON: A TRANSLATION Verna Griswold Looney, M. A. Morehead State University, 1979 Director of Thesis=---~---'_ 1.,.9~-·-f,_1&,-;~...,.#?...------ Louis Aragon, a modern French poet, many of whose poems were published clandestinely by the French underground during World War II, became a national hero to the people of France, He was a founder of the Surrealist movement and was deeply involved with Cubism and Dadaism. During the early 1930's, however, Aragon broke with these movements when he joined the Communist party. Partly because of his ideology, Aragon has not established a literary reputation in the United States. More importantly, however, is the lack of English translations of his works of poetry. Most of his novels have been translated into English, but the I present author has found to date only one volume of I l poetry which was translated by e. e. cummings, The Red Front, whose original title is Front Rouge, published l in 1933 by Contempo Publishers. j This thesis , Aragon: A Translation, is an English translation of Aragon by Ge orges Sadoul , consisting of t hree sections. The first one is a crit ical and biographical treatise on Aragon written by Ge orges Sadoul. It treats the early life of Louis Aragon and Elsa , his wife , beginning with Sadoul ' s initial meeting of Aragon i n the 1920' s and continuing through Aragon ' s love affai r with the U. S . S . R. in the 19JO ' s and his involvement with the underground forces duri ng World War II in his native France . The second part of the thesis is a choice of t exts written by Aragon and selected by Sadoul . -
Résistance De La Poésie : Les Revues Littéraires Durant La Seconde Guerre Mondiale
FLORIAN JEHL Université Paris‐Sorbonne Résistance de la poésie : les revues littéraires durant la Seconde Guerre mondiale ’histoire littéraire du XXe siècle a tendu L longtemps, à la suite de Qu’est‐ce que la littérature ? de Sartre, à exclure la poésie moderne du champ de la littérature engagée ou à n’en reconnaître que les manifestations les plus explicites. Entre une poésie entièrement dégagée, livrée à sa tâche essentielle, qui serait le jeu absolu des signifiants, et un lyrisme ouvertement politique, entre Strophes pour se souvenir d’Aragon et le « sacrifice de mots »1 par lequel Georges Bataille définit la poésie dans L’Expérience intérieure, nul intervalle pour une poésie réconciliant l’engagement et l’autonomie qui marque la modernité littéraire. Cette vision de la poésie moderne informe encore le propos de Hugo Friedrich dans Structures de la poésie moderne, « récit orthodoxe » dont Antoine Compagnon a pu montrer qu’il résumait indûment l’histoire de la poésie moderne à celle de sa « réduction à l’essentiel »2. Le genre, réalisant ses possibles les plus propres, tendrait à donner congé à la réalité extérieure et aux ressources de la communication ordinaire. L’exemple de la plupart des revues de la Résistance littéraire nous incite toutefois à revenir sur cette idée. Par‐delà la diversité des situations (revues publiées en zone occupée, en zone libre ou 1 G. Bataille, L’Expérience intérieure, [dans :] Idem, Œuvres complètes, Paris, Gallimard, 1992, t. 5, p. 157. 2 A. Compagnon, Cinq paradoxes de la modernité, Paris, Seuil, 1990, p. 56. 76 FLORIAN JEHL à l’étranger) et des lignes éditoriales, Fontaine, Poésie, Confluences et Messages font de la poésie un acte de résistance, voire l’esprit de la Résistance. -
The Launch of an Undergraduate Research Journal
The Reception of Literature in France during the Revolution: An Analysis of Reviews of Women Writers in the Mercure de France, 1791-1795 by Jonathan Durham, Department of French Studies, University of Warwick [1] ABSTRACT This paper is based on part of a pan-European research project carried out between 2004 and 2007, the aim of which was to create an index of female authors. The full results may be found in the database WomenWriters, available at www.databasewomenwriters.nl. One section of this project involved listing and analysing all works, both fiction and theatre, which were reviewed during the period 1791 to 1795 in the Mercure de France, the government-funded state journal which was produced during the Ancien Régime. Given the generally accepted view that the French Revolution marked a watershed in literary production, establishing what was being published and reviewed at that time is crucial for our understanding of the changing socio-political literary climate. The eighteenth century was the period of Enlightenment, and many women were active in writing at this time. It was expected, therefore, that a significant number of works written by women would be reviewed in the Mercure. However, this was not the case and so the project was expanded to include an analysis of the development of the Mercure during the Revolutionary years, the theatre of the Revolution, and the status of female authors in French Revolutionary society. This analysis forms the basis of the first part of this article; the second part examines the reviews of the only two female- authored publications to appear in the Mercure during the period 1791-1795, Elizabeth Inchbald’s Simple Histoire [Simple Story] and Charlotte Smith’s Célestine, ou la victime des Préjugés [Celestina]. -
19Th and 20Th Century French Exoticism
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céliné , Michel Leiris, and Simone Schwarz-Bart Robin Anita White Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation White, Robin Anita, "19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céĺ ine, Michel Leiris, and Simone Schwarz-Bart" (2004). LSU Doctoral Dissertations. 2593. https://digitalcommons.lsu.edu/gradschool_dissertations/2593 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. 19TH CENTURY AND 20TH CENTURY FRENCH EXOTICISM: PIERRE LOTI, LOUIS-FERDINAND CÉLINE, MICHEL LEIRIS, AND SIMONE SCHWARZ-BART A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirement for the degree of Doctor of Philosophy in The Department of French Studies by Robin Anita White B.A. The Evergreen State College, 1991 Master of Arts Louisiana State University, 1999 August 2004 ACKNOWLEDGEMENTS This work is dedicated to my family and friends who lent me encouragement during my studies. They include my parents, Joe and Delsa, my brother and sister-in-law, and many others. I would like to express gratitude for the help I received from the Department of French Studies at LSU, in particular, Dr. -
Louis Aragon (1897-1982)
1/51 Data Louis Aragon (1897-1982) Pays : France Langue : Français Sexe : Masculin Naissance : Paris (France), 03-10-1897 Mort : Paris (France), 24-12-1982 Note : Homme de lettres, poète. - Sous la clandestinité (1940-1944), a écrit sous les pseudonymes : François la Colère ; Jacques Destaing ; Arnaud de Saint-Roman ; Le Témoin des martyrs ; Paul Watelet. - A écrit pour "Confluences" sous le pseudonyme de Jacques Dupont (en 1943) (cf. "Révolution nationale", 1943/04/24 :article: Pseudonyme) Domaines : Littératures Autres formes du nom : Aragon (1897-1982) 30 30 30 30 L.A2 E9 B4 F3 (1897-1982) (japonais) François la Colère (1897-1982) Arnaud de Saint-Roman (1897-1982) A. (1897-1982) L. A. (1897-1982) ISNI : ISNI 0000 0001 2095 5515 (Informations sur l'ISNI) Autres identités : Jacques Destaing (1897-1982) Le Témoin des martyrs (1897-1982) Albert de Routisie (1897-1982) Louis Aragon (1897-1982) : œuvres (1 022 ressources dans data.bnf.fr) Œuvres textuelles (534) Le Voyage en Hollande et autres poèmes Le Mentir-vrai (1981) (1980) Il n'y a pas d'amour heureux La Rose et le réseda (1975) (1975) Tristan Tzara (1975) Oeuvre poétique (1974) data.bnf.fr 2/51 Data Le Yaouanc, Palais des arts et de la culture, Brest, du 2 février au 19 mars 1973 Théâtre-roman (1973) (1974) Irène Henri Matisse, roman (1970) (1971) Les chambres (1969) Je n'ai jamais appris à écrire ou Les incipit (1969) Élégie à Pablo Neruda "L'histoire de la peinture en trois volumes" (1966) (1968) de Mathieu Bénézet avec Louis Aragon (1897-1982) comme Préfacier Il ne m'est Paris