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King of Camargue, by Jean Aicard 2 Character Set Encoding: ISO-8859-1 King of Camargue, by Jean Aicard 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK KING OF CAMARGUE *** Produced by Audrey Longhurst, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net BIBLIOTHÈQUE DES CHEFS-D'OEUVRE DU ROMAN CONTEMPORAIN KING OF CAMARGUE JEAN AICARD PRINTED FOR SUBSCRIBERS ONLY BY GEORGE BARRIE & SONS, PHILADELPHIA COPYRIGHT, 1901, BY GEORGE BARRIE & SON THIS EDITION OF KING OF CAMARGUE HAS BEEN COMPLETELY TRANSLATED BY GEORGE B. IVES THE ETCHINGS ARE BY LOUIS V. RUET AND DRAWINGS BY GEORGE ROUX CHEFS-D'OEUVRE DU ROMAN CONTEMPORAIN ROMANCISTS THIS EDITION DEDICATED TO THE HONOR OF THE ACADÉMIE FRANÇAISE IS LIMITED TO ONE THOUSAND NUMBERED AND REGISTERED SETS, OF WHICH THIS IS NUMBER 358 THE ROMANCISTS JEAN AICARD King of Camargue, by Jean Aicard 3 KING OF CAMARGUE [Illustration: Chapter VI This woman had a way of looking at people that disconcerted them. You would say that a sharp, threatening flame shot from her eyes. It penetrated your being, searched your heart, and you were powerless against it.] TO ÉMILE TRÉLAT My Very Dear Friend: Permit me to dedicate this book to you, whose incomparable friendship has been to the poet, obstinate in his idealism, of hourly assistance, a constant proof of the reality of true generosity and kindness of heart. Jean Aicard. La Garde, near Toulon, April 11, 1890. Contents PAGE I LIVETTE AND ZINZARA 3 II IN CAMARGUE 13 III THE DROVERS 21 IV THE SÉDEN 27 V THE LOVERS 39 VI RAMPAL 51 VII THE MEETING 57 VIII ON THE BENCH 73 IX THE PRAYER 83 X THE TERRACE 91 XI THE HIDING-PLACE 99 XII A SORCERESS 121 XIII THE SNAKE-CHARMER 143 XIV JOUSTING 165 XV MONSIEUR LE CURÉ'S ARCHÆOLOGY 177 XVI ON THE ROOF OF THE CHURCH 205 King of Camargue, by Jean Aicard 4 XVII THE OLD WOMAN 219 XVIII THE BLESSED RELICS 231 XIX THE BRANDING 247 XX THE SNARE 261 XXI HERODIAS 279 XXII IN THE NEST 291 XXIII THE PURSUIT 303 XXIV IN THE GARGATE 323 XXV THE PHANTOM 331 NOTES 345 List of Illustrations KING OF CAMARGUE PAGE RAMPAL AND THE GIPSY Fronts. RENAUD IN THE TOILS OF THE QUEEN 64 LIVETTE AND RENAUD 88 LIVETTE WATCHES ON THE CHURCH ROOF 216 THE GIPSY'S COUCH 312 KING OF CAMARGUE I LIVETTE AND ZINZARA A shadow suddenly darkened the narrow window. Livette, who was running hither and thither, setting the table for supper, in the lower room of the farm-house of the Château d'Avignon, gave a little shriek of terror, and looked up. The girl had an instinctive feeling that it was neither father nor grandmother, nor any of her dear ones, but some stranger, who sought amusement by thus taking her by surprise. Nor a stranger, either, for that matter,--it was hardly possible!--But how was it that the dogs did not yelp? Ah! this Camargue is frequented by bad people, especially at this season, toward the end of May, on account of the festival of Saintes-Maries-de-la-Mer, which attracts, like a fair, such a crowd of people, thieves and gulls, and so many mischievous gipsies! King of Camargue, by Jean Aicard 5 The figure that was leaning on the outside of the window-sill, shutting out the light, looked to Livette like a black mass, sharply outlined against the blue sky; but by the thick, curly hair, surmounted by a tinsel crown, by the general contour of the bust, by the huge ear-rings with an amulet hanging at the ends, Livette recognized a certain gipsy woman who was universally known as the Queen, and who, for nearly two weeks, had been suddenly appearing to people at widely distant points on the island, always unexpectedly, as if she rose out of the ditches or clumps of thorn-broom or the water of the swamps, to say to the laborers, preferably the women: "Give me this or that;" for the Queen, as a general rule, would not accept what people chose to offer her, but only what she chose that they should offer her. "Give me a little oil in a bottle, Livette," said the young gipsy, darting a dark, flashing glance at the pretty girl with the fair, sun-flecked hair. Livette, charitable as she was at every opportunity, at once felt that she must be on her guard against this vagabond, who knew her name. Her father and grandmother had gone to Arles, to see the notary, who would soon have to be drawing up the papers for her marriage to Renaud, the handsomest drover in all Camargue. She was alone in the house. Distrust gave her strength to refuse. "Our Camargue isn't an olive country," said she curtly, "oil is scarce here. I haven't any." "But I see some in the jar at the bottom of the cupboard, beside the water-pitcher." Livette turned hastily toward the cupboard. It was closed; but, in truth, the stock of olive oil was there in a jar beside the one in which they kept Rhône water for their daily needs. "I don't know what you mean," said Livette. "The lie came from your mouth like a vile black wasp from a garden-flower, little one!" said the motionless figure, still leaning heavily on the window-sill, evidently determined to remain. "The oil is where I say it is, and more than twenty-five litres too; I can see it from here. Come, come, take a clean bottle and the tin funnel and give me quickly what I want. I'll tell you, in exchange, what I see in your future." "It's a deadly sin to seek to know what God doesn't wish us to know," said Livette, "and you can guess that oil is kept in cupboards and still be no more of a sorceress than I am. Go about your business, good-wife. I can give you some of this bread, fresh baked last night, if you wish, but I tell you I haven't any oil." "And why do they call you Livette," said the Queen calmly, "if it isn't on account of the field of old olive-trees--the oldest and finest in the country--owned by your father, near Avignon? There you were born. There you remained until you were ten years old, and at that age--seven years ago, a mystic number--you came here, where your father was made farmer, overseer of drovers, manager of everything, by the Avignonese master of this 'Château d'Avignon,' the finest in all Camargue.--'Livettes! livettes!' that's the way you used to ask for olivettes, olives, when you were a baby. You were very fond of them, and the nickname clung to you. A pretty nickname, on my word, and one that suits you well, for if you're not dark like the ripe olive, you're fair as the virgin oil, a pearl of amber in the sunlight, and then you are not yet ripe. Your face is oval, and not stupidly round like a Norman apple. You have the pallor of the olive-leaves seen from below.--And that you may soon see them so, little one, is the blessing I ask for you, as the curés of your chapels say, where they take us in for pity. Be compassionate as they are, in the name of your Lord Jesus Christ, and give me some oil quickly, I say--in the name of extreme unction and the garden of agony!" The gipsy had said all this without stopping to breathe, in a dull, monotonous, muffled voice, but she added abruptly in loud, piercing, incisive tones: "Do you understand what I say?" imparting to those simple words an extraordinarily imperious and violent expression. Livette hastily crossed herself. King of Camargue, by Jean Aicard 6 "Come, enough of this!" said she, "I have nothing here for you, and we keep the oil of extreme unction for better Christians! Begone, pagan, begone!" she added, trying to counterfeit courage. "Of the three holy women," continued the gipsy, "who took ship, after the death of Jesus Christ, to escape the crucifying Jews, one was like myself, an Egyptian and a fortune-teller. She knew the science of the Magi, of those with whom great Moses contended for mastery in witchcraft. She could, at will, order the frogs to be more numerous than the drops of water in the swamps, and she held in her hand a rod which, at her word, would change to a viper. Before Jesus she bowed, as did Magdalen, and Jesus loved her too. In the tempest, as they were crossing the sea, her wand pointed out the course to follow, and, to do that with safety, had no need to be very long. Must you have more pledges of my power and my knowledge? What more must I tell you to induce you to give me the oil I need so much? If you were a man, I would say: 'Look! I am dark, but I am beautiful! I am a descendant of that Sara the Egyptian who, when the boat of the three holy women drew near the sands of Camargue, paid the boatman by showing him her undefiled body, stripped naked, with no thought of evil and without sin, but knowing well that true beauty is rare and that the mere sight of it is better than all the treasures of Solomon. So be it!'" Livette was thoroughly alarmed.
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