SWING TO BOP : AN ORAL HISTORY OF THE TRANSITION IN JAZZ IN THE 1940S PDF, EPUB, EBOOK

Ira Gitler | 368 pages | 22 Oct 1987 | Oxford University Press Inc | 9780195050707 | English | New York, United States Swing to Bop : An Oral History of the Transition in Jazz in the 1940s PDF Book

McMillan , Hardcover 5. He attended the University of Missouri but dropped out before graduating to take a job with the jazz label Prestige Records in Paula Kelly singer. Bop improvisers built upon the phrasing ideas first brought to attention by Lester Young's soloing style. This wiki. In addition to his son, Mr. Some arrangements used call-response between horn sections to build the melody. I Swung the Election. Save on Nonfiction Trending price is based on prices over last 90 days. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from to , a period known as the swing era. David rated it really liked it Jun 17, Bebop differed drastically from the straightforward compositions of the swing era and was instead characterized by fast tempos, asymmetrical phrasing, intricate melodies , and rhythm sections that expanded on their role as tempo-keepers. To ask other readers questions about Swing to Bop , please sign up. Here are tracks that Gitler said were among his favourites there are plenty of others. The Kansas City approach to swing was epitomized by the Count Basie Orchestra , which came to national prominence in While attending the University of Missouri, Mr. Carman rated it really liked it Aug 17, Be the first to write a review About this product. Sign In Don't have an account? Rating Average: 5 0. Formal recording of bebop was first performed for small specialty labels, who were less concerned with mass-market appeal than the major labels, in Fans of bebop were not restricted to the United States; the music also gained cult status in France and Japan. The neo-bop movement of the s and s revived the influence of bebop, post-bop, and hard bop styles after the free jazz and fusion eras. Sometimes they were entirely original, spontaneous melodies from start to finish. Swing to Bop : An Oral History of the Transition in Jazz in the 1940s Writer

They would often be extended to an odd number of measures, overlapping the musical stanzas suggested by the harmonic structure. Although they originated in different continents, similarities have often been noted between gypsy swing and western swing , leading to various fusions. And, along with Leonard Feather and Nat Hentoff, he was among the most prodigious writers of liner notes, annotating more than albums. While Gillespie was with Cab Calloway , he practiced with bassist Milt Hinton and developed some of the key harmonic and chordal innovations that would be the cornerstones of the new music; Parker did the same with bassist Gene Ramey while with McShann's group. Ability to play sustained, high energy, and creative solos was highly valued for this newer style and the basis of intense competition. The kindred spirits developing the new music gravitated to sessions at Minton's Playhouse , where Monk and Clarke were in the house band, and Monroe's Uptown House , where Max Roach was in the house band. By , a second wave of bebop musicians—such as Clifford Brown and Sonny Stitt —began to smooth out the rhythmic eccentricities of early bebop. Paul rated it it was amazing Aug 01, What they lacked in magazine-style polish they more than made up for in first- hand knowledge and close friendships with his subjects. As a teenager, he traveled to nightclubs in Manhattan and first heard bebop live. In Christina Aguilera 's album " Back to Basics " mixed swing, jazz and blues. Swing declined for many reasons. Bebop originated as "musicians' music," played by musicians with other money-making gigs who didn't care about the commercial potential of the new music. Haiku summary. In the s Big Band music became more prominent. This unprecedented harmonic development which took place in bebop is often traced back to a transcendent moment experienced by Charlie Parker while performing " Cherokee " at Clark Monroe's Uptown House, New York, in early Read more Bebop then revived tonal-harmonic ideas transmitted through the blues and reconstructed and expanded others in a basically non-Western harmonic approach. Oxford University Press Amazon. Today it is still the main musical language of jazz musicians. The bebop subculture, defined as a non-conformist group expressing its values through musical communion, would echo in the attitude of the psychedelia-era hippies of the s. Just a moment while we sign you in to your Goodreads account. Book description. Claude Debussy did have some influence on jazz, for example, on Bix Beiderbecke 's piano playing, and it is also true that Duke Ellington adopted and reinterpreted some harmonic devices in European contemporary music. More filters. An alternate theory would be that Bebop, like much great art, probably evolved drawing on many sources. In the crew of innovators was joined by Dexter Gordon , a tenor saxophone player from the west coast in New York with the Louis Armstrong band, and a young trumpet player attending the Juilliard School of Music , Miles Davis. By the late s, swing had morphed into traditional pop music , or evolved into new styles such as jump blues and bebop jazz. By the late s, this form of swing was replaced by rock music. In the lates into the early s a trendier, more urban -styled swing-beat emerged called new jack swing , spearheaded by Teddy Riley. A String of Pearls song. As described by Parker: [11]. The Bop Era. Sometime Glenn Miller song. Inhalt Introduction. Around that same time, a move towards structural simplification of bebop occurred among musicians such as Horace Silver and Art Blakey , leading to the movement known as hard bop. Manne played with a dazzling array of musicians, including Bill Evans , Charlie Parker and Dizzy Gillespie , and ran his own hip nightclub in the s. White folks, yo'all sho is a mess. Roger Cicero , Tom Gaebel , and Thomas Anders have attained large followings both in their native country and worldwide. His criticism appeared regularly in publications like DownBeat and JazzTimes. Before the Civil Rights movement, Gillespie was confronting the racial divide by lampooning it. Young was equally daring with his rhythm and phrasing as with his approach to harmonic structures in his solos. Together they listened to big bands on the radio and to records by Count Basie and Benny Goodman. To see what your friends thought of this book, please sign up. The power of black music: Interpreting its history from Africa to the United States. Script error: No such module "Portal". Bebop samples, especially bass lines, ride cymbal swing clips, and horn and piano riffs are found throughout the hip-hop compendium. Best Selling in Nonfiction See all. Swing to Bop : An Oral History of the Transition in Jazz in the 1940s Reviews

Swjohnson rated it really liked it Mar 14, Thus Swing to Bop reveals not only how the music evolved but the environment in which it flourished and what effect in turn the music had on that environment and the music to follow. Some arrangements used call-response between horn sections to build the melody. He formed his own small combos, including the acclaimed Shelly Manne and his Men. Gitler has done an exhaustive and creditable job, and we can thank him for the thoroughness of the interviews, the sensible organization of the material and the portrait of an emerging era marked by more interaction between new and old than historical generalizations would suggest. The name swing came from the 'swing feel' where the emphasis is on the off—beat or weaker pulse in the music. What they lacked in magazine-style polish they more than made up for in first-hand knowledge and close friendships with his subjects. Start a Wiki. It was there that the drummer became the leading light of the West Coast Jazz movement. From left: Ira Gitler, Mike Ricci of allaboutjazz. Inhalt Introduction. It was on earlier on the West Coast and developed the audience that later led to Goodman's Palomar Ballroom triumph. He is an experimenter and an innovator of the highest order. He said talking to all these top musicians, including a stint on a Jazz at the Philharmonic tour with Ella Fitzgerald , was a priceless apprenticeship. The music brought a revival in swing dancing. Thereafter, Gillespie would record bebop prolifically and gain recognition as one of its leading figures. Trends in improvisation since its era have changed from its harmonically-tethered style, but the capacity to improvise over a complex sequence of altered chords is a fundamental part of any jazz education. In the lates into the early s a trendier, more urban -styled swing-beat emerged called new jack swing , spearheaded by Teddy Riley. Piano players were working with new ideas as well. Oral histories of what it was like to be on both sides of a musical revolution. Both genres are connected with a revival of swing dances, such as the Lindy hop. The overall effect was that his solos were something floating above the rest of the music, rather than something springing from it at intervals suggested by the ensemble sound. That's why they introduced "swing" which is not a musical form. By Ira Gitler. About Ira Gitler. Their repertoire overlaps s swing, including French popular music, gypsy songs, and compositions by Reinhardt, but gypsy swing bands are formulated differently. FiftySecond Street. But swing was sometimes regarded as light entertainment, more of an industry to sell records to the masses than a form of art. Enlarge cover. Refresh and try again. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Mullican left the Cliff Bruner band to pursue solo career that included many songs that maintained a swing structure. Don't Miss. Paperback , pages. While swing music tended to feature orchestrated big band arrangements, bebop music highlighted improvisation. Home Page World Coronavirus U. Jack Kerouac would describe his writing in On the Road as a literary translation of the improvisations of Charlie Parker and Lester Young. At first decried, later described as a fad, by the 's be-bop had become the cornerstone of modern jazz, the mother tongue for a majority of jazzmen. New York: Oxford University Press. Features Latest News. Sign In Don't have an account? No trivia or quizzes yet. Bebop chord voicings often dispensed with the root and fifth tones, instead basing them on the leading intervals that defined the tonality of the chord. Account Options Sign in. More recently, hip-hop artists A Tribe Called Quest , Guru have cited bebop as an influence on their rapping and rhythmic style. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Several bebop musicians headlining on 52nd Street , May Please follow the detailed Help center instructions to transfer the files to supported eReaders. Over a ten-year period, Ira Gitler interviewed more than 50 of the seminal figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late '30s and '40s into the modern jazz period.

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References to this work on external resources. It became a major influence until the late s when free jazz and fusion jazz gained ascendancy. Hard bop was a simplified derivative of bebop introduced by Horace Silver and Art Blakey in the mids. Account Options Anmelden. Swing bands usually featured soloists who would improvise on the melody over the arrangement. Many of the bands played neo-swing which combined swing with rockabilly , ska , and rock. Glenn Miller album. During the early s bebop remained at the top of awareness of jazz, while its harmonic devices were adapted to the new "cool" school of jazz led by Miles Davis and others. And absolutely never abdicates the scholars responsibility to inform. Musicians who followed the stylistic doors opened by Davis, Evans, Tristano, and Brubeck would form the core of the cool jazz and " west coast jazz " movements of the early s. Influences incorporated into it include Louis Jordan and Louis Prima. On the contrary, ideologically, bebop was a strong statement of rejection of any kind of eclecticism, propelled by a desire to activate something deeply buried in self. In his autobiography, W. Add to wishlist. You have to be able to adapt. Instead of using jagged phrasing to create rhythmic interest, as the early boppers had, these musicians constructed their improvised lines out of long strings of eighth notes and simply accented certain notes in the line to create rhythmic variety. In addition to his son, Mr. A rudiemntary ability to read music is a plus with this book, but by no means necessary. Bass drum accents were colloquially termed "bombs," which referenced events in the world outside of New York as the new music was being developed. ISBN He would take a breath in the middle of a phrase, using the pause, or "free space," as a creative device. Bebop chord voicings often dispensed with the root and fifth tones, instead basing them on the leading intervals that defined the tonality of the chord. My only wish is that he would have let me interview him before he took ill in , a request he repeatedly dodged because he said he was working on his memoir. It was an updated form of big band swing music that had been popular in the s and s. Standards like " Moten Swing " by Bennie Moten and the Kansas City Orchestra were important in the development of swing music and the move towards a freer form of orchestral jazz. The album earned Manne a Grammy nomination. It did not attract the attention of major record labels nor was it intended to. Get our weekly newsletter, The Jazz Messenger. As the popularity of bebop spread, fueled in part by the footloose return of servicemen to civilian life, Los Angeles would become another center of the new music, exemplified by the legendary jam sessions featuring tenor saxophone duels between Dexter Gordon and Wardell Gray. Script error: No such module "Authority control". Schuller is even-handed and open-minded but never abdicates the critic's responsibility to judge. Reviews Review policy and info. Gitler and I spoke often from the inception of JazzWax in Add to Your books Add to wishlist Quick Links. Separate chapters describe how young musicians in major cities such as Los Angeles, Chicago and Detroit became swept up in the movement. Gitler had a close association with Mr. Don't Miss. Until the swing era, jazz was respected by musicians around the world, including by classical composers like Stravinsky. When Louis Armstrong was asked on the Bing Crosby radio show what swing was, he said, "Ah, swing, well, we used to call it syncopation — then they called it ragtime, then blues — then jazz. Gitler was about jazz, he was equally passionate about another pursuit: ice hockey. Top charts. He wrote liner notes for more than albums. https://files8.webydo.com/9583499/UploadedFiles/FCFA52E3-3EBC-FC69-727B-F26A7605AA3D.pdf https://files8.webydo.com/9583739/UploadedFiles/FB907383-FD84-F7CC-2D2C-5EA6AB44E7A4.pdf https://files8.webydo.com/9583439/UploadedFiles/DEA6A428-ACC7-714A-B8BE-A03327655679.pdf https://cdn.starwebserver.se/shops/nourmattssonuu/files/differential-equations-in-24-hours-with-solutions-and-historical-notes-884.pdf https://files8.webydo.com/9582962/UploadedFiles/59BF9B99-857D-91C7-7C8C-E0F0FA7D9A49.pdf https://files8.webydo.com/9584125/UploadedFiles/799E5CC1-E9DC-E210-FC5B-10C992C6D339.pdf https://cdn.starwebserver.se/shops/carolindahleh/files/in-my-garden-the-garden-diaries-of-great-dixter-936.pdf