Siamak Shirazi Babak Amini
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Armenophobia in Azerbaijan
Հարգելի՛ ընթերցող, Արցախի Երիտասարդ Գիտնականների և Մասնագետների Միավորման (ԱԵԳՄՄ) նախագիծ հանդիսացող Արցախի Էլեկտրոնային Գրադարանի կայքում տեղադրվում են Արցախի վերաբերյալ գիտավերլուծական, ճանաչողական և գեղարվեստական նյութեր` հայերեն, ռուսերեն և անգլերեն լեզուներով: Նյութերը կարող եք ներբեռնել ԱՆՎՃԱՐ: Էլեկտրոնային գրադարանի նյութերն այլ կայքերում տեղադրելու համար պետք է ստանալ ԱԵԳՄՄ-ի թույլտվությունը և նշել անհրաժեշտ տվյալները: Շնորհակալություն ենք հայտնում բոլոր հեղինակներին և հրատարակիչներին` աշխատանքների էլեկտրոնային տարբերակները կայքում տեղադրելու թույլտվության համար: Уважаемый читатель! На сайте Электронной библиотеки Арцаха, являющейся проектом Объединения Молодых Учёных и Специалистов Арцаха (ОМУСA), размещаются научно-аналитические, познавательные и художественные материалы об Арцахе на армянском, русском и английском языках. Материалы можете скачать БЕСПЛАТНО. Для того, чтобы размещать любой материал Электронной библиотеки на другом сайте, вы должны сначала получить разрешение ОМУСА и указать необходимые данные. Мы благодарим всех авторов и издателей за разрешение размещать электронные версии своих работ на этом сайте. Dear reader, The Union of Young Scientists and Specialists of Artsakh (UYSSA) presents its project - Artsakh E-Library website, where you can find and download for FREE scientific and research, cognitive and literary materials on Artsakh in Armenian, Russian and English languages. If re-using any material from our site you have first to get the UYSSA approval and specify the required data. We thank all the authors -
Googoosh and Diasporic Nostalgia for the Pahlavi Modern
Popular Music (2017) Volume 36/2. © Cambridge University Press 2017, pp. 157–177 doi:10.1017/S0261143017000113 Iran’s daughter and mother Iran: Googoosh and diasporic nostalgia for the Pahlavi modern FARZANEH HEMMASI University of Toronto Faculty of Music, 80 Queen's Park, Toronto, Ontario, M5S 2C5, Canada E-mail: [email protected] Abstract This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its ‘victimisation’ in the revolution, and an attendant ‘nostalgia for the modern’ (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since her departure from Iran in 2000, Googoosh has embraced her national metaphorization and produced new works that build on historical tropes link- ing nation, the erotic, and motherhood while capitalising on the nostalgia that surrounds her. A well-preserved blonde in her late fifties wearing a silvery-blue, décolletage-revealing dress looks deeply into the camera lens. A synthesised string section swells in the back- ground. Her carefully groomed brows furrow with pained emotion, her outstretched arms convey an exhausted supplication, and her voice almost breaks as she sings: Do not forget me I know that I am ruined You are hearing my cries IamIran,IamIran1 Since the 1979 establishment of the Islamic Republic of Iran, Iranian law has dictated that all women within the country’s borders must be veiled; women must also refrain from singing in public except under circumscribed conditions. -
3 AC 17-18 Music Master-18Pg
MUSIC TOURING ARTIST PERFORMANCES Adaawe Banana Slug String Band Adaawe is seven dynamic, diverse women who create The Banana Slug String Band fosters ecological rich, organic music of the voice and drum. Their music awareness, science education and positive human is an international fusion of African Diaspora music and interactions through music, theater, dance, puppetry rhythms. It is filled with celebration, inspiring and and student/teacher participation. Their hilarious and educational. The group has performed locally and high-energy shows have astounded thousands of nationally at colleges, schools, performing arts venues, children and teachers across the country since 1992. music festivals and community events. A spirit of Their music has been used in dozens of science curricula celebration and strength is the inspiration behind the and countless number of classrooms. So, join Airy group. Larry, Doug Dirt, Peter the Penguin, Professor Banana Slug and other special guests as they rock the earth with The show will take students on a trip to West Africa. science, song and sillybration! Each piece includes songs, dances, drumming and history. Children will sing, dance and play the In Living with the Earth, students discover the important instruments. They will learn African proverbs that they relationship between animals, plants and the Earth. can take with them and apply to their lives long after the Meet Slugo, our 6-foot-tall banana slug, learn how dirt performance. made your lunch and rap with Nature Man on this musical excursion. Travel with us through the habitats of coastal California Amy Knoles - Computer/Electronic Percussion in Awesome Ocean. -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
Print to Air.Indd
[ABCDE] VOLUME 6, IssUE 1 F ro m P rin t to Air INSIDE TWP Launches The Format Special A Quiet Storm WTWP Clock Assignment: of Applause 8 9 13 Listen 20 November 21, 2006 © 2006 THE WASHINGTON POST COMPANY VOLUME 6, IssUE 1 An Integrated Curriculum For The Washington Post Newspaper In Education Program A Word about From Print to Air Lesson: The news media has the Individuals and U.S. media concerns are currently caught responsibility to provide citizens up with the latest means of communication — iPods, with information. The articles podcasts, MySpace and Facebook. Activities in this guide and activities in this guide assist focus on an early means of media communication — radio. students in answering the following Streaming, podcasting and satellite technology have kept questions. In what ways does radio a viable medium in contemporary society. providing news through print, broadcast and the Internet help The news peg for this guide is the establishment of citizens to be self-governing, better WTWP radio station by The Washington Post Company informed and engaged in the issues and Bonneville International. We include a wide array and events of their communities? of other stations and media that are engaged in utilizing In what ways is radio an important First Amendment guarantees of a free press. Radio is also means of conveying information to an important means of conveying information to citizens individuals in countries around the in widespread areas of the world. In the pages of The world? Washington Post we learn of the latest developments in technology, media personalities and the significance of radio Level: Mid to high in transmitting information and serving different audiences. -
Spirit of Black Descendant Encouragement As Reflected in Black Gold Lyric by Esperanza Spalding
Spirit of Black Descendant Encouragement as Reflected in Black Gold Lyric by Esperanza Spalding a Journal by Renanda Prima Tyasa [A2B009054] English Department Faculty of Humanities Diponegoro University 2013 CHAPTER 1 ± Introduction The slavery era of black people from the 17th until 20th century had inherited wounds toward the descendants of black people. After Civil War (1861-1865), slavery was abolished by the combination of /incoln‘s Emancipation 3roclamation and the 13th Amendment to the Constitution in 1865. However, although the Blacks were no longer slaves, they were still treated as second class citizens and continued to live in poor conditions without many chances to make their life better. It would take a long time before their life would be improved. However today, people of black descendants in the United States are able to blend with society. Indeed, their presence is considered better these days. However, they factually are not totally free from discrimination. News is reporting about discriminations that are faced by black descendants nowadays. As for example is the killing plan that is conducted by white supremacist group Ku Klux Klan that put target into President Barack Obama. News canal thesun.co.uk published it on June 21st, 2013. It is said, Fanatics Glendon Scott Crawford, 49, and Eric Feight, 54, were nicked after a six- month FBI undercover operation. Mr Obama was among those said to have been targeted by the futuristic device that would have fired lethal doses of radiation. Engineer Crawford, a member of the white supremacist group the Ku Klux Klan, told undercover agents his design was —Hiroshima on a light switch“. -
Read the Introduction
Farzaneh hemmasi TEHRANGELES DREAMING IRANIAN POP MUSIC IN SOUTHERN CALIFORNIA’S INTIMACY AND IMAGINATION TEHRANGELES DREAMING Farzaneh hemmasi TEHRANGELES DREAMING INTIMACY AND IMAGINATION IN SOUTHERN CALIFORNIA’S IRANIAN POP MUSIC Duke University Press · Durham and London · 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Matthew Tauch Typeset in Portrait Text Regular and Helvetica Neue Extended by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Hemmasi, Farzaneh, [date] author. Title: Tehrangeles dreaming : intimacy and imagination in Southern California’s Iranian pop music / Farzaneh Hemmasi. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019041096 (print) lccn 2019041097 (ebook) isbn 9781478007906 (hardcover) isbn 9781478008361 (paperback) isbn 9781478012009 (ebook) Subjects: lcsh: Iranians—California—Los Angeles—Music. | Popular music—California—Los Angeles—History and criticism. | Iranians—California—Los Angeles—Ethnic identity. | Iranian diaspora. | Popular music—Iran— History and criticism. | Music—Political aspects—Iran— History—20th century. Classification:lcc ml3477.8.l67 h46 2020 (print) | lcc ml3477.8.l67 (ebook) | ddc 781.63089/915507949—dc23 lc record available at https://lccn.loc.gov/2019041096 lc ebook record available at https://lccn.loc.gov/2019041097 Cover art: Downtown skyline, Los Angeles, California, c. 1990. gala Images Archive/Alamy Stock Photo. To my mother and father vi chapter One CONTENTS ix Acknowledgments 1 Introduction 38 1. The Capital of 6/8 67 2. Iranian Popular Music and History: Views from Tehrangeles 98 3. Expatriate Erotics, Homeland Moralities 122 4. Iran as a Singing Woman 153 5. A Nation in Recovery 186 Conclusion: Forty Years 201 Notes 223 References 235 Index ACKNOWLEDGMENTS There is no way to fully acknowledge the contributions of research interlocutors, mentors, colleagues, friends, and family members to this book, but I will try. -
University of Florida Thesis Or Dissertation Formatting
VOICES OF A REBELLIOUS GENERATION: CULTURAL AND POLITICAL RESISTANCE IN IRAN’S UNDERGROUND ROCK MUSIC By SHABNAM GOLI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2014 © 2014 Shabnam Goli I dedicate this thesis to my soul mate, Alireza Pourreza, for his unconditional love and support. I owe this achievement to you. ACKNOWLEDGMENTS Completion of this thesis would not have been possible without the help and support of many people. I thank my committee chair, Dr. Larry Crook, for his continuous guidance and encouragement during these three years. I thank you for believing in me and giving me the possibility for growing intellectually and musically. I am very thankful to my committee member, Dr. Welson Tremura, who devoted numerous hours of endless assistance to my research. I thank you for mentoring me and dedicating your kind help and patience to my work. I also thank my professors at the University of Florida, Dr. Silvio dos Santos, Dr. Jennifer Smith, and Dr. Jennifer Thomas, who taught me how to think and how to prosper in my academic life. Furthermore, I express my sincere gratitude to all the informants who agreed to participate in several hours of online and telephone interviews despite all their difficulties, and generously shared their priceless knowledge and experience with me. I thank Alireza Pourreza, Aldoush Alpanian, Davood Ajir, Ali Baghfar, Maryam Asadi, Mana Neyestani, Arash Sobhani, ElectroqutE band members, Shahyar Kabiri, Hooman Ajdari, Arya Karnafi, Ebrahim Nabavi, and Babak Chaman Ara for all their assistance and support. -
Farrakhan Criticizes Motives of All Races Concert Promoters Say
OST Thursday, February 9, 1989 The University of Wisconsin—Milwaukee Volume 33. Number^-3$~ Farrakhan criticizes motives of all races tioned throughout the fieldhouse by Chris Dombrowski ensured that no trouble was caused during the speech. Oppo Madison, WI sition to Farrakhan's appearance, anticipated throughout the week, ouis Farrakhan urged peo failed to surfaced. ple of all races to address Ltheir own prejudices before Calling the U.S. government judging the motivation behind the worst enemy of the black earlier comments made by him. people, Farrakhan said the black community and its problems are Farrakhan spoke to a crowd of the "Achilles heel of the nation." about 5,600 at the UW-Madison Farrakhan outlined black con fieldhouse Wednesday night. tributions to all of America's Farrakhan, leader of the Na wars, and said that while the U.S. tion of Islam, a faction of the government aided in creating a black Muslim movement, alleg strong, wealthy Germany and Ja edly made anti-Semitic com pan after the war, it never paid ments at a 1984 conference in back the black Americans who Chicago. Several Jewish organi fought to help defeat those zations in the UW-Madison com countries. munity had protested the sched uling of Farrakhan's appearance. He said that while Germany was forced to pay reparations to "1 have never advocated doing the Jews for the injustices of the harm to one Jewish person," he Holocaust, the U.S. government said. "We did not come here to has never paid blacks for the in Wisconsin to cause trouble." justices done to them. -
Program Leaders Fall 2019 • East Africa
Program Leaders Fall 2019 • East Africa (Departmental Program: Biology) – Ken Clifton • Germany: Berlin – Niko Loening • Greece – Ben David • London: Humanities – Rishona Zimring • New York City – Jess Perlitz Spring 2019: • Australia - Erik Nilsen • Ecuador – Freddy Vilches • Ireland: Psychology – Tom Schoeneman • Italy – Michael Broide • Morocco – Oren Kosansky • Spain: Seville – Liz Stanhope Fall 2018 • East Africa - Elizabeth Bennett • England: Humanities – David Campion Spring 2018 • Australia – (Departmental program: Biology) – Greta Binford • Ecuador – Susan Davis • England (Departmental program: Music) – Susan Smith • New Zealand (Departmental program: Science Studies) – Mitch Reyes Fall 2017 • England (Humanities) – Karen Gross • Germany: Berlin – Julio DePaula • Greece (Departmental program: Classical Studies) - Paul Powers • India – John Fritzman • New York City (Departmental program: Art/Theater) – Stephen Weeks Summer 2017 • Australia: Psychology – Yueping Zhang • Japan: Mt. Fuji (Departmental program: Environmental Studies) – Andy Bernstein & Liz Safran Spring 2017 • Australia – Dan Kelley • Cuba – Sarah Warren • Ecuador – Janis Lochner • England (Departmental program: Psychology) – Jennifer LaBounty • Ireland – Kurt Fosso • Italy – Bob Goldman • Morocco – Joanne Geddes • Spain – Isabelle DeMarte Fall 2016 • East Africa – Ken Clifton • Vietnam – Kabir Heimsath • Washington, DC (Departmental program: Political Science) – Ian McDonald Spring 2016 • Australia – Oren Kosansky • Ecuador – Wendy Woodrich • England (Departmental -
MAGICAL NIGHTS DUBAI 2012 for Immediate Release
MAGICAL NIGHTS DUBAI 2012 For immediate release March 2012 saw Magic of Persia once again a very successful auction raising over $710,000 with their auction of contemporary Iranian art at the Jumeirah Emirates Towers. Magical Nights Dubai 2012 coincided with both Art Dubai and the Iranian New Year Celebrations. In the presence of prominent figures of the UAE, Magical Nights was once again indebted to the efforts of art patrons such as SheiKh Nahayan Bin Mubarak Al Nahayan. A truly inspirational three-day event of music and art, Magical Nights sought to highlight the on-going Nowrooz celebrations with the spectacular vision of Ali BaKhtiar, whose attention to detail and extreme theme approach to quality event presentation, themed each night with his unique Nowrooz designs. An undoubtedly memorable event, Magic of Persia brought together 59 of the 79 donating artists from across the world as guests of Magic of Persia. These guests included leading artists such as Farideh Lashai, Ali Banisadr and Mahmoud BaKhshi. Joining force, artists were gathered to experience Magical Nights as well as Art Dubai, also to start a dialogue with their fellow artists across the world, sharing their common talent and vision. Celebrated contemporary Iranian artists donated artworKs, which were exhibited from 12th-21st March in the newly opened Salsali Private Museum, curated by the talented Ali BaKhtiari. WorKs from prominent artists included Reza Aramesh’s Action 104 which led the sale at $100,000, Shirin Neshat’s Ibrahim, from The Book of Kings Series which sold for $55,000 and Ali Banisadr’s Rock the Casbah 2, going for $55,000. -
World Cup Congress 2018: Soccer As a ―Microcosm‖ for Globalization
World Cup Congress 2018: Soccer as a ―Microcosm‖ for Globalization Course Outline Jeffrey Nichols GRADE: 7th The Latin School of Chicago SUBJECT: WORLD CULTURES TIME REQUIRED: 20 blocks (50 minutes each) Background History: The sport of soccer—or ―football,‖ as it is commonly referred to throughout the rest of the world—is a prism by which we can understand the intersection of culture and history. Every four years when Americans encounter the World Cup, we are reminded that soccer is the most widely played team game in the world and the most popular spectator sport. Soccer was originally called ―association football.‖ (The name soccer is derived from the word assoc, an abbreviated form of the word association.) By the mid- 20th century, soccer was played an extraordinarily large amount on a global scale. One nation that long resisted soccer‘s spread was the United States, where a completely different form of ―football‖ evolved. Only in the 1970s did interest in soccer become widespread in the United States, ignited by the immense popularity of Brazilian star Pelé. The following excerpt from the video ―Soccer and the World Cup‖ (Bridging World History, Unit 25) provides an excellent historical context for understanding both Pelé and Brazil‘s unique position in the world of soccer: HOST: ALTHOUGH BRITAIN HELD NO TERRITORIES IN SOUTH AMERICA, BRITISH ENTERPRISES AND COMMERCE WERE EXTENSIVE. ENGLISH RAILWAY WORKERS BROUGHT SOCCER TO URUGUAY, ARGENTINA AND BRAZIL IN THE 1870S. OVER TIME, THE BRAZILIANS DEVELOPED A UNIQUE STYLE OF SOCCER THAT CONTRASTED STRONGLY WITH EUROPEAN TECHNIQUES. THEY AVOIDED FIXED POSITIONS, TEAM STRATEGIES AND LONG PASSES.