DOCSLIB.ORG

Searchable PDF (4.636Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Searchable PDF (4.636Mb) do you like music and/or culture? Join NAKED Music and Culture Magazine Want to Write, Design, or Edit for Naked Magazine? CONTACT US! Editor In Chief: Dylan Polcyn Head of Writing: Rachel Dranoff Head of Editing: Braeden Rodriguez Page Editor: Alex Townsend Head of Design: Danielle Nobbe [email protected] Like us on Facebook, Follow us on Tumblr (nkdmagazine.tumblr.com), and Follow us on Twitter (@NakedMCMagazine)! Tumblr Twitter Facebook Volume 4 DON’T STOP Issue 3 Winter 2014 GETTING NAKED! V4I3.indd 2-3 3/1/14 6:17 PM Naked Music Magazine Staff Table of Contents T FEATURES Dylan Polcyn - Editor-In-Chief S Braeden Rodriguez - Head of Editing I 11 Timeline 10 Alex Townsend - Page Editor L Places Around Town Rachel Dranoff - Head of Writing Y Danielle Nobbe - Head of Design Naked playlist 14 A 1. Neutral Milk Hotel- Anthony Frattarelli - Writer L 2. Bombay Bicycle Club- Audra Hudson - Writer Colin Smith - Writer P EDITORIALS Erica Vanneste - Writer Holland, 1945 Erin Bensinger - Writer (Don’t) pirate these 2 Griffin Smalley - Designer 3 Zaide Pixley albums Jay Grenda - Writer/Editor D Interview Jessie Hansen - Writer 3. Broken Bells- Naked Person Joel Bryson - Writer E Overdone of the Issue Mimi Strauss - Writer Leave it Alone 5-6 12 Mireya Gúzman - Designer K Jake Walker Stefanie Roudebush - Designer Interview Steven Sexton - Writer/Editor 4. Prince Royce- A Me Encata N EVENTS Naked Music and Culture Magazine 5. ScHoolboy Q- 6 Kalamazoo College 7-8 New Play Festival 1200 Academy Street Man of the Year Corner Record Kalamazoo, MI 49006 Store Show Art Hop 10 6. Boogarins- Lucifernandis D&D Printing 2531 Azo Drive Kalamazoo, MI 49048 7. Pavement- REVIEWS Cut Your Hair 2 Broken Bells Bombay Bicycle Club Like what we do? Have 3 comments? Suggestions? An 3 ScHoolboy Q article you want to write? Contact Jumping Fences 5-6 us! Find us on Facebook, Tumblr 8. Olivia Tremor Control- Realize Prince Royce and Twitter. 9. Jake Walker- 9 Neutral Milk Hotel Naked Music & Culture Magazine mkdmagazine.tumblr.com @NakedMCMagazine Boogarins Pavement Crooked Rain 12 10 Cover Art by Paris Weisman Page 1 Page 14 V4I3.indd 4-5 2/28/14 6:11 PM hrough the bitterly cold wind I egotistical station headquarters employee, radio play, the writer said that as long as Ttrudged a mile to the Epic Center and the caring head of security with an he got people thinking about dinosaurs, it to see Kalamazoo’s Fourth Annual New apparent drinking problem all developed was enough. Play Festival and, because my phone into unique characters. The second play , Walden at Fatty ran out of battery while it was giving me Then there was an hour and a half Shakes by Dustin Brown, was a full act Broken Bells: After the Disco directions and certainly through no fault of long break during which the writer spoke long, and followed a high schooler named (Don't) Pirate my own, I arrived late. Not by more than with me about the process of writing and Wes who, despite never reading Walden, a few minutes, but still enough to keep me his inspiration, an article he found in the decides to follow the example of his idol these Artist: Taking Alcatraz Band from seeing the opening play, Dumb Dinky newspaper about a woman who, like the Thoreau, whose name he never pronounces whole song – in After the Disco, the vocals Albums Album: Field Report Arms, until its second showing at 8pm. woman in this play, went to a train station correctly, and retreat into a life in the - roken Bells have done it again! are clearer. There is a larger focus on the A few minutes passed and I made it to WR ÀQG WKDW WKH YRLFH RI KHU KXVEDQG KDG woods, which goes just about as poorly - The indie rock power duo has ZRUGV0HUFHU·VYRFDOVÁRXULVKZLWKPRUH Artist: Father Figure - B the stage, where nothing but a table with been replaced, and had it changed back as one would expect. The play hit a little - disproven the colloquialism “one and space – the instruments melodize with his Album: Congratulations on your Loss. a few papers scattered on top stood in an at the station in her area. He hoped to use close to home with my own high school - done”. After the Disco, the second album voice and then allow his vocals to belt out. RSHQEODFNVSDFH,QWKHWLPHEHIRUHWKHÀUVW theatre to bring this story to life and show it - of the Shins’ James Mercer and Gnarls Holding on For Life is one of the Artist: Armand Hammer play started, I had the opportunity to meet WRWKHZRUOGRQWKHJURXQGVWKDWZKLOHÀOP - Barkley’s Brian Burton (a.k.a. Danger catchiest on the album, displaying Album: Race Music - th with Steve Feffer and Kalamazoo’s own Ed productions can be dragged on and padded 6-?84)A - Mouse), came out February 4 2014 and is Mercer’s incredible vocal range as he hits Menta, producers and creators of the New out by special effects, that is much more MXVWDVSRWHQWDVWKHLUÀUVW disco-high notes, and Danger Mouse’s Artist: 813 Play Festival. They explained that it started GLIÀFXOW WR H[HFXWH LQ OLYH SURGXFWLRQV Broken Bells hit the scene in 2010 with organ melody, along with a reoccurring Album: Crystal Raw by asking for play submissions from their nearly impossible, so people come to plays their self-titled album, Broken Bells. The alien-space-station effect. theatre classes, and quickly expanded to with the expectation of seeing something successful single “The High Road” got a Leave it Alone is a slow song featuring Artist: Have A Nice Life asking for submissions from around the true and human, which is why he, with lot of attention and radio play. DÀQJHUSLFNLQJDFRXVWLFLQWURDQG Album: Deathconciousness Kalamazoo community as a whole during advice from his professor, turned to the - Broken Bells released two singles Mercer’s distorted voice in an almost soul - moan. A harmonizing chorus joins Mercer the summer, allowing experienced and QHZVSDSHUWRÀQGLQVSLUDWLRQ+DYLQJEHHQ prior to the release, After the Disco and Artist: Leon Larregui - inexperienced playwrights the opportunity given the opportunity to see how plays are - Holding on for Life. in the repeated chorus of “leave it alone, Album: Solstis - to hear their plays read aloud in front of read and performed, and the opportunity - Broken Bells banks on interesting leave it alone, leave it alone.” the audience. Because to revise his work, - melodies. They have a way of making After the Disco is an upbeat dance-y Artist: Samy Deluxe - the New Play Festival Riley Noonan has - each verse, chorus, melody and note track with lyric such “Do what you Album: Dis wo ich herkomm involves eleven of continued writing - sound right, heartfelt, want, do what you will,” and “How did Kalamazoo’s theatres, scripts, including important and I get in this wild Artist: Calle 13 it also serves to “Following that was Why Dogs another ten-minute intentional. In this maze of love?” A Album: Entren los Que Quieran “They are anything but broken.” introduce the people Howl, Tucker Hafferty’s brilliant, and a one-act play. album, the band is constant drum beat, of Kalamazoo to the Eight o’clock joined by a four- a tambourine, a clap Artist: Jeff Pianki theatre scene and ELNSINMAKRSTDXNFSHECNMjICSIMG rolled around, piece choir and beat, and a high Album: Paper Window I I the wide variety of views of race, history, and and it was time - the seventeen-piece Angel City String synth-keyboard melody keeps one’s head offerings in the city. for the second - Orchestra. bobbing. Artist: Sampha - A Perfect World starts off the album When more people sentiment that surround the city of round of new Mercer’s boyish voice and strikingly Album: Dual - crowded into the red plays, starting with - poetic verses meld together with with fast technical beats and strong Detroit, which built to an intense - keyboard melodies reminiscent of the prior cushioned seats that Dumb Dinky Arms Danger Mouse’s catchy and creative Artist: Stara Rzeka - surrounded the stage, climax involving murder, arson, and by Justin Gibson, - synth melodies. It is a pure combination album. The electric guitar whines and $OEXP&LHĸ&KPXU\1DG8NU\W\P - WKHÀUVWSURGXFWLRQWKDW a hilarious radio - of classic alternative and synth climbs throughout this song as Mercer’s Polem I was to see that night baseball trivia.” play about a T-Rex - instrumentations – electric and acoustic voice joins with “Whoa-oh-oh’s”. His began, Mind the Gap named Rex, who guitar, organ, piano, bass, percussion, and lyricism is evident. “The open doors left Arist: Reptar by Riley Noonan. Only ten minutes long, bought prosthetic arms to be able to play synthesizers. Broken Bells is like putting me wanting more,” he sings. “…But I Album: Oblangle Fizz Y’all the play told the story of a woman named basketball with his friends Pack and Big ketchup and mayonnaise together in NQRZEHWWHUQRZ*RWLWÀJXUHGRXW,W·VD Elouise Standing, who boarded a train one Al, a Pachycephalosaurus and Allosaurus. DERZO²WKHÀUVWSHUVRQZDVSUREDEO\ perfect world all the same.” And the synth Artist: Merzbow GD\ WR ÀQG WKDW WKH SUHUHFRUGHG YRLFH RQ The radio play format allowed the play like, “Is this going to work?” And now slows and we hear an outro. “We looked Album: 1930 the intercom that routinely spoke “mind the to avoid complicated costumes, but also - we come to know it is the best possible for exit signs. But we can’t be changed into gap” to passengers had been changed, and allowed for the delivery of jokes, whether experience, and effectively poked fun at the - French fry condiment.
Load more

Recommended publications
  • Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
    HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora.
    [Show full text]
  • The Fearless Leader Fearless the Paul 196
    TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts.
    [Show full text]
  • April 2014 TABLE of CONTENTS LATIN CDS LATIN CDS
    Latin Digest ARTIST/TITLE REFERENCE EDITION April 2014 TABLE OF CONTENTS LATIN CDS LATIN CDS .................................................................................3 UPC# - CD Artist & Title LATIN SPECIAL SERIES CDS...................................................68 037629575626 10 DE COLECCION SERIES — 10 De Coleccion — Los Temerarios (SME LATIN DVDS.............................................................................77 U.S. LATIN) 037629575824 10 De Coleccion — Los Guardianes Del Amor (SME U.S. LATIN) 037629576029 10 De Coleccion — Grupo Montez (SME U.S. LATIN) 037629576128 10 De Coleccion — Banda Sinaloense El Recodo De Cruz Lizárraga (SME U.S. LATIN) 037629578023 10 De Coleccion — Lucia Mendez (SME U.S. LATIN) 037629578122 10 De Coleccion — Leo Dan (SME U.S. LATIN) 828767863825 10 De Coleccion — Los Caminantes (SME U.S. LATIN) 828767863924 10 De Coleccion — Los Humildes (SME U.S. LATIN) 828767864020 10 De Coleccion — Los Mier (SME U.S. LATIN) 828767864822 10 De Coleccion — Los Palominos (SME U.S. LATIN) 886970601221 10 De Coleccion — La Firma (SME U.S. LATIN) 886970601320 10 De Coleccion — Jay Perez (SME U.S. LATIN) 886970601726 10 De Coleccion — Los Tukas (SME U.S. LATIN) 886971042429 10 De Colección — Ilegales (SME U.S. LATIN) 886971042528 10 De Colección — Sergio Vargas (SME U.S. LATIN) 886971042627 10 De Colección — Vico C. (SME U.S. LATIN) 886971420920 10 De Colección — Orquesta Aragon (SME U.S. LATIN) 886971421026 10 De Colección — Tito Puente (SME U.S. LATIN) 886971421125 10 De Colección — Yolandita Monge (SME U.S. LATIN) 886971622126 10 De Colección — Tito Rodriguez (SME U.S. LATIN) 886972763323 10 De Coleccion — Banda Arkangel R-15 (SME U.S. LATIN) 886972773728 10 De Coleccion — Galy Galiano (SME U.S. LATIN) 886973157725 10 De Coleccion (Digipak) — Grupo Mania (SME U.S.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Tan Solo Deja La Huella De Tu Piel Sobre La Arena
    Tan solo deja la huella de tu piel sobre la arena. Providencia: más allá de la etnicidad y la biodiversidad una insularidad por asumir Requisito parcial para optar al título de Magíster en Estudios Culturales MAESTRÍA EN ESTUDIOS CULTURALES FACULTAD DE CIENCIAS SOCIALES PONTIFICIA UNIVERSIDAD JAVERIANA 2012 María Camila Rivera González Eduardo Restrepo 1 Tabla de Contenido Introducción 1 Capítulo 1 Inmersiones en historias y sus resonancias: geografías imaginadas y configuraciones de una sociedad insular 16 1.1. Anclajes conceptuales para navegar por las islas………………………........... 16 1.2. Los dispositivos coloniales y sus marcas sobre la naciente sociedad insular.... 21 1.3. Colombia irrumpe: biblias, credos, civilización y castellano (1821-1953)….... 26 1.4. Comercio, burocracia, turistificación y nuevos conflictos (1953 - 1991)…….. 33 1.5. Los 90s: de la devastación y la exclusión a una pretendida inclusión étnica…. 44 Capítulo 2 La etnicidad raizal: ¿una apuesta por la inclusión? 52 2.1. Cuerpos insulares: entre resonancias coloniales y constitucionales de 1886…. 56 2.2. ¿Etnicidad = indígena?....................................................................................... 60 2.3. ¿Afrocolombiano = Pacífico?............................................................................. 70 2 Capítulo 3 „Eco‟ ecos en lo profundo de una ínsula caribeña 77 3.1. El armazón verde……………………………………………...……………….. 77 3.2. Providencia: verde que te quiero verde……………………………..…………. 83 3.2.1. El viento sopló furioso y verde en una lucha ganada con la armadura del Parque……………………………..….... 83 3.2.2. Arribo al anhelado puerto: la UNESCO y su declaración mundial del Archipiélago como Reserva de Biosfera Seaflower……….…...... 96 3.2.3. El caballo del ecoturismo galopa con brío hasta el extravío en la espesura insular……………………………… 102 3.3.
    [Show full text]
  • Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
    Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect.
    [Show full text]
  • THE TUFTS DAILY Est
    Where You Partly Cloudy Read It First 34/25 THE TUFTS DAILY Est. 1980 VOLUME LXV, NUMBER 20 THURsday, FEBRUARY 21, 2013 TUFTSDAILY.COM Sustainability House to debut next fall BY PATRICK MCGRATH Daily Editorial Board Environmentally conscious students still looking for housing for next year can now apply to live in a newly-founded special Sustainability House. The newest of Tufts’ 15 Special Interest Houses will be located in a 10-person suite in Latin Way starting next year. “The goal is to bring students togeth- er with similar interests around envi- ronmental and sustainability issues,” Director of the Office of Residential Life and Learning Yolanda King said in an email to the Daily. “The members of the house will be promoting knowledge and NICK PFOSI / THE TUFTS DAILY awareness around sustainable living, In the wake of multiple alcohol-related violations at this year’s Winter Bash event, Boston Police have issueda license premise violation which will have significant influence and against the event’s venue, the Westin Copley Place Boston Hotel. impact on other students residing in the residence halls and houses.” Seniors Rose Eilenberg and Danielle Boston Police cite Winter Bash hotel for Jenkins, members of the Sustainable Action Squad, last fall developed the idea for the creation of the house and sub- license premise violation mitted a proposal, including letters of support from faculty and the Office of BY STE P HANIE HAVEN tions, which could span from a warning to only arranged for one Boston Emergency Sustainability, according to Jenkins. Daily Editorial Board suspension of the Westin’s license.
    [Show full text]
  • Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
    Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • OUT of the EVER AFTER and OTHER STORIES by Claudia
    OUT OF THE EVER AFTER AND OTHER STORIES by Claudia Amadori­Segree Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters Masters of Fine Arts Florida Atlantic University Boca Raton, Florida August 2008 PREFACE Nel mezzo del cammin di nostra vita Mi ritrovai per una selva oscura, Che la retta via era smarrita... In the middle of the journey of our life, I found myself in a dark wood, For the straight way was lost… Dante Alighieri, The Divine Comedy, Inferno I iii ACKNOWLEDGEMENTS I would like to thank Prof. Papatya Bucak, my thesis advisor, who I consider my mentor from the drafting of my first stories as an undergraduate English Major, to my current work as a Master of Fine Arts candidate. Prof. Bucak helped me grow immensely as a writer and encouraged me to pursue creative writing when I lacked confidence in my skills. I am indebted to Prof. Bucak for her dedication over the years, her helpful feedback and the work she put in the careful reading of this thesis. I truly value all her comments and suggestions. I also would like to thank the other members of my committee for accepting to read my fiction. I am thankful to Prof. Wenying Xu because she introduced me to postcolonial theory and to the work of US ethnic women writers which has influenced my creative writing. I hope to become a good scholar as well as write creatively, and Prof. Xu is a role model in the study of literature, research and academic writing.
    [Show full text]
  • 1 Arcade Fire
    All Songs Considered Listeners Pick The Best Music Of 2010: The Top 100 1 Arcade Fire: The Suburbs 2 The Black Keys: Brothers 3 The National: High Violet 4 Mumford & Sons: Sigh No More 5 Broken Bells: Broken Bells 6 LCD Soundsystem: This Is Happening 7 Vampire Weekend: Contra 8 Sufjan Stevens: The Age Of Adz 9 Beach House: Teen Dream 10 Kanye West: My Beautiful Dark Twisted Fantasy 11 Gorillaz: Plastic Beach 12 Sleigh Bells: Treats 13 Jonsi: Go 14 Local Natives: Gorilla Manor 15 Band Of Horses: Infinite Arms 16 The Tallest Man On Earth: The Wild Hunt 17 Deerhunter: Halcyon Digest 18 Spoon: Transference 19 Janelle Monae: The ArchAndroid 20 Yeasayer: Odd Blood 21 Ray LaMontagne and The Pariah Dogs: God Willin' and the Creek Don't Rise 22 New Pornographers: Together 23 Broken Social Scene: Forgiveness Rock Record 24 Joanna Newsom: Have One On Me 25 Cee Lo: The Ladykiller 26 MGMT: Congratulations 27 Sharon Jones And The Dap Kings: I Learned The Hard Way 28 Massive Attack: Heligoland 29 Josh Ritter: So Runs The World Away 30 Girl Talk: All Day 31 She And Him: Volume II 32 Bruce Springsteen: The Promise 33 Belle And Sebastian: Write About Love 34 Big Boi: Sir Lucious Left Foot: The Son Of Dusty Chico 35 Best Coast: Crazy For You 36 The White Stripes: Under Great White Northern Lights 37 Danger Mouse And Sparklehorse: Dark Night Of The Soul 38 Caribou: Swim 39 The Roots: How I Got Over 40 Kings Of Leon: Come Around Sundown 41 Frightened Rabbit: The Winter Of Mixed Drinks 42 Neil Young: Le Noise 43 Drive-By Truckers: The Big To-Do 44 Flying Lotus: Cosmogramma 45 Carolina Chocolate Drops: Genuine Negro Jig 46 Dead Weather: Sea of Cowards 47 Laura Veirs: July Flame 48 The Walkmen: Lisbon 49 Dr.
    [Show full text]
  • New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
    New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network.
    [Show full text]