Above the Board a Higher Value That They Could Charge for the Tuition
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Rachmaninoff Symphony No
RACHMANINOFF SYMPHONY NO. 3 10 SONGS (ARR. JUROWSKI) VLADIMIR JUROWSKI conductor VSEVOLOD GRIVNOV tenor LONDON PHILHARMONIC ORCHESTRA SERGE RACHMANINOFF SYMPHONY NO. 3 Sir Henry Wood, writing in his autobiography My Life and conductor. If the public in Russia, Europe and America of Music (1938), predicted that Rachmaninoff’s Third recognised his gifts in all three branches of the profession, Symphony would ‘prove as popular as Tchaikovsky’s Fifth’. he himself always regarded himself as a composer first If that has never really been the case, Wood’s further and foremost. If he also happened to be one of the finest assessment of the score does ring true: pianists the world has ever known, that was, to a certain extent, a bonus. In 1917, however, there came a seismic ‘The work impresses me as being of the true Russian change in his life. With the onset and aftermath of the Romantic school. One cannot get away from the October Revolution, Rachmaninoff and his family felt beauty and melodic line of the themes and their logical compelled to emigrate. ‘Everything around me makes it development. As did Tchaikovsky, Rachmaninoff uses the impossible for me to work’, he wrote to his cousin and fellow instruments of the orchestra to their fullest effect. Those pianist Alexander Ziloti, ‘and I am frightened of becoming lovely little phrases for solo violin, echoed on the four solo completely apathetic. Everybody around me advises me to woodwind instruments, have leave Russia for a while. But where to, and how? And is it a magical effect in the slow movement. -
Download Neutral Milk Hotel, in the Aeroplane Over the Sea Free Ebook
NEUTRAL MILK HOTEL, IN THE AEROPLANE OVER THE SEA DOWNLOAD FREE BOOK Kim Cooper | 144 pages | 19 Jan 2006 | Bloomsbury Publishing PLC | 9780826416902 | English | London, United Kingdom What Neutral Milk Hotel's 'In the Aeroplane Over the Sea' Is Really About The Village Voice. The front cover contains a drawing of two old-fashioned bathers out at sea. Archived from the original on June 25, Obsessed as it is with the textures of the flesh and the physical self as Neutral Milk Hotel emotional antenna, listening to Aeroplane sometimes seems to involve more than just your ears. Aeroplane is a place of nameless sensations and frightening desires, where historical imagery is scrambled, and lines between past, present, and future are porous. Two-Headed Boy, Pt. Inspired by a reading of the Anne Frank story, and with the help from the Elephant Six recording collective Apples in Stereo and Olivia Tremor ControlNeutral Milk Hotel the Aeroplane Over the Sea is a personal meditation on the rich joys of life and the tragedy of death. According to Carter: "It was more like talking them through what was about to happen, because so much was happening onstage that without someone helping, it was a wail or squeal and the soundman Neutral Milk Hotel look at In the Aeroplane Over the Sea instruments onstage and not know what to dive for. The A. In the U. Ishmael Cormack. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows how good music writing gets the music into the readers' head. He explained that shortly after releasing On Avery In the Aeroplane Over the Sea he read the book for the first time, and found himself completely overwhelmed with sadness and grief. -
Eötvös Péter Love and Other Demons Című Operájának Dramaturgiája És Kifejezőeszközei
Liszt Ferenc Zeneművészeti Egyetem 7.6 számú Doktori iskola EÖTVÖS PÉTER LOVE AND OTHER DEMONS CÍMŰ OPERÁJÁNAK DRAMATURGIÁJA ÉS KIFEJEZŐESZKÖZEI MEGYERI KRISZTINA DOKTORI ÉRTEKEZÉS TÉMAVEZETŐ: GRABÓCZ MÁRTA 2013 Liszt Ferenc Zeneművészeti Egyetem 7.6 számú Doktori iskola EÖTVÖS PÉTER LOVE AND OTHER DEMONS CÍMŰ OPERÁJÁNAK DRAMATURGIÁJA ÉS KIFEJEZŐESZKÖZEI MEGYERI KRISZTINA DOKTORI ÉRTEKEZÉS TÉMAVEZETŐ: GRABÓCZ MÁRTA 2013 i Tartalomjegyzék I.Keletkezéstörténet, librettóátalakítások.....................................................................1 I.1. Előzmények I.1.1 Előzmények, kortárszenei kontextus.................................................1 I.1.2 Eötvös Péter pályájáról és a késői korszak nyelvezetéről................6 I.2. A keletkezés körülményei.............................................................................12 I.2.1. A felkérésről és az opera keletkezéséről.........................................12 I.2.2. Az előadásokról és a rendezésről....................................................14 I.2.3. A zenekarról....................................................................................18 I.3. Genezis..........................................................................................................20 I.3.1. Regény, librettó(k), opera...............................................................20 I.3.2. Összevonások.................................................................................23 I.3.3. A regényszöveg átalakítása.............................................................25 -
Air : Esce Il 10 Giugno “Twentyears” Il Primo Best-Of Del Duo Francese La Super Delux Edition Limitata E Numerata Sara’ Disponibile Dal 22 Luglio
AIR : ESCE IL 10 GIUGNO “TWENTYEARS” IL PRIMO BEST-OF DEL DUO FRANCESE LA SUPER DELUX EDITION LIMITATA E NUMERATA SARA’ DISPONIBILE DAL 22 LUGLIO 20/04/2016 AIR ESCE IL 10 GIUGNO “TWENTYEARS” IL PRIMO BEST-OF DEL DUO FRANCESE LA SUPER DELUX EDITION LIMITATA E NUMERATA SARA’ DISPONIBILE DAL 22 LUGLIO DOPO UNA LUNGA ASSENZA DAL PALCOSCENICO DURATA SEI ANNI GLI AIR TORNANO LIVE IN ITALIA: VENERDÌ 20 MAGGIO IN CONCERTO AL LABIRINTO DELLA MASONE IN PROVINCIA DI PARMA SABATO 21 MAGGIO HEADLINER A ROMA DEL FESTIVAL SPRING ATTITUDE Gli AIR, duo francese di musica elettronica vincitore di numerosi dischi di platino, pubblicheranno il 10 Giugno “Twentyears”, la loro prima antologia che celebra i vent’anni dal loro debutto internazionale. Disponibile in doppio CD, doppio LP e in versione digitale, il primo CD del Best-Of include grandi successi come “Sexy Boy”, “Playground Love”, "Kelly Watch the Stars", “Cherry Blossom Girl” e “Le soleil est près de moi”. Il secondo CD contiene 14 tracce rare e inedite tra cui “Crickets” e “The Way You Look Tonight” tratte dagli album Pocket Symphony e 10 000 Hz Legend, “Adis Abebah” dalla colonna sonora di Quartier lointain, “Roger Song” scritta per Corman’s World, “The Duelist” interpretata da Charlotte Gainsbourg e Jarvis Cocker durante la registrazione di the Pocket Symphony. La Super Deluxe Edition sarà disponibile dal 22 Luglio e conterrà un poster da collezione, il Best-Of in doppio CD, il doppio LP colorato e un terzo CD in cui gli AIR hanno remixato brani di altri artisti come David Bowie, Beck, Depeche Mode e Neneh Cherry. -
Post-9/11 Brown and the Politics of Intercultural Improvisation A
UNIVERSITY OF CALIFORNIA RIVERSIDE “Sound Come-Unity”: Post-9/11 Brown and the Politics of Intercultural Improvisation A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Dhirendra Mikhail Panikker September 2019 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Robin D.G. Kelley Dr. René T.A. Lysloff Dr. Liz Przybylski Copyright by Dhirendra Mikhail Panikker 2019 The Dissertation of Dhirendra Mikhail Panikker is approved: Committee Chairperson University of California, Riverside Acknowledgments Writing can feel like a solitary pursuit. It is a form of intellectual labor that demands individual willpower and sheer mental grit. But like improvisation, it is also a fundamentally social act. Writing this dissertation has been a collaborative process emerging through countless interactions across musical, academic, and familial circles. This work exceeds my role as individual author. It is the creative product of many voices. First and foremost, I want to thank my advisor, Professor Deborah Wong. I can’t possibly express how much she has done for me. Deborah has helped deepen my critical and ethnographic chops through thoughtful guidance and collaborative study. She models the kind of engaged and political work we all should be doing as scholars. But it all of the unseen moments of selfless labor that defines her commitment as a mentor: countless letters of recommendations, conference paper coachings, last minute grant reminders. Deborah’s voice can be found across every page. I am indebted to the musicians without whom my dissertation would not be possible. Priya Gopal, Vijay Iyer, Amir ElSaffar, and Hafez Modirzadeh gave so much of their time and energy to this project. -
THE TUFTS DAILY Est
Where You Partly Cloudy Read It First 34/25 THE TUFTS DAILY Est. 1980 VOLUME LXV, NUMBER 20 THURsday, FEBRUARY 21, 2013 TUFTSDAILY.COM Sustainability House to debut next fall BY PATRICK MCGRATH Daily Editorial Board Environmentally conscious students still looking for housing for next year can now apply to live in a newly-founded special Sustainability House. The newest of Tufts’ 15 Special Interest Houses will be located in a 10-person suite in Latin Way starting next year. “The goal is to bring students togeth- er with similar interests around envi- ronmental and sustainability issues,” Director of the Office of Residential Life and Learning Yolanda King said in an email to the Daily. “The members of the house will be promoting knowledge and NICK PFOSI / THE TUFTS DAILY awareness around sustainable living, In the wake of multiple alcohol-related violations at this year’s Winter Bash event, Boston Police have issueda license premise violation which will have significant influence and against the event’s venue, the Westin Copley Place Boston Hotel. impact on other students residing in the residence halls and houses.” Seniors Rose Eilenberg and Danielle Boston Police cite Winter Bash hotel for Jenkins, members of the Sustainable Action Squad, last fall developed the idea for the creation of the house and sub- license premise violation mitted a proposal, including letters of support from faculty and the Office of BY STE P HANIE HAVEN tions, which could span from a warning to only arranged for one Boston Emergency Sustainability, according to Jenkins. Daily Editorial Board suspension of the Westin’s license. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen. -
Concerts Attended
CONCERTS ATTENDED January 18, 2020: (McCarter Center, Princeton, NJ) Richard Thompson October 19, 2019: (First Unitarian Church, Philadelphia , PA) Vivian Girls September 21, 2019: (McCarter Center, Princeton, NJ) Lucinda Williams July 5, 2019: (Tanglewood, Lenox, MA) 2 MAHLER: Symphony No. 5 6 MOZART: Piano Concerto No. 22 in E-flat 6 4 * Andris Nelsons, conductor * Emanuel Ax, piano June 21, 2019: (Metro Music Hall, Salt Lake City, CA) American Football Tomberlin June 5, 2019: (Soda Bar, San Diego, CA) Spiral Stairs May 30, 2019: (Che Cafe, San Diego, CA) Field Medic April 28, 2019: (SF Ballet, War Memorial Opera House, San Francisco, CA) 2 COPLAND: Rodeo (Four Dance Episodes) 6 * Justin Peck, choreographer 6 6 RACHMANINOFF: Die Toteninsel 6 6 * Liam Scarlett, choreographer 6 4 BJORK:¨ Bj¨orkBallet * Arthur Pita, choreographer February 24, 2019: (SF Ballet, War Memorial Opera House, San Francisco, CA) 2 MOZART: Divertimento No. 15 6 * George Balanchine, choreographer 6 6 BEETHOVEN: Appassionata 6 6 * Benjamin Millepied, choreographer 6 4 M83: Hurry Up, We're Dreaming * Justin Peck, choreographer February 8, 2019: (New Century Chamber Orchestra, Oshman JCC, Palo Alto, CA) 1 2 CONCERTS ATTENDED 2 PURCELL: Chacony in G minor (Arr. Britten) 6 SCHUMANN: 2nd Movement from the Violin Concerto (Arr. Britten) 6 6 VAUGHAN WILLIAMS: Fantasia on a Theme by Thomas Tallis 6 6 WARLOCK: Capriol Suite 6 4 RICHTER: Recomposed: Vivaldi - The Four Seasons * Daniel Hope, concertmaster February 2, 2019: (Che Cafe, San Diego, CA) Mineral October 11, 2018: (The Chapel, San Francisco, CA) Quinn DeVeaux Caravan 222 August 18, 2018: (20th Street Block Party, San Francisco, CA) 2 Jeff Rosenstock 6 The She's 6 6 The Total Bettys 6 4 Small Crush Mint July 14, 2018: (The Lab, San Francisco, CA) Body/Head (Kim Gordon and Bill Nace) Angst Hase Pfeffer Nase (Chris Cooper and Jessica Goddard) March 22, 2018: (Benaroya Hall, Seattle, WA) 2 SIBELIUS: The Oceanides 6 BRITTEN: Four Sea Interludes from Peter Grimes 6 4 SIBELIUS: Symphony No. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Zerbröckelnde Utopien | Norient.Com 10 Oct 2021 07:07:28
Zerbröckelnde Utopien | norient.com 10 Oct 2021 07:07:28 Zerbröckelnde Utopien by Benedikt Sartorius Zehn Jahre war Jeff Mangum untergetaucht. In dieser Zeit mutierten seine Lieder mit der Band Neutral Milk Hotel zu Hymnen für Trostsuchende und Widerständige. Nun spielen Neutral Milk Hotel wieder Konzerte. Eine Spurensuche. Er taucht auf wie ein Geist. Ein hünenhafter Geist, ausgestattet mit einem Wollpulli, einer Schirmmütze, halblangen Haaren und einer akustischen Gitarre. Die Akkorde schlägt er hart an, und die Stimme erzählt von Wiedergeburten, von Flugzeugen über dem Meer, die Leichenasche abwerfen und von siamesischen Zwillingen, die in Flaschen eingeschlossen sind und dennoch ein Stückchen Liebe finden werden, irgendwann im Jenseits. Die ZeugInnen dieser Erscheinung singen all diese verklausulierten Erzählungen mit, ergänzen die Bänkellieder mit dem Nachsingen der abwesenden Bläsersätze, und feiern ihren unwahrscheinlichen Propheten, als würde er nach diesem knapp vierzigminütigen Auftritt wieder für zehn Jahre untertauchen. «You guys have done a beautiful fucking thing», sagt er zum Abschied, hier, an diesem Abend im New Yorker Zuccotti Park, wo die Occupy Wall Street-AktivistInnen versammelt sind. Das Handykamera-Bild flackert, die glücklich wirkende Gestalt verschwindet. Ja, er war es wirklich an diesem Spätherbstabend im Jahr 2011: Jeff Mangum, Sänger und Erfinder der Band Neutral Milk Hotel, der 1998 nach einer langen Tour einfach ausgestiegen ist. Ausgestiegen aus dem sozialen Leben – ohne Abschied von seinen Bandgefährten –, ausgestiegen aus dem Musikgeschäft und der Öffentlichkeit, die ihn zum Genie modulieren wollten, das eine Platte eingespielt hat, die für die Anhängerschaft grösser als das Leben wurde. https://norient.com/stories/neutralmilkhotel Page 1 of 7 Zerbröckelnde Utopien | norient.com 10 Oct 2021 07:07:28 «In the Aeroplane Over the Sea» heisst diese Platte, die vor sechzehn Jahren erschienen ist und seither kultisch verehrt wird.