Pitchfork: Flipper Recording New Album with Krist Novoselic
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Caltech Pulls Off Second Rose Bowl Prank
The California Tech [email protected] VOLUME CXVII NUMBER 10 PASADENA, CALIFORNIA TECH.CALTECH.EDU JANUARY 13, 2014 Caltech pulls off second Rose Bowl prank -Julie Jester PARUL PUBBI prank, so we thought we’d merge With a location secured, work on then taped to the Pasadena sign so took charge of ensuring the lights Contributing Writer the two and pay homage to both.” the sign continued. that they would spell out “Caltech” worked. Car batteries were used It all started when Julie Jester, Caltech’s prank fund, which and excess lights were taped off. to provide the voltage necessary to The Caltech culture is an president of the Prank Club, alumni periodically donate to, The green strings of wire were then produce the effect. integral part of any Techer’s emailed potential recruits a week provided the $10,000 necessary painted white to match the sign. collegiate experience. It comes before construction began. Five for supplies. Christmas lights were Hannah Dotson of Dabney House Continued on page 3 as no surprise, then, that over a days before the championships, hundred undergrads across every the construction of eight 12 feet by house and class partook in the 20 feet frames started with a core largest-scale prank that Caltech has group of about 20 people. Though seen this year. the initial plan was to build and On Jan 6th, just 5 minutes show the sign at the Art Center before halftime at the Bowl College of Design, the group Championship Series, the moment received word on the second day of truth arrived. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
THE TUFTS DAILY Est
Where You Partly Cloudy Read It First 34/25 THE TUFTS DAILY Est. 1980 VOLUME LXV, NUMBER 20 THURsday, FEBRUARY 21, 2013 TUFTSDAILY.COM Sustainability House to debut next fall BY PATRICK MCGRATH Daily Editorial Board Environmentally conscious students still looking for housing for next year can now apply to live in a newly-founded special Sustainability House. The newest of Tufts’ 15 Special Interest Houses will be located in a 10-person suite in Latin Way starting next year. “The goal is to bring students togeth- er with similar interests around envi- ronmental and sustainability issues,” Director of the Office of Residential Life and Learning Yolanda King said in an email to the Daily. “The members of the house will be promoting knowledge and NICK PFOSI / THE TUFTS DAILY awareness around sustainable living, In the wake of multiple alcohol-related violations at this year’s Winter Bash event, Boston Police have issueda license premise violation which will have significant influence and against the event’s venue, the Westin Copley Place Boston Hotel. impact on other students residing in the residence halls and houses.” Seniors Rose Eilenberg and Danielle Boston Police cite Winter Bash hotel for Jenkins, members of the Sustainable Action Squad, last fall developed the idea for the creation of the house and sub- license premise violation mitted a proposal, including letters of support from faculty and the Office of BY STE P HANIE HAVEN tions, which could span from a warning to only arranged for one Boston Emergency Sustainability, according to Jenkins. Daily Editorial Board suspension of the Westin’s license. -
Threyda Is an Art and Ap Thanksgiving Parel Collective Based on Art Nice 'Threyda' Work Made by Modern Talent &SAVE! from All Over the World
News | page 3 Dean Richard Meadows to retire Winter farmers' market uwMrOSl begins The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Sports | page 7 Volleyball closes with s;ew Business eighth straight win Post sues UWM a. Unio>nn PolicPolicyy BoarB d Act [motioned for the Union Policy Board Act to be approved. m mI seconded the motion. | | there are a number of questions that need the direct response from the UPB and the UPB should have an office allocated to the organization in order to be more for records accessible. | B would also like to, have use of the office. No office would loose their space; the UPB would share an office with the Court, [objected to the motion. I M stated that the Newspaper claims UPB records not educational } is not needed because | Women's soccer finishes j and there is no need to allocate another desk, season 12-6-3 By Josh Evert computer, etc. | | believes that J B should t have ever seen," said Student present and accessible due to | 0|. Production Editor Press Law Center executive di H stated that the office would be used strictly for UPB [email protected] rector Frank LoMonte. respon«bilitiesin order to separa^ierespon^bilities of the two offices. UWM spokesman Tom Luljak | that the fl | should be able to fringe | page 12 The UWM Post filed suit last said that, in keeping with past separate responsibilities without the need for separate offices. Gore week against UW-Milwaukee, practice, the university will advocates for the office allocation. -
Neeme Järvi Detroit Symphony Orchestra Ida Kavafian
NEEME JÄRVI MOTORCITY TRIPTYCH DETROIT SYMPHONY ORCHESTRA RAISE THE ROOF IDA KAVAFIAN, VIOLIN 559372 bk Daugherty US 5/27/09 2:05 PM Page 2 Michael Daugherty (b. 1954) Detroit Symphony Orchestra Fire and Blood • MotorCity Triptych • Raise the Roof The internationally acclaimed Detroit Symphony Orchestra traces its history back to 1887. Today the orchestra Fire and Blood (2003), for violin and orchestra, was II. River Rouge performs for more than 400,000 people annually in classical, Pops, jazz, World music, special, holiday, young commissioned by the Detroit Symphony Orchestra. The At the Ford River Rouge Automobile Complex, located people’s, community and summer concerts. Its 8 Days in June festival presents works from the symphonic world première was given by the Detroit Symphony next to the Detroit River, Rivera spent many months repertoireMichael in a modernDaugherty context, as well as contemporary pieces that take orchestral and chamber music in new Orchestra under the direction of Neeme Järvi, with Ida creating sketches of workers and machinery in action. directions. The Detroit Symphony Orchestra performs in historic Orchestra Hall at the Max M. Fisher Music Center, Kavafian, solo violin, at Orchestra Hall, Detroit, He was accompanied by his young wife, the remarkable as well as inFire other and Michigan Blood venues such as Meadow Brook Music Festival in the summertime. In the 2008-09 Michigan on 3rd May, 2003. In 1932, Edsel Ford Mexican painter Frida Kahlo (1906-1954). She lived in season, world-renowned8.559372 conductor Leonard Slatkin became Music Director of the orchestra. The Detroit Symphony commissioned the Mexican modernist artist Diego constant pain as a result of polio in childhood and a Orchestra’s distinguished history includes many award-winning recordings, tours and residencies in the United Rivera (1886-1957) to paint a mural representing the serious bus accident at the age of eighteen in Mexico States, Europe and Japan, and national and international radio broadcasts. -
Volume CXXVII, Number 15, February 19, 2010
FEATURES OP/ED A & E SPORTS Professor Adenwalla Dinosaurs are Appleton’s Corey Chisel Brengel qualifies to recalls a storied career missing in action performs with Dawes swim at nationals >> page 4 >> page 6 >> page 8 >> page 10 FRIDAY, FEBRUARY 19, 2010 THE LAWRENTIAN Vol. CXXVII, No. 15 Lawrence University's student newspaper since 1884 www.Lawrentian.com Lawrence grants tenure to seven faculty members Bridget Donnelly the enduring success of Lawrence didate, the teaching aspect is cru- Burrows said these activities bers observe the candidate’s class- Staff Writer through “bringing together strong cial. Burrows finds the particular are “important to ensure intel- es, lectures and performances and students and excellent faculty.” strength of teaching in both the lectual and creative stimulation, write recommendations based on The Lawrence board of trust- Professors hired into tenure- ability to engage a student and in to ensure being up-to-date and to their experience with the candidate ees recently granted tenure track positions undergo a reap- the “importance of learning useful model for students the processes as fellow committee members, to seven members of the fac- pointment review, headed by the skills for the future — to be ready of obtaining knowledge and creat- partners in research and in other ulty. The newly tenured profes- tenure committee, in their third for everything, for a future that ing what is new.” collaborative roles. sors include Associate Professor year of hire. Candidates then gen- does not yet exist.” The final criterion is that of The tenure committee also of Anthropology Mark Jenike, erally stand for tenure in their The legacy of Lawrence as an service, which includes service to collects “evidence of professional Associate Professor of Physics sixth year at Lawrence, though this institution of superior learning, the Lawrence community as well productivity,” which may include Megan Pickett, Assistant Professor may occur earlier if the faculty according to Burrows, depends on as to the professional community. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
The Fiery Furnaces: Gallowsbird Bark Seth Kim-Cohen Rough Trade
The Fiery Furnaces: Gallowsbird Bark Seth Kim-Cohen Rough Trade An unpublished review of the Fiery Furnaces debut, 2003. ¤ ¤¤ Maybe Pierre Bourdieu is right. Maybe the “field of cultural production” is nothing but a game board and each producer, promoter, buyer and seller is a piece on the board. We each fulfill our roles. The board doesn’t change much over time. Nor do the relative roles of the pieces. The game always needs someone at the top and someone at the bottom, but it also needs someone filling the various roles in between. If Bourdieu is right, we might see the Fiery Furnaces as the contemporary occupiers of the space once held by Joseph Byrd’s the United States of America. In 1968 the United States of America grated against the outer extremities of rock music, integrating sources as diverse as 19th century folk forms, Sousa-esque brass arrangements and experimental analog electronics (Gordon Marron is credited with playing ring modulator) into an au courant blend of pastoral psychedelia, blues, and proto-acid guitar leads. With their debut, Gallowsbird’s Bark, the Fiery Furnaces chafe against the current state of the art, interpolating 19th century folk forms, dada lyrics, and splice and dice arrangements into an au courant mix of earnest sonics, postmodern cool and post-acid guitar leads. So there we have it: neatly bundled and tied in a fancy French bow. 1 But Bourdieu’s system fails to account for a few alternatives to this neat bundle. The Fiery Furnaces are Eleanor and Matthew Friedberger: brother and sister (like the White Stripes?), duo (like the White Stripes, the Kills, and Quasi), and from New York City (like you name it). -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Above the Board a Higher Value That They Could Charge for the Tuition
THE February 1%, 2011 POST THE STUDENT-RUN INDEPENDENT NEWSPAPER Issue l8, Volume $6 Editorial: UWM needs flexibility B.O.S.S. cd from UW System page 12 percent of what they took away... that's not the solution. I don't think they did any real SA branches analysis there," Lovell said. "If an institu tion such as Madison essentially could have call truce; Above the board a higher value that they could charge for the tuition ... they could use the extra money they make in tuition to subsidize students focus on UWM hopes to gain new freedoms from state regulations that need more funding. I wouldn't neces sarily be against that." accountability Both Gov. Scott Walker in his budget Wednesday's meeting was held by the address in March 2011 and former UW- Special Task Force on UW Restructuring Madison Chancellor Biddy Martin brought Separation of and Operational Flexibilities, a group a serious restructuring of the UW System tasked with finding ways to improve tu into the spotlight, calling for UW-Madison ition, staff salary and transfer credits, as to leave the UW System altogether. powers deadline well as looking at a massive system-wide Lovell was one of several chancellors restructuring. who spoke against the split, and Lovell in extended Lovell said he wants UWM to have stead advocated for more freedom for UW more flexibility so that it would be able to schools from state regulations while still adjust tuition increases to a "market rate" as remaining part of the UW System. By Steve Garrison well as adjust how faculty and staff are paid. -
CAP UCLA Presents 'Exposed: Songs for Unseen Warhol Films'
Media Alert Contact: Jessica Wolf 310.825.7789 [email protected] CAP UCLA Presents ‘Exposed: Songs for Unseen Warhol Films’ at Royce Hall Fri, Oct. 24 Rare footage meets compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox Center for the Art of Performance at UCLA presents the west coast exclusive performance of “Exposed: Songs for Unseen Warhol Films” Friday, October 24 at 8 p.m. in Royce Hall. The sound- plus-celluloid stage experience celebrates the 20th Anniversary of The Andy Warhol Museum and features new compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox. Tickets ($19-$59) are now available cap.ucla.edu, Ticketmaster or the UCLA Central Ticket Office (310.825.2101). “Exposed: Songs for Unseen Warhol Films” was co-commissioned by The Andy Warhol Museum, CAP UCLA and BAM for the 2014 Next Wave Festival. “Exposed” is comprised of 15 short Warhol films, never before publically exhibited, accompanied by live music. The films chosen are a combination of portraits and actualités featuring superstars and luminaries such as Taylor Mead, Mary Woronov, Edie Sedgwick, Mario Montez, John Giorno, Marcel Duchamp, Marisol, Donovan, and Andy Warhol himself. This project honors the unwavering relevancy of the art and life of Andy Warhol by re-contextualizing his work in ways that resonate in contemporary culture. Five songwriter-composers representing a musical trajectory from the 1970s until today perform original scores to these rare Warhol selections. The composers and performers, selected by guest musical curator Dean Wareham (Galaxie 500, Luna), who also performs, include punk icons Tom Verlaine (Television) and Martin Rev (Suicide), Eleanor Friedberger (The Fiery Furnaces), and Bradford Cox (Deerhunter, Atlas Sound).