there’s nothing cutei■about having your legs spread and your busi. less a ll Utkin tfhir.

“just another poster? chicano graphic arts in ” displays the beauty and originality of political protest 2A Thursday, January 18,2001 Daily Nexus

video I column

straight t o ^ c l a s s i c s

I WANT ME LUCKY CHARMS, YO! M DGETS AND O.G.S IN LEPRECHAUN IN THE HOOD7

midget, or o.g.? Jack lloyd dark, the third

The medium o f film has produced many a movie label. Meanwhile, a wack rap group led by Postmaster P calls “the bomb.” W hen he’s not bangin’ hoochies and series over the past thirty years, most o f which are either (“They call me Postmaster P cuz I deliver positivity") gets getting high, Lep is busy beating down Postmaster P, completely terrible or disappointing. Look at the dissed by Mack Daddy during a meeting. To get even, M ack Daddy and anyone else who gets in the way. He “Nightmare on Elm Street” series, or “The Naked Gun” Postmaster and his homies infiltrate Mack Daddy’s crib, even takes a few bullets to the chest, but you know it series; these were terrible movies that should have been where they find Leprechaun being used as a table leg. takes more than that to take out Leprechaun: He’s a true stopped after the initial release. No series seems bullet­ Postmaster P jacks the gangsta from the hood. proof, as even the great “Star Wars” showed poor judge­ chain from Lep’s neck, He even busts a freestyle ment with “The Phantom Menace.” It is my pleasure, once again allowing that puts our current rap therefore, to review the greatest film in the greatest Leprechaun to wreak stars to shame. movie series to date: “Leprechaun in the Hood,” o f the i i havoc. The rappers escape After watching a phenomenal “Leprechaun” series. the scene with the flute, movie like this you are As is the basis o f any good series, “Leprechaun in the and proceed to be chased truly left speechless. Ice- Hood” retains its restless midget star Warwick Davis, by Lep and Mack Daddy T ’s performance ranks who plays the role of the greedy Irishman in each of the for the remainder o f the with Jennifer Aniston and four previous “Leprechaun” opuses. The film opens with film. POSTE Clint Howard as the best a frozen Leprechaun, magically trapped by a golden One of the greatest in “Leprechaun” co-star chain. Afro-wearing M ack Daddy, played by Ice-T, takes aspects o f “Leprechaun in history, and Warwick off the chain, awakening Lep. After taking an ass-kick­ the Hood” is how well Davis proves once again ing, Mack Daddy accidentally knocks the chain in the Lep adapts with the times. that he is the best small air, where upon descending it amazingly lands back on Although he has been out man in the Hollywood Lep. Mack Daddy finds and jacks Leprechaun’s flute, o f the scene for over 20 game. “Leprechaun in the which mesmerizes anyone in earshot. years, he quickly adds the current slang to his vocabulary. Hood” is a certified “Straight to Video Classic,” and Fast forward 20 years, and M ack Daddy has used the Leprechaun sets up shop in the hood almost immediate­ deserves every bit o f that recognition. I can’t wait for the flute to create an incredibly successful gangsta rap record ly, recruiting hoes and smoking weed, both o f which he D VD box-set release.

©fa! Tfae Places V ow ’ll G o! ...... * * Li Hillarv Clinton First Lady and Senator Wellesley College

She wee one, you could be one tool j

Be a Resident Assistant at UCSB i i p W S domestic^ / D R A FT?* I JHformatiOM Sessions pimsp of BEER, UJELt, SHOTS* 6 COCKTAILS * It’s yout

D J /s Spencer (KJEE) &TrauiTrai^gj|

Hip Hop 6 House/Tranre/TKliw iiilijijt iilWi>íWiii»j'i i ij ' i n ..i m "must have valid COLLEGE or LOCAL ID to Get DRinK SPECIALS 416 State Street • Santa Barbara • (80S) 963-9680 Van most attend an information session ta ba considered lar a pasman lar ma 2001-2002 academic year. A V Daily Nexus Thursday, January 18,2001 3A

film I review

writing fiftyju lie kraim

Welcome to a cultural tour o f Barcelona through the tural style. He combines mosaic walls with scrap metal mosaics and stained glass of the Casa Mila. Gaudí steps fantastical architecture o f Antonio Gaudí. designs on ledges and balconies. The ceiling o f an other­ outside o f the norm without fearing disapproval from the The biography, “Antonio Gaudí,” ia a film that wise common office on Casa Mila besurs the engraving: masses. In fact, his outlandish design schemes seem to be leisurely and artistically weaves its way down the path of “Ah virgin M ary/do not feel sad/about such small things/for embraced by the city. Gaudi’s ability to add color to his the architect’s life work. Slow-paced and easygoing, this both flow ers and stars are small, original'and unique designs is what makes him fascinat­ is the type of film one could expect to be shown in a gen­ Gaudi’s control over space is fantastic. Light and ing. Even without background knowledge o f art history, eral art history course. The film is comprised of both shadow manipulate space and mood within every room. one can greatly appreciate his talent and the beauty he short photographic images and long stretches o f filming, Each room in Casa Mila has a different theme and uses created. combining the work of Gaudí with its place in Barcelona different designs, .yet it is impossible to miss Gaudi’s Though mostly a non-verbal picture, the filmmakers and its culture. touch. include musical accompaniment by Toru Takemitsu, Gaudi’s work resembles the picture that may pop into Two facets o f Gaudi’s workfare his gothic style that he which ranges from classical music to whining post-mod­ your mind when reading a fairy tale or nursery rhyme. copies from churches built in the middle ages, and ernist instrumentals. There does not seem to be much Ornate, dense and detailed, manipulation of lines and discretion about where to place the music within the the architecture fejects all beams. Both these tastes are film, as it often does not correlate to what is on screen. rules to affect its own style. exhibited in the gothic exteri­ This does not take away from the film, but is merely an Anyone who has ever been to or o f Sagrada Familia. Within oddity within it. Barcelona can probably claim the cathedral is a winding Despite the touches o f the 1980s that the film adopts to have visited the Temple of staircase that plummets from due to its having been filmed at that time, this film about Expiation Sagrada Familia, top to bottom. Gaudi’s ability renowned architect Antonio Gaudí by Hiroshi otherwise known as thé to curve the beams changes Teshigahara promises a detailed view o f Gaudi’s eccen­ Gaudí Cathedral. Beyond the space and owns the room tric contributions to the beautiful Catalonian city by the this grand gothic master­ it is placed in. The camera sea. An architect who drew outside o f the lines, Gaudí piece, it is easy to miss his focuses on each example o f created something that has never been created before or other works, which are ran­ this, especially in Casa Mila. since. domly placed all over the city and extensively covered in Gaudi’s architecture stands out because of his the film. One building, Casa Mila, is given extensive cov­ unabashed use o f color. The brown, black and gray of “Antonio Gaudí“ screens Sunday, January 21 at Campbell erage in the film because it is typical o f Gaudi’s architec­ most modern buildings are overshadowed by the colorful Hall, 7:30p.m. 15 students; 16 general.

Events

I crfcctcirclc j & r * i ß 0 „ ■ m rent Friday, February 9. 8:(Mjg UCSB Events Center ?

$18 Student presale, $20 General / Door. Tickets available at the A.S. Ticket Office and at any outlet: The Arlington Theater, The Wherehouse, Robinsons-May Charge by Phone (805)893-2064

in the UCen HUB Jan. 24 3:00-5.00 FREE" Storke Plaza Show Food and Drink Specials.' Monday, Jan. 22 NOON www.as.ucsb.edu/aspb SOMA llie Spies hotline: 893-2833 4A Thursday, Januaiy 18,2001 Daily Nexus

UP AGAINST THE WALL JUST ANOTHER POSTER? SHOWCASES THE CONNECTION BETWEEN POUTICS AND ART let’s get critical_stacy redd

Taking a closer look at anything is always worthwhile. taken by those who see them. their own. W hat really got to me, however, was what this There is always more about the world around us to be The various ways in which the posters get their mes­ exhibit said about the troubles o f such a large group of discovered; there is always a story behind even the most sages across is really where the beauty o f this exhibit lies. people and how it challenged me to look past the surface commonplace of items. The use o f bright reds, greens and yellows are particular­ o f not just the pieces in this show, but o f everything I see. The problem is that most of the time we aren’t look­ ly eye-catching, as are the inclusion o f skeletons, eagles, “Just Another Poster?” contains anything but. ing for a history behind self-portraits, bloodstains and, the object and see only in one special case, Boy George “Just Another Poster?” is showing at the University Art the object itself. I do this in' the works. Many of the Museum through March 4. Admission is free. all the time, and I was posters also contain direct mes­ never aware o f just what 1 sages, such as “Boycott Coors,” was missing until I expe­ in response to the racial hiring rienced “Just Another discrimination that the compa­ Poster? Chicano Graphic THESE POSTERS CLEARLY* ny employed in 1968. Arts in California,” a new INTELLIGENTLY ADDRESS THE One thing that completely exhibit in the University ISSUES RACING took me by surprise was the Art Museum. While the abundance o f English words brightly colored posters THE CHICANO used on the posters. A t first, it that adorn the walls o f COMMUNITY didn’t even occur to me that it the- museum do look * was an oddity that 1 could read deceptively like any o f the the words on a poster created by other advertisements that a Mexican artist, but that’s ego­ we see everyday, a more centrism for you. A supplemen­ in-depth study o f them tary- information pamphlet reveals the plight, as well attributes the amount of as the hope, o f a culture. English words used in the posters to the growing bilin­ W ith more than 100 graphic images created by 56 gual culture o f the Chicano-Americans in this past cen­ Chicano artists, “Just Another Poster?” confronts issues tury. Still, I found it a little sad that the creators o f the from the United Farm Workers’ labor battle to inade­ announcements knew that if they wanted their messages quate education and abortion rights. Utilizing mainly to be most effective, they "couldn’t print them in their silk-screens and digital imagery, these posters clearly and native language. intelligently address the issues facing the Chicano com­ I ’d never seen anything like “Just Another Poster?” munity in the 1960s. Yet, beyond just addressing these before, and I was very impressed by it. The beauty and Very Top: Judith Hernandez, “Reina de Primavera May Calendar,1’ 1976 issues, the posters call for social and political action to be originality o f these posters are something remarkable on Right here top: Ricardo Favela, “ Centro de Artistas Chicanos,” 1975

-* thingstodo » calendar today I thursday tomorrow I friday weekend I Saturday

If you haven’t been sharpening your Spanish skills by Since forming in 1995, Santa Barbara has seen this former If you thought you had to go all the way to downtown attending other events around campus (like at the art party band grow into a full-time, touring act with two full- Santa Barbara to catch professional dance theater, let me exhibit, above), today is the day. Cruise on over to length albums. Sure, the line-up of Cool Water Canyon has enlighten you. The critically acclaimed, emotionally rich Campbell Hall this evening and catch “Butterfly,” or, before changed and some new songs have been added to the Santa Barbara Dance Theatre will be bringing the wonder­ translation, “La Lengua de la Mariposas.” According to the repetoire, but the good times haven’t been altered at all. ful world of multi-media dance to our very own campus esteemed literary figure Gabriel Garcia Márquez, it's “a (And Artsweek gets paid to be that cheesy, suckaz.) The with their new show, “Ghost Dances: Voices from the Past.” beautiful marriage of film and literature.” Sort of like last time these kids played, it was to a sold-out, standing If you miss the performances on Thursday and Friday, get Artsweek, but with subtitles. 7:30 p.m. $5 students. room only crowd, so get to the Edge early. 431 State SL there for closing night. Hatlen Theatre, 8 p.m. Daily Nexus Thursday, January 18,2001 5A

artsweek’s fr s ta n m m l J e f f ' s p Q | |

Due to a flurry of response to last week's “ Best of 2000” issue, in which several hundred Artsw eek readers marched down to the office and expressed their anger over their over-looked opinions, the editorial board convened and decided to let the masses speak for themselves. In the spirit of the Daily Nexus’ poll, we crafted some questions for you to answer. If all goes well, we’ll probably get it up on the internet as well. But for now, fill this out, and bring it down to the office (located under Storke Tower), mail it in to P.0. Box 13402, UCen, UCSB, Santa Barbara, CA 93107, fax it to (805) 893-3905, or email your answers to .

1. Best Artist of 2000 ______;______2. Best Album of 2000,______3. Worst Artist of 2000 ______4. Worst Album of 2000 ______5. Favorite TV $how ______6. TV Show That Gives TV a Bad Name______extremely tmsting_andy sywak 7. Best Movie of 2000 ______8. Worst Movie of 2000______It’s a disappointing situation when a film tackles a soon meets fellow sexpot programmer Lisa Calighan 9. Favorite Actress______fresh, challenging subject such'as corporate power or the (Rachel Leigh Cook) who complicates his blissful 10. Worst Actress______use o f force and fails to deliver. Director Peter Howitt, domestic life. W hen his best friend is murdered back 11. Favorite Actor______who managed to do some interesting things in “Sliding home, Hoffman starts to become suspicious o f his 12. Worst Actor______;______Doors,” doesn’t deliver as hilly as he could in “Antitrust.” employer and starts his own investigation that comes up 13. Favorite hip hop group besides 187 Squad______Like last year’s “Rules of Engagement,” “Antitrust” with many surprising results. addresses a provocative contemporary social issue: the Though it contains some moments o f real suspense 14. Most Underrated Midriff______- parameters on corporate competition and power in an 'and ingenious plot twists, “Antitrust” eventually is kept 15. Best Song______era of hyper-capitalism. But like the former’s inconclu­ frdm being a serious thriller by its insipid acting and dia­ 16. Worst Song______sive look at the appropriate use o f force in foreign con­ logue. While Phillippe is more or less believable, Cook 1 7 . Best A rtsw eek Editor______flict, “Antitrust” makes only a surface-deep exiamination and Forlani are far less convincing in their simple one­ 18. Best Tits in the Music Industry______o f the issue, holding back the power o f the story with dimensional roles. Robbins is splendid as always, as he 19. Best Ass in the Music Industry______characters that lack depth and dimension. effectively melds the shrewd and greedy qualities o f a 20. Favorite Hip Hop Midget______Although it bears some striking resemblances to “The conniving software baron. 21. Boy band you’d most like to beat the shit out of. Game,” “Antitrust” takes so many of its nods from “The One o f the principal problems with the movie is that Firm” that it often seems as if the film is just a teenage it can’t quite decide what niche it is trying to win. The 22. Female Artist You’d Most.LIke to Fuck______remake set in the tech world. Ryan Phillippe plays MUo weak characters and lack o f a sinister tone (in addition to 23. Male Artist You'd Most Like to Fuck ______Hoffman, a recent college graduate and computer prodi­ all the pop songs on the soundtrack) do not set it up as a 24. Artsweek Editor You’d Most Like to Fuck*______gy who ditches his friends serious thriller, but the 25. Homophobic Rapper Most Likely To Be Gay______at their fledging start-up tone is a little bit heavier 2 6 . Best A rtsw eek Cover To Masturbate To______to write code for comput­ than, say, “Dude, Where’s 27. Artist You'd Most Like To See on the Cover of Artsweek. er giant JiURV. Chaired My Car.”

I bet you, like thousands of other devoted Artsweekread­ The dramatic open spaces, big skies and vast landforms of Lauded by both critics and audiences for atheietic, exuber­ ers, did not know that Santa Barbara had anything to offer the American West have long been a magnet for artistic ant and provocative dances, the Parsons Dance Company on Sunday nights, much less for all the hip hop heads out expression. Why are you reading about this in Artsweek? returns to UCSB for two performances of signature works there. And now that Danny G.'s packed his bags and fled to Because the exhibition “Dual Visions: Photographs by by artistic director David Parsons. Did you know Parsons San Jose,It’s all the more crucial that you take advantage Macduff Everton and David Muench” presents images both has been credited with “demystifying modem dance and of the few opportunities out there. Gather around your big and small by these contemporary photographers, and dropping it playfully in the laps of wildly appreciative pop­ hippest, most attractive friends and head to Madhouse for it opens this weekend at the Santa Barbara Museum of ular audiences”? I bet you didn’t. See the demystification deeja/s Johnnie and John's hip hop lounge. 434 State. Art. 1130 State Street. For information, call 963-4364. for yourself at Campbell Hall, 8 p.m. $13 - $19 student. 6A Thursday, January 18,2001 Daily Nexus SOUND- SOUNDSTYLE*

cynicism. Indeed, the buoyant, lofty opti­ ic,” and let’s get down to business. Here Chaotic H C can no longer be called an mism on Parachutes is one o f its chief are the answers to your questions: upstart subgenre. Every liberal arts pis- strengths. Alongside is guitarist Jon Is Montreal M ix Sessions Vol. 4 lik e sant, post-punk snothead picks up some­ Buckland, whose dreamy acoustic pro­ hav in g a deejay spin in my liv in g room ? Yes. thing by Heroin, Torches to Rome, gressions and restrained use o f technology And who is this Lafleche guy ? Who does and/or The Locust as a symbol of how keep the songs structured around the he know ? Lafleche has been spinning pro­ special and grown up they are. And, as is strength o f Martin’s voice and the gentle fessionally since 1989, when he entered inevitable for any field that finds itself on melodies. the world of nightlife at a local Montreal the road to legitimacy, the musical style Clocking in at just under forty-two club at the ripe, young age o f 17. His has found itself pulled over by the minutes, Parachutes is probably the best career has been built over a decade, mov­ Derivative Police. debut album in. British rock since ing him from the intimate land o f clubs to Enter the Party of Helicopters. Definitely Maybe. Now, we’ll just have to big, yearly, massive events such as Cream. see who else will emerge from the rock- His first EP, T he F lex , makes its way to rap wasteland and join them. [Andy Sywak] some o f the world’s best deejay’s high rotation list (Roger Sanchez, Carl Cox, Coldplay | Parachutes | Parlophone Derrick Carter, etc.). • OK, but does it have D J Dan’s “T hat Finally, the album I ’ve been waiting Zipper Track"? Yes! And plenty o f other for. The album that proves that there is requisite house tracks, including Gene something still fresh and kicking in rock. Farris’ “The Spirit” and The Hydraulic Over the last several years rock artists Dog’s “Shake it for Me.” have lost their hegemony on the Billboard Well, what makes it so special then? That charts and deservedly so. But alas, thy would be Lafleche’s uncanny ability to savior has come and thy name is Coldplay. mix from those familiar house tracks to No, this is not fist-pumping, testos­ other, less expected numbers without terone-inducing teenage anthem music; loosing the deep, fun feeling. When In fact, you very well may choose to put Lafleche moves into Indian territory with this on before you go to bed. But it is Tomba Vira’s “Drums Come Alive,” he Forming right during noisy hardcore’s every bit as emotionally intense as it bums doesn’t sacrifice the musical strengths. cusp period, the Party of Helicopters with tangible and genuine emotion. Laflèche | Montreal Mix Sessions Voi. 4 | Turbo Instead, such maneuvering keeps found their niche had been blown wide Though they hail from Britain, Lafleche’s mix fresh and interesting. [Jenne open and leaped at the chance to ... Coldplay sounds surprisingly American. I was originally going to use this space Raub is a sell-out] become kinda weird. The crunchy electric sound seems to review Sade’s latest release, Lovers Rock, Over the obligatory screeching metal­ like it was lifted from the garages of but my inner cynic just couldn’t bring Party of Helicopters | Mt. Forever | Troubleman lic chords (Stillman also incorporates a Pavement and Sonic , and the poet­ myself to write thoughtfully about her Unlimited great deal o f rifling, which makes the tex­ ic, heart-on-the-sleeve lyrics o f singer bossa-nova tinged love ballads and ture more spare and interesting), singer Chris Martin are pretty far removed from melancholic soul-searching. So I did what So while I was mucking about the Joe Dennis puts on his best Brian Wilson anything Damon Albarn and Jarvis any self-respecting music journalist does, KCSB stacks with my thumb stuck firm­ impression. The vocals are hyper layered, Cocker have ever done. ajid put on this house mix instead. Alas, I ly up my butt, Spin was busy scooping my with basement harmonies delivered in It is Martin that is principally respon­ have written so many reviews for elec­ sucka “You Mean These Were Folger’s slightly creaky voice now reminiscent of sible for separating Coldplay from the tronic music, I think it’s about time I just Crystals?” ass. This album was number Kevin Shields, now of Stephen Malkmus. mediocre masses o f rock acts. Few voices come up with a checklist of qualities that nine on their top 20 albums o f 2000. Go This album is M y Bloody Valentine on a have such range and emotion and are so you’re actually searching for. So, fuck figure. Nonetheless, my A rtsw eek pay- budget, beautiful and powerful and really devoid o f any snarling, middle-finger terms like “soundscape” and “atmospher­ check is what keeps me in cigarettes, so ... odd sounding, a marker that at least some Take your Senior Picture

(Unless you'd rather show your kids the ones your friends took of you in college)

Make sure you're in the La Cumbre 2001 yearbook. Have your FREE Senior Portrait taken anytime from 9-5 under Storke Tower. Daily Nexus Thursday, January 18,2001 7 A SOUND- SOUNDSTYLE* groups won’t eat the cake that was laid out cussion instruments, along with contrast­ Battle Mode” shit. Weird. this voice “from the grave” that gives the for them. ing tones o f synths and strings, Pekler W hat’s even weirder is that W here the album its eerie and personal quality, and And that schlop sound was my thumb does forge some original Concoctions. Sidewalk Ends is Disflex.6’s fourth album, each o f the songs, in some way, seems to coming out o f my butt.[DJ Fatkid] Eventually, however, it’s really hard to but its first on CD. Many an Oakland hip be reconciling or illustrating her relation­ hold much attachment to an album that hop group has stepped up from the tape- ship to her father. Now the concept of doesn’t seem to have its feet rooted on any slanging scene to the C D big time, so it’s self-discovery, by most standards, comes solid ground. Lacking the similar emo­ about time Disflex caught up. And it across as cliché jargon tied to art, but in tional intensity of Blue States’ N othing saved its best work for this release too. the case of H aunted, it is the only fitting Changes Under the Sun, many o f the tracks Where the Sidewalk Ends is chock full o f ill term. With this album, Poe’s music on T ran sition meander around too much beats, weird samples and even weirder becomes more daring; the experimenta­ to really be that significant. raps. They go from theatrical storytelling tion in the sound, and the lyrics that fill A worthy effort with a couple o f stand­ to polished bravado, sometimes in the with imagery and personal testimony, outs (“Senio Junior,” and the beautiful, same song. So if you’re in a weird mood, make for a very dense and heavy listen, dreamy guitar ballad “Winter’s Over”), pick up this weird album at an online hip but a worthwhile one. [Jill St John] T ransition is in the end just interesting hop store. [Trey Clark - Jon Todden, R.I.P.] enough to be saved from the background kcsbtop ______music bin. [Andy Sywak] 10

Top 10 Hip Hop Singles, as of January Sad Rockets | Transition | M atador 19,2001. The KCSB request line is 893-2424. Born in Uzbekistan and raised in Los Angeles, it’s little wonder that Sad 1. Atmosphere | “Woman W ith die Rockets’ Andrew Pekler has such a huge Tattooed Hands” | Rhymesayers diversity o f tastes. He lets this shine on Entertainment the instrumental T ran sition as it hops 2. Company Flow | “D.PA.” | Defjux around seamlessly from trip-hop to acid 3. Aesop Rock | “Active Elements” | jazz, dreamy acoustic to raucous Mush hip hop, woofer-rattling bass to electrón­ 4. Push Button Objects f / Del, Mr. Lif, ica bleeps. D J Craze | “360 Degrees” | Chocolate Though it’s tempting at times to call Poe I Haunted | Atlantic Records Industries Sad Rockets electrónica, Pekler is more of 5. Aceyalone | “Accepted Eclectic” | a bedroom eccentric, multi-instrumental­ D¡sflex.6 I Where the Sidewalk Ends | Sunset H au n ted seems to be a very fitting title Nu Gruv ist in the vein of Blue States’ Andy Leagues International to Poe’s second album, which takes its lis­ 6. Cannibal Ox | “Iron Galaxy” | Def Dragazis. Though he skillfully plays teners on a journey o f the artist’s self-dis­ Jux numerous instruments on Transition, Jason the Argonaut and Lazarus covery and deals with some unresolved 7. Boom Bip and Dose One | “Circles” Pekler ultimately seems more absorbed in Jackson, the two weird kids who make up personal business. Although the same 8. Pepe Deluxe | “Beat Experience” | his own spirit o f experimentation and the Disflex.6, are definitely from Oakland. ethereal, melodic sounds that were pre­ Emperor Norton creation o f some genre-busting sound They possess that unmistakable twang sent on her first musical release exist on 9. Scienz of Life | “Strange Fruit” | than in holding a consistent tone that runs common through rappers from H aunted, the album is more experimental Intagalactic throughout. This is perhaps why the the East Bay. But accents are where the musically. Mixed throughout the album, 10. Moka Only | “Imagine Me” | whole album seems so muddy. comparisons stop because, as I mentioned Poe samples children’s voices, recordings Battle Axe Yes, T ran sition certainly is fun on a earlier, these kids are weird. They’re on from answering machines and of first listen. Utilizing several different per­ some “ ‘Matrix’ Meets Shel Silverstein in her father, who passed away in 1993. It’s —As reported by M att Kawamura

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The UCSB Gevirtz Graduate School of Education The UCSB Student Alumni Association The UCSB Student Alumni Association Alumni Association présents presents presents

G A K iiK S SH tM (H COMMUNICATION LAW EDUCATION CONFERENCE CONFERENCE CONFERENCE Saturday, January 20 • 9:00 am -2:30 pm • Phelps Hall Saturday, January 20 • 9:00 am -2:30 pm • Broida Hall Saturday, January 20 • 9:00 am -12:15 pm • Phelps Hall Keynote Session: Chem 1179 Keynote Session: Chem 1171 Featuring Featuring Featuring Kent Shocknek Judge Ray Fisher Lois Phillips NBC4-TV Anchor, 9th Circuit Court of P h D , ’8 6 Los Angeles Appeals, Los Angeles

Cost $5.00 Cost $5.00 Session Topics Session Topics Cost $5.00 Session Topics • Free for SAA member • Free for SAA member • Sports Journalism • Internships in the Law Field • Free for SAA members • Real Men Do Teach • Tickets: Jan. 16-19 • Tickets: Jan. 16-19 • Public Relations • Diverse Career Paths • Tickets: Jan. 16-19 • Life as a First Year Teacher 11 am -2 pm in front 11 am - 2 pm in front • Entertainment Industry/Radio • Criminal Defense Attorney 11 am - 2 pm in front • How to Find, Prepare for, and of the UCen of the UCen • Promotions •Judgeships of the UCen Enroll in a Credential Program • Daily at the UCSB • Daily at the UCSB • Public Affairs • Careers in Probation • Daily at the UCSB • Outside the Classroom: Alumni Association Alumni Association • Internship Opportunities • Careers in the FBI Alumni Association Diverse Career Paths • Information 893-2288 • Information 893-2288 • GRE Preparation • LSAT Preparation • Information 893-2288 • How to Find a Job [email protected] [email protected] [email protected] • GRE Preparation

The UCSB StudentAlumni Association would like to thank: The UCSB Student Alumni Association would like to thank: GGSEAA would like to thank: UCSB Career and Counseling Center, Academic Advisor Britt Johnson. The Gevirtz Graduate School of Education UCSB Career and Counseling Center, Communication Department Chair, David Seibold, College of Letters and Science College of Letters and Science KAPLAN

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