Living the Life As a Soldier in Iraq
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Musiq Soulchild
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Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
Le Roy Butler Biography
LE ROY BUTLER BIOGRAPHY LeRoy Butler is a former American football strong safety who played his entire career with the Green Bay Packers (1990-2001). Born on July 19, 1968, Butler spent his childhood in Jacksonville, Florida. His parents separated when he was a toddler, and his mother, Eunice, supported Butler and his four siblings by working first as a secretary and later as a nurse. The family lived in a small apartment in the crime-infested Blodgett Homes housing project on Jacksonville’s west side. As a child, Butler’s problems went beyond poverty and crime. He was born so pigeon-toed that doctors had to break bones in both of his feet when he was only eight months to correct the problem. Walking was a major challenge for Butler, who spent much of his early youth in a wheelchair. Between the ages of six and eight, he was had to wear leg braces. He spent much of his early childhood gazing out the window watching neighborhood children play kickball—something he could not even imagine doing. At the time, doctors predicted that Butler would be lucky if he ever walked normally. Certainly, the notion of becoming a professional athlete was in his foreseeable future. As fate would have it, when he was eight years old Butler discovered he no longer needed his leg braces— quite by accident. When his older sister, raced out of the apartment one day, she inadvertently knocked Butler out of his wheelchair, sending his leg braces flying as well. Picking himself up, Butler discovered that he could not only walk normally, but he could also run pretty well. -
Threyda Is an Art and Ap Thanksgiving Parel Collective Based on Art Nice 'Threyda' Work Made by Modern Talent &SAVE! from All Over the World
News | page 3 Dean Richard Meadows to retire Winter farmers' market uwMrOSl begins The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Sports | page 7 Volleyball closes with s;ew Business eighth straight win Post sues UWM a. Unio>nn PolicPolicyy BoarB d Act [motioned for the Union Policy Board Act to be approved. m mI seconded the motion. | | there are a number of questions that need the direct response from the UPB and the UPB should have an office allocated to the organization in order to be more for records accessible. | B would also like to, have use of the office. No office would loose their space; the UPB would share an office with the Court, [objected to the motion. I M stated that the Newspaper claims UPB records not educational } is not needed because | Women's soccer finishes j and there is no need to allocate another desk, season 12-6-3 By Josh Evert computer, etc. | | believes that J B should t have ever seen," said Student present and accessible due to | 0|. Production Editor Press Law Center executive di H stated that the office would be used strictly for UPB [email protected] rector Frank LoMonte. respon«bilitiesin order to separa^ierespon^bilities of the two offices. UWM spokesman Tom Luljak | that the fl | should be able to fringe | page 12 The UWM Post filed suit last said that, in keeping with past separate responsibilities without the need for separate offices. Gore week against UW-Milwaukee, practice, the university will advocates for the office allocation. -
Neeme Järvi Detroit Symphony Orchestra Ida Kavafian
NEEME JÄRVI MOTORCITY TRIPTYCH DETROIT SYMPHONY ORCHESTRA RAISE THE ROOF IDA KAVAFIAN, VIOLIN 559372 bk Daugherty US 5/27/09 2:05 PM Page 2 Michael Daugherty (b. 1954) Detroit Symphony Orchestra Fire and Blood • MotorCity Triptych • Raise the Roof The internationally acclaimed Detroit Symphony Orchestra traces its history back to 1887. Today the orchestra Fire and Blood (2003), for violin and orchestra, was II. River Rouge performs for more than 400,000 people annually in classical, Pops, jazz, World music, special, holiday, young commissioned by the Detroit Symphony Orchestra. The At the Ford River Rouge Automobile Complex, located people’s, community and summer concerts. Its 8 Days in June festival presents works from the symphonic world première was given by the Detroit Symphony next to the Detroit River, Rivera spent many months repertoireMichael in a modernDaugherty context, as well as contemporary pieces that take orchestral and chamber music in new Orchestra under the direction of Neeme Järvi, with Ida creating sketches of workers and machinery in action. directions. The Detroit Symphony Orchestra performs in historic Orchestra Hall at the Max M. Fisher Music Center, Kavafian, solo violin, at Orchestra Hall, Detroit, He was accompanied by his young wife, the remarkable as well as inFire other and Michigan Blood venues such as Meadow Brook Music Festival in the summertime. In the 2008-09 Michigan on 3rd May, 2003. In 1932, Edsel Ford Mexican painter Frida Kahlo (1906-1954). She lived in season, world-renowned8.559372 conductor Leonard Slatkin became Music Director of the orchestra. The Detroit Symphony commissioned the Mexican modernist artist Diego constant pain as a result of polio in childhood and a Orchestra’s distinguished history includes many award-winning recordings, tours and residencies in the United Rivera (1886-1957) to paint a mural representing the serious bus accident at the age of eighteen in Mexico States, Europe and Japan, and national and international radio broadcasts. -
La Clé Des Champs Urbains En Gironde / N°57 / Jan-Fév 09 / Gratuit /// in C L U S L E S U P P L É M E N T Devi S U , L a F O R M a T I O N D E S C R É a T I F S
/// XAVIER ROSAN /// TURZI /// JEAN -MARIE BROUCARE T /// FA B RICE MELQUIO T /// AN T OINE DE F OOR T & HALORY GOER G ER /// RENZO PIANO /// FRÉ D ÉRIC LA th ERRA D E /// TH O M AS LAN F RANC H I /// JEAN LACOU T URE La clé des champs urbains en Gironde / n°57 / Jan-Fév 09 / Gratuit /// INCLUS LE SUPPLÉMENT DEVI SU , LA FORMAT I ON D ES CRÉAT I FS Supplément gratuit au journal SUD OUEST du 16 janvier 2010 disponible sur les lieux de ventes des communes référencées en page 3. Sommaire #57 LA MATIÈRE ET L’ESPRIT Un doigt vers le ciel La religion a au moins le mérite de montrer que l’homme n’est pas maître, qu’il doit obéir à plus fort que lui, et qu’il serait fou de tout raisonner. Mais la religion ne s’arrête pas à cette hauteur. Quand les prophètes et les docteurs prétendent posséder un peu de cette puissance supérieure pour dominer les hommes, ils renversent notre faiblesse vis- à-vis du Tout-Puissant – ou de la nature – en infériorité. Ils imposent les saints parmi les leurs et font peur à la foule. Ils interdisent, sans en avoir le droit, puisqu’ils s’appuient sur la misère métaphysique pour imposer l’ordre politique. L’homme est misérable, c’est un fait. Mais ce n’est pas un crime d’être infidèle, ce que déclarent les docteurs en usant de leur orthodoxie pour condamner. Que signifient donc leurs maisons de Dieu dont les clochers et les minarets dépassent les toits ? La réussite d’une carte postale ? Un hommage à la beauté ? Des remerciements au Grand Être ? La supériorité du culte sur l’inculte ? Un doigt vers le ciel ? Un index accusateur, un coup de knout. -
The Fiery Furnaces: Gallowsbird Bark Seth Kim-Cohen Rough Trade
The Fiery Furnaces: Gallowsbird Bark Seth Kim-Cohen Rough Trade An unpublished review of the Fiery Furnaces debut, 2003. ¤ ¤¤ Maybe Pierre Bourdieu is right. Maybe the “field of cultural production” is nothing but a game board and each producer, promoter, buyer and seller is a piece on the board. We each fulfill our roles. The board doesn’t change much over time. Nor do the relative roles of the pieces. The game always needs someone at the top and someone at the bottom, but it also needs someone filling the various roles in between. If Bourdieu is right, we might see the Fiery Furnaces as the contemporary occupiers of the space once held by Joseph Byrd’s the United States of America. In 1968 the United States of America grated against the outer extremities of rock music, integrating sources as diverse as 19th century folk forms, Sousa-esque brass arrangements and experimental analog electronics (Gordon Marron is credited with playing ring modulator) into an au courant blend of pastoral psychedelia, blues, and proto-acid guitar leads. With their debut, Gallowsbird’s Bark, the Fiery Furnaces chafe against the current state of the art, interpolating 19th century folk forms, dada lyrics, and splice and dice arrangements into an au courant mix of earnest sonics, postmodern cool and post-acid guitar leads. So there we have it: neatly bundled and tied in a fancy French bow. 1 But Bourdieu’s system fails to account for a few alternatives to this neat bundle. The Fiery Furnaces are Eleanor and Matthew Friedberger: brother and sister (like the White Stripes?), duo (like the White Stripes, the Kills, and Quasi), and from New York City (like you name it). -
Rob Ninkovich, Linebacker
2013 NEW ENGLAND PATRIOTS FEATURE CLIPS Table of Contents Chairman and CEO Robert Kraft .......................................................................................................................... 3 Head Coach Bill Belichick ..................................................................................................................................... 6 LS Danny Aiken .................................................................................................................................................. 11 P Ryan Allen ....................................................................................................................................................... 13 WR Danny Amendola .......................................................................................................................................... 15 CB Kyle Arrington ................................................................................................................................................ 17 RB LeGarrette Blount .......................................................................................................................................... 20 RB Brandon Bolden ............................................................................................................................................ 22 WR Josh Boyce ................................................................................................................................................... 24 DE Michael Buchanan ........................................................................................................................................ -
STREET TALK Despite Safety Concerns, Report Reveals Less
FREEDOM & FAIRNESS VOL. 101 ISSU E0~ WWW.USFCA.EDU/FOGHORN OCTOBER 28,2004 STREET TALK Despite Safety Concerns, p®Y©y LL OWE ©m ©mm Interviews by CHINYERE ATUFUNWA Report Reveals Less Crime Photos by TESS MUETING KATHLEEN AMANO include in the report. sure to be with someone else in the burglary in 2002, but Public Safety StaffWriter "Before the numbers were not evening because I know crime has reported only 47 for last year. "Truthfully I don 'tfeel very useful," Lawson said. "The way gone up." The report also indicates that in ^^^_^______%t__. ^ 1 USF's Department of Public the 'neighborhood' was defined Part of the problem could 2003 there was one aggravated any more or less safe. Safety released the 2004 Annual could mean half a block from actually be Public Safety's success in assault, one forcible sex offense, no Naturally I'm just aware __\,m--:-'m-;_^__vfi_* SggJB MflfSatt. • _» Security Report last week, revealing campus in one direction and eight raising awareness of campus crime robberies and no cases of arson. All of my surroundings. a decrease in the total number of blocks from the edge of campus in through its alerts on the department's numbers are decreases from 2002, Public Safety doesn 't do as most on-campus crimes and an another." Since the 2004 report is website and on USFconnect, the when the respective number of cases good of a job as they could increase in crimes reported in the the first to reflect the new counting online network and resource for the was three aggravated assaults, four _________» but they are more visible." USF neighborhood. -
CAP UCLA Presents 'Exposed: Songs for Unseen Warhol Films'
Media Alert Contact: Jessica Wolf 310.825.7789 [email protected] CAP UCLA Presents ‘Exposed: Songs for Unseen Warhol Films’ at Royce Hall Fri, Oct. 24 Rare footage meets compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox Center for the Art of Performance at UCLA presents the west coast exclusive performance of “Exposed: Songs for Unseen Warhol Films” Friday, October 24 at 8 p.m. in Royce Hall. The sound- plus-celluloid stage experience celebrates the 20th Anniversary of The Andy Warhol Museum and features new compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox. Tickets ($19-$59) are now available cap.ucla.edu, Ticketmaster or the UCLA Central Ticket Office (310.825.2101). “Exposed: Songs for Unseen Warhol Films” was co-commissioned by The Andy Warhol Museum, CAP UCLA and BAM for the 2014 Next Wave Festival. “Exposed” is comprised of 15 short Warhol films, never before publically exhibited, accompanied by live music. The films chosen are a combination of portraits and actualités featuring superstars and luminaries such as Taylor Mead, Mary Woronov, Edie Sedgwick, Mario Montez, John Giorno, Marcel Duchamp, Marisol, Donovan, and Andy Warhol himself. This project honors the unwavering relevancy of the art and life of Andy Warhol by re-contextualizing his work in ways that resonate in contemporary culture. Five songwriter-composers representing a musical trajectory from the 1970s until today perform original scores to these rare Warhol selections. The composers and performers, selected by guest musical curator Dean Wareham (Galaxie 500, Luna), who also performs, include punk icons Tom Verlaine (Television) and Martin Rev (Suicide), Eleanor Friedberger (The Fiery Furnaces), and Bradford Cox (Deerhunter, Atlas Sound). -
Nicolas Vernhes Complete CV
Nicolas Vernhes Producer/Mixer New York based producer Nicolas Vernhes is internationally recognized for his work with artists such as Animal Collective, Dirty Projectors and Deerhunter and more recently 1,2,3. As the founder of Rare Book Room Studios in Brooklyn, he has also introduced a record label of the same name, which has recently released the self-titled debut album from Banjo Or Freakout. Atlas Sound “Parallax” Co-Prod/Mix Sondre Lerche “Sondre Lerche” Co-Prod/ Mix Jesper Mortensen Forthcoming EP Prod/ Mix Small Black Forthcoming Album Mix So So Glos Forthcoming EP Prod/ Mix Dirty Projectors/Bjork “Mount Wittenberg Orca”/ Album Prod/ Mix Spoon “Transference” / Album Eng/Mix Talk Normal “Sugarland”/ Album Prod/ Mix Banjo Or Freakout Forthcoming Album Prod/ Mix Lights “Rites”/ Album Prod Black Dice “Repo’ / Album Prod Deerhunter “Rainwater Cassette Exchange”/ Album Prod White Rabbits “It’s Frightening” / Album Eng Spoon “Got Nuffin’”/ Album Prod Mike Bones “Fool For Everyone”/ Album Mix Fischerspooner “Entertainment”/ Allbum Prod/ Prog Dirty Projectors “Bitte Orca”/ Album Prod/ Mix Jay Reatard “Matador singles ‘08” Prod Animal Collective “Water Curses”/ EP Mix Deerhunter “Microcastle”/ Album Prod/ Mix Animal Collective “Strawberry Jam”/ Album Prod/ Mix Black Dice “Load Blown”/ Album Prod/ Mix Deerhunter “Fluorescent Grey”/ EP Mix Deerhunter “Cryptograms”/ Album Mix Oakley Hall “Second Guessing”/ Album Prod/ Mix Oneida “Happy New Year”/ Album Prod/ Mix Oneida “The Wedding”/ Album Prod/ Mix Levy “Rotten Love”/ Album Mix Fischerspooner -
The Fiery Furnaces Blueberry Boat Mp3, Flac, Wma
The Fiery Furnaces Blueberry Boat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blueberry Boat Country: US Released: 2004 Style: Art Rock, Indie Rock MP3 version RAR size: 1755 mb FLAC version RAR size: 1713 mb WMA version RAR size: 1420 mb Rating: 4.4 Votes: 702 Other Formats: AIFF MP2 APE DXD AHX AU FLAC Tracklist A1 Quay Cur 10:25 A2 Straight Street 5:00 A3 My Dog Was Lost But Now She's Found 3:29 B1 Blueberry Boat 9:09 B2 Chris Michaels 7:53 C1 Paw Paw Tree 4:39 C2 Mason City 8:14 C3 Chief Inspector Blancheflower 8:58 D1 Spaniolated 3:21 D2 1917 4:52 D3 Birdie Brain 3:05 D4 Turning Round 2:13 D5 Wolf Notes 4:51 Companies, etc. Phonographic Copyright (p) – The Fiery Furnaces Licensed To – Rough Trade Records Ltd. Copyright (c) – Rough Trade Records Ltd. Pressed By – Optimal Media GmbH – BH01940 Credits Mixed By – Nicolas Vernhes (tracks: A1 to D4), Samara Lubelski (tracks: D5) Producer – Matthew Friedberger Recorded By – Nicolas Vernhes (tracks: A1 to C1, D1), Samara Lubelski (tracks: C2, D2 to D5) Notes Spine shows catalogue number RTRADCD182; Deadwax and labels have catalogue number as RTRADLP182 Barcode and Other Identifiers Barcode (Scanned): 883870018210 Matrix / Runout (Side A, etched): RTRADLP182 BH01940-01 A1 RR Matrix / Runout (Side B, etched): RTRADLP182 BH01940-01 B1 RR Matrix / Runout (Side C, etched): RTRADLP182 BH01940-02 C1 RR Matrix / Runout (Side D, etched): RTRADLP182 BH01940-02 D1 RR Other versions Category Artist Title (Format) Label Category Country Year The Fiery Blueberry Boat 06076-83239-2 Rough