Composer Robert Paterson Celebrates 50Th Birthday with Premieres and a New Album the Four Seasons – out April 24

Total Page:16

File Type:pdf, Size:1020Kb

Composer Robert Paterson Celebrates 50Th Birthday with Premieres and a New Album the Four Seasons – out April 24 FEBRUARY 19, 2020 CONTACT: STUART WOLFERMAN [email protected] 718-938-7679 Composer Robert Paterson celebrates 50th birthday with premieres and a new album The Four Seasons – Out April 24 This spring, the composer enjoys three Carnegie Hall performances, including two world premieres, and the culmination of his 20-year-long “Four Seasons” project. Spring 2020 marks a particularly busy and celebratory period for composer Robert Paterson. Called a “modern day master” by the New York Times, Paterson’s String Quartet No. 3 will be premiered at Carnegie Hall’s Weill Hall on March 5 by the Indianapolis String Quartet. On April 17, he celebrates his 50th birthday and the release of his 21-song Four Seasons project (out April 24 on Paterson’s American Modern Recordings). On May 6, the Oratorio Society of New York, under Kent Tritle, will perform Paterson’s Whitman’s America. Paterson’s ability to set text has been widely praised, with Gramophone stating that he “could probably set a telephone book to music and create something that captivates.” In The Four Seasons the composer has set the poems of Ann Stanford, Sharan Strange, Wallace Stevens, keep reading Dorothea Tanning, to name a few. The world premiere recording consists of four song-cycles (21 songs), written over the last 20 years, for four voice types (each representing a different season). The four singers on the album are soprano Marnie Breckenridge, mezzo-soprano Blythe Gaissert, tenor Alok Kumar, and bass-baritone David Neal. In 2014, the six Winter Songs were released as part of a broader collection. The New York Times described the song-cycle as a “beautiful, witty and sometimes utterly desolate collection of vocal works,” and Audiophile Audition’s Steven Ritter proclaimed “few cycles I have heard describe the season in all its vicissitudes as deeply.” Robert Paterson’s work has been performed by major American orchestras, named to many top-ten lists including NPR and Opera News, and earned him Composer of the Year honors from the Classical Recording Foundation. Paterson describes the culmination of the Four Seasons project: “Having all four seasons on one album, and premiered together at Carnegie Hall, has been a dream of mine for the past 20 years, and it feels cathartic—like climbing a huge mountain and finally reaching the top.” UPCOMING CONCERTS March 5 The Indianapolis Quartet @ Weill Hall, Carnegie Hall [info] The quartet makes its NYC debut with a program featuring the premiere of Robert Paterson’s String Quartet No. 3. March 20 & 22 New Amsterdam Singers @ Theater at St. Jean Baptiste [info] New Amsterdam Singers, directed and conducted by Clara Longstreth, gives the world premiere of ‘I Go Among Trees’ for SATB choir and marimba, with texts by Wendell Berry, May Sarton, and John Freeman. Special guest, Makoto Nakura, marimba. April 17 American Modern Ensemble @ Weill Hall, Carnegie Hall [info] Composer Robert Paterson’s 50th birthday and “The Four Seasons” release celebration. May 6 A Nation of Others & Whitman’s America @ Carnegie Hall [info] Kent Tritle conducts the 200-voice Oratorio Society of New York in a two- part program that salutes our legacy and diversity. The first part will feature the world premiere of ‘A Nation of Others,’ a new work by Paul Moravec and Mark Campbell. In part two, ‘Whitman’s America,’ a setting of ‘Leaves of Grass’ by Robert Paterson, will be presented. Special guest soloists include Jennifer Zetlan, Maeve Höglund, Raehann Bryce-Davis, Isaiah Bell, Steven Eddy, and Joseph Beutel. Celebrate the Composer THREE SHOWS AT CARNEGIE HALL Thursday, March 5 Friday, April 17 Wednesday, May 6 7:30 PM 8:00 PM 8:00 PM Indianapolis Robert Paterson Oratorio Society of New York String Quartet The Four Seasons Kent Tritle, Conductor 50th Birthday Celebration & CD Release Robert Paterson THE FOUR SEASONS Release Date: April 24, 2020 American Modern Recordings American Modern Ensemble Marnie Breckenridge, soprano Blythe Gaissert, mezzo-soprano Alok Kumar, tenor David Neal, bass-baritone TRACKS DISC 1 SUMMER SONGS 1. I. Summer Music (May Sarton) [3:58] 2. II. The Kite (Anne Sexton) [4:56] 3. III. Childhood (Sharon Strange) [4:44] 4. IV. Moths (Jennifer O’Grady) [4:39] 5. V. Summer Night, Riverside (Sara Teasdale) [5:19] AUTUMN SONGS 6. I. Ascension: Autumn Dusk in Central Park (Evelyn Scott) [4:16] 7. II. Under the Harvest Moon (Carl Sandburg) [3:25] 8. III. All Hallows’ Eve (Dorothea Tanning) [2:10] 9. IV. November for Beginners (Rita Dove) [4:45] 10. V. Leaves Before The Wind (May Sarton) [4:33] DISC 2 WINTER SONGS 1. I. Icicles filled the long window (Wallace Stevens) [2:37] 2. II. Dark Day, Warm and Windy (A. R. Ammons) [3:22] 3. III. The Snow Man (Wallace Stevens) [4:11] 4. IV. Boy at the Window (Richard Wilbur) [4:07] 5. V. Old Story (Robert Creeley) [2:56] 6. VI. Neither Snow (Billy Collins) [3:28] SPRING SONGS 7. I. English Sparrows (Washington Square) (Edna St. Vincent Millay) [3:32] 8. II. April 5, 1974 (Richard Wilbur) [3:24] 9. III. Done With (Ann Stanford) [5:20] 10. IV. The Widow’s Lament in Springtime (William Carlos Williams) [4:54] 11. V. Spring Rain (Sara Teasdale) [3:30] ROBERT PATERSON A ‘modern day master’ and often the ‘highlight of the program’ (New York Times), Robert Paterson’s music is loved for its elegance, wit, structural integrity, and a wonderful sense of color. Paterson was named The Composer of The Year from the Classical Recording Foundation with a performance at Carnegie’s Weill Hall in 2011. His music has been on the Grammy ballot yearly, and his works were named ‘Best Music of 2012’ on National Public Radio. His works have been played by the Louisville Orchestra, Minnesota Orchestra, American Composers Orchestra, Austin Symphony, Vermont Symphony, BargeMusic, the Albany Symphony Dogs of Desire, among others. Paterson’s choral works were recorded by Musica Sacra and maestro Kent Tritle, with a world premiere performance at the Cathedral of St. John the Divine in New York City in 2015. Season highlights included The Nashville Opera world premiere of THREE WAY in January, 2017 and then Nashville performed the opera at BAM in Brooklyn, June, 2017. The New York Premiere of his opera, The Whole Truth with a libretto by Mark Campbell, sold out in January 2016, at Dixon Place in New York City. Other premieres & commissions include Shine for the American Brass Quintet, Moon Music for the Claremont Trio, and Graffiti Canons for the Volti Choir of San Francisco. Notable awards include winner of the Utah Arts Festival, the Copland Award, ASCAP Young Composer Awards, a three year Music Alive! grant from the League of American Orchestras and New Music USA, and yearly ASCAP awards. Fellowships include Yaddo, the MacDowell Colony, and the Aspen Music Festival. Paterson holds degrees from the Eastman School of Music (BM), Indiana University (MM), and Cornell University (DMA). Paterson gives master classes at colleges and universities, most recently at the Curtis Institute of Music, New York University, and the Cleveland Institute of Music. Paterson is the Artistic Director of the American Modern Ensemble and resides in NYC with his wife Victoria, and their son, Dylan. AMERICAN MODERN ENSEMBLE American Modern Ensemble (AME) spotlights contemporary music via lively thematic programming. AME performs a wide repertoire, using a varied combination of instrumentalists, vocalists, and conductors, and the ensemble often highlights AME’s house composer and co-founder, Co-Founders, Victoria & Robert Paterson Robert Paterson. Since its inception, AME has performed over 250 works by living composers, and has received critical success in the New York Times, Time Out, the New Yorker, among others. Sold out crowds at BAM, Merkin Hall, Lincoln Center, the Rubin Museum, Dixon Place, and National Sawdust are a winning testament to AME’s 14 year-track record as to what is ‘right’ about classical music today. AME includes on-stage chats with composers and the creative team, allowing audience members to learn even more about the creative process. AME provides a welcoming environment for audience, creators and performers. Over 95% of the composers we program participate and attend our shows, including luminaries such as John Luther Adams, John Corigliano, David Del Tredici, Aaron Jay Kernis, Libby Larsen, Steven Mackey, Paul Moravec, Christopher Rouse, Steven Stucky, Joan Tower, Chen Yi, and countless others. AME also enthusiastically performs works by America’s most talented, emerging and mid-career composers. AME produces stellar recordings via its house label, American Modern Recordings (AMR), which has received fantastic reviews in Gramophone, the LA Music Examiner, The New York Times, Sequenza21, and New Music Box, and all our albums have made it to the Grammy Ballot for the past four seasons. AME’s summer home is now at the Mostly Modern Festival, located in Saratoga Springs, New York. This festival celebrates the music of our time. It is educational, with robust outreach initiatives. Other residencies include Princeton University, James Madison University, Keene State College, the CUNY Graduate Center, Adelphi, Rutgers, and many more. AME is deeply invested in collaboration. Some examples are On Site Opera, Cutting Edge New Music Festival, Prototype Opera Festival, American Opera Projects, the Dance Theater of Harlem, and the Mazzini Dance Collective. AME has an ongoing In-Situ partnership with National Sawdust, in Williamsburg, Brooklyn, where we perform annually to sold-out crowds * * * MARNIE BRECKENRIDGE / SOPRANO American American soprano Marnie Breckenridge is captivating international audiences with roles ranging from the Baroque and bel canto to Modern. Her passionate interpretations of contemporary works include: Mother in Dog Days by David T. Little where the New York Times praised Breckenridge’s “lovely soprano” and Time Out Magazine voted it Best Opera 2012 (premier-Montclair Peak Performances, Los Angeles Opera 2015, Prototype Festival 2016, Ft.
Recommended publications
  • Rachmaninoff Symphony No
    RACHMANINOFF SYMPHONY NO. 3 10 SONGS (ARR. JUROWSKI) VLADIMIR JUROWSKI conductor VSEVOLOD GRIVNOV tenor LONDON PHILHARMONIC ORCHESTRA SERGE RACHMANINOFF SYMPHONY NO. 3 Sir Henry Wood, writing in his autobiography My Life and conductor. If the public in Russia, Europe and America of Music (1938), predicted that Rachmaninoff’s Third recognised his gifts in all three branches of the profession, Symphony would ‘prove as popular as Tchaikovsky’s Fifth’. he himself always regarded himself as a composer first If that has never really been the case, Wood’s further and foremost. If he also happened to be one of the finest assessment of the score does ring true: pianists the world has ever known, that was, to a certain extent, a bonus. In 1917, however, there came a seismic ‘The work impresses me as being of the true Russian change in his life. With the onset and aftermath of the Romantic school. One cannot get away from the October Revolution, Rachmaninoff and his family felt beauty and melodic line of the themes and their logical compelled to emigrate. ‘Everything around me makes it development. As did Tchaikovsky, Rachmaninoff uses the impossible for me to work’, he wrote to his cousin and fellow instruments of the orchestra to their fullest effect. Those pianist Alexander Ziloti, ‘and I am frightened of becoming lovely little phrases for solo violin, echoed on the four solo completely apathetic. Everybody around me advises me to woodwind instruments, have leave Russia for a while. But where to, and how? And is it a magical effect in the slow movement.
    [Show full text]
  • Six Mallet Marimba MAKOTO NAKURA: Wood and Forest FRESH MARIMBA REPERTOIRE ISSUED NOV
    October 16, 2012 | Contact: Sarah Baird Knight | [email protected] | t. 718/344-3690 | www.dotdotdotmusic.net ROBERT PATERSON: Six Mallet Marimba MAKOTO NAKURA: Wood and Forest FRESH MARIMBA REPERTOIRE ISSUED NOV. 13 ON AMERICAN MODERN RECORDINGS DOUBLE ALBUM RELEASE SHOW AT RUBIN MUSEUM OF ART, NOV. 14, 7PM FEATURING PERFORMANCES BY ROBERT PATERSON + MAKOTO NAKURA + AMERICAN MODERN ENSEMBLE American Modern Recordings, American Modern Ensemble (AME)’s lively outpost for studio albums, issues two full-length recordings of fresh marimba repertoire on Tuesday, November 13. Six Mallet Marimba, composed and performed by AME’s Robert Paterson, is comprised entirely of works born of Paterson’s newly-developed and impressive six-mallet technique. It is the first-ever album to feature only six-mallet works, advancing the repertoire significantly through Paterson’s technique, which allows for richer harmonic language and expanded range of motion. The second album, Wood and Forest, boasts an array of pieces by Paterson, Kenji Bunch, Jacob Bancks, Carlos Sanchez-Gutierrez, and Michael Torke, performed by Japanese marimba virtuoso, Makoto Nakura. Both discs will be ushered in by an exceptional release concert, “Modern Marimba,” on Wednesday, November 14, 7:00 PM at the Rubin Museum of Art (150 West 17 Street, New York, NY). The program will feature performances by Paterson, Nakura, and members of AME, showcasing selected works from each album. Paterson's performances will demonstrate his pioneering six-mallet technique, including the world premiere of his Mandala, for marimba duo, for NEW FROM AMERICAN MODERN RECORDINGS: Robert Paterson’s Six Mallet Marimba + Makoto Nakura’ – page 2 which he will be joined by Nakura.
    [Show full text]
  • American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 Pm
    American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 pm: “Lingua Franca,” A Program of Recent and Brand New Music About Mangled Text, ICU Sounds, Rising, Falling, and Clashing Cultures Guest Ensemble: SYBARITE5 Message on chopstick wrapper in David Feurzeig’s Lingua Franca AME pianist Blair McMillen (photo by Bob London), SYBARITE5 The third definition of the phrase “lingua franca” in the Merriam Webster dictionary is: “something resembling a common language.” Lingua Franca is the name of a work by David Feurzeig that titles American Modern Ensemble’s November 1 concert at Brooklyn’s National Sawdust – describing a program that also includes a diversity of recent and new works by three winners of AME’s 10th Annual Composition Competition – Pierce Gradone, Texu Kim, and Aaron Mencher – and AME founder Robert Paterson: • David Feurzeig’s Lingua Franca (2014, New York premiere) for cello and bass, five settings of “unedited texts from around the world, composed in appreciation of the range of global English expression” which are also recited by the players • Pierce Gradone’s The Art of Falling (2011) for solo piano American Modern Ensemble’s Lingua Franca, November 1, 2017, at National Sawdust - Page 2 of 4 • Texu Kim’s Co.Ko. – un poco Loco (2017) for solo piano, “a 10-minute musical essay in three movements, reflecting contemporary Korea, where its own traditions and Western influences mingle in a slightly crazy way” • Aaron Mencher’s Rise (2016) for solo cello, evoking its title both figuratively and literally • Robert Paterson’s Ouvir Estrelas (2017, world premiere), a song setting of a poem in Portuguese by Brazilian Parnassian poet Olavo Bilac • Robert Paterson’s I See You, the New York premiere of a version for string quintet and recording of this 2016 work, originally scored for string orchestra and recording, inspired by a week the composer spent by his father’s bedside in the ICU The acclaimed string quintet SYBARITE5, the program’s guest ensemble, will perform I See You.
    [Show full text]
  • The Art of the Score Amadeus
    FOR IMMEDIATE RELEASE ARTIST UPDATES February 27, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] THE ART OF THE SCORE Alec Baldwin, Artistic Advisor AMADEUS: LIVE Conducted by RICHARD KAUFMAN NEW YORK PREMIERE of Score Performed Live to Complete Film Featuring Special Guest Tom Hulce on April 11 April 11–14 and 17, 2018 The Art of the Score, exploring some of the most distinctive uses of music in film, will return for its fifth season with Amadeus: Live, the New York Premiere screening of Amadeus with the Mozart- centered score performed live to the complete film. Conducted by Richard Kaufman in his Philharmonic debut and featuring Musica Sacra, directed by Kent Tritle, Amadeus: Live will take place Wednesday, April 11, 2018, at 7:30 p.m.; Thursday, April 12 at 7:30 p.m.; Friday, April 13 at 11:00 a.m.; Saturday, April l4 at 7:30 p.m.; and Tuesday, April 17 at 7:30 p.m. On April 11 actor Alec Baldwin — Philharmonic Board Member and Artistic Advisor of The Art of the Score — and special guest Tom Hulce — who earned an Academy Award nomination for his portrayal of Mozart — will introduce the film, replacing F. Murray Abraham, who had to withdraw due to a scheduling conflict with his Off-Broadway play, Good for Otto. The Amadeus score includes selections from more than a dozen works by Mozart, including his Requiem; his operas The Magic Flute, The Marriage of Figaro, and Don Giovanni; and his Symphony No. 25, Serenade for 13 Winds, Gran partita, and Piano Concerto No.
    [Show full text]
  • RELEASE for Further Information Please Call
    RELEASE For further information please call Julie Robinson, Rubenstein Communications (212) 843-9341 / [email protected] Isadora Wilkenfeld, Cathedral of St. John the Divine (212) 316-7468 / [email protected] THE CATHEDRAL OF ST. JOHN THE DIVINE PRESENTS AN ORGAN RECITAL BY KENT TRITLE, PERFORMING WORKS BY BACH, BRUHNS, FRANCK, AND VIERNE Performance continues the 2019-2020 season of Great Music in a Great Space Photo: Jennifer Taylor *** The Cathedral of St. John the Divine continues its 2019-2020 season of Great Music in a Great Space with Great Organ: Kent Tritle, performing works by J.S. Bach, Nicolaus Bruhns, César Franck, and Louis Vierne, on Tuesday, January 28, 2020 at 7:30 pm at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street), Manhattan. Kent Tritle is now in his eighth year as Director of Cathedral Music and Organist. Widely noted for his virtuoso performances, this recital, the first of the 2020 Great Music in a Great Space concerts, showcases the range of Tritle’s talents. Spanning over 300 years of organ repertoire, the performance ranges from baroque compositions of Bruhns and Bach to the French Romanticism of Franck and Vierne. While the Cathedral’s Great Organ is on hiatus due to restoration work following a fire on Palm Sunday of last year, organ recitals will be presented in the magnificent acoustic of the Cathedral by way of a fine digitally sampled instrument by Walker Technical Company. This cutting-edge system is sampled from instruments by Æolian-Skinner, the company that built the Great Organ.
    [Show full text]
  • Music at the Gardner Fall 2019
    ISABELLA STEWART GARDNER MUSEUM NON-PROFIT ORG. 25 EVANS WAY BOSTON MA 02115 U.S. POSTAGE PAID GARDNERMUSEUM.ORG PERMIT NO. 1 BOSTON MA JOHN SINGER SARGENT, EL JALEO (DETAIL), 1882 MUSIC AT THE GARDNER FALL 2019 COVER: PHOENIX ORCHESTRA FALL the Gardner at Music 2019 MEMBER CONCERT MUSIC AT THE GARDNER TICKET PRESALE: FALL 2019 JULY 24 – AUGUST 5 WEEKEND CONCERT SERIES / pg 2 The Gardner Museum’s signature series HELGA DAVIS GEORGE STEEL DANCE / pg 15 South Korean dance duo All Ready, 2019 Choreographers-in-Residence, FROM THE CURATOR OF MUSIC dazzles with a series of performances, including a world premiere The Gardner Museum is today much as it was in Isabella’s time — at once a collection of her treasures from around the world and a vibrant place where artists find inspiration and push forward in new creative directions. AT-A-GLANCE / pg 16 TICKET INFORMATION / inside back cover This fall’s programming embodies that spirit of inspiration and creative vitality. It’s a season of firsts — including the Calderwood Hall debut by Randall Goosby, a rising international star of the violin, and premieres of works by lesser-known composers Florence Price and José White Lafitte never before performed in Boston. 25 YEARS OF ARTISTS-IN-RESIDENCE This season also finds meaning through Isabella’s collection. Claremont Performances celebrating the Museum’s fall special Trio will help celebrate 25 years of our Artists-in-Residence program exhibition, which highlights our 25-year history with a selection of works distinctly connected to Isabella, and South of fostering relationships with contemporary artists Korean duo All Ready — 2019 Choreographers-in-Residence — will Monday, October 14, 10 am – 4 pm perform new works created especially for the Museum.
    [Show full text]
  • Concert Programdownload Pdf(349
    The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Stockhausen's Mantra For Two Pianos Eric Huebner and Steven Beck, pianos Sound and electronic interface design: Ryan MacEvoy McCullough Sound projection: Chris Jacobs and Ryan MacEvoy McCullough Saturday, October 14, 2017 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Mantra (1970) Karlheinz Stockhausen (1928 – 2007) Program Note by Katherine Chi To say it as simply as possible, Mantra, as it stands, is a miniature of the way a galaxy is composed. When I was composing the work, I had no accessory feelings or thoughts; I knew only that I had to fulfill the mantra. And it demanded itself, it just started blossoming. As it was being constructed through me, I somehow felt that it must be a very true picture of the way the cosmos is constructed, I’ve never worked on a piece before in which I was so sure that every note I was putting down was right. And this was due to the integral systemization - the combination of the scalar idea with the idea of deriving everything from the One. It shines very strongly. - Karlheinz Stockhausen Mantra is a seminal piece of the twentieth century, a pivotal work both in the context of Stockhausen’s compositional development and a tour de force contribution to the canon of music for two pianos. It was written in 1970 in two stages: the formal skeleton was conceived in Osaka, Japan (May 1 – June 20, 1970) and the remaining work was completed in Kürten, Germany (July 10 – August 18, 1970).
    [Show full text]
  • ONGAKU RECORDS RELEASES “Jonathan Cohler & Claremont Trio”
    FOR IMMEDIATE RELEASE For More Information: http://ongaku-records.com/PR20090115.pdf Web http://ongaku-records.com/ Email [email protected] Phone 781-863-6108 • Fax 781-863-6105 ONGAKU RECORDS RELEASES “Jonathan Cohler & Claremont Trio” CD BOSTON January 15, 2009 — Ongaku Records announced the release of Jonathan Cohler & Claremont Trio (024-122), a CD featuring world renowned clarinetist Jonathan Cohler and the acclaimed Claremont Trio. The new release includes Beethoven Trio in B-flat Major, Op. 11, Brahms Trio in A Minor, Op. 114, and the rarely recorded Dohnányi Sextet in C Major, Op. 37. Cohler and the Claremonts are joined by Boston Symphony Orchestra principal hornist James Sommerville and Borromeo Quartet violist Mai Motobuchi in the Dohnányi. The recordings of the Beethoven and Brahms have already been acclaimed by Fanfare Magazine as the best of the best. “...the recording is ideal...and the playing is uniformly lovely... I know of no finer recording of the Beethoven, and this one stands with the best classic versions of the Brahms.” The CD features the award-winning engineering of Brad Michel, and it was recorded in the beautiful acoustics of the Rogers Center for the Arts at Merrimack College in North Andover, Massachusetts. Accompanying the CD is an in-depth 20-page booklet that gives a full and detailed explanation of the history behind these works. These detailed historical notes have become a hallmark of Ongaku Records releases that sets them apart from other recordings. This recording was produced using the latest in 24-bit digital recording technology, and was edited and mastered throughout in 24-bits to preserve the pristine audiophile quality sound for which Ongaku Records has become known.
    [Show full text]
  • Eötvös Péter Love and Other Demons Című Operájának Dramaturgiája És Kifejezőeszközei
    Liszt Ferenc Zeneművészeti Egyetem 7.6 számú Doktori iskola EÖTVÖS PÉTER LOVE AND OTHER DEMONS CÍMŰ OPERÁJÁNAK DRAMATURGIÁJA ÉS KIFEJEZŐESZKÖZEI MEGYERI KRISZTINA DOKTORI ÉRTEKEZÉS TÉMAVEZETŐ: GRABÓCZ MÁRTA 2013 Liszt Ferenc Zeneművészeti Egyetem 7.6 számú Doktori iskola EÖTVÖS PÉTER LOVE AND OTHER DEMONS CÍMŰ OPERÁJÁNAK DRAMATURGIÁJA ÉS KIFEJEZŐESZKÖZEI MEGYERI KRISZTINA DOKTORI ÉRTEKEZÉS TÉMAVEZETŐ: GRABÓCZ MÁRTA 2013 i Tartalomjegyzék I.Keletkezéstörténet, librettóátalakítások.....................................................................1 I.1. Előzmények I.1.1 Előzmények, kortárszenei kontextus.................................................1 I.1.2 Eötvös Péter pályájáról és a késői korszak nyelvezetéről................6 I.2. A keletkezés körülményei.............................................................................12 I.2.1. A felkérésről és az opera keletkezéséről.........................................12 I.2.2. Az előadásokról és a rendezésről....................................................14 I.2.3. A zenekarról....................................................................................18 I.3. Genezis..........................................................................................................20 I.3.1. Regény, librettó(k), opera...............................................................20 I.3.2. Összevonások.................................................................................23 I.3.3. A regényszöveg átalakítása.............................................................25
    [Show full text]
  • Ticket to the Opera SYLLABUS
    Ticket to the Opera Fall, 2018 SYLLABUS All of us, opera connoisseurs, amateurs and newBies alike, are here to savor great music, learn aBout an art form, share perceptions and opinions, and enjoy each other’s company. Participation in class discussion is highly encouraged. Presentations are also encouraged and are meant to Be an interesting learning experience, shared with interested learners. ALL contriButions are welcome and valued. Class #1: Thursday, SeptemBer 13 • Introduction to the class—ice breaker: Penney (20 minutes) • Introduction to the co-coordinators: Penney, Penny, Linda (10 mins) • Preview of the performances: Aida (& Netrebko), Linda Samson & La Fanciulla, Penny Marnie, Penney (20 minutes total) Second hour • A quick history of opera: Penney (30 minutes) • Syllabus: Penney (15 minutes) • Introduce First Listening Challenge (15 minutes) Class #2: Thursday, SeptemBer 20 AIDA • Discuss Listening Challenge (20 minutes) • Verdi biography (15 minutes) • The story/libretto/librettist (15 minutes) Second hour • The Italian legacy in Opera (from the Baroque to the Modern) (30 minutes) • Arias to look forward to, what to listen for: Penny (30 minutes) • Listening Challenge: Which tenor do you prefer? Which soprano? Class #3 Thursday, September 27 AIDA • Discuss Listening (20 minutes) • Cast: Spotlight on the performers: (30 minutes) o Anna Netrebko + Anita Rachvelishvili o Aleksandrs Antonenko + Quinn Kelsey o Dmitry Belosselskiy + Ryan Speedo Green Second hour • Stories from the class: Aida’s you have seen (15 minutes) • Past
    [Show full text]
  • 2020-21-Brochure.Pdf
    SUBSCRIPTIONS 20 21 music dance Ca l theater Performances University of California, Berkeley Letter from the Director Universities. They exist to foster a commitment to knowledge in its myriad facets. To pursue that knowledge and extend its boundaries. To organize, teach, and disseminate it throughout the wider community. At Cal Performances, we’re proud of our place at the heart of one of the world’s finest public universities. Each season, we strive to honor the same spirit of curiosity that fuels the work of this remarkable center of learning—of its teachers, researchers, and students. That’s why I’m happy to present the details of our 2020/21 Season, an endlessly diverse collection of performances rivaling any program, on any stage, on the planet. Here you’ll find legendary artists and companies like cellist Yo-Yo Ma, the Vienna Philharmonic Orchestra with conductor Gustavo Dudamel, the Mark Morris Dance Group, pianist Mitsuko Uchida, and singer/songwriter Angélique Kidjo. And you’ll discover a wide range of performers you might not yet know you can’t live without—extraordinary, less-familiar talent just now emerging on the international scene. This season, we are especially proud to introduce our new Illuminations series, which aims to harness the power of the arts to address the pressing issues of our time and amplify them by shining a light on developments taking place elsewhere on the Berkeley campus. Through the themes of Music and the Mind and Fact or Fiction (please see the following pages for details), we’ll examine current groundbreaking work in the university’s classrooms and laboratories.
    [Show full text]
  • Ojai North Music Festival
    CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening.
    [Show full text]