Joseph Freeman Papers
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COLLECTIONS OF CORRESPONDENCE AND MANUSCRIPT DOCUMENTS NAME OF COLLECTION: Joseph FREEMAN Papers SOURCE: Gift of; Joseph Freeman, 1952; Charmion Von Wiegand, 1980; and Anne Feinberg, 1982 & 1983; Purchase 293-7/H/8U SUBJECT: Joseph Freeman's "writings DATES COVERED: ca.1920 - 1965 NUMBER OF ITEMS: ca. 675 STATUS: (check appropriate description) Cataloged: x Listed: x Arranged: Not organized: CONDITION: (give number of vols., boxes, or shelves) Bound: Boxed: o Stored: LOCATION: (Library) Rare Book & Manuscript CALL-NUMBER Ms Coll/J.Freeman RESTRICTIONS ON USE None DESCRIPTION: Correspondence, manuscripts, drawings, documents, photographs, clippings and other printed materials of Joseph Freeman, 1897-19&55 poet, editor, and critic. Joseph Freeman, Columbia University A.B. 1919» was an editor of New Masses from 1926 until 1937 j an editor of The Liberator and of Partisan Review, and also a foreign correspondent for the Chicago Tribune, the New York Herald Tribune, and Tass. He was the author of Never Call Retreat (this manuscript is included in the collection), An American Testament, and other works. He was later in the field of public relations. His wife was Charmion von Wiegand, an abstract painter. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the correspondents are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St.Vincent Millay, and Lincoln Steffens. HR - 12/82; 12/83; 11/8U See attached list of the collection. D3(178)M Joseph. Freeman Papers Box 1 Correspondence 8B misc. Cataloged correspondence & drawings: Anderson, Sherwood Harcourt, Alfred Bodenheim, Maxwell Herbst, Josephine Frey Bourke-White, Margaret Hughes, Langston Brown, Gladys Humphries, Rolfe Caldwell, Erskine Kent, Rockwell Dahlberg, Edward Komroff, Manuel Dehn, Adolph ^Millaf, Edna St. -
Changing Attitudes Toward Charity: the Values of Depression-Era America As Reflected in Its Literature
CHANGING ATTITUDES TOWARD CHARITY: THE VALUES OF DEPRESSION-ERA AMERICA AS REFLECTED IN ITS LITERATURE By Steven M. Stary As a time of economic and political crisis, the Great Depression influenced authors who VRXJKWWRUHZULWH$PHULFD¶VXQGHUO\LQJmythology of rugged individualism into one of cooperative or communal sensibility. Through their creative use of narrative technique, the authors examined in this thesis bring their readers into close identification with the characters and events they describe. Creating connection between middle-class readers and the destitute subjects of their works, the authors promoted personal and communal solutions to the effects of the Depression rather than the impersonal and demeaning forms of charity doled out by lRFDOJRYHUQPHQWVDQGSULYDWHFKDULWLHV0HULGHO/H6XHXU¶V DUWLFOHV³:RPHQRQWKH%UHDGOLQHV´³:RPHQDUH+XQJU\´DQG³,:DV0DUFKLQJ´ DORQJZLWK7RP.URPHU¶VQRYHOWaiting for Nothing, are examined for their narrative technique as well as depictions of American attitudes toward charitable giving and toward those who receive charity. The works of Le Sueur and Kromer are shown as a SURJUHVVLRQFXOPLQDWLQJLQ-RKQ6WHLQEHFN¶VThe Grapes of Wrath later in the decade. By the end of the 1930s significant progress had been made in changing American values toward communal sensibility through the work of these authors and the economic programs of the New Deal, but the shift in attitude would not be completely accomplished or enduring. To my wife, Dierdra, who made it possible for me to keep on writing, even though it took longer than I thought it would. ii ACKNOWLEDGEMENTS Thank you to Dr. Don Dingledine, my thesis advisor, who has helped to see this work to completion. It is due to his guidance this project has its good points, and entirely my fault where it does not. -
Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002
Description of document: Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002 Requested date: 2002 Release date: 2003 Posted date: 08-February-2021 Source of document: Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 Filing a FOIA Records Request Online The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1 O ct 2000_30 April 2002 Creation Date Requester Last Name Case Subject 36802.28679 STRANEY TECHNOLOGICAL GROWTH OF INDIA; HONG KONG; CHINA AND WTO 36802.2992 CRAWFORD EIGHT DIFFERENT REQUESTS FOR REPORTS REGARDING CIA EMPLOYEES OR AGENTS 36802.43927 MONTAN EDWARD GRADY PARTIN 36802.44378 TAVAKOLI-NOURI STEPHEN FLACK GUNTHER 36810.54721 BISHOP SCIENCE OF IDENTITY FOUNDATION 36810.55028 KHEMANEY TI LEAF PRODUCTIONS, LTD. -
Limited Editions Club
g g OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. Oak Knoll Books is a member of the International League of Antiquarian Booksellers (ILAB — about 2,000 dealers in 22 countries) and the Antiquarian Booksellers Association of America (ABAA — over 450 dealers in the US). Their logos appear on all of our antiquarian catalogues and web pages. These logos mean that we guarantee accurate descriptions and customer satisfaction. Our founder, Bob Fleck, has long been a proponent of the ethical principles embodied by ILAB & the ABAA. He has taken a leadership role in both organizations and is a past president of both the ABAA and ILAB. We are located in the historic colonial town of New Castle (founded 1651), next to the Delaware River and have an open shop for visitors. -
GLC Newsletter2.Pdf
The Good Life Center Newsletter Spring 2015 Simple Living, Sustainability, Intellectual Freedom Issue #2 OUR MISSION To uphold the legacy of Helen and Scott Nearing through preservation of the Historic Forest Farm Homestead and educational programs that teach skills in sustainable living, social justice, organic gardening and vegetarianism. Greetings from the Good Life Center! We hope you enjoy reading the second issue of our e newsletter. Featured articles include a tribute to the late Bill Coperthwaite by John Saltmarsh, a review by Jennifer Adams of the 1915 University of Pennsylvania firing of Scott Nearing, and Clark Pomerleau’s re-cap of the 2014 sixtieth anniversary of “Living the Good Life”. Please make a special note of the upcoming musical performance by Masanobu Ikemiya, on Sunday, August 23rd, at 3 pm at the Unitarian Universalist Church of Ellsworth to benefit the programs of the Good Life Center. Mr. Ikemiya will present his popular program "Classics to Ragtime" a piano recital with commentaries. Please get in touch if you would like to write an article or share a photo for the next issue. We welcome your feedback! Happy Spring! Greg Joly & Bob Jones, Co-Chairs OPENING DAY JUNE 18, 2015 The Good Life Center is open Thursdays through Mondays from 1 to 5 pm. For tours, individual appointments and group visits call 207. 374. 5386. Volunteers of all ages are welcome for garden, homestead maintenance and library tasks. Come visit us! ~~~ SUNDAY, JULY 26 IS OPEN FARM DAY ! 10AM – 5PM at Forest Farm Workshops ~ Special Events~ Tours of the Historic Gardens and Stone Buildings ~ Yummy Refreshments! A Maine Department of Agriculture Program. -
National Prohibition and Jazz Age Literature, 1920-1933
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Jan 2005 Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933 Kathleen Morgan Drowne Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the Business and Corporate Communications Commons, and the English Language and Literature Commons Recommended Citation Drowne, Kathleen. "Spirits of Defiance: National Prohibition and Jazz Age Literature, 1920-1933." Columbus, Ohio, The Ohio State University Press, 2005. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page i SPIRITS OF DEFIANCE Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iii Spirits of Defiance NATIONAL PROHIBITION AND JAZZ AGE LITERATURE, 1920–1933 Kathleen Drowne The Ohio State University Press Columbus Drowne_FM_3rd.qxp 9/16/2005 4:46 PM Page iv Copyright © 2005 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Drowne, Kathleen Morgan. Spirits of defiance : national prohibition and jazz age literature, 1920–1933 / Kathleen Drowne. p. cm. Includes bibliographical references and index. ISBN 0–8142–0997–1 (alk. paper)—ISBN 0–8142–5142–0 (pbk. -
Epic of American Civilization Murals
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE EPIC OF AMERICAN CIVILIZATION MURALS, BAKER LIBRARY Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: The Epic of American Civilization Murals, Baker Library, Dartmouth College Other Name/Site Number: Baker-Berry Library 2. LOCATION Street & Number: 6025 Baker-Berry Library Not for publication: City/Town: Hanover Vicinity: State: NH County: Grafton Code: 009 Zip Code: 03755 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): _X_ Public-Local: District: ___ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 1 buildings sites structures objects 1 Total Number of Contributing Resources Previously Listed in the National Register: Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE EPIC OF AMERICAN CIVILIZATION MURALS, BAKER LIBRARY Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria. -
THE GREAT MADNESS. a Victory for the American Plutocracy
THE GREAT MADNESS. A Victory for the American Plutocracy By SCOTT NEARING Publirled by THE RAND SCHOOL OF SOCIAL SCIENCE New York City THE RAND SCHQOL OF SCiCIAL SCIENCE Local Department Correspondence Dept. Full-Time Department Research Department Library and Reading Room ALGERNON LEE, BERTHA f-f. MAILLY Educational Director Executiw Secretary Courses in Industrial and Political History, Civics, Economics, Labor Problems, Social Legislation, Socialist Theory, and Practical Organization Methods, Public Speaking, English, etc., etc. Established in 1906 Write for Bulletin and full information Enclosure of stamps for reply will be greatly appreciated. Address: 7 East 15th Street, New York City THE GREAT MADNESS A Victory for the American Plutocracy BY SCOTT NEARING Author of “Income ” “Wages in the United Stata” “Anthracite,“’ “Poverty and Riches,” etc. “Paradise is under the shadow of swords.” -Mahomet. “I know what war means. I have been with the armies of all the belligerents except one, and I have seen men die, and go mad, and lie in hospitals suffering hell; but there is a worse thing than that. War means ugly mob-madness, crucifying the truth-tellers, choking the artists, side-tracking reforms, revolutions and the work- ing of social forces.” -John Reed in the Musses, April, 1917. “Whose war is this? Not mine. I know that hundreds of thousands of American workingmen employed by our great finan- cial ‘patriots’ are not paid a living wage. I have seen poor men sent to jail for long terms without trial, and even without any charge. Peaceful strikers, and their wives and children, have been shot to death, burned to death, by private detectives and militiamen. -
Generic Experiment and Confusion in Early Canadian Novels of the Great War
Generic Experiment and Confusion in Early Canadian Novels of the Great War Colin Hill he Canadian novel changed dramatically in the years immediately following the Great War of 1914-18. In the 1920s and ’30s an innovative, modern, cosmopolitan, and multi-gen- ericT literary realism began to challenge and supersede the nineteenth- century romanticism that had loomed large in the national fiction at least since Confederation. Two formative literary magazines were found- ed shortly after the 1918 armistice: Canadian Bookman in 1919 and The Canadian Forum in 1920. Both publications printed articles and mani- festos that demanded a new realism capable of representing the modern and independent Canada that had emerged from the war. In these same years, Canadian writers from all regions began to produce modern-real- ist novels in various sub-genres, including prairie realism, urban realism, and social realism. These writers challenged the verbose and ornate styles of their predecessors with a language that was idiomatic and dir- ect. They sought narrative objectivism and impersonality in accordance with the documentary approach they brought to their representations of contemporary Canada. The most ambitious and creative modern realists experimented with literary form and reworked innovative and international modernist devices to express their interest in exploring and representing human psychology. By the end of the 1920s, some of the best examples of these multi-generic modern-realist works had been published, and a few of them are still read today: J.G. Sime’s Sister Woman (1919), Douglas Durkin’s The Magpie (1923), Frederick Philip Grove’s Settlers of the Marsh (1925), Martha Ostenso’s Wild Geese (1925), Morley Callaghan’s Strange Fugitive (1928), and Raymond Knister’s White Narcissus (1929). -
The Universite of Oklahoma Graduate College M
THE UNIVERSITE OF OKLAHOMA GRADUATE COLLEGE M ANALYSIS OF JOHN DOS PASSOS’ U.S.A. A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHE BE F. UILLIAIl NELSON Norman, Oklahoma 1957 All ANALÏSIS OF JOHN DOS PASSOS' U.S.A. APPROVED 3Ï ijl^4 DISSERTATION COmTTEE TABLE OF CONTENTS Chapter Page I. THE CRITICS....................................... 1 II. THE CAST .......................................... III. CLOSE-UP .......................................... ho IV. DOCUMENTARY ....................................... 63 V. MONTAGE........................................... 91 VI. CROSS-CUTTING ...................................... Il4 VII. SPECIAL EFFECTS .................................... 13o VIII. WIDE ANGLE LENS .................................... l66 IX. CRITIQUE .......................................... 185 APPENDK ................................................. 194 BIBLIOGRAPHY ............................................. 245 111 ACKNOWLEDGEI'IENT Mjr thanks are due all those members of the Graduate Faculty of the Department of English who, knowingly and unknowingly, had a part in this work. My especial thanks to Professor Victor Elconin for his criticism and continued interest in this dissertation are long overdue. Alf ANALYSIS OF JOHN DOS PASSOS' U.S.A. CHAPTER I THE CRITICS The 42nd Parallel, the first volume of the trilogy, U.S.A., was first published on February 19, 1930- It was followed by 1919 on March 10, 1932, and The Big Money on August 1, 1936. U.S.A., which combines these three novels, was issued on January 27, 1938. There is as yet no full-length critical and biographical study of Dos Passes, although one is now in the process of being edited for publication.^ His work has, however, attracted the notice of the leading reviewers and is discussed in those treatises dealing with the American novel of the twentieth cen tury. -
Disclaimer: the Opinions Expressed in This Review Are Those Of
Susannah Joel Glusker. Anita Brenner: A Mind of Her Own. Austin: University of Texas Press, 1998. xvi + 298 pp. $29.95, cloth, ISBN 978-0-292-72810-3. Reviewed by Charles C. Kolb Published on H-LatAm (April, 1999) Glusker, Anita Brenner's daughter, has writ‐ artists Jose Clemente Orozoco, David Alfaro ten an informative, fascinating, and lively biogra‐ Siqueiros, Miguel Covarrubias, and Henry Moore. phy of her mother, born as Hanna Brenner, to a She had a closer relationship with the illustrator Latvian-Jewish immigrant family in Aguas‐ Jean Charlot (he is characterized as "teacher, fa‐ calientes, Mexico on 13 August 1905. In the main, ther, and mentor") and Maria Sandoval de Zarco, this work covers the middle years of Brenner's then the only practicing woman lawyer in Mexico. life, 1920-1942. Brenner, educated in San Antonio, The poet Octavio Barreda and the writers Mari‐ Texas and New York City, would become an inde‐ ano Azuela, Carlos Fuentes, Lionel Trilling, pendent liberal, political radical, advocate of polit‐ Katherine Anne Porter, Frank Tannenbaum, John ical prisoners, and a champion of Mexican art and Dewey, and Miguel Unamuno were part of her culture. Some readers may recognize her as an life, as was the journalist Ernest Gruening (later historian, an anthropologist, a self-taught political Alaska's frst governor and U.S. Senator). In addi‐ journalist, a creative writer, or an art critic--she tion, political fgures such as Leon Trotsky, John was all of these and more. Anita Brenner num‐ and Alma Reed, and Whittaker Chambers; the bered among her friends many of the elite and in‐ photographer Edward Weston; cinema directors tellectuals of Mexico City and New York, among Sergei Eisenstein and Bud Schulberg; and the ar‐ them socialists, communists, poets, artists, and po‐ chaeologist-diplomat George C. -
Diego Rivera and the Left: the Destruction and Recreation of the Rockefeller Center Mural
Diego Rivera and the Left: The Destruction and Recreation of the Rockefeller Center Mural Dora Ape1 Diego Rivera, widely known for his murals at the Detroit Institute ofArts and the San Francisco Stock Exchange Luncheon Club, became famous nationally and internationally when his mural for the Radio City ofAmerica (RCA) Building at Rockefeller Center in New York City was halted on 9 May 1933, and subsequently destroyed on 10 February 1934. Commissioned at the height of the Depression and on the eve of Hitler's rise to power, Rivera's mural may be read as a response to the world's political and social crises, posing the alternatives for humanity as socialist harmony, represented by Lenin and scenes of celebration from the Soviet state, or capitalist barbarism, depicted through scenes of unemployment, war and "bourgeois decadence" in the form of drinking and gambling, though each side contained ambiguous elements. At the center stood contemporary man, the controller of nature and industrial power, whose choice lay between these two fates. The portrait of Lenin became the locus of the controversy at a moment when Rivera was disaffected with the policies of Stalin, and the Communist Party (CP) opposition was divided between Leon Trotsky and the international Left Opposition on one side, and the American Right Opposition led by Jay Lovestone on the other. In his mural, Rivera presented Lenin as the only historical figure who could clearly symbolize revolutionary political leadership. When he refused to remove the portrait of Lenin and substitute an anonymous face, as Nelson Rockefeller insisted, the painter was summarily dismissed, paid off, and the unfinished mural temporarily covered up, sparking a nationwide furor in both the left and capitalist press.