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Het Muiderslot Het
Het Muiderslot Het Muiderslot - Beleef zeven eeuwen geschiedenis in het echt! Het Muiderslot heeft de afgelopen zeven eeuwen heel wat meegemaakt: van ridders, graaf Floris, samenzweringen, slimme bouwtrucs en martelingen tot literaire feesten, P.C. Hooft, dichters en Het Muiderslot kunstenaars, vrolijk gezang, oorlogen, overstromingen, sloop en renovatie en de geleidelijke groei naar een volwaardig Rijksmuseum. Lees over de vele indrukwekkende hoogte- en dieptepunten in de roerige Beleef zeven eeuwen geschiedenis in het echt! geschiedenis van dit mooiste middeleeuwse kasteel van Nederland. Beleef zeven eeuwen geschiedenis in het geschiedenis eeuwen echt! Beleef zeven www.muiderslot.nl Annick Huijbrechts & Yvonne Molenaar Het Muiderslot Beleef zeven eeuwen geschiedenis in het echt! Annick Huijbrechts & Yvonne Molenaar © 2013 Stichting Rijksmuseum Muiderslot Colofon Partners Auteur: Annick Huijbrechts (Turtle Art) Deze uitgave is mogelijk gemaakt met steun van: Tekst- en beeldinbreng: Yvonne Molenaar Tekstredactie: Ida Schuurman Vormgeving: Endeloos Grafisch Ontwerp Fotografie: Mike Bink, Kropot en Endeloos Grafisch Ontwerp © 2013 Stichting Rijksmuseum Muiderslot 0 Inleiding: de roerige geschiedenis van het Muiderslot 5 Zeven eeuwen vol trots, tragiek en temperament 1 Floris de Vijfde – de held van het volk 8 Grondlegger van het Muiderslot 2 Het mooiste middeleeuwse kasteel van Nederland 14 De bouw van het Muiderslot Inhoud 3 Vernuftig bouwwerk vol onaangename verrassingen 19 Muiderslot als verdedigingsburcht 4 Er was eens… een romantisch -
Literature of the Low Countries
Literature of the Low Countries A Short History of Dutch Literature in the Netherlands and Belgium Reinder P. Meijer bron Reinder P. Meijer, Literature of the Low Countries. A short history of Dutch literature in the Netherlands and Belgium. Martinus Nijhoff, The Hague / Boston 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/meij019lite01_01/colofon.htm © 2006 dbnl / erven Reinder P. Meijer ii For Edith Reinder P. Meijer, Literature of the Low Countries vii Preface In any definition of terms, Dutch literature must be taken to mean all literature written in Dutch, thus excluding literature in Frisian, even though Friesland is part of the Kingdom of the Netherlands, in the same way as literature in Welsh would be excluded from a history of English literature. Similarly, literature in Afrikaans (South African Dutch) falls outside the scope of this book, as Afrikaans from the moment of its birth out of seventeenth-century Dutch grew up independently and must be regarded as a language in its own right. Dutch literature, then, is the literature written in Dutch as spoken in the Kingdom of the Netherlands and the so-called Flemish part of the Kingdom of Belgium, that is the area north of the linguistic frontier which runs east-west through Belgium passing slightly south of Brussels. For the modern period this definition is clear anough, but for former times it needs some explanation. What do we mean, for example, when we use the term ‘Dutch’ for the medieval period? In the Middle Ages there was no standard Dutch language, and when the term ‘Dutch’ is used in a medieval context it is a kind of collective word indicating a number of different but closely related Frankish dialects. -
Nowa Ojczyzna Dla Muz. Amsterdam W Siedemnastowiecznej Literaturze Niderlandzkiej
terminus R. XI (2009) z. 1–2 (20–21) PIOtR Oczko (uj, Kraków) NOwa OjCZyZNa dla MuZ. aMsteRdaM w sIedeMNastOwIeCZNej lIteRatuRZe NIdeRlaNdZKIej Koniec XVI wieku to w Niderlandach czas wielkich przemian. trwa anty- habsburskie powstanie, w którym protestancka ludność Niderlandów wystę- puje przeciwko opresji swych hiszpańskich władców, fanatycznego katolika Filipa II i jego siostry Małgorzaty. Kraj pogrąża się w krwawej wojnie, która doprowadza do podziału Niderlandów na niezależną, protestancką część pół- nocną i katolicką, zależną od Hiszpanów część południową. Proklamowana w 1579 roku przez siedem protestanckich prowincji pół- nocnych unia utrechcka dała nie tylko podstawy dla powstania niezależnego państwa – Republiki Zjednoczonych Prowincji Niderlandów (zalążka dzisiej- szej Holandii), ale także doprowadziła do znaczącego przesunięcia ośrodków kulturalnych, w tym także literackich, z Południa na Północ. do XVII stulecia supremacja kulturowa i ekonomiczna Południa była bezsprzeczna – do wieku XVII bowiem większość literatury powstawała w dialektach południowoni- derlandzkich, w blasku dworu burgundzkiego rozkwitły Brugia i Gandawa, zaś antwerpia, jedno z największych i najwspanialszych miast ówczesnego świata, stanowiła największy w europie ośrodek handlowy. w Niderlandach Południowych kwitły liryka (Hendrik van Veldeke) i oparta na wzorcach francuskich epika rycersko-dworska, zaś epos zwierzęcy zyskał mistrzowską formę w opowieści o lisie Reinardzie. Rozwijała się buj- terminus1_2_2009.indb 161 2009-11-30 09:22:37 162 Piotr Oczko -
Opening Address on Behalf of the Dutch Ministry of Education, Culture and Science
Barbera Wolfensberger Opening address on behalf of the Dutch Ministry of Education, Culture and Science Mr Chairman, Delegates from the almost 30 EFNIL member states, Esteemed guests, ladies and gentlemen, on behalf of the Netherlands, I would like to welcome you all to this conference. I hope you will have a productive meeting and a pleasant stay in Amsterdam, our beautiful capital, a city with an international outlook and an illustrious history. We are at the Flemish Arts Centre De Brakke Grond. I have the advantage of speaking ahead of the Flemish delegate so there is a chance I’ll end up saying something that he had intended to say himself. Centuries ago, this neighbourhood was home to Joost van den Vondel and Gerbrand Bredero, two of the leading writers of the Dutch Golden Age. Both men had their roots in the Southern Netherlands – present-day Belgium – but their families were driven north by the violence of the Eighty Years’ War. At that time, the towns of Holland were experiencing a period of rapid growth, fed by the arrival of refugees from the South. The Dutch would certainly have noticed the varied dialects of the merchants, craftsmen and other newcomers from Brabant and Flanders. But they could understand one another without too much difficulty. Even back then, the streets of Amsterdam must have been marked by linguistic variety – the very topic of this conference. Besides southern Dutch dialects, you would have also heard the French of Wal- loons and Huguenots, the German of refugees from the east, and the languages of the Jewish community, such as Yiddish, Ladino and Portuguese. -
Gerbrand Bredero Wants to Borrow a Painting. Proleptic Negotiation1 Jeroen Jansen, University of Amsterdam
Gerbrand Bredero Wants to Borrow a Painting. Proleptic Negotiation1 Jeroen Jansen, University of Amsterdam Abstract: In a letter to Badens, his painting teacher, Gerbrand Bredero asks for the loan of a painting to make a copy of it. The act of writing (a letter) requires a proactive role in managing the reader’s reactions. In what at first sight may look like a simple, insignificant and most of all polite letter, it is argued that, from the viewpoint of argumentation theory, negotiation and bargaining tactics, this politeness may be considered as a carefully devised and potentially effective strategy, contributing to extracting a promise from Badens, and to remove any possible objections from the latter in fulfilling his promise. Whilst starting the letter from the relatively powerless situation of a pupil asking his master to act, by showing a mutual interest and by applying anticipated argumentation and negotiation, Bredero seeks a reasonable balance which he simultaneously turns to his own advantage. Keywords: Proleptic Negotiation, Bargaining, Proleptic Argumentation, Pragma- Dialectical Theory, Request, Bredero, Epistolary Theory, Politeness Theory, Argumentation Theory, Strategy, Promise Introduction From the Dutch dramatist and poet Gerbrand Bredero (1585-1618) only six letters are known, posthumously published by the Amsterdam bookseller Cornelis van der Plasse, who was also his personal protector.2 The addressees of these letters come from fairly different social backgrounds, ranging from a young widow, unknown to us, to whom he declares his love, to a colleague-poet with an established reputation at that time: Pieter Hooft. The same disparity applies to the (letter-like) dedications to his drama. -
Dutch Women in New Netherland and New York in the Seventeenth Century
Graduate Theses, Dissertations, and Problem Reports 2001 Dutch women in New Netherland and New York in the seventeenth century Michael Eugene Gherke West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Gherke, Michael Eugene, "Dutch women in New Netherland and New York in the seventeenth century" (2001). Graduate Theses, Dissertations, and Problem Reports. 1430. https://researchrepository.wvu.edu/etd/1430 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Dutch Women in New Netherland and New York in the Seventeenth Century Michael E. Gherke Dissertation submitted to the College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Mary Lou Lustig, Ph.D., chair Jack Hammersmith, Ph.D. Matthew Vester, Ph.D. Caroline Litzenberger, Ph.D. Martha Shattuck, Ph.D. Department of History Morgantown, West Virginia 2001 copyright © Gherke, Michael E. -
Swijgt, Schilderij" : Some Thoughts on Thomas De Keyser's 1627 Portrait of Constantijn Huygens and His Clerk
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2008 "Spreekt, Schilderij"¦Swijgt, Schilderij" : Some Thoughts on Thomas de Keyser's 1627 Portrait of Constantijn Huygens and His Clerk John Hawley College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Arts and Humanities Commons Recommended Citation Hawley, John, ""Spreekt, Schilderij"¦Swijgt, Schilderij" : Some Thoughts on Thomas de Keyser's 1627 Portrait of Constantijn Huygens and His Clerk" (2008). Undergraduate Honors Theses. Paper 796. https://scholarworks.wm.edu/honorstheses/796 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Spreekt, Schilderij…Swijgt, Schilderij”: Some Thoughts on Thomas de Keyser’s 1627 Portrait of Constantijn Huygens and His Clerk A thesis submitted in partial fulfillment of the requirement for the degree of Bachelors of Arts in the Department of Art History from The College of William and Mary by John Charleton Hawley III Williamsburg, VA April 11, 2008 Introduction Thomas de Keyser’s 1627 portrait of Constantijn Huygens has become the canonical image of one of the most powerful intellectuals of the Dutch Golden Age (fig. 1). It is invariably the depiction chosen by scholars writing on Huygens’s political role as secretary to Stadholders Frederik Hendrik and Willem II, for it is ostensibly a public image. Huygens’s pursuits, however, extended beyond the lofty political position he achieved early in life. -
Stones of Memory: Revelations from a Cemetery in Curacao Rochelle Weinstein
Stones of Memory: Revelations from a Cemetery in Curacao Rochelle Weinstein The Sculptured Tombstones of Ouderkerk and Curacao in Historical Context In a garden like setting at the Ouderkerk Portuguese Jewish cemetery in the Netherlands lies the marble monument to Mosseh de Mordechay Senior, who died on July 2,1730. The white slab was pre- pared in his lifetime, according to the terse Portuguese epitaph. It is covered with reliefs of elaborately garbed men and women posing and gesturing within an ornate framework of arches and tall pilasters. The composition resembles a Baroque building facade. The names, carved in Hebrew Bible phrases beneath each image, match the first names of all the members of Mosseh's family: his parents and grandparents as well as his ten siblings, their spouses and offspring (Figures 1-3). Mosseh's father, Mordechay de Judah Senior, was born in Amster- dam to Portuguese New Christian refugees from religious persecu- tion. Mordechay and his brother Jacob de Judah spent their young manhood in Recife, Pernambuco, in service to John Maurice, gover- nor general of Dutch Brazil, until its recapture by the Portuguese in 1654. Mosseh, born around 1676, was ninth in a family of eleven sib- lings: Judah, Jacob, Ester, David, Isaac, Abraham, Rachel, Benjamin, Mosseh, Ribca, and Selomoh. Mosseh's eldest brother Judah and cousin Judah de Jacob Senior Henriques (married to Mosseh's sister Ester) belonged to the group of Jewish magnates in the Hague circle of Stadholder William 111, later King William I11 of England. Mosseh's mother Sarah Lopes, aunt Ester Lopes (married to his uncle Jacob de Judah), aunt Ribca Lopes Henriques (married to Dr. -
Sex and Drugs Before Rock 'N' Roll
BENJAMIN B. ROBERTS Sex and Drugs before Rock ’n’ Roll Youth Culture and Masculinity during Holland’s Golden Age Amsterdam University Press amsterdam studies in the dutch golden age 1 2 3 4 SEX AND DRUGS BEFORE ROck ’n’ ROLL 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 Amsterdam Studies in the Dutch Golden Age Editorial Board H. Perry Chapman, University of Delaware Lia van Gemert, University of Amsterdam Benjamin J. Kaplan, University College London Henk van Nierop, University of Amsterdam Eric Jan Sluijter, University of Amsterdam Marc van Vaeck, Katholieke Universiteit Leuven Published in this Series Christopher D.M. Atkins, The Signature Style of Frans Hals (isbn 978 90 8964 335 3) Peter de Cauwer, Tranen van bloed. Het beleg van ’s-Hertogenbosch en de oorlog in de Nederlanden, 1629 (isbn 978 90 8964 016 1) Margriet van Eikema Hommes, Art and Allegiance in the Dutch Golden Age (isbn 978 90 8964 326 1) Liesbeth Geevers, Gevallen vazallen. De integratie van Oranje, Egmont en Horn in de Spaans- Habsburgse monarchie (1559-1567) (isbn 978 90 8964 069 7) Jonathan Israel, Stuart Schwartz, Michiel van Groesen [Inleiding], The Expansion of Tolerance. Religion in Dutch Brazil (1624-1654) (isbn 978 90 5356 902 3) Robert Parthesius, Dutch Ships in Tropical Waters. The Development of the Dutch East India Com- pany (VOC) Shipping Network in Asia 1595-1660 (isbn 978 90 5356 517 9) Benjamin B. -
Branding in Practice, Or How an Amsterdam Publisher Used the City to Promote Gerbrand Bredero (1585–1618)
Urban History (2021), 1–23 doi:10.1017/S0963926820001030 RESEARCH ARTICLE Branding in practice, or how an Amsterdam publisher used the city to promote Gerbrand Bredero (1585–1618) Jeroen Jansen*† Universiteit van Amsterdam, Neerlandistiek, Spuistraat 134, 1012 VB Amsterdam, Netherlands *Corresponding author. Email: [email protected] Abstract This article explores how the publisher Cornelis vander Plasse managed to promote the literary career of the Dutch playwright Gerbrand Bredero (1585–1618) by using Amsterdam as a place. It is concerned with the way in which this Amsterdam-based pub- lisher took decisions both to comply with Bredero’s work and to derive maximum benefit from its publication. One of his strategies was to deploy the city as a recognizable trademark to Bredero’s work. By using the advantages that the ‘place’ of Amsterdam offered him, he proved himself an expert in marketing and advertising, laying the foundation of Bredero’s reputation as both an Amsterdam-based and national author in the centuries to follow. ‘Do publishing houses influence the literary canon?’ With this question, Frank de Glas identified five ways in which literary publishing houses can influence the repu- tation of their authors: (1) through their selection of specific titles; (2) by improving the quality of a text; (3) through the effect their own reputation has on the reception of literary works; (4) by optimizing the commercial exploitation of an author’s oeuvre; and (5) through their relations with the book trade, the ‘intermediaries’ and the buyers and readers of books.1 De Glas concluded that ‘only a few publish- ing houses have enough stability and sufficient stamina to achieve a lasting effect on the canonization of authors who were launched by them long ago’.2 These five possibilities and the corresponding conclusion concern the publishing process in the second half of the twentieth century, a period in which national discourse was far more important than the interests of individual cities. -
Goede Nacht: Images of the Night in Seventeenth-Century Dutch Visual Culture by © 2019 Reilly Oliver Winston Shwab Submitted To
Goede Nacht: Images of the Night in Seventeenth-Century Dutch Visual Culture by © 2019 Reilly Oliver Winston Shwab Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy _______________________________________ Chair: Linda Stone-Ferrier, Ph.D. _______________________________________ Stephen Goddard, Ph.D. _______________________________________ David Cateforis, Ph.D. _______________________________________ John Pultz, Ph.D. _______________________________________ Megan Kaminski Date defended: July 8, 2019 The dissertation committee for Reilly Shwab certifies that this is the approved version of the following dissertation: Goede Nacht: Images of the Night in Seventeenth-Century Dutch Visual Culture _______________________________________ Chair: Linda Stone-Ferrier, Ph.D. Date approved: July 8, 2019 ii Abstract Goede Nacht: Images of the Night in Seventeenth-Century Dutch Visual Culture provides a comprehensive study of depictions of the night in Dutch art from seventeenth century, and of a number of different ways in which contemporary understandings of the nighttime informed artistic practice throughout the northern Netherlands. The dramatic increase in the production of such pictures, the impressive diversity of their compelling subjects, and their exquisite visual appeal demand scholarly attention. To better understand this complex topic, analysis focuses on the most frequently represented subject matter in Dutch nocturnal imagery—religious scenes, urban fires, labor and leisure—and contextualizes the meanings and functions of the remarkable pictures within relevant historical, religious, socio-economic and cultural associations and circumstances. The wide range of depicted subjects demonstrates the richness of such imagery and engages the sometimes conflicting cultural perceptions of the night among the Dutch at this time. -
Lustige Geesten Rederijkers in De Noordelijke Nederlanden (1480-1650)
Arjan van Dixhoorn Lustige geesten Rederijkers in de Noordelijke Nederlanden (1480-1650) A U P Lustige geesten Lustige geesten Rederijkers in de Noordelijke Nederlanden (1480-1650) Arjan van Dixhoorn Ter nagedachtenis aan Catharina van Dixhoorn- Van Langevelde (1916-2009). Dit boek is tot stand gekomen met financiële steun van Gravin van Bylandt Stich- ting, Hendrik Mullers Vaderlandsch Fonds, de J.E. Jurriaanse Stichting en de Thijssen-Schoute Stichting Omslagillustratie: Anoniem schilderij, gedateerd 1659, 46 × 43,5 cm. Inv.-no. OSI-552, Frans Halsmuseum, Haarlem Ontwerp omslag: Geert de Koning, Ten Post Lay-out: Prografici, Goes ISBN 9789089641045 E-ISBN 9789048508716 NUR 621 © Arjan van Dixhoorn/Amsterdam University Press, 2009 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomati- seerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch, door fotokopieën, opnamen of enige andere manier, zonder voorafgaande schriftelijke toestemming van de uitgever. Voorzover het maken van kopieën uit deze uitgave is toegestaan op grond van artikel 16B Auteurswet 1912 jº het Besluit van 20 juni 1974, Stb. 351, zoals gewijzigd bij het Besluit van 23 augustus 1985, Stb. 471 en artikel 17 Auteurswet 1912, dient men de daarvoor wettelijk verschuldigde vergoedingen te voldoen aan de Stich- ting Reprorecht (Postbus 3051, 2130 KB Hoofddorp). Voor het overnemen van gedeelte(n) uit deze uitgave in bloemlezingen, readers en andere compilatiewerken (artikel 16 Auteurswet 1912) dient men zich tot de uitgever te wenden. Inhoudsopgave Voorwoord / 9 1. In een traditie gevangen: rederijkers in het onderzoek / 11 Inleiding / 11 De prijs van literaire vooruitgang / 13 Een burgercultuur / 16 Het culturele, intellectuele en literaire veld / 19 Publieke sfeer en publieke opinievorming / 26 2.