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Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Appendix B: Transcript Bravely Default
Appendix B: Transcript Bravely Default Applied JGRL usage tagging styles: Gender-conforming Gender-contradicting Gender-neutral (used to tag text which is easily confusable as JGRL) Gender-ambiguous Notes regarding preceding text line Finally, instances of above tagging styles applied to TT indicate points of interest concerning translation. One additional tagging style is specifically used for TT tagging: Alternate translations of ‘you’ 『ブレイブリーデフォルトフォーザ・シークウェル』 [BUREIBURII DEFORUTO FOOZA・ SHIIKUWERU]— —“BRAVELY DEFAULT” 1. 『オープニングムービー』 [Oopuningu Muubii] OPENING CINEMATICS AIRY anata, ii me wo shiteru wa ne! nan tte iu ka. sekininkan ga tsuyo-sou de, ichi-do kimeta koto wa kanarazu yaritoosu! tte kanji da wa. sonna anata ni zehi mite-moraitai mono ga aru no yo. ii? zettai ni me wo sorashicha DAME yo. saigo made yaritokete ne. sore ja, saki ni itteru wa. Oh, hello. I see fire in those eyes! How do I put it? They’ve a strong sense of duty. Like whatever you start, you’ll always see through, no matter what! If you’ll permit me, there’s something I’d very much like to show you. But… First, I just need to hear it from you. Say that you’ll stay. Till the very end. With that done. Let’s get you on your way! ACOLYTES KURISUTARU no kagayaki ga masumasu yowatte-orimasu. nanika no yochou de wa nai deshou ka. hayaku dou ni ka shimasen to. The crystal’s glow wanes by the hour. It’s fading light augurs a greater darkness. Something must be done! AGNÈS wakatteimasu. Leave all to me. AGNÈS~TO PLAYER watashi no namae wa, ANIESU OBURIIJU. -
June 2011 – the Planchet Magazine
Annual ENS BBQ DATE CHANGE - Page 11 www.edmontoncoinclub.com VOL 58. ISSUE 5 June 2011 Edmonton Numismatic Society $4.25 The Planchet Numismatic Propaganda Numismi-App “Tribute Penny” Late 19th C. Japan Page 6 VOL 58. ISSUE 5 June 2011 The Planchet Other Stuff Feature Articles 3 Message From The President 6 A Penny’s Worth 3 Next Meeting The Sun Ascendant A change to centuries of tradition leads to About Your Society 5 changes in foreign policy and coinage. by Marc Bink 18 Silent Auction 16 Ancient/Medieval 19 ENS Show Details Render Unto Caesar A historically important coin, not only because Coin Collecting in 22 it was issued under the reign of Tiberius but it Elementary School is also thought to be the “Tribute Penny” presented to Jesus. My Finds 23 by Terence Cheesman Coming Events /Classified 31 NUMISMI-APP / New Members 20 PCGS Photograde The Planchet Team: Technology is changing and so must the hobby. Editor-In-Chief: Roger Grove Content Editor: Chris Hale This series explores the ‘App’ revolution and Co-Editors: Pierre Driessen & how numismatics is jumping on board, Marc Bink by discussing numismatic Apps. On-Line Distribution: Pierre Driessen by Roger Grove Printing and Mailing: Howard Gilbey 24 Pro Dolecta Exonumiae Game of Crowns : 1806 - a fateful year for the thrones of Europe CloseON THEup of Meiji COVER 1 Yen, year 26 (1893) Japan. Obverse: Dragon· 416·ONE commemorated. 2011 YEN·900. Reverse: Denomination (in Japanese kanji text) surrounded by wreath by Pierre Driessen and stylized chrysanthemum flower (Imperial Seal of Japan). Disclaimer:The opinions herein are those of the individual authors and are not necessarily those of the Edmonton Numismatic Society. -
Money in Modern Japan
Money in Modern Japan Japan is one of the oldest states in the world: in over 2000 years the island nation has slowly and continuously developed culturally, socially, politically and economically into the country that it is today. It is characteristic that Japan never fell under the domination of a foreign power during this time – not until after World War II, however, when it was occupied by the Americans for some years (1945- 1952). That does not mean, of course, that no external influences were adopted. On the contrary: until the end of the Japanese Middle Ages (about 1200-1600), Japan was completely geared towards its great neighbor China. From there it adopted cultural, political and economic achievements, among them also money. Well into the 16th century, the Japanese cast coins following Chinese models. In addition, masses of cash coins (ch'ien) imported from China were in circulation. With the beginning of modern times around 1600, a radical turn around took place. Under the government of the Tokugawa shoguns (the Edo period, 1603-1867) the island nation cut itself off almost completely from the outside world. In this time an independent Japanese culture evolved – and a coinage system of its own, whose principal feature was the simultaneous circulation of a gold and a silver currency. 1 von 12 www.sunflower.ch Japanese Empire, Edo Period, Shogun Tokugawa Ietsugu (1712-1716), Kobankin 1714, Edo Denomination: Kobankin Mint Authority: Shogun Tokugawa Ietsugu Mint: Edo (Tokyo) Year of Issue: 1714 Weight (g): 17.8 Diameter (mm): 69.5 Material: Gold Owner: Deutsche Bundesbank Japan was united towards the end of the 16th century after long years of civil war. -
Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A -
Universitas Kristen Maranatha Xviii LAMPIRAN 1 LAGU-LAGU
LAMPIRAN 1 LAGU-LAGU NAKASHIMA MIKA 雪雪雪の雪ののの華華華華 のびた人陰を 舗道に並べ 夕闇のなかをキミと歩いてる 手を繋いでいつまでもずっと そばにいれたなら泣けちゅうくらい 風が冷たくなって 冬の匂いがした そろそろこの街に キミと近付ける季節がくる 今年、最初の雪の華を 2人寄り添って 眺めているこの時間に シアワセがあふれだす 甘えとか弱さじゃない ただ、キミを愛してる 心からそう思った キミがいると どんなことでも 乗りきれるような気持ちになってる こんな日々がいつまでもきっと 続いてくことを祈っているよ 風が窓を揺らした 夜は揺り起こして どんな悲しいことも ボクが笑顔へと変えてあげる 舞い落ちてきた雪の華が 窓の外ずっと 降りやむことをしらずに ボクらの街を染める 誰かのために何かを したいと思えるのが xviii Universitas Kristen Maranatha 愛ということを知った もし、キミを失ったとしたなら 星になってキミを照らすだろう 笑顔も 涙に濡れてる夜も いつもいつでもそばにいるよ 今年、最初の雪の華を 2人寄り添って 眺めているこの時間に シアワセがあふれだす 甘えとか弱さじゃない ただ、キミとずっと このまま一緒にいたい 素直にそう思える この街に降り積もってく 真っ白な雪の華 2人の胸にそっと思い出を描くよ これからもキミとずっと… (中島。実嘉;BEST album ;2005) Nobita kage wo hodou ni narabe Yuuyami no naka wo kimi to aruiteru Te wo tsunaide itsumademo zutto Soba ni ireta nara nakechaukurai Kaze ga tsumetaku natte Fuyu no nioi ga shita Sorosoro kono machi ni Kimi to chikatzukeru kisetsu ga kuru Kotoshi saisho no yuki no hana wo Futari yori sotte Nagameteiru kono toki ni Shiawase ga afuredasu Amae toka yowasa janai Tada, kimi wo aishiteru Kokoro kara sou omotta Kimi ga iru to donna koto demo Norikireru you na kimochi ni natteru Donna hibi ga itsumademo kitto Tsuzuiteku koto wo inotteiruyo xix Universitas Kristen Maranatha Kaze ga mado wo yurashita Yoru wo yuri okoshite Donna kanashii koto mo Boku ga egao e to kaete ageru Mai ochitekita yuki no hana ga Mado no sotto zutto Furiyamu koto wo shirazu ni Bokura no machi wo someru Dareka no tame ni nanika wo Shitai to omoeru no ga Ai to iu koto wo shitta Moshi, kimi wo ushinatta toshita nara Hoshi ni natte kimi wo terasu -
Discussion Paper Series
DISCUSSION PAPER SERIES The Gold and Silver Wraps of the Edo Period -A Unique Form of Gold and Silver Coins- Kenjiro Yamaguchi Mari Ohnuki Discussion Paper 97-E-10 INSTITUTE FOR MONETARY AND ECONOMIC STUDIES BANK OF JAPAN C. P. O. BOX 203 TOKYO 100-91 JAPAN NOTE: IMES Discussion Paper Series is circulated in order to stimulate discussion and comments. Views expressed in Discussion Paper Series are those of authors and do not necessarily reflect those of the Bank of Japan or the Institute for Monetary and Economic Studies. IMES Discussion Paper 97-E-10 November 1997 The Gold and Silver Wraps of the Edo Period -A Unique Form of Gold and Silver Coins- Kenjiro Yamaguchi* Mari Ohnuki** Abstract In the Edo Period, a unique form of money known as “Tsutsumi-kin”(the gold wraps) and “Tsutsumi-gin”(the silver wraps), which were paper-packed gold and silver coins, were commonly used as settlement media for large transactions. They were packed in traditional Japanese paper and sealed with the preparer’s stamp. On the obverse, the name of the preparer, the amount included, and the date of wrapping were written with a brush to certify their value. Wraps circulated as money at face value and no one tried to break seals nor to check the amount included, relying on the high credibility of sealers such as the Gold Mint, the Silver Mint and prestigious money changers. Gold and silver wraps were first prepared by the Gold Mint and the Silver Mint by the order of the Tokugawa Shogunate government but prestigious ryogaesho(money changers) also started to prepare the wraps backed by their high credibility since the late 17th century with the growing demand for a large- denomination currency to settle many large transactions. -
Course Content Contenido Del Curso Contenu Du Cours Kursinhalt Contenuto Del Corso Conteúdo Do Curso
レベル 1 Stufe 1 Level 1 日本語 JAPANISCH JAPANESE 단계 1 Livello 1 Nivel 1 일본어 GIAPPONESE JAPONÉS 1 级 Nível 1 Niveau 1 日语 JAPONÊS JAPONAIS Course Content Contenido del curso Contenu du cours Kursinhalt Contenuto del corso Conteúdo do curso コース内容 코스 컨텐트 북 课文 CCB-JPN-L1-2.0 - 64224 ISBN 978-1-60391-422-2 All information in this document is subject to change without notice. This document is provided for informational purposes only and Rosetta Stone Ltd. makes no guarantees, representations or warranties, either express or implied, about the information contained within the document or about the document itself. Rosetta Stone,® Language Learning Success,™ and Dynamic Immersion,® are trademarks of Rosetta Stone Ltd. Copyright © 2011 Rosetta Stone Ltd. All rights reserved. Printed in the United States of America. Rosetta Stone Harrisonburg, Virginia USA T (540) 432-6166 • (800) 788-0822 in the USA and Canada F (540) 432-0953 RosettaStone.com レベル 1 Stufe 1 Level 1 日本語 JAPANISCH JAPANESE 단계 1 Livello 1 Nivel 1 일본어 GIAPPONESE JAPONÉS 1 级 Nível 1 Niveau 1 日语 JAPONÊS JAPONAIS Course Content Contenido del curso Contenu du cours Kursinhalt Contenuto del corso Conteúdo do curso コース内容 코스 컨텐트 북 课文 目次 言語の基礎 1.1 コア レッスン �������������������������������������������������������������������������������������������������������1 1.2 コア レッスン �������������������������������������������������������������������������������������������������������7 1.3 コア レッスン �����������������������������������������������������������������������������������������������������14 1.4 コア レッスン -
Sekai-Kei As Existentialist Grand Narrative
Sekai-kei as Existentialist Narrative: Positioning Xenosaga within the Genre Framework. THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Stefanie Thomas, B.A. Graduate Program in East Asian Languages and Literatures The Ohio State University 2014 Committee: Dr. Kerim Yasar, Advisor Dr. Richard E. Torrance Copyright by Stefanie Thomas 2014 Abstract The term sekai-kei (“world-type”), a genre of subcultural narrative whose defining characteristic is the omission of a mediating social dimension between individual characters and an apocalyptic large-scale situation, has come to be used as a tool of cultural criticism pertaining to young adults of the mid-90s to the mid-2000s. Within this critical discourse, the exclusion of society in such works is frequently connected with the rise of problematic phenomena within Japan while the genre was at the height of its popularity, among them the increase in hikikomori (“shut-ins”) and youths not seeking careers or education. Critics claim in this context that sekai-kei narratives affirm social withdrawal and refusal of maturity, citing the postmodernist loss of a shared societal “grand narrative” as being evident in these works. In this study, I will examine the definitive sekai-kei narratives Saishū heiki kanojo (“Final weapon girlfriend”), Iriya no sora, UFO no natsu (“Iriya’s sky, summer of UFOs”), and Hoshi no koe (“Voice of a star/Star’s voice”) alongside the sekai-kei prototype Shin seiki evangerion (“Gospel of a new century”/Neon Genesis Evangelion), utilizing an existentialist hermeneutic approach, and demonstrate that these narratives unanimously reject withdrawal. -
March 18-25, 2019 Saitama Super Arena City Overview : Saitama Introduction City Overview Introduction the Venue
March 18-25, 2019 Saitama Super Arena City Overview : Saitama Introduction City Overview Introduction The Venue Hotel Information ISU/Judge/Team/OC Hotel Chaperon/Media Hotel Travel Information Ground Transportation Event Shuttle Saitama is a major city within half an hour by train north of Tokyo. The city was newly Accreditation formed in 2001 with the merger of Urawa, Omiya and other municipalities. Schedule of Accreditation Reissuing Accreditation Saitama is primarily a residential city and a big proportion of its population of over a Visa Application million commutes to Tokyo for work. This contributes largely to Omiya Station being a major train hub in the area. The station serves the Tohoku Shinkansen, Joetsu Useful Information Shinkansen and many suburban train lines, making it one of the busiest in the Kanto General Information Tourism and Culture-Things to Do in Saitama Region. Tourism and Culture-Things to Do in Tokyo Tourism and Culture- Side trips from Tokyo Although not known in particular as a tourist destination, the city does have some Food culture in Japan places of interest such as The Railway Museum and the Omiya Bonsai Village, a leading district in Japan for the promotion and production of bonsai (potted miniature Event Schedule plants). There is also much to see and do here for day travelers from the capital, including fascinating and historic temples and shrines in Kawagoe, challenging Summary of Deadlines mountains in Chichibu, quirky museums, tranquil tea fields in Sayama and picturesque hiking courses. 2 City Overview : Saitama Introduction Directions From Shinjuku, Tokyo: approx. 35 min. to Omiya Station by JR Line. -
Ani-Mayhem 2010 「アニメイヘム.Com」 Database 2019-10-27
Ani-Mayhem 2010 「アニメイヘム.com」 Database 2019-10-27 Name Type Rarity Series Credit 8 Man Character Rare 8 Man After Ryan R. A-ko Magami Character Common Project A-ko Anime Cafe Admiral Rudolph Character Rare Casshan Ryan R. Afura Mann Character Common El-Hazard Anime Cafe Agent "D" Character Common Project A-ko Anime Cafe Aira Character Uncommon Green Legend Ran Ryan R. Akane Tendo Character Uncommon Ranma ½ Anime Cafe Al Cu Ad Solte Character Common Dominion Tank Police Anime Cafe Alielle Relryle Character Promotional El-Hazard Anime Cafe Alluro Character Promotional ThunderCats Ryan R. Ami Kurimoto Character Rare DNA² Ryan R. Ami Mizuno Character Common Sailor Moon Ryan R. Amok Character Promotional ThunderCats Ryan R. Amy Character Common Gall Force Ryan R. Andromeda Shun Character Common Saint Seiya Nuno Gonçalves Annapuma Character Common Dominion Tank Police Anime Cafe Aquila Marin Character Uncommon Saint Seiya Nuno Gonçalves Artemis Character Uncommon Sailor Moon Ryan R. Asako Nakamura Character Common Ushio and Tora Ryan R. Asato Kido Character Uncommon YuYu Hakusho Ryan R. Athena Henderson Character Rare Orguss Ryan R. Atlia Character Uncommon Dragon Ball Z Silver Island Aya Kishida Character Common Ariel Ryan R. Ayaka Kisaragi Character Common Phantom Quest Corp. Anime Cafe Azusa Matsudaira Character Uncommon Blue Seed Ryan R. B-ko Daitokuji Character Common Project A-ko Anime Cafe Baba Character Rare Dragon Ball Z Silver Island Baby Gohan Character Common Dragon Ball Z Silver Island Bauer Character Uncommon Gall Force Ryan R. Bean Bandit Character Uncommon Riding Bean Ryan R. Bear Geki Character Uncommon Saint Seiya Ryan R. -
An Educational Programs to Providing an Ability to Pay for Fares on Trains and Streetcars for a Child with Middle-Functioning Autism
愛媛大学教育学部紀要 第54巻 第1号 51~55 2007 An educational programs to providing an ability to pay for fares on trains and streetcars for a child with middle-functioning autism Graduate School of Education Yuki UTSUNOMIYA Yu-gun Elementary School Tomoko ISHIKAWA Center for Education and Educational Research Tadahiro KATO Center for Education and Educational Research Osamu TANABE (Received June 8, 2007) Introduction the kitchen, using public transportation or taxis, and Autistic disorder is a neurological and developmental helping out with household maintenance.(Carothers& disorder that usually appears during the first three years Taylor,2004) of life. A child with autism appears to live in his/her own Kazuo(a pseudonym), at his age of 17 year old, was world, showing little interest in others, and a lack of social diagnosed for middle functioning autism with hyperactive awareness. The focus of an autistic child is a consistent behaviors.(Utsunomiya,et al., 2007) routine and includes an interest in repeating odd and The streetcar in Matsuyama has a fixed fare of 150 yen, peculiar behaviors.(APA,2000)Autistic children often regardless of distance traveled.(Iyo Railway Co .,Ltd Hp) have problems in communication, avoid eye contact, and On the other hand the suburban railway has a basic show limited attachment to others. charge of 200 yen with an additional 50 yen payable for Keeping these peculiarities of autistic child in mind, it is every two stops traveled, with a maximum fare of 500 yen. clear that the objectives of daily living skills instruction for (Iyo Railway Co .,Ltd Hp) a child with autism will change as the child's skill level In the near future Kazuo will have to use the streetcar and changes, as the child grows older, and as the child is train to travel to his day-care center.