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“Iki,” the Edo Aesthetic, Seen in Bijin-Ga Prints from the Tenmei To
English Edition19 Oct.23 Fri. 2020 No.19 From the Permanent Exhibition Area From the Aesthetics of Edo Corner “Iki,” the Edo Aesthetic, Seen in Bijin-ga Prints from the Tenmei to Kansei (1781-1800) looking at her colleague who is still applying rouge to her lips. When their preparations are complete, the geisha will stroll to the dinner party at which they are to perform. eir kimono are the then-popular style with designs conned to their skirts. ey walk with bare feet in wooden clogs to aunt these iki patterns. Torii Kiyonaga depicts their Edo-ideal slender, supple bodies in a manner now labeled “Edo Venus.” is ukiyo-e captures the pride and resilience of the geisha getting ready to perform. Knowing the Sweets and bitters of Love Resting her chin on her hand, she stares into the distance, her eyes half closed. Reflective Love, from the series Anthology of Poems: e Love Section, is an okubi-e portrait. e expression on the face and gesture with the hand capture this beauty’s emotions in a manner that makes this portrait of a beauty one of Kitagawa Utamaro’s masterpieces. e clean, unadorned lines elegantly and eortlessly depict the feelings expressed in her face. Her shaved eyebrows tell us that she is a married woman, and her hair done up in a torobin shinoji mage chignon indicates that she is the wife of a commoner. She is wearing a kosode kimono with a small, komon, decorative pattern. e background color is a faintly reddish grey. Her under kimono has a yellow and black check pattern that, combined with the purple tie-dyed undergarment, enlivens the color of the hand Permanent Exhibition and face. -
21St Century Edition of Fukuzawa Yukichi's Geography Textbook
Volume 18 | Issue 20 | Number 5 | Article ID 5500 | Oct 15, 2020 The Asia-Pacific Journal | Japan Focus Recycled Images: 21st Century Edition of Fukuzawa Yukichi’s Geography Textbook Elena Baibikov hierarchy-based discussions of race and civilization (Baxter 2007, Uchiyama 2009, Abstract: This essay takes a constructionist Takezawa 2015). However, these researchers approach to Representation Studies, examining pay little attention to how Japan’s past social Fukuzawa Yukichi’s elementary geography and geopolitical positions correspond to the textbook Sekai kunizukushi (1869) and its contemporary Japanese palette of varying hierarchical images of the West, juxtaposed ideological states-of-mind, in the 21st century. against representations of Japan as framed by concepts of race and civilization. Furthermore, One of the most influential Meiji textbooks was it compares these images to their “recycled” an elementary geography book Sekai versions as constructed in the vast extra-textual kunizukushi (世界国盡, All the Countries of apparatus of Fukuzawa Yukichi no Sekai the World), which was composed by Fukuzawa kunizukushi de sekai wo manabu(2017), a Yukichi and published in 1869, the second year recent translation of Fukuzawa’s textbook into of the Meiji period. In 2017, some 150 years modern Japanese. The move to reintroduce after Sekai kunizukushi's initial publication, a older textbooks is here examined as an “image- new edition was published under the title building” strategy, one that allows the (re-) Fukuzawa Yukichi no Sekai kunizukushi de construction of influential images in support of sekai wo manabu(『世界国尽 』で世界を学 an ideological agenda. ぶ, Learning about the World through Fukuzawa Yukichi’s Sekai kunizukushi). -
Copper in the Early Modern Sino-Japanese Trade Monies, Markets, and Finance in East Asia, 1600–1900
Copper in the Early Modern Sino-Japanese Trade Monies, Markets, and Finance in East Asia, 1600–1900 Edited by Hans Ulrich Vogel VOLUME 7 The titles published in this series are listed at brill.com/mmf Copper in the Early Modern Sino-Japanese Trade Edited by Keiko Nagase-Reimer LEIDEN | BOSTON Cover illustration: From “Scroll with views of the Dutch Factory and Chinese Quarter in Nagasaki 唐館図 蘭館図絵巻” drawn by Ishizaki Yūshi 石崎融思. Courtesy of Nagasaki Museum of History and Culture 長崎歴史文化博物館. Library of Congress Cataloging-in-Publication Data Names: Nagase-Reimer, Keiko. Title: Copper in the early modern Sino-Japanese trade / edited by Keiko Nagase-Reimer. Description: Leiden : Brill, 2016. | Series: Monies, markets, and finance in East Asia, 1600-1900, ISSN 2210-2876 ; volume 7 | Includes bibliographical references and index. Identifiers: LCCN 2015029107| ISBN 9789004299450 (hardback : acid-free paper) | ISBN 9789004304512 (e-book) Subjects: LCSH: Copper industry and trade—Japan—History. | Copper industry and trade—China—History. | Japan—Commerce—China—History. | China--Commerce—Japan—History. | Japan—Economic conditions—1600–1868. Classification: LCC HD9539.C7 J323 2016 | DDC 382/.4566930952—dc23 LC record available at http://lccn.loc.gov/2015029107 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 2210-2876 isbn 978-90-04-29945-0 (hardback) isbn 978-90-04-30451-2 (e-book) Copyright 2016 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill nv incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. -
Sino-Japanese Interactions Through Rare Books
Timelines and Maps Sino-Japanese Interactions Through Rare Books English Version © Keio University Timelines and Maps East Asian History at a Glance Books are part of the flow of history. But it is not only about Japanese history. Many books travel over the sea time to time for several reasons and a lot of knowledge and information comes and go with books. In this course, you’ll see books published in Japan as well as ones come from China and Korea. Let’s take a look at the history in East Asia. You do not have to remember the names of the historical period but please refer to this page for reference. Japanese History Overview This is a list of the main periods in Japanese history. This may be a useful reference as we proceed in the course. Period Name of Era Name of Era - mid-3rd c. CE Yayoi 弥生 mid-3rd c. CE - 7th c. CE Kofun (Tomb period) 古墳 592 - 710 Asuka 飛鳥 710-794 Nara 奈良 794 - 1185 Heian 平安 1185 - 1333 Kamakura 鎌倉 Nanboku-chō 1333 - 1392 (Southern and Northern Courts period) 南北朝 1392 - 1573 Muromachi 室町 1573 - 1603 Azuchi-Momoyama 安土桃山 1603 - 1868 Edo 江戸 1868 - 1912 Meiji 明治 Era names (Nengō) in Edo Period There were several era names (nengo, or gengo) in Edo period (1603 ~ 1868) and they are sometimes used in the description of the old books and materials, especially Week 2 and Week 4. Here is the list of the era names in Edo period for your convenience; 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University Timelines and Maps Start Era name English Start Era name English 1596 慶長 Keichō 1744 延享 Enkyō -
Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings—
Special Exhibition Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings— March 4th to June 11th, 2017 at Ryukoku Museum List of Works Notes • The list numbers corespond to the exhibition labels. • Not all the works of this list will be exhibited at the same time because of the exhibition rotations. Chapter 1 Past Chief Priests of Hongwanji No. Title Artist or Author Materials Date Location and Owner [National Treasure] Inscription and Endorsed Muromachi period, 1 Colors on silk Hongwanji, Kyoto Portrait of Shinran (Anjō no Go'ei ) by Rennyo (1415-99) Bunmei 11 (1479) Momoyama period, 2 Portraits of Shinran (Hana no Go'ei ) Colors on silk Hongyō-ji, Shiga 16th-17th century Endorsed by Muromachi period, 3 Portraits of Shinran Colors on silk Konjōbō, Toyama Jitsunyo (1458-1525) Meiō 6 (1497) Endorsed by Muromachi period, 4 Portraits of Shinran Colors on silk Hōon-ji, Toyama Shōnyo (1516-54) 16th century Wood with Kamakura-Nambokuchō 5 Seated Image of Shinran pigments, Hongaku-ji, Fukui period, 14th century crystal Eyes Wood with toned Nambokuchō-Muromachi 6 Seated Image of Shinran repairs, Konkaikōmyō-ji, Kyoto period, 14th-15th century crystal Eyes Illustrated Biography of Shinran Nambokuchō period, 7 Colors on paper Kōraku-ji, Nagano (Hongwanji shōnin Shinran denne ) 14th century [Important Cultural Property] Inscription by Nambokuchō period, Jōsembō in Temma, 8 Illustrated Biography of Shinran Colors on paper Zonkaku (1290-1373) 14th century Osaka (Hongwanji shōnin Shinran denne ) by Tokuriki Zensetsu, -
Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
Masayoshi Amamiya: Should the Bank of Japan Issue a Digital Currency?
July 5, 2019 Bank of Japan Should the Bank of Japan Issue a Digital Currency? Speech at a Reuters Newsmaker Event in Tokyo Masayoshi Amamiya Deputy Governor of the Bank of Japan (English translation based on the Japanese original) I. Introduction It is a great honor and pleasure for me to be able to speak to you today. In recent years, the environment surrounding Japan's payment and settlement systems has gone through various changes. On the demand side, consumers seek more convenient payment services, such as those available during the nighttime and on holidays or low-cost international remittance services. Diversified lifestyles and the spread of e-commerce businesses have contributed to this. On the supply side, new devices -- such as smartphones and IC cards -- enabling the public to access payment services have continued to expand. In addition to traditional financial institutions, non-bank firms with strong capabilities in information technologies, or so-called FinTech firms, have started to provide cashless payments services. As central banks have a responsibility to improve the safety and efficiency of payment and settlement systems, their future landscape in the digital age is an extremely important topic for us. In fact, whether central banks should issue digital currencies as a payment instrument substituting for cash (banknotes and coins) has become an important issue. Digital currencies issued by central banks are called "central bank digital currencies" (CBDCs). The Bank for International Settlements (BIS) conducted an interesting survey on central bank initiatives for CBDC (Figure 1). Among the 63 respondent central banks, about 70 percent are engaged in CBDC work, most of which is in the form of research/study or experiments/proof-of-concept. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
The Creation of the Term Kojin (Individual)
The Creation of the Term Kojin (Individual) Saitō Tsuyoshi The term kojin 個人 (individual)—meaning that element which gives form to the opposition between state and society, the person who enjoys a freedom and independence that allows for no intrusion by others or state power, and the subject of free and equal rights, among other things—took shape extraor- dinarily late. So far as I have been able to determine, the term kojin was coined to correspond to the European word “individual” in 1884 (Meiji 17). The fact that the word shakai 社會 (society), as I have discussed elsewhere,1 was first employed in the sense that it is presently used in 1875 (Meiji 8) means that 1884 is really quite late. However, kojin and shakai as concepts must have been born in the same period. Before kojin as a word emerged, there is little doubt that kojin as a concept [even if there was no specific word to articulate it] would surely have existed. When I looked for the words that express the concept of kojin, words with which intellectuals from the late-Edo period [1600–1867] through early Meiji [1868–1912] were experimenting, I learned of the long, painful road traveled by them until they struck upon this simple term. This was also something of a major shock. 1 Translation Equivalents for kojin through the Meiji Era The first Japanese translation given to correspond to “individual” or its equivalent in European languages appears to have been a word matched to the Dutch term individueel. The first head of the Bansho shirabesho 蕃書調 所 (Institute of barbarian books) was a man by the name of Koga Masaru 古賀增 (Kin’ichirō 謹一郎, Chakei 茶溪, 1816–1884). -
Unit 6 Unit 6
Book UnitUnit 66 33 pp.38-39 Who is taller? Aims for this lesson To learn usage of comparatives and superlatives To eliminate the bias of height and gender To ask appropriate questions to get information and solve a task Target sentences Words I am tall. I am taller. I am the tallest. tall → taller, long → longer, short → shorter, The “note” box on the textbook left-hand page introduces big → bigger, small → smaller, strong → stronger, new grammar with illustrations. It is not necessary to teach good → better, bad → worse students English grammar using special grammatical terms. What to prepare ●Class Cards: Unit6-3 #113-120 (comparatives) Verbal phrases: tall→taller, long→longer, short→shorter, big→bigger, small→smaller, tall / taller strong→stronger, good→better, bad→worse ●Card Plus+: Unit 6-3 #242-245 (superlatives) ( the tallest, the shortest, the biggest, the strongest) the tallest the strongest ●Activity Sheets ●Activity Sheets “Which snake is longer?” “Who is taller, the father or the mother?” ※Fold bottom up twice along the dotted ※Cut up #66 into mini-cards. lines of #63, 64 and 65. ※Attach magnets to the back of 6 A4 Sheets #63 (No.1) length comparisons of snakes (# 67-72). #64 (No.2) size comparisons of houses #65 (No.3) height comparisons of three children Warm up and Review 1 Greet the class. 2 Q&A (No.1-48) : See the “70 Questions List for Book 3”. 3 Review the previous lesson: Unit 6-2 p.36 Play CD2 #9. Have students repeat the words in the ‘Words’ box. Play CD2 #10.